The document contains musical notation for several marches to be played by piccolo band for a school. It includes the notes and structure for the hymn of the school, two commemorative marches titled "Red Feathers" and "Honors to the Fallen", and the beginning of a march titled "Farewell to the Seventh Line". The notes are written using standard musical notation of treble clef, measures, time signatures, and dynamics.
2024 State of Marketing Report – by HubspotMarius Sescu
https://www.hubspot.com/state-of-marketing
· Scaling relationships and proving ROI
· Social media is the place for search, sales, and service
· Authentic influencer partnerships fuel brand growth
· The strongest connections happen via call, click, chat, and camera.
· Time saved with AI leads to more creative work
· Seeking: A single source of truth
· TLDR; Get on social, try AI, and align your systems.
· More human marketing, powered by robots
ChatGPT is a revolutionary addition to the world since its introduction in 2022. A big shift in the sector of information gathering and processing happened because of this chatbot. What is the story of ChatGPT? How is the bot responding to prompts and generating contents? Swipe through these slides prepared by Expeed Software, a web development company regarding the development and technical intricacies of ChatGPT!
Product Design Trends in 2024 | Teenage EngineeringsPixeldarts
The realm of product design is a constantly changing environment where technology and style intersect. Every year introduces fresh challenges and exciting trends that mold the future of this captivating art form. In this piece, we delve into the significant trends set to influence the look and functionality of product design in the year 2024.
How Race, Age and Gender Shape Attitudes Towards Mental HealthThinkNow
Mental health has been in the news quite a bit lately. Dozens of U.S. states are currently suing Meta for contributing to the youth mental health crisis by inserting addictive features into their products, while the U.S. Surgeon General is touring the nation to bring awareness to the growing epidemic of loneliness and isolation. The country has endured periods of low national morale, such as in the 1970s when high inflation and the energy crisis worsened public sentiment following the Vietnam War. The current mood, however, feels different. Gallup recently reported that national mental health is at an all-time low, with few bright spots to lift spirits.
To better understand how Americans are feeling and their attitudes towards mental health in general, ThinkNow conducted a nationally representative quantitative survey of 1,500 respondents and found some interesting differences among ethnic, age and gender groups.
Technology
For example, 52% agree that technology and social media have a negative impact on mental health, but when broken out by race, 61% of Whites felt technology had a negative effect, and only 48% of Hispanics thought it did.
While technology has helped us keep in touch with friends and family in faraway places, it appears to have degraded our ability to connect in person. Staying connected online is a double-edged sword since the same news feed that brings us pictures of the grandkids and fluffy kittens also feeds us news about the wars in Israel and Ukraine, the dysfunction in Washington, the latest mass shooting and the climate crisis.
Hispanics may have a built-in defense against the isolation technology breeds, owing to their large, multigenerational households, strong social support systems, and tendency to use social media to stay connected with relatives abroad.
Age and Gender
When asked how individuals rate their mental health, men rate it higher than women by 11 percentage points, and Baby Boomers rank it highest at 83%, saying it’s good or excellent vs. 57% of Gen Z saying the same.
Gen Z spends the most amount of time on social media, so the notion that social media negatively affects mental health appears to be correlated. Unfortunately, Gen Z is also the generation that’s least comfortable discussing mental health concerns with healthcare professionals. Only 40% of them state they’re comfortable discussing their issues with a professional compared to 60% of Millennials and 65% of Boomers.
Race Affects Attitudes
As seen in previous research conducted by ThinkNow, Asian Americans lag other groups when it comes to awareness of mental health issues. Twenty-four percent of Asian Americans believe that having a mental health issue is a sign of weakness compared to the 16% average for all groups. Asians are also considerably less likely to be aware of mental health services in their communities (42% vs. 55%) and most likely to seek out information on social media (51% vs. 35%).
AI Trends in Creative Operations 2024 by Artwork Flow.pdfmarketingartwork
This article is all about what AI trends will emerge in the field of creative operations in 2024. All the marketers and brand builders should be aware of these trends for their further use and save themselves some time!
A report by thenetworkone and Kurio.
The contributing experts and agencies are (in an alphabetical order): Sylwia Rytel, Social Media Supervisor, 180heartbeats + JUNG v MATT (PL), Sharlene Jenner, Vice President - Director of Engagement Strategy, Abelson Taylor (USA), Alex Casanovas, Digital Director, Atrevia (ES), Dora Beilin, Senior Social Strategist, Barrett Hoffher (USA), Min Seo, Campaign Director, Brand New Agency (KR), Deshé M. Gully, Associate Strategist, Day One Agency (USA), Francesca Trevisan, Strategist, Different (IT), Trevor Crossman, CX and Digital Transformation Director; Olivia Hussey, Strategic Planner; Simi Srinarula, Social Media Manager, The Hallway (AUS), James Hebbert, Managing Director, Hylink (CN / UK), Mundy Álvarez, Planning Director; Pedro Rojas, Social Media Manager; Pancho González, CCO, Inbrax (CH), Oana Oprea, Head of Digital Planning, Jam Session Agency (RO), Amy Bottrill, Social Account Director, Launch (UK), Gaby Arriaga, Founder, Leonardo1452 (MX), Shantesh S Row, Creative Director, Liwa (UAE), Rajesh Mehta, Chief Strategy Officer; Dhruv Gaur, Digital Planning Lead; Leonie Mergulhao, Account Supervisor - Social Media & PR, Medulla (IN), Aurelija Plioplytė, Head of Digital & Social, Not Perfect (LI), Daiana Khaidargaliyeva, Account Manager, Osaka Labs (UK / USA), Stefanie Söhnchen, Vice President Digital, PIABO Communications (DE), Elisabeth Winiartati, Managing Consultant, Head of Global Integrated Communications; Lydia Aprina, Account Manager, Integrated Marketing and Communications; Nita Prabowo, Account Manager, Integrated Marketing and Communications; Okhi, Web Developer, PNTR Group (ID), Kei Obusan, Insights Director; Daffi Ranandi, Insights Manager, Radarr (SG), Gautam Reghunath, Co-founder & CEO, Talented (IN), Donagh Humphreys, Head of Social and Digital Innovation, THINKHOUSE (IRE), Sarah Yim, Strategy Director, Zulu Alpha Kilo (CA).
Trends In Paid Search: Navigating The Digital Landscape In 2024Search Engine Journal
The search marketing landscape is evolving rapidly with new technologies, and professionals, like you, rely on innovative paid search strategies to meet changing demands.
It’s important that you’re ready to implement new strategies in 2024.
Check this out and learn the top trends in paid search advertising that are expected to gain traction, so you can drive higher ROI more efficiently in 2024.
