Odysseypresentation
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The Odyssey was a Canadian sci-fi TV show produced in Vancouver from 1992-1995 that received numerous awards. It featured main characters Matt Hills and Jay who lived in a dystopian police state rather than a utopian society. The show is sometimes called an "anti-show" for contradicting common sci-fi tropes by depicting the main characters' arguments as ineffective and school as an unpleasant place rather than fun.
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3. A deconstruction of scenes from EastEnders and Coronation Street find examples of codes and conventions like multi-stranded narratives, family relationships and conflict,
Viacom
Chandra Levy was a 24-year-old intern at the Federal Bureau of Prisons who went missing on May 1, 2001; her remains were found in 2002. Two main theories surrounding her death involve Ingmar Guandique, an immigrant who pleaded guilty to attacking two other women in Rock Creek Park where Levy's remains were found, and Gary Condit, a Congressman Levy was rumored to be romantically involved with. While Guandique was ultimately convicted of Levy's murder, questions still remain about Condit's possible involvement in her disappearance.
ReadingsRead Jason Mittell, Narrative Complexity in Contemporar.docx
Readings:
Read Jason Mittell, Narrative Complexity in Contemporary American Television,” pp. 29-40 in The Velvet Light Trap 58 (Fall 2006).
Screening:
Nurse Jackie pilot
Answer after reading：
After reading Mittell's article on Narrative Complexity, explain how/why Nurse Jackie is a complex narrative. Can you give examples of the operational aesthetic? Narrative special effect?
3 pages， double spaced
Jason Mittell 29
longside the host of procedural crime
dramas, domestic sitcoms, and reality com-
petitions that populate the American televi-
sion schedule, a new form of entertainment
television has emerged over the past two decades to both
critical and popular acclaim. This model of television
storytelling is distinct for its use of narrative complexity
as an alternative to the conventional episodic and serial
forms that have typified most American television since
its inception. We can see such innovative narrative form
in popular hits of recent decades from Seinfeld to Lost,
West Wing to The X-Files, as well as in critically beloved
but ratings-challenged shows like Arrested Development,
Veronica Mars, Boomtown, and Firefly. HBO has built its
reputation and subscriber base upon narratively com-
plex shows, such as The Sopranos, Six Feet Under, Curb
Your Enthusiasm, and The Wire. Clearly, these shows offer
an alternative to conventional television narrative—the
purpose of this essay is to chart out the formal attributes
of this storytelling mode, explore its unique pleasures and
patterns of comprehension, and suggest a range of reasons
for its emergence in the 1990s.
In trying to understand the storytelling practices of
contemporary American television, we might consider
narrative complexity as a distinct narrational mode, as
suggested by David Bordwell’s analysis of film narrative.
For Bordwell, a “narrational mode is a historically distinct
set of norms of narrational construction and comprehen-
sion,” one that crosses genres, specific creators, and artistic
movements to forge a coherent category of practices.1
Bordwell outlines specific cinematic modes such as clas-
sical Hollywood, art cinema, and historical materialism,
all of which encompass distinct storytelling strategies
while still referencing one another and building on the
foundations of other modes. Kristin Thompson has ex-
Narrative Complexity in Contemporary American Television
jason mittell
the Velvet light trap, Number 58, Fall 2006 ©2006 by the University of Texas Press, P.O. Box 7819, Austin, TX 78713-7819
a
tended Bordwell’s approach to television, suggesting that
programs like Twin Peaks and The Singing Detective might
be usefully thought of as “art television,” importing norms
from art cinema onto the small screen.2 Although certainly
cinema influences many aspects of television, especially
concerning visual style, I am reluctant to map a model of.
Postmodernism in community (dan harmon, 2009)
This document discusses the postmodern elements in the sitcom Community. It notes that Community directly references and comments on sitcom conventions and genres that came before it. One way it does this is through heavy use of pastiche and parody of other works. The show also frequently breaks the fourth wall and engages in self-referential humor, with characters acknowledging that their world is a fictional television show. Within the show's fiction, it creates a "text within a text" through a web series filmed by one of the characters that parodies and comments on the main show.
Docusoaps
This document discusses the genre of docusoaps, which combine elements of documentaries and soap operas. Docusoaps follow groups of real people in their daily lives and personal/professional situations, with some aspects being scripted for entertainment purposes. While docusoaps provide a window into other people's lives and can be relatable, they are also seen as exploitative and of questionable truthfulness due to editing and production techniques that manipulate reality. The docusoap genre has grown rapidly in popularity but is also controversial due to these blurring of factual accuracy.
Mark Greif The Reality of Reality Television There is .docx
This document provides a summary and analysis of reality television. It discusses how reality TV began as a way to let viewers see ordinary citizens and judge their actions. Reality TV shows like Cops and dating shows depict everyday interactions and negotiations between strangers. Later, bigger networks developed serialized reality shows centered around group microcosms, like Survivor, that depicted competition and social dynamics within isolated communities. The author argues that reality TV, for all its flaws, can offer insight into American society and opportunities for judgment that scripted shows do not.
