This document contains a list of audio files with their names and durations. It includes sound effects and music tracks for various scenes like shoes, sinks, rumbling, and shadowboxing takes, as well as ambient music, stealth music, and a phone alarm sound. The durations range from 13 seconds to over 4 minutes.
This document lists audio files used for a project along with their durations. It includes files for shoes, sinks, rumbling, shadowboxing scenes, and locations with durations ranging from 13 seconds to just over 3 minutes. The majority of the files are under 2 minutes with most being used to capture everyday sounds or action scenes.
This edit decision list summarizes 12 shots from a film, noting the in and out times of each shot, whether take 1 or 2 was used, and any relevant comments about the audio quality or issues with each take. Shots 1, 5, 7, and 9 had audio problems like rumble tracks being interrupted, microphones in frame, or background noise being too loud, while the remaining shots had clear, clean audio deemed suitable for use.
This edit decision list summarizes 18 shots from a film, noting the in and out times of each shot, whether it was take 1 or 2, and any relevant comments about the audio or video quality. Shot 5 contained a microphone in frame so separate audio was recorded, and Shot 7 failed to record usable audio.
The document discusses changes made to footage during editing including colour correction to provide an even colour throughout the film, cutting clips to make the film flow smoothly and remove unnecessary content, and using fades as transitions to show progression of time or change in location.
The production schedule outlines three scenes to be filmed on June 18th at 25 Sharman Road. Scene 1 will be filmed from 4:00pm-5:00pm and involves the main character waking up and going downstairs. Scene 2 is scheduled for 5:30pm-6:00pm and features the character putting a pencil in the bin and getting a drink of water. Scene 3 will be filmed from 6:00pm-6:20pm and shows the character putting on shoes and leaving the house. The same equipment and cast member, Maliek as the main character, will be used for all three scenes.
The production schedule outlines three scenes to be filmed on June 18th at 25 Sharman Road. Scene 1 will be filmed from 4:00pm-5:00pm and involves the main character waking up and going downstairs. Scene 2 is scheduled for 5:30pm-6:00pm and features the character putting a pencil in the bin and getting a drink of water. Scene 3 will be filmed from 6:00pm-6:20pm and shows the character putting on shoes and leaving the house. The same equipment and cast member, Maliek as the main character, will be used for all three scenes.
This document contains a list of audio files with their names and durations. It includes sound effects and music tracks for various scenes like shoes, sinks, rumbling, and shadowboxing takes, as well as ambient music, stealth music, and a phone alarm sound. The durations range from 13 seconds to over 4 minutes.
This document lists audio files used for a project along with their durations. It includes files for shoes, sinks, rumbling, shadowboxing scenes, and locations with durations ranging from 13 seconds to just over 3 minutes. The majority of the files are under 2 minutes with most being used to capture everyday sounds or action scenes.
This edit decision list summarizes 12 shots from a film, noting the in and out times of each shot, whether take 1 or 2 was used, and any relevant comments about the audio quality or issues with each take. Shots 1, 5, 7, and 9 had audio problems like rumble tracks being interrupted, microphones in frame, or background noise being too loud, while the remaining shots had clear, clean audio deemed suitable for use.
This edit decision list summarizes 18 shots from a film, noting the in and out times of each shot, whether it was take 1 or 2, and any relevant comments about the audio or video quality. Shot 5 contained a microphone in frame so separate audio was recorded, and Shot 7 failed to record usable audio.
The document discusses changes made to footage during editing including colour correction to provide an even colour throughout the film, cutting clips to make the film flow smoothly and remove unnecessary content, and using fades as transitions to show progression of time or change in location.
The production schedule outlines three scenes to be filmed on June 18th at 25 Sharman Road. Scene 1 will be filmed from 4:00pm-5:00pm and involves the main character waking up and going downstairs. Scene 2 is scheduled for 5:30pm-6:00pm and features the character putting a pencil in the bin and getting a drink of water. Scene 3 will be filmed from 6:00pm-6:20pm and shows the character putting on shoes and leaving the house. The same equipment and cast member, Maliek as the main character, will be used for all three scenes.
The production schedule outlines three scenes to be filmed on June 18th at 25 Sharman Road. Scene 1 will be filmed from 4:00pm-5:00pm and involves the main character waking up and going downstairs. Scene 2 is scheduled for 5:30pm-6:00pm and features the character putting a pencil in the bin and getting a drink of water. Scene 3 will be filmed from 6:00pm-6:20pm and shows the character putting on shoes and leaving the house. The same equipment and cast member, Maliek as the main character, will be used for all three scenes.