You’ll learn:
- The latest trends in AI and automation, and what this means for an evolving paid search ecosystem.
- New developments in privacy and data regulation.
- Emerging ad formats that are expected to make an impact next year.
Watch Sreekant Lanka from iQuanti and Irina Klein from OneMain Financial as they dive into the future of paid search and explore the trends, strategies, and technologies that will shape the search marketing landscape.
If you’re looking to assess your paid search strategy and design an industry-aligned plan for 2024, then this webinar is for you.
5 Public speaking tips from TED - Visualized summarySpeakerHub
From their humble beginnings in 1984, TED has grown into the world’s most powerful amplifier for speakers and thought-leaders to share their ideas. They have over 2,400 filmed talks (not including the 30,000+ TEDx videos) freely available online, and have hosted over 17,500 events around the world.
With over one billion views in a year, it’s no wonder that so many speakers are looking to TED for ideas on how to share their message more effectively.
The article “5 Public-Speaking Tips TED Gives Its Speakers”, by Carmine Gallo for Forbes, gives speakers five practical ways to connect with their audience, and effectively share their ideas on stage.
Whether you are gearing up to get on a TED stage yourself, or just want to master the skills that so many of their speakers possess, these tips and quotes from Chris Anderson, the TED Talks Curator, will encourage you to make the most impactful impression on your audience.
See the full article and more summaries like this on SpeakerHub here: https://speakerhub.com/blog/5-presentation-tips-ted-gives-its-speakers
See the original article on Forbes here:
http://www.forbes.com/forbes/welcome/?toURL=http://www.forbes.com/sites/carminegallo/2016/05/06/5-public-speaking-tips-ted-gives-its-speakers/&refURL=&referrer=#5c07a8221d9b
ChatGPT and the Future of Work - Clark Boyd Clark Boyd
Everyone is in agreement that ChatGPT (and other generative AI tools) will shape the future of work. Yet there is little consensus on exactly how, when, and to what extent this technology will change our world.
Businesses that extract maximum value from ChatGPT will use it as a collaborative tool for everything from brainstorming to technical maintenance.
For individuals, now is the time to pinpoint the skills the future professional will need to thrive in the AI age.
Check out this presentation to understand what ChatGPT is, how it will shape the future of work, and how you can prepare to take advantage.
A brief introduction to DataScience with explaining of the concepts, algorithms, machine learning, supervised and unsupervised learning, clustering, statistics, data preprocessing, real-world applications etc.
It's part of a Data Science Corner Campaign where I will be discussing the fundamentals of DataScience, AIML, Statistics etc.
Time Management & Productivity - Best PracticesVit Horky
Here's my presentation on by proven best practices how to manage your work time effectively and how to improve your productivity. It includes practical tips and how to use tools such as Slack, Google Apps, Hubspot, Google Calendar, Gmail and others.
The six step guide to practical project managementMindGenius
The six step guide to practical project management
If you think managing projects is too difficult, think again.
We’ve stripped back project management processes to the
basics – to make it quicker and easier, without sacrificing
the vital ingredients for success.
“If you’re looking for some real-world guidance, then The Six Step Guide to Practical Project Management will help.”
Dr Andrew Makar, Tactical Project Management
2024 State of Marketing Report – by HubspotMarius Sescu
https://www.hubspot.com/state-of-marketing
· Scaling relationships and proving ROI
· Social media is the place for search, sales, and service
· Authentic influencer partnerships fuel brand growth
· The strongest connections happen via call, click, chat, and camera.
· Time saved with AI leads to more creative work
· Seeking: A single source of truth
· TLDR; Get on social, try AI, and align your systems.
· More human marketing, powered by robots
ChatGPT is a revolutionary addition to the world since its introduction in 2022. A big shift in the sector of information gathering and processing happened because of this chatbot. What is the story of ChatGPT? How is the bot responding to prompts and generating contents? Swipe through these slides prepared by Expeed Software, a web development company regarding the development and technical intricacies of ChatGPT!
Product Design Trends in 2024 | Teenage EngineeringsPixeldarts
The realm of product design is a constantly changing environment where technology and style intersect. Every year introduces fresh challenges and exciting trends that mold the future of this captivating art form. In this piece, we delve into the significant trends set to influence the look and functionality of product design in the year 2024.
How Race, Age and Gender Shape Attitudes Towards Mental HealthThinkNow
Mental health has been in the news quite a bit lately. Dozens of U.S. states are currently suing Meta for contributing to the youth mental health crisis by inserting addictive features into their products, while the U.S. Surgeon General is touring the nation to bring awareness to the growing epidemic of loneliness and isolation. The country has endured periods of low national morale, such as in the 1970s when high inflation and the energy crisis worsened public sentiment following the Vietnam War. The current mood, however, feels different. Gallup recently reported that national mental health is at an all-time low, with few bright spots to lift spirits.
To better understand how Americans are feeling and their attitudes towards mental health in general, ThinkNow conducted a nationally representative quantitative survey of 1,500 respondents and found some interesting differences among ethnic, age and gender groups.
Technology
For example, 52% agree that technology and social media have a negative impact on mental health, but when broken out by race, 61% of Whites felt technology had a negative effect, and only 48% of Hispanics thought it did.
While technology has helped us keep in touch with friends and family in faraway places, it appears to have degraded our ability to connect in person. Staying connected online is a double-edged sword since the same news feed that brings us pictures of the grandkids and fluffy kittens also feeds us news about the wars in Israel and Ukraine, the dysfunction in Washington, the latest mass shooting and the climate crisis.
Hispanics may have a built-in defense against the isolation technology breeds, owing to their large, multigenerational households, strong social support systems, and tendency to use social media to stay connected with relatives abroad.
Age and Gender
When asked how individuals rate their mental health, men rate it higher than women by 11 percentage points, and Baby Boomers rank it highest at 83%, saying it’s good or excellent vs. 57% of Gen Z saying the same.
Gen Z spends the most amount of time on social media, so the notion that social media negatively affects mental health appears to be correlated. Unfortunately, Gen Z is also the generation that’s least comfortable discussing mental health concerns with healthcare professionals. Only 40% of them state they’re comfortable discussing their issues with a professional compared to 60% of Millennials and 65% of Boomers.
Race Affects Attitudes
As seen in previous research conducted by ThinkNow, Asian Americans lag other groups when it comes to awareness of mental health issues. Twenty-four percent of Asian Americans believe that having a mental health issue is a sign of weakness compared to the 16% average for all groups. Asians are also considerably less likely to be aware of mental health services in their communities (42% vs. 55%) and most likely to seek out information on social media (51% vs. 35%).