The Story of Hulu
This paper was my first group project for my Evolutions and Trends in Digital Media at the University of Washington in July, 2010.
Children's Television | Seminar Presentation
A seminar on the history of children's television, and how it grew from post-war TV (and a reason for families to buy a TV set), to the marketing and branding juggernaut it has become. Plus, fun links to some of the best kids TV shows ever. Yay, nostalgia!
Simpsons and parody
The document discusses The Simpsons television show and how it serves as an "anti-show" that spoofs and challenges traditional television codes and formulas. It analyzes how The Simpsons uses parody and satire to comment on issues like family, education, and American culture. Through its animated format and characterization of the Simpson family, the show appeals to a wide audience and encourages interpretation in how different viewers find meaning.
Lost audience response
Due to Lost's financial success on a large television budget, it helped evolve the television industry by paving the way for higher budgets. It also turned British audiences onto American television shows and helped launch the career of then-unknown actors. Additionally, Lost created large offline and online fan communities that speculated and discussed the show, generating free publicity. However, some fans eventually lost patience as the number of unanswered mysteries grew.
Quizog ent session 3.0
This document summarizes the questions and answers from an entertainment quiz session. It includes questions about movies, TV shows, actors, and other entertainment topics. Some of the questions identified include the term that arose from radio shows being sponsored in the 1930s (soap operas), the poker hand known as the "Anna Kournikova hand" (ace of spades, king of hearts), and the TV series that was initially conceived as a radio show and is considered one of the first reality shows (Candid Camera).
POPC 2900 Television as Popular Culture Final Exam Essays (Spring.docx
POPC 2900: Television as Popular Culture Final Exam Essays (Spring 2018)
Each of the following essay questions is worth 10 points. You may receive partial credit due to the quality of your responses. Please be as specific and detailed as possible in your answers as possible. You are to choose Any FIVE of the following from 1 to 11. Responses should be approximately 1-2 pages for essay question, So 5 pages at least, (double spacing) in length. There is no need to cite any of your facts.
Please discuss the power of advertising as discussed in class and in the textbook. How is advertising incorporated into modern programming? What do you believe makes an ad effective? What are some of the more successful advertising strategies? Do you think TV commercials are influential on you? Have you ever bought a product simply based on its ad campaign? Do you think that ads are becoming too intrusive in television and in our modern media as a whole? What do you think is the best and worst TV commercial currently running?
1. Situation comedies underwent a dramatic revolution in the 1970s. How did programs like MASH, All in the Family, Good Times, Maude, & Mary Tyler Moore differ from the sitcoms of the previous decade? What types of issues were discussed on these programs and how were women/minorities represented in this era? Which sitcom of this era do you believe had the greatest impact and why? Finally, how would you compare the state of the today’s sitcoms with those produced in the 1970s?
2. What TV program or TV event has had the greatest impact upon you and why? Please explain your own “relationship” with TV. Are you an active viewer – do you seek out thought-provoking programming or do you see TV as merely a form of entertainment? Has the quality of TV programming improved with the rise of so many channels in recent years? What do you think is the most important thing you have learned about TV this semester? Has this course altered any previous notions you may have had about television?
3. The 1950s sitcom I Love Lucy remains a landmark of American television. What were the elements that made this program so important – both in front of and behind the camera? What is your view of the depiction of Lucy Ricardo? Do you agree or disagree (and why) that she is a feminist icon? What are some of the elements that this program had that helped it establish the sitcom as one of the most dominant TV genres? What is your opinion on the state of the sitcom today? Do you think there is a current sitcom that will (like Lucy) still be viewed decades into the future?
4. The representation of Blacks, ethnics, and other minorities has changed dramatically on TV over the last 50 years. Please briefly discuss 3-4 moments that you believe were significant is TV’s move away from broad ethnic or racial stereotypes. How would you rate TV today in its depictions of these groups? For example, do you think a program like Jersey Shore is de.
Written TV Quiz Round
I do not have any answer scripts to exchange. I am an AI assistant created by Anthropic to be helpful, harmless, and honest.
I think we need a new name
This chapter examines how extratextual factors can influence viewers to perceive nonfiction television programs as either documentaries or reality TV, even if they have characteristics of the other genre. It discusses the differences between documentaries, which are meant to be educational and factual, and reality TV, which focuses more on entertainment. A key difference is that documentaries are seen as having more "social weight" by addressing important social and political issues. The chapter analyzes several shows like The Real World and American Family that blurred the lines between the genres and confused viewers. It explores how context and a program's presentation can impact its perceived genre.