Maleyto Hall has booked various film equipment from June 18th to 20th, including 1 Canon 700D camera, 3 LED lights, 1 microphone, 1 boom pole, 1 XLR cable, 1 Zoom H5 audio recorder, 1 Velborn video tripod, and 1 Jessop still tripod. The booking is for a maximum of 24 hours on weekdays unless arranged otherwise with Mr. Goodyear, and equipment needed for longer than the return date requires immediate contact with Mr. Goodyear.
The document is an edit decision list for a film containing 18 shots, with notes on the take number, in and out times, and comments on issues like framing, lighting, and breaking the 180-degree rule for several of the shots.
Maleyto Hall requested to borrow various film equipment from the Film and Media department, including 1 Canon 700D camera, 3 LED lights, 1 microphone, 1 boom pole, 1 XLR cable, 1 Zoom H5 audio recorder, 1 mini prosthetic makeup kit, and 1 clapperboard, between the specified dates. Weekday bookings are allowed for a maximum of 24 hours unless extended by Mr. Goodyear, and equipment needed for longer than the return date requires immediate contact with him.
The document discusses sound design plans for a cold, isolated film environment. It will establish the main character's isolation through ambient noise and effects that make actions seem more dramatic. Additional ambient noise and sound effects will create a mysterious soundscape to interest the audience, while a slow ambient score underscores the main audio.
The document lists 16 shots taken with different camera lenses, shutter speeds, ISO settings, and white balance settings. For shots 1-13, the ISO was set to 100 and the shutter speed was 1/50th of a second, while shots 14-16 had an ISO of 200 and shutter speed of 1/100th. All shots used a white balance setting for tungsten lighting. The shots included a variety of focal lengths and shot types from extreme close-ups to mid and wide shots.
The document lists 16 shots taken with different camera lenses, shutter speeds, ISO settings, and white balance settings. For shots 1-13, the ISO was set to 100 and the shutter speed was 1/50th of a second, while shots 14-16 had an ISO of 200 and shutter speed of 1/100th. All shots used a white balance setting for tungsten lighting. The lenses and shot types varied between extreme close-up, wide, close-up, mid and tracking mid shots.
GHOST is a perfectionist assassin who receives a new target from his handler NICKEL. He meticulously plans and follows the target, killing him at his home. However, the target's nephew KID witnesses the killing, forcing GHOST to decide whether to break his moral code against harming non-targets or risk being exposed. The summary establishes GHOST's character and perfectionist approach to assassinations, as well as the dilemma he faces with the nephew witnessing the killing.
This risk assessment form is for a BBC production. It outlines potential health and safety risks that were considered. Hazards are grouped into categories like health, physical/chemical, situational, and environmental. The document also includes a risk matrix to determine the likelihood and impact of each hazard, ranking them from negligible to very severe. The goal is to identify any high or extremely high risks and implement controls to reduce them.
This document contains a general risk assessment form for the BBC. It lists potential hazards that could be encountered during productions or events. Part A provides information about the production such as location, team members, and assessor details. The hazards listed include situational hazards like working at heights or slips and trips as well as physical hazards like hot or cold environments, noise, and hazardous substances. It also covers health hazards such as diseases, fatigue, and stress. Part B of the form is for assessing the likelihood and severity of each identified hazard using a risk matrix to determine the overall risk level.
The document lists 37 shots from a film or video production, specifying the shot type and duration of each shot. The shots range in length from 2 to 25 seconds and include a variety of shot types, most commonly mid shots but also wide shots, two shots, tracking shots, and one mis shot. The total runtime of the filmed or recorded content is approximately 4 minutes and 38 seconds.
Fred and Ted discuss Fred sitting outside every night on a street bench, with Fred's wife yelling at him to come inside. Ted comments on how Fred's wife makes more noise than the battle of Verdun. Albert unexpectedly returns home from war, surprising his mother Sarah and sister Ethel at their church. While Sarah embraces him happily, Ethel appears tired and worn, asking Albert where he has been without contacting them for so long.
Rupert exits down the aisle after telling Frances he needs a moment alone to process everything that has changed. They will need to learn patience with each other. Fred and Ted then enter, passing each other and exchanging greetings as they stroll down the aisles. Fred remarks to Ted about the cold weather and asks how long Ted has been back, learning it has been a few weeks. Fred notes there are many soldiers still to return home. Fred comments on the silence, which Ted confirms he cannot hear anything either. Fred says he could listen to the silence for hours.
Maleyto Hall has booked various film equipment from June 18th to 20th, including 1 Canon 700D camera, 3 LED lights, 1 microphone, 1 boom pole, 1 XLR cable, 1 Zoom H5 audio recorder, 1 Velborn video tripod, and 1 Jessop still tripod. The booking is for a maximum of 24 hours on weekdays unless arranged otherwise with Mr. Goodyear, and equipment needed for longer than the return date requires immediate contact with Mr. Goodyear.