AI Trends in Creative Operations 2024 by Artwork Flow.pdfmarketingartwork
This article is all about what AI trends will emerge in the field of creative operations in 2024. All the marketers and brand builders should be aware of these trends for their further use and save themselves some time!
A report by thenetworkone and Kurio.
The contributing experts and agencies are (in an alphabetical order): Sylwia Rytel, Social Media Supervisor, 180heartbeats + JUNG v MATT (PL), Sharlene Jenner, Vice President - Director of Engagement Strategy, Abelson Taylor (USA), Alex Casanovas, Digital Director, Atrevia (ES), Dora Beilin, Senior Social Strategist, Barrett Hoffher (USA), Min Seo, Campaign Director, Brand New Agency (KR), Deshé M. Gully, Associate Strategist, Day One Agency (USA), Francesca Trevisan, Strategist, Different (IT), Trevor Crossman, CX and Digital Transformation Director; Olivia Hussey, Strategic Planner; Simi Srinarula, Social Media Manager, The Hallway (AUS), James Hebbert, Managing Director, Hylink (CN / UK), Mundy Álvarez, Planning Director; Pedro Rojas, Social Media Manager; Pancho González, CCO, Inbrax (CH), Oana Oprea, Head of Digital Planning, Jam Session Agency (RO), Amy Bottrill, Social Account Director, Launch (UK), Gaby Arriaga, Founder, Leonardo1452 (MX), Shantesh S Row, Creative Director, Liwa (UAE), Rajesh Mehta, Chief Strategy Officer; Dhruv Gaur, Digital Planning Lead; Leonie Mergulhao, Account Supervisor - Social Media & PR, Medulla (IN), Aurelija Plioplytė, Head of Digital & Social, Not Perfect (LI), Daiana Khaidargaliyeva, Account Manager, Osaka Labs (UK / USA), Stefanie Söhnchen, Vice President Digital, PIABO Communications (DE), Elisabeth Winiartati, Managing Consultant, Head of Global Integrated Communications; Lydia Aprina, Account Manager, Integrated Marketing and Communications; Nita Prabowo, Account Manager, Integrated Marketing and Communications; Okhi, Web Developer, PNTR Group (ID), Kei Obusan, Insights Director; Daffi Ranandi, Insights Manager, Radarr (SG), Gautam Reghunath, Co-founder & CEO, Talented (IN), Donagh Humphreys, Head of Social and Digital Innovation, THINKHOUSE (IRE), Sarah Yim, Strategy Director, Zulu Alpha Kilo (CA).
Trends In Paid Search: Navigating The Digital Landscape In 2024Search Engine Journal
The search marketing landscape is evolving rapidly with new technologies, and professionals, like you, rely on innovative paid search strategies to meet changing demands.
It’s important that you’re ready to implement new strategies in 2024.
Check this out and learn the top trends in paid search advertising that are expected to gain traction, so you can drive higher ROI more efficiently in 2024.
You’ll learn:
- The latest trends in AI and automation, and what this means for an evolving paid search ecosystem.
- New developments in privacy and data regulation.
- Emerging ad formats that are expected to make an impact next year.
Watch Sreekant Lanka from iQuanti and Irina Klein from OneMain Financial as they dive into the future of paid search and explore the trends, strategies, and technologies that will shape the search marketing landscape.
If you’re looking to assess your paid search strategy and design an industry-aligned plan for 2024, then this webinar is for you.
5 Public speaking tips from TED - Visualized summarySpeakerHub
From their humble beginnings in 1984, TED has grown into the world’s most powerful amplifier for speakers and thought-leaders to share their ideas. They have over 2,400 filmed talks (not including the 30,000+ TEDx videos) freely available online, and have hosted over 17,500 events around the world.
With over one billion views in a year, it’s no wonder that so many speakers are looking to TED for ideas on how to share their message more effectively.
The article “5 Public-Speaking Tips TED Gives Its Speakers”, by Carmine Gallo for Forbes, gives speakers five practical ways to connect with their audience, and effectively share their ideas on stage.
Whether you are gearing up to get on a TED stage yourself, or just want to master the skills that so many of their speakers possess, these tips and quotes from Chris Anderson, the TED Talks Curator, will encourage you to make the most impactful impression on your audience.
See the full article and more summaries like this on SpeakerHub here: https://speakerhub.com/blog/5-presentation-tips-ted-gives-its-speakers
See the original article on Forbes here:
http://www.forbes.com/forbes/welcome/?toURL=http://www.forbes.com/sites/carminegallo/2016/05/06/5-public-speaking-tips-ted-gives-its-speakers/&refURL=&referrer=#5c07a8221d9b
ChatGPT and the Future of Work - Clark Boyd Clark Boyd
Everyone is in agreement that ChatGPT (and other generative AI tools) will shape the future of work. Yet there is little consensus on exactly how, when, and to what extent this technology will change our world.
Businesses that extract maximum value from ChatGPT will use it as a collaborative tool for everything from brainstorming to technical maintenance.
For individuals, now is the time to pinpoint the skills the future professional will need to thrive in the AI age.
Check out this presentation to understand what ChatGPT is, how it will shape the future of work, and how you can prepare to take advantage.
A brief introduction to DataScience with explaining of the concepts, algorithms, machine learning, supervised and unsupervised learning, clustering, statistics, data preprocessing, real-world applications etc.
It's part of a Data Science Corner Campaign where I will be discussing the fundamentals of DataScience, AIML, Statistics etc.
Time Management & Productivity - Best PracticesVit Horky
Here's my presentation on by proven best practices how to manage your work time effectively and how to improve your productivity. It includes practical tips and how to use tools such as Slack, Google Apps, Hubspot, Google Calendar, Gmail and others.
The six step guide to practical project managementMindGenius
The six step guide to practical project management
If you think managing projects is too difficult, think again.
We’ve stripped back project management processes to the
basics – to make it quicker and easier, without sacrificing
the vital ingredients for success.
“If you’re looking for some real-world guidance, then The Six Step Guide to Practical Project Management will help.”
Dr Andrew Makar, Tactical Project Management
Beginners Guide to TikTok for Search - Rachel Pearson - We are Tilt __ Bright...