I think we need a new name
This chapter examines how extratextual factors can influence viewers to perceive nonfiction television programs as either documentaries or reality TV, even if they have characteristics of the other genre. It discusses the differences between documentaries, which are meant to be educational and factual, and reality TV, which prioritizes entertainment. A key difference is that documentaries are seen to have more "social weight" by exploring cultural and political issues. Two early examples, An American Family from 1972 and American High from 2000, are discussed as shows that blurred the lines between the genres.
Transmedia Storytelling in Soap Opera
This document discusses soap operas and their anniversaries. It notes that while soap operas are a staple of television, they are often overlooked in academic research. Anniversaries of long-running soap operas are constructed events used for marketing and promotion. EastEnders' 30th anniversary storyline of finding Lucy Beale's killer is discussed as an example. It engaged fans through speculation and paratexts online and in media coverage, turning the reveal into a media event beyond just the episodes.
Production log 1
The document provides information about a media studies student's production log for a trailer for a new soap opera. It includes details about the student's aims, objectives and research conducted. Research included analyzing codes and conventions of existing soaps like EastEnders and Coronation Street. The student also researched the purpose of trailers and roles of producers and directors. Their soap opera trailer will air after EastEnders on BBC Two.
Formats & types of format part 3
This PPT is only for educational purpose for the students belonging to BMM & FTNMP or other such Professional courses
Mm29 lost
The document discusses the television show Lost, which is coming to an end with its sixth and final season in 2010. It explores how Lost has challenged audiences with its philosophical mysteries and lack of resolution. Specifically:
- Lost provided viewers with a sense of escapism and adventure through its many mysteries and unknowns over five seasons.
- As the show comes to an end, some fans may not want a conclusion as it will end speculation and debate over the show's meanings and theories.
- Leaving questions unanswered allows shows like Lost and Twin Peaks to remain culturally relevant for a long time, as fans continue discussing possible explanations even years later.
- The author hopes Lost does not clearly resolve
Similar to Odysseypresentation (20)
ReadingsRead Jason Mittell, Narrative Complexity in Contemporar.docx
ReadingsRead Jason Mittell, Narrative Complexity in Contemporar.docx
Mark Greif The Reality of Reality Television There is .docx
Mark Greif The Reality of Reality Television There is .docx
POPC 2900 Television as Popular Culture Final Exam Essays (Spring.docx
POPC 2900 Television as Popular Culture Final Exam Essays (Spring.docx
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The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Saga
Introduction
The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
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Leonardo DiCaprio House: A Journey Through His Extravagant Real Estate Portfolio
Introduction
Leonardo DiCaprio, A name synonymous with Hollywood excellence. is not only known for his stellar acting career but also for his impressive real estate investments. The "Leonardo DiCaprio house" is a topic that piques the interest of many. as the Oscar-winning actor has amassed a diverse portfolio of luxurious properties. DiCaprio's homes reflect his varied tastes and commitment to sustainability. from retreats to historic mansions. This article will delve into the fascinating world of Leonardo DiCaprio's real estate. Exploring the details of his most notable residences. and the unique aspects that make them stand out.
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Leonardo DiCaprio House: Malibu Beachfront Retreat
A Prime Location
His Malibu beachfront house is one of the most famous properties in Leonardo DiCaprio's real estate portfolio. Situated in the exclusive Carbon Beach. also known as "Billionaire's Beach," this property boasts stunning ocean views and private beach access. The "Leonardo DiCaprio house" in Malibu is a testament to the actor's love for the sea and his penchant for luxurious living.
Architectural Highlights
The Malibu house features a modern design with clean lines, large windows. and open spaces blending indoor and outdoor living. The expansive deck and patio areas provide ample space for entertaining guests or enjoying a quiet sunset. The house has state-of-the-art amenities. including a gourmet kitchen, a home theatre, and many guest suites.
Sustainable Features
Leonardo DiCaprio is a well-known environmental activist. whose Malibu house reflects his commitment to sustainability. The property incorporates solar panels, energy-efficient appliances, and sustainable building materials. The landscaping around the house is also designed to be water-efficient. featuring drought-resistant plants and intelligent irrigation systems.
Leonardo DiCaprio House: Hollywood Hills Hideaway
Privacy and Seclusion
Another remarkable property in Leonardo DiCaprio's collection is his Hollywood Hills house. This secluded retreat offers privacy and tranquility. making it an ideal escape from the hustle and bustle of Los Angeles. The "Leonardo DiCaprio house" in Hollywood Hills nestled among lush greenery. and offers panoramic views of the city and surrounding landscapes.
Design and Amenities
The Hollywood Hills house is a mid-century modern gem characterized by its sleek design and floor-to-ceiling windows. The open-concept living space is perfect for entertaining. while the cozy bedrooms provide a comfortable retreat. The property also features a swimming pool, and outdoor dining area. and a spacious deck that overlooks the cityscape.
Environmental Initiatives
The Hollywood Hills house incorporates several green features that are in line with DiCaprio's environmental values. The home has solar panels, energy-efficient lighting, and a rainwater harvesting system. Additionally, the landscaping designed to support local wildlife and promote
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