The document is an edit decision list for a film containing 18 shots, with notes on the take number, in and out times, and comments on issues like framing, lighting, and breaking the 180-degree rule for several of the shots.
Maleyto Hall requested to borrow various film equipment from the Film and Media department, including 1 Canon 700D camera, 3 LED lights, 1 microphone, 1 boom pole, 1 XLR cable, 1 Zoom H5 audio recorder, 1 mini prosthetic makeup kit, and 1 clapperboard, between the specified dates. Weekday bookings are allowed for a maximum of 24 hours unless extended by Mr. Goodyear, and equipment needed for longer than the return date requires immediate contact with him.
The document discusses sound design plans for a cold, isolated film environment. It will establish the main character's isolation through ambient noise and effects that make actions seem more dramatic. Additional ambient noise and sound effects will create a mysterious soundscape to interest the audience, while a slow ambient score underscores the main audio.
The document lists 16 shots taken with different camera lenses, shutter speeds, ISO settings, and white balance settings. For shots 1-13, the ISO was set to 100 and the shutter speed was 1/50th of a second, while shots 14-16 had an ISO of 200 and shutter speed of 1/100th. All shots used a white balance setting for tungsten lighting. The shots included a variety of focal lengths and shot types from extreme close-ups to mid and wide shots.
The document lists 16 shots taken with different camera lenses, shutter speeds, ISO settings, and white balance settings. For shots 1-13, the ISO was set to 100 and the shutter speed was 1/50th of a second, while shots 14-16 had an ISO of 200 and shutter speed of 1/100th. All shots used a white balance setting for tungsten lighting. The lenses and shot types varied between extreme close-up, wide, close-up, mid and tracking mid shots.
GHOST is a perfectionist assassin who receives a new target from his handler NICKEL. He meticulously plans and follows the target, killing him at his home. However, the target's nephew KID witnesses the killing, forcing GHOST to decide whether to break his moral code against harming non-targets or risk being exposed. The summary establishes GHOST's character and perfectionist approach to assassinations, as well as the dilemma he faces with the nephew witnessing the killing.
This risk assessment form is for a BBC production. It outlines potential health and safety risks that were considered. Hazards are grouped into categories like health, physical/chemical, situational, and environmental. The document also includes a risk matrix to determine the likelihood and impact of each hazard, ranking them from negligible to very severe. The goal is to identify any high or extremely high risks and implement controls to reduce them.
This document contains a general risk assessment form for the BBC. It lists potential hazards that could be encountered during productions or events. Part A provides information about the production such as location, team members, and assessor details. The hazards listed include situational hazards like working at heights or slips and trips as well as physical hazards like hot or cold environments, noise, and hazardous substances. It also covers health hazards such as diseases, fatigue, and stress. Part B of the form is for assessing the likelihood and severity of each identified hazard using a risk matrix to determine the overall risk level.
The document lists 37 shots from a film or video production, specifying the shot type and duration of each shot. The shots range in length from 2 to 25 seconds and include a variety of shot types, most commonly mid shots but also wide shots, two shots, tracking shots, and one mis shot. The total runtime of the filmed or recorded content is approximately 4 minutes and 38 seconds.
Fred and Ted discuss Fred sitting outside every night on a street bench, with Fred's wife yelling at him to come inside. Ted comments on how Fred's wife makes more noise than the battle of Verdun. Albert unexpectedly returns home from war, surprising his mother Sarah and sister Ethel at their church. While Sarah embraces him happily, Ethel appears tired and worn, asking Albert where he has been without contacting them for so long.
Rupert exits down the aisle after telling Frances he needs a moment alone to process everything that has changed. They will need to learn patience with each other. Fred and Ted then enter, passing each other and exchanging greetings as they stroll down the aisles. Fred remarks to Ted about the cold weather and asks how long Ted has been back, learning it has been a few weeks. Fred notes there are many soldiers still to return home. Fred comments on the silence, which Ted confirms he cannot hear anything either. Fred says he could listen to the silence for hours.
This document announces the winners of the 2024 Youth Poster Contest organized by MATFORCE. It lists the grand prize and age category winners for grades K-6, 7-12, and individual age groups from 5 years old to 18 years old.
The cherry: beauty, softness, its heart-shaped plastic has inspired artists since Antiquity. Cherries and strawberries were considered the fruits of paradise and thus represented the souls of men.
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Boudoir photography, a genre that captures intimate and sensual images of individuals, has experienced significant transformation over the years, particularly in New York City (NYC). Known for its diversity and vibrant arts scene, NYC has been a hub for the evolution of various art forms, including boudoir photography. This article delves into the historical background, cultural significance, technological advancements, and the contemporary landscape of boudoir photography in NYC.
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