Partitura pífanos completa
1. LISTA DE NOTAS
PARA PÍFANOS
DE ACUERDO AL ARCHIVO
MIDI
(17 MARCHAS)
Banda de Guerra
Colegio Santa Teresita 2013
2. HIMNO DEL COLEGIO (Pífanos)
INTRO LIRAS
||SI – SOL – MI – FA# - SOL – LA – SOL – FA||
||SI – SI – SI – SI – SI – SI –SI – LA – SOL – FA# - MI ||
||SI – SOL – MI – FA# - SOL – LA – SOL – FA ||
||SI – SI – SI –SI – LA – SOL – FA# - MI ||
||RE - MI – FA# - SI – SI – SI – RE8 – SI ||
||SI – SI – SI –SI – LA – SOL – FA# - MI ||
CORO
||SOL – LA – SI – SOL – SI – LA – SOL – SI – LA – SOL – FA# ||
||FA# - SOL – LA – SOL – FA# - SOL – LA – LA - SOL – MI ||
||SI – LA – SOL – FA# - MI – RE# - MI - FA# - SOL – LA – SI ||
||SI – SI – SI – SI – RE8 – SI – LA – SOL – FA# - MI ||
||SI – SOL – MI – MI – MI – MI – FA# - SOL – LA – SOL – FA ||
||SOL – LA – LA – SI – LA – SOL – SI – LA ||
||LA – LA – SI – LA – SOL – SI – LA ||
||FA# - FA# - FA# - FA# - FA# - FA# - SOL – SI – LA ||
||LA – LA – SI – LA – SOL – SI – LA ||
||FA# - FA# - FA# - FA# - FA# - FA# - MI – FA# - MI ||
CORO
||SOL – LA – SI – SOL – SI – LA – SOL – SI – LA – SOL – FA# ||
||FA# - SOL – LA – SOL – FA# - SOL – LA – LA - SOL – MI ||
||SI – LA – SOL – FA# - MI – RE# - MI - FA# - SOL – LA – SI ||
||SI – SI – SI – SI – RE8 – SI – LA – SOL – FA# - MI ||
||SI – SI – SI – SI – RE8 – SI – LA – SOL – FA# - MI || x2
3. PENACHOS ROJOS (Pífanos)
||CORNETAS Y LIRAS||
8 8 8 8 8 8 8 8 8 8 8
||FA SOL FA MIb SOL FA RE SIb RE DO8 RE DO SIb LA SIb DO FA FA ||
||CORNETAS Y LIRAS ||
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
||FA SOL FA MIb SOL FA RE SIb RE DO SI DO MIb RE DO SIb SIb DO RE MIb FA ||
CORO 1:
8 8 8 8 8 8 8 8 8 8 8 8
||SOL SOL FA FA MIb MIb MIb RE DO SIb SIb DO DO RE SIb ||
8 8 8 8 8 8 8 8 8 8 8 8
||FA FA MIb MIb RE RE RE DO SIb DO MIb RE DO SIb Sib ||
8 8 8 8 8 8 8 8 8 8 8 8
||SOL SOL FA FA MIb MIb MIb RE DO SIb Sib RE SIb FA DO (DO ) ||
||LAb LAb LAb SIb LA SOL SOL SOL LAb SOL FA FA FA MIb RE MIb FA SOL DO ||
||LAb LAb LAb SIb LA SOL SOL SOL LAb SOL SIb LAb SOL LAb FA MIb ||
CORO 2: SOLO CORNETAS Y LIRAS
CORO 1 (SE REPITE)
CORO 3:
||SIb8 RE# RE MIb FA SOL FA RE# ||
||RE RE# FA SOL FA MIb SOL8 SIb8 RE# RE RE# SOL FA MIb RE ||
||SIb8 FA FA SOL SOL# SOL SOL# FA ||
||* FA SOL SOL# SOL SOL# FA RE FA LA# SOL# SOL SOL# SOL FA RE# ||
CORO 3 (Se repite)
8 8 8 8 8 8 8 8 8 8 8 8
|| MIb SOL FA MIb MIb SOL FA MIb MIb RE DO SIb DO LAb FA ||
8 8 8
|| FA LAb SOL FA FA LAb SOL FA SIb LA SIb SI DO RE MIb ||
CORO 4:
8 8
||SIb SIb SIb SIb SOL DO SIb SOL DO SIb SOL ||
8 8 8
||RE DO LAb SIb SOL SOL SIb SIb DO SIb LAb ||
8 8 8 8
||SIb SIb SIb SIb LAb RE DO LAb RE DO LAb ||
8 8 8 8 8 8 8 8
||LAb FA MIb RE DO SIb DO MIb RE DO SIb SIb Sib SIb Sib ||
8 8
||SIb SIb SIb SIb SOL DO SIb SOL DO SIb SOL ||
8 8 8 8 8 8 8 8
||RE DO LAb SIb SOL SOL SIb SIb REb REb DO DO DO DO ||
8 8 8 8 8 8 8 8 8
||DO DO DO DO LAb LAb MIb MIb RE DO MIb SIb ||
8 8 8 8 8 8 8 8 8 8 8
||MIb MIb MIb FA RE DO SIb SIb SOL FA MIb MIb MIb MIb ||
LIRAS Y SOLO DE PIFANO (BRIGADIER):
8 8 8 8 8
||SIb SOL SIb MIb SIb SOL SIb MIb SIb SOL SIb SIb SOL FA MIb ||
8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8
||SIb SOL DO SIb SOL DO SIb DO RE MIb FA SOL LAb SOL LAb FA MI FA LAb FA LAb ||
8 8 8 8 8 8 8 8 8 8 8 8
||DO LAb DO FA DO LAb DO FA DO LAb DO FA LAb SOL FA ||
8 8 8 8 8 8 8 8 8
||RE MIb RE DO RE DO SIb DO RE MIb FA SIb LAb FA MIb MIb SOL SIb SOL SIb ||
8 8 8 8 8
