lecture on music and trade unions, Popular Music Politics, 2016

1. MUSIC AND TRADE UNIONS – AN
UNEASY ALLIANCE?

2. INTRODUCTION . . .
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3. INTRODUCTION . . .
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4. INTRODUCTION . . .
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5. INTRODUCTION . . .
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• http://www.southparkstudios.co.uk/clips/154153/metallica-joins-the-strike
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6. STRUCTURE
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7. TRADE UNIONS – A STARTING POINT
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https://www.unison.org.uk/about/what-we-do/about-trade-unions/
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8. ORGANISING MUSICIANS: WHERE DOES IT
BEGIN?
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9. ORGANISING MUSICIANS: WHERE DOES IT
BEGIN?
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10. ORGANISING MUSICIANS: WORKPLACES
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11. ORGANISING MUSICIANS: TRADE UNIONS AND
THE LAW
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12. ORGANISING MUSICIANS: TO UNIONISE OR NOT?
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13. ORGANISING MUSICIANS: TO UNIONISE OR NOT?
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14. ORGANISING MUSICIANS: TO UNIONISE OR NOT?
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15. MUSICIANS AS WORKERS?
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16. MUSICIANS AS WORKERS?
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17. MUSICIANS AS WORKERS? OR A BRIEF HISTORY
OF MUSICAL WORK IN THE UK. . .
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18. MUSICIANS AS WORKERS? OR A BRIEF HISTORY
OF MUSICAL WORK IN THE UK. . .
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19. MUSICIANS AS WORKERS? OR A BRIEF HISTORY
OF MUSICAL WORK IN THE UK. . .
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20. MUSICIANS AS WORKERS? OR A BRIEF HISTORY
OF MUSICAL WORK IN THE UK. . .
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21. MUSICIANS AS WORKERS? OR A BRIEF HISTORY
OF MUSICAL WORK IN THE UK

22. MUSICIANS AS WORKERS? OR A BRIEF HISTORY
OF MUSICAL WORK IN THE UK. . .
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23. MUSICIANS AS WORKERS? OR A BRIEF HISTORY
OF MUSICAL WORK IN THE UK. . .
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24. MUSICIANS AS WORKERS?
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25. MUSICIANS AS WORKERS? THE EMPLOYERS
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26. PAUSE FOR THOUGHT. . .
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27. PAUSE FOR THOUGHT. . .
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28. PART 2: THE MUSICIANS’ UNION IN THE
UK
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29. PART 2: THE MUSICIANS’
UNION IN THE UK
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30. PART 2: THE MUSICIANS’
UNION IN THE UK - HISTORY
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31. WHY THE MU IS IMPORTANT: ORCHESTRAS
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32. WHY THE MU IS IMPORTANT: ORCHESTRAS
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33. WHY THE MU IS IMPORTANT: RECORDING
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34. WHY THE MU IS IMPORTANT: RECORDING
(1946 AND ALL THAT)
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35. WHY THE MU IS IMPORTANT: RECORDING
(1946 AND ALL THAT)
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36. WHY THE MU IS IMPORTANT: LIVE MUSIC
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37. WHY THE MU IS IMPORTANT: LIVE MUSIC
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38. WHY THE MU IS IMPORTANT:
BROADCASTING
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39. WHY THE MU IS IMPORTANT:
BROADCASTING
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40. WHY THE MU IS IMPORTANT:
BROADCASTING
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41. WHY THE MU IS IMPORTANT: COPYRIGHT
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42. WHY THE MU IS IMPORTANT: COPYRIGHT
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43. THE MU NOW. . .
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44. THE MU NOW - CONTEXT
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45. THE MU NOW. . .
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46. SOME CONCLUSIONS – THE STRIKE QUESTION
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47. SOME CONCLUSIONS
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48. SOME CONCLUSIONS
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49. OTHER MU MATERIAL. . .
• http://www.muhistory.com
• http://www.keepingmusiclive.co.uk