||SIb SOL SIb MIb SIb SOL SIb MIb SIb SOL SIb SIb SOL FA MIb ||
8 8 8 8 8 8 8 8 8 8 8
||SIb SIb DO SIb SIb DO SOL LAb SIb REb DO REb LAb SOL SOL LAb SOL MI FA LAb ||
8 8 8 8 8 8 8 8 8
||DO LAb SOL FA DO LAb SOL FA MIb SIb SOL SIb SIb MIb SOL ||
8 8 8 8 8 8 8 8 8 8 8 8
||LAb SOL LAb FA MI FA RE SIb LAb SIb DO RE MIb SOL FA MIb SIb SOL MIb ||
CORO 5:
||CORNETAS Y LIRAS||
CORO 4 (Se repite, Coro 4 y SOLO DE PIFANO combinado)
4. RECUERDO DE 30 AÑOS (Pífanos)
||FA8 DO8LADO8FA8 DO8LADO8FA8 DO8LAFADO8 DO||
|| FA FAFAFA LALALA DO8DO8DO8 RE8 DO8 LA# LA SOL FA DO8 DO8DO8DO8 ||
|| FAFAFA LALALA DO8DO8DO8 RE8 DO8 LA LA# SOL FA ||
|| FA LA# LA#LA#LA# RE8RE8RE8 FA8FA8FA8 SOL8 FA8 RE8# RE8 DO8 FA FAFAFAFA ||
||LA#LA#LA# RE8RE8RE8 FA8FA8FA8 SOL8 FA8 RE RE8# DO8 LA# ||
|| DO8DO8DO8 DO8DO8DO8 DO8DO8DO8 DO8 DO8DO8 ||
|| DO8DO8DO8 FA8 DO8 LA DO8 FA ||
|| DO8 LA DO8 FA SOL LA DO8 DO8 LA# LA LA# ||
||LA#LA#LA# MI8 RE8 LA# RE8 SOL ||
||RE8 LA# RE8 SOL LA LA# RE8 RE8DO8LA# DO8 ||
||DO8DO8DO8 FA8 DO8 LA DO8 FA ||
||DO8 LA DO8 FA SOL LA RE8# RE8#RE8DO8RE8 ||
||RE8RE8RE8 SOL8 FA8 MI8 RE8 DO8 ||
||LA FA RE8 DO8 LA# LA SOL FA FAFAFA ||
|| (CLARINES) ||
|| (CLARINES) ||
|| (CLARINES) ||
|| (CLARINES) ||
8
||FA LA# LA#LA#LA# RE LA# SOL FA ||
|| FA LA# RE8 DO8RE8 DO8 LA# LA LA# ||
||LA# DO8 RE8 RE8 RE8# RE8 DO8 LA# DO8 RE8DO8 ||
|| FA LA DO8 DO8 RE8 DO8 LA# LA LA# SOL FA ||
|| FA LA# RE8 DO8 RE8 DO8 LA# LA LA# ||
||LA# DO8 RE8 LA# RE8 FA8 FA8FA8FA8 FA8FA8FA8 LA# LA#LA#LA# ||
5. HONORES A LOS CAÍDOS (Pífanos)
|| (CLARINES) ||
|| (CLARINES) ||
|| SOL8 FA8 RE8# RE8 DO8 LA# LA SOL LA#LA# ||
|| RE RE# FA SOLSOL LALA LA# ||
|| RE RE# FA FAFAFA SOL SOL FA SOL RE8 LA# ||
|| RE RE# FAFAFAFAFAFA SOL FAFA RE# ||
||DO RE RE# RE#RE#RE# FAFA RE# FA DO8 LA ||
||DO RE RE# RE#RE#RE# LA#LA# LA SOL FA ||
|| RE RE# FA FAFAFA SOLSOL FA LA# RE8 LA# ||
|| SOL LA LA# LA#LA#LA# RE8RE8 DO LA# SOL ||
|| SOL LA LA# LA#LA#LA# DO8DO8 DO#8DO#8 RE8 FA ||
||FA SOLSOL LA# LA SOL LA DO8 LA# ||
||LA LA# DO8 RE8RE8 DO8 LA# FA SOL LA LA# LA LA# DO8 RE8 LA# ||
||LA# LA SOLSOL FA SOL LA LA# SOL FA ||
||RE8 DO8 LA# FA SOL LA LA# LA LA# DO8 RE8 LA# ||
||FA LA DO8DO8 LA FA FA RE8 DO8 LA# ||
||LA LA# DO8 RE8RE8 DO8 LA# FA SOL LA LA# LA LA# DO8 RE8 LA# ||
||LA# LA SOLSOL FA SOL LA LA# SOL FA ||
||RE8 DO8 LA# FA SOL LA LA# LA LA# DO8 RE8 LA# ||
||FA LA DO8DO8 LA FA FA RE8 DO8 LA# ||
6. ALEMANIA N° 1 (Pífanos)
PÍFANOS:
CORO 1:
|| FA LA# LA#LA#LA# DO8 RE8 DO8 LA# LA LA# ||
|| FA SOL SOLSOLSOL LA LA# SOL FA RE# RE RE# FA||
|| FA SOL SOLSOLSOL LA LA# SOL FA REFALA# FALA#RE8 ||
|| RE8 FA8 RE#8 RE8 DO8 LA# DO8 LA# DO8 RE8 LA# LA# LA# LA#||
CORO 2:
||FA SOL LA LA# DO8 RE8 RE#8 RE8 DO8 LA# DO8 ||
|| RE8 DO8 LA# DO8 RE8 RE#8 RE8 DO8 LA# DO8 DO8DO8DO8 ||
|| LA# LA#DO8RE8 DO8 DO8RE8RE#8 RE#8 RE8 DO8 LA# DO8 ||
|| FA8 RE#8 RE8 RE#8 DO8 RE8 LA# DO8 LA LA# LA#LA#LA# ||
CORO 1
CORO 1
CORO 2
CORO 2
7. GLORIA A LOS HÉROES (Pífanos)
CORO 1:
|| RE SOL SILA#SI RE SOL SILA#SI RE SOL SILA#SI SILA#SI SI ||
|| SILA#SI RE SOL SILA#SI RE SOL LA SI LA SI LA FA# MI RE ||
|| SILA#SI RE SOL SILA#SI RE SOL SILA#SI SILA#SI SI ||
|| LA LA LA LA RE8 LA LA LA LA RE8 SOL SOL SOL RE SI SOL ||
CORO 1 (Se repite)
CORO 2:
|| SOL DO8 MI8MI8MI8 SOL DO8 MI8MI8MI8 SOL DO8 MI8RE#8MI8 MIRE#8MI8 MI||
|| RE8RE8RE8 SOL SI RE8RE8RE8 SOL SI RE8 MI8 RE8 MI8 RE8 SI LA SOL ||
|| MI8MI8MI8 SOL DO8 MI8MI8MI8 SOL DO8 MI8RE#8MI8 MIRE#8MI8 MI ||
|| RE8RE8RE8 RE8 SOL8 RE8RE8RE8 RE8 SOL DO8DO8DO8 SOL MI8 DO8 ||
CORO 2 (Se repite)
CORO 1 (Se repite)
||RE#8 RE8 DO8 LA# LA# SOL SOL# LA# DO8 RE8 RE#8RE#8RE#8RE#8 ||
CORO 3:
|| LA# SOL SOL# LA# MI ||
|| FA SOL SOL# LA# SOL# SOL FA FA||
|| SOL SOL# LA# DO8 LA#LA# RE#8 LA# ||
|| SOL# SOL SOL# FA MI MI ||
CORO 3 (Se Repite)
|| FA FA FA FA FA FA FA FA FA RE FA LA# RE8 ||
|| FA FA FA FA FA FA FA FA LA# FA LA# RE8 FA8 ||
|| LA# LA#LA#LA#... CORO 3 (Se Repite)
8. ADIÓS AL SÉPTIMO DE LÍNEA (Pífanos)
|| FA LA# DO8 DO8# DO8 LA# SOL# FA# FA RE# FA FA# RE# FA LA LA# LA#LA#LA# LA# ||
CORO 1:
|| FA8 FA8FA8 RE#8 DO#8 RE#8 FA8 LA# ||
|| FA LA# DO8 DO#8 DO8 RE#8 DO#8 DO8 ||
|| FA FA# SOL# LA# FA# FA ||
|| FA# SOL# FA# FA FA LA# ||
CORO 1 (SE REPITE)
CORO 2:
|| SOL#SOL#SOL# SOL# SOL SOL# LA# SOL FA8 DO#8SOL# ||
|| SOL#SOL# LA#LA#LA# DO8DO8DO8 DO#8DO#8DO#8 FA8 RE#8RE#8 DO8LA# ||
|| SOL# SOL#SOL# SOL# SOL SOL# LA# SOL FA8 DO#8 SOL# ||
|| SOL#SOL# LA#LA#LA# DO8DO8DO8 DO#8DO#8DO#8 FA8FA8 DO#8 LA LA# ||
CORO 1 (SE REPITE)
CORO 2 (SE REPITE)
CORO 1 (SE REPITE) [Se elimina las notas ennegrecidas]
CORO 3:
|| FA LA# DO8 DO#8 RE#8 FA8 SOL#8 FA8 DO#8 LA#||
|| FA LA# DO8 DO#8 DO8 RE#8 DO#8 DO8 LA FA ||
|| FA DO8 LA FA FA RE#8 DO8 LA ||
|| SOL#8 FA8 FA8FA8 FA8FA8 RE#8 DO#8 DO8 LA#||
CORO 3 (SE REPITE) [Inmediato después de terminar el coro 3 viene lo siguiente:
* || FA LA# FA LA# RE8RE8 RE8 RE8 ||
CORO 4:
|| FA FA FA8 MI8 FA8 RE#8 RE8 DO8 LA# LA SOL ||
|| SOL SOL RE#8 RE8 RE#8 RE8 DO8 LA# LA SOL FA ||
|| FA FA FA8 MI8 FA8 RE#8 RE8 DO8 LA# LA SOL ||
|| SOL8SOL8 FA8 RE8RE8RE8 FA8 RE8RE8RE8 RE#8 DO8DO8DO8 LA#||
CORO 5:
|| DO8DO8 DO8 SI DO8 DO#8 RE8 DO8 DO8 LA# SOL ||
|| SOL LA LA# LA LA# RE8 DO8 LA# LA SOL FA ||
|| DO8DO8 DO8 SI DO8 DO#8 RE8 DO8 DO8 LA# SOL ||
|| SOL LA LA# LA LA# DO8 RE8 MI8 FA8 ||
CORO 4 (SE REPITE)
CORO 5 (SE REPITE)
CORO 4 (SE REPITE)
9. VAN DER KRAFT (Pífanos)
|| RE8 SI SOL SI RE8 SOL SI RE8 SI SOL||
|| RE8 SI LA SOL LA SI LA SI RE8 SI LA SOL||
|| LA SOL FA# MI FA# SOL||
||SI SI RE8SI RE8SI RE8 RE8RE8 RE8 RE8RE8 ||
||RE8 SI LA SOL LA SI LA SI RE8SI LA SOL||
||RE8 RE8 SOL8 RE8 SOL8 RE8 SI LA SI RE8 ||
||SI LA SI RE8SI LA SOL ||
|| MI8SI DO8 SI LA SOL SI DO8 SI LA SOL SI DO8 SI LA SOL RE LA ||
|| RE MI8SI DO8 SI LA SI SI DO8 SI LA SI SI DO8 SI LA SI SI DO8 SI LA RE ||
||RE MI8SI DO8 SI LA SOL SI DO8 SI LA SOL SI DO8 SI LA SOL RE LA ||
||RE8 SI RE8RE8 SI SOL SISI||
||SOL LA SI DO RE8 SOL LA ||
10. RADETZKY (Pífanos)
|| MIb8MIb8MIb8 MIb8MIb8MIb8 SOL8 FA8 MIb8 RE8 DO8 SI DO8 RE8 MIb8 FA8 SIb ||
CORO 1
|| SOL FA# SOL SOL FA# SOL SOL FA# SOL FA MI SOL FA# SOL SOL FA# SOL SOL FA# SOL DO8 SIb||
|| SIb SOL LAb SOL FA MI RE DO8 ||
|| SOL SOL FA# SOL SOL FA# SOL FA MI SOL FA# SOL SOL FA# SOL SOL FA# SOL DO8 SIb ||
|| SIb SOL LA LA SOL RE8 SIb SOL MI MI MI ||
CORO 2
|| LAb SOL ||
|| RE LAb RE SIb FA RE#||
|| RE LAb RE SIb SOL ||
8 8 8 8 8 8 8 8 8 8 8 8 8
|| SOL SOL SOL SOL SOL SOL SOL SOL SOL SOL SOL SOL SOL SOL FA# SOL SOL FA# SOL SOL FA# SOL SOL FA# ||
CORO 1
CORO 2
CORO 1
|| FA LAb DO8 FA8 FA8FA8 FA8 FA8 FA8 FA8 FA8 FA8 ||
|| FA RE8RE8 FA RE8RE8 MIb FA8 RE8 RE8 RE8 RE8 ||
|| RE MI DO8 SIb LAb SOL SOL SOL FA RE8 RE8 RE8 RE8 ||
|| FA RE8RE8 FA RE8RE8 MIb8 FA8 RE8 RE8 RE8 RE8 ||
|| RE MI DO8 SIb LAb SOL SOL SOL FA RE8 MI DO8 SIb SIb SIb ||
|| RE MI DO8 SIb LAb SOL SOL SOL FA RE8 RE8 RE8 RE8 ||
|| RE MI DO8 SIb LAb SOL SOL SOL FA SIb FA8 MIb8 DO8 LAb FA RE ||
|| FA RE8RE8 FA RE8RE8 MIb8 FA8 RE8 RE8 RE8 RE8 ||
|| RE MI DO8 SIb LAb SOL SOL SOL FA RE8 MI DO8 SIb SIb SIb ||
12. LOS NIBELUNGOS (Pífanos)
|| SOLO LIRAS ||
CORO 1:
|| SOLO LIRAS ||
|| SOLO LIRAS ||
|| SOLO LIRAS ||
|| SOLO LIRAS ||
CORO 1 (SE REPITE)
CORO 2:
|| LA#LA# LA# LA# LA# SOL RE# RE RE RE# FA SOL ||
|| LA# SOL RE# RE RE RE# FA SOL ||
|| SOL LA# SOL LA# SOL LA# SOL ||
|| LA# LA# DO8 SI DO8 RE#8 LA# SOL8 FA8 RE# LA# LA# LA# LA# ||
CORO 2 (SE REPITE) [SE COMIENZA DESDE LA NOTA MARCADA (LA#)
CORO 3:
|| LA# LA LA# DO8 RE8 RE8 DO8 RE8 RE#8 FA8 ||
|| SOL LA LA# LA SOL FA RE# RE SOL FA ||
|| LA# LA LA# DO8 RE8 RE8 DO8 RE8 RE#8 FA8 ||
|| SOL LA LA# RE FA DO8 LA SOL FA FAFAFA ||
8
CORO 3 (SE REPITE)
CORO 4:
|| SOLO LIRAS ||
|| DO8 DO8 SI SI DO8 SI DO8 MI8 SOL8 MI8 DO8 DO8 ||
|| SOLO LIRAS ||
|| FA DO8 LA SOL FA# SOL LA# LA SOL LA RE8 RE#8 ||
CORO 3 (SE REPITE)
13. GLORIAS A LA ARMADA (Pífanos)
|| SOLO LIRAS ||
CORO 1:
8 8
|| FA RE DO LA# LA LA# SOL FA SOL FA ||
8 8 8 8 8
|| LA# LA LA# DO SI DO DO# RE DO LA# ||
8 8 8 8 8
|| FA RE DO LA# LA# DO RE RE# SOL ||
8 8 8 8 8
|| RE# RE LA# RE DO LA# LA LA# DO ||
8 8
CORO 1 (SE REPITE) [Solo las 2 últimas notas de la 4a series (LA# DO ) se cambia por (DO LA#)
CORO 2:
8 8 8 8 8
|| FAFAFA LA DO FA FAFAFA FA RE# RE LA# ||
8 8 8
|| RERERE FA# LA RE RERERE RE DO LA# SOL ||
8 8 8 8 8
|| SOL FA# SOL LA# LA LA# RE DO RE RE# FA ||
8 8 8 8 8 8 8 8 8 8 8
|| FA FA FA FA RE LA# FA FA FA FA RE FA LA# ||
CORO 2 (SE REPITE)
CORO 1 (SE REPITE)
8 8
CORO 1 (SE REPITE) [Solo las 2 últimas notas de la 4a series (LA# DO ) se cambia por (DO LA#)
CORO 3:
8 8 8 8 8 8
|| FA FA FA FA RE LA# FA ||
8 8 8 8 8 8 8
|| FA LA# RE FA LA# RE FA RE FA RE ||
8 8 8 8 8 8 8
|| FA LA# RE FA FA FA FA RE LA# FA ||
8 8 8 8 8 8
|| FA LA# RE FA LA# RE FA RE FA LA# SOL# SOL FA||
CORO 4:
8
|| RE# SOL RE# DO LA# ||
|| SOL FA RE# RE ||
8 8
|| FA SOL# FA RE DO ||
|| LA# FA FA FA FA RE# FA SOL ||
8
|| RE# SOL RE# DO LA# ||
8
|| SOL FA RE# DO ||
|| FA MI FA SOL LA# SOL# FA SOL RE# ||
14. ALBORADA (Pífanos)
INTRODUCCION LIRAS
CORO 1:
||SIb SIb DO8 RE8 DO8 SIb FA8 FA8 ||
||SOL8 FA8 MIb8 RE8 DO8 SIb SIb LA ||
||SOL LA SIb DO8 FA8 RE8 DO8 SIb DO8 RE8 ||
||* MIb8 RE8 MIb8 RE8 DO8 SIb SIb LA ||
CORO 1 (Se repite y modifica última serie)
||* MIb8 RE8 MIb8 RE8 DO8 SIb DO8 SIb ||
CORO 2:
||MI8 DO#8 RE8 RE8 RE8 RE8 RE8 ||
||LA LA RE8 MI8 FA8 LA Sib SIb ||
||LA LA LA LA LA LA LA LA ||
||LA LA RE8 MI8 FA8 LA SI SI ||
||DO8 DO8 DO8 DO8 RE8 MI8 DO8 FA8 FA8 ||
CORO 1 (Se repite y modifica última serie)
||* MIb8 RE8 MIb8 RE8 DO8 SIb DO8 SIb||
CORO 2
CORO 1 (Se repite y modifica última serie, y se agrega una serie mas)
||* MIb8 RE8 MIb8 RE8 DO8 SIb DO8 FA SOL LA ||
||SIb SIb SIb SIb ||
15. HONORES A PALENA (Pífanos)
INTRODUCCIÓN:
|| LA# LA# LA# LA# LA LA# RE8 FA8 RE8 LA# RE8 DO8 FA FA FA FA FA ||
CORO 1:
|| FA LA DO RE8 RE8 RE8 RE8 DO8 LA# FA8FA8FA8 ||
|| FA SOL LA LA# LA# LA# LA# LA SOL RE8 RE8 RE8 ||
|| RE8 RE#8 RE RE#8 MI8 FA8 DO8 RE8 LA# ||
|| RE8 MI8 RE8 DO8 SOL LA LA# DO8 ||
CORO 2:
|| FA LA DO RE8 RE8 RE8 RE8 DO8 LA# FA8 FA8 FA8 ||
|| FA SOL LA LA# LA# LA# LA# LA SOL RE8 RE8 RE8 ||
|| RE8 RE#8 RE8 RE#8 MI8 FA8 DO8 RE8 LA#
|| RE8 DO8 RE8 DO8 LA# LA SOL LA# ||
CORO 3:
|| FA8 MI8 FA8 SOL8 SOL8 LA# LA SOL FA RE8 RE8 LA# ||
|| FA SOL FA LALALA FA SOL LA LA#LA# LA# ||
|| FA8 MI8 FA8 SOL8 SOL8 LA# LA SOL FA RE8 RE8 LA# ||
|| FA SOL FA LALALA FA SOL LA LA# LA# LA# LA#
CORO 2 (Se Repite y se le agrega al final + LA#)
CORO 4:
|| LA# LA# LA# RE8 LA# RE8 FA8 SOL#8 SOL#8 SOL#8 SOL#8 ||
|| RE# SOL LA# LA# LA# LA# RE#8 RE8 DO8 LA# LA# LA# ||
|| RE# SOL LA# SOL# SOL# SOL# RE SOL SOL# SOL SOL SOL ||
|| RE# SOL LA# LA# LA# LA# SOL8 FA8 RE#8 DO8 DO8 DO8 ||
|| SOL#8 SOL8 FA8 FA8 RE#8 RE8 LA# DO8 RE8 RE#8 RE#8 RE#8 RE#8 ||
CORO 4 (SE REPITE)
16. HONORES AL REGIMIENTO (SAMBRE ET MEUSE) [Pífanos]
Introduccion:
|| LA# DO8 RE8 LA# DO8 RE8 LA# DO8 RE8 LA# LA#LA#LA# DO8 RE8 LA# ||
|| SOL LA LA# SOL LA LA# SOL LA LA# SOL SOL SOL SOL LA LA# SOL ||
|| RE#8 FA8 SOL8 RE#8 RE8 DO8 RE#8 RE8 RE#8 FA8 RE8 DO8 LA# RE8 DO8 RE8 RE#8 DO8 LA# LA DO8 LA# ||
CORO 1:
||LA# DO8 RE8 LA# LA# DO8 RE8 LA# ||
|| LA# DO8 RE8 MIb8 MIb8 RE8 LA# LA# LA# DO8 ||
|| DO8 RE8 MIb8 DO8 DO8 RE8 MIb8 DO8 ||
|| FA SOL FA LA# DO8 RE8 RE#8 DO8 LA# LA# ||
CORO 2:
|| DO8 LA# LA SOL SOL SOL SOL RE8 DO8 LA# DO8 RE8 MIb8 FA8 MIb8 RE8 DO8 LA# RE8 DO8 LA# LA DO8 LA# LA SOL
RE8 ||
|| RE8 DO8 LA# DO8 RE8 MIb8 FA8 MIb8 RE8 DO8 LA# FA8 RE8 LA# FA RE8 LA# LA# ||
CORO 3:
|| LA# LA# LA# LA# MIb8 MIb8 MIb8 MIb8 RE8 DO8 MIb8 ||
|| LA# LA LA# DO8 DO8 RE8 DO8 LA# ||
|| LA# LA# LA# LA# MIb8 MIb8 MIb8 MIb8 RE8 DO8 MIb8 ||
|| RE8 RE8 RE8 RE8 RE8 RE8 FA8 RE8 ||
CORO 1 (Se Repite y se agrega + LA# LA# al final)
17. SECUNDERABAD (Pífanos)
CORO 1:
|| FAFAFAFAFAFA SIb FA SIb RE8 RE8 RE8 RE8 SIb FA ||
|| SOL8 FA8 MIb8 LA SIb RE8 DO8 SIb SOL LA SIb RE8 DO8 LA SOL FA# ||
|| FAFAFAFAFAFA SIb FA SIb RE8 RE8 RE8 RE8 SIb FA8 ||
|| LA8 SOL8 FA8 RE8 MI8 DO#8 LA LA SIb LA SOL MI FA RE||
CORO 1 (Se repite)
CORO 2:
|| FAFAFAFA MIb8 SI DO8 FA RE8 LA SIb ||
|| SIb SIb DO8 LA MIb8 MIb8 SOL SOL LA FA RE8 RE8 ||
|| FAFAFAFA MIb8 SI DO8 FA RE8 LA SIb ||
|| SIb SIb SIb SIb SIb SIb RE8 RE8 RE8 RE8 RE8 FA8 FAFAFAFA SIb ||
CORO 2 (SE REPITE)
CORO 3:
|| SIb DO8 RE8 MIb8 SOL DO8 SIb DO8 SIb SOL MIb SOL SIb SIb ||
|| SIb SIb MIb8 MIb FA SOL MIb SOL SIb ||
|| DO8 SIb LAb SOL LAb FA SOL MIb ||
|| RE RE SOL SOL SOL LA SI RE8 ||
|| MI8 DO8 DO8 SI SI SOL SOL SOL SOL ||
|| SIb SIb SIb SIb SIb SIb SIb SIb SIb RE8 ||
|| RE RE RE RE FA FA8 FA8 FA8 FA8 RE8 SIb SIb SIb SIb SIb ||
8 8 8 8 8
|| SIb SIb MIb8 MIb FA SOL MIb SOL SIb ||
||DO8 RE8 FA8 DO8 MIb8 RE8 MIb8 FAFAFAFA ||
CORO 4:
|| RE8 SIb SOL SIb FA ||
|| RE8 SIb SOL SIb LA ||
|| RE8 SIb SOL SIb FA ||
|| SIb SIb SIb SIb SIb SIb SIb SIb SIb RE8 RE8 RE8 RE8 RE8 FA8 FA FA FA FA SIb ||
CORO 3 (Se repite y se cambia lo subrayado por… MIb8 MIb8 MIb8 ||
18. HIMNO DEL CUERPO DE INFANTERÍA DE MARINA (CIM) [Pífanos]
INTRODUCCIÓN
8 8 8 8 8 8 8 8
|| SIb SIb RE SIb FA SIb RE FA SOL FA MIb RE DO SIb ||
CORO 1:
|| FA RE8 RE8 DO#8 DO#8 RE8 SIb SIb LA SOL FAFA SOL SOL FA FAFA SOL SOL#||
|| LA LA SOL FA SIb ||
|| FA RE8 RE8 DO#8 DO#8 RE8 SIb SIb LA SOL FAFA SOL SOL LA LA LA SIb SI||
|| DO8 SIb SOL LA FA||
|| FA MIb8 RE8 DO8 SI DO8 MIb8 RE8 DO8 SIb ||
|| RE SIb LA SOL FA# SOL LA SOL ||
|| FA MIb8 RE8 DO8 SI DO8 MIb8 RE8 DO8 SIb LA DO8 ||
|| SOL8 MI FA RE8 DO8 SIb ||
CORO 2:
||FA RE8 FA SOL LA SIb DO8 RE8 ||
|| MIb8 FA SOL8 MIb8 ||
|| FA RE8 FA SOL LA SIb DO8 RE8 ||
|| DO8 SI DO8 MI8 DO8 SOL8 ||
|| FA DO8 SI DO8 SI DO8 RE8 SIb ||
|| RE LA SOL# LA SOL# LA SIb SOL ||
|| FA RE8 FA SOL LA SIb DO8 RE8 ||
|| DO#8 RE8 FA8 MI FA RE8 DO8 SIb ||
CORO 2 (Se Repite y se cambia última serie por…)
|| DO#8 RE8 FA8 MI FA RE8 DO8 SIb SIb SIb SIb ||