Este documento presenta un formato de hoja de vida para un aprendiz que incluye secciones para datos personales, estudios, experiencia laboral, estudios complementarios, fechas de inicio y fin de la etapa lectiva, duración de la etapa productiva, y referencias personales. El formato proporciona un modelo estandarizado para que los aprendices capturen información relevante sobre su formación y experiencia laboral.
Este documento presenta un formato de hoja de vida para un aprendiz que incluye secciones para datos personales, estudios, experiencia laboral, estudios complementarios, fechas de inicio y fin de la etapa lectiva, duración de la etapa productiva, y referencias personales. El formato proporciona un modelo estandarizado para que los aprendices capturen información relevante sobre su formación y experiencia laboral.
Este documento presenta los meses del año en francés y su traducción al español. Comienza con enero en francés ("Janvier") y español ("Enero") y continúa lista los meses restantes del año de la misma manera. Termina agradeciendo la atención del lector.
Tamyra Pickering is an educator with over 30 years of experience as a teacher, principal, and director of alternative education programs. She holds a Doctorate in Education and has held leadership roles in both elementary and secondary education. Her experience includes strategic planning, curriculum development, and transforming schools to improve student achievement. She currently works as a Child and Family Support Specialist.
This document contains a resume for Chiran Mandrajith Dias. It includes personal details, education history, professional experience as a Trade Marketing Executive for Ceylon Tobacco Company PLC since 2010, skills and qualifications, and referees. Dias has over 8 years of experience in trade marketing and distribution, and has received awards for outstanding performance. He is pursuing further qualifications in marketing and believes he can add value to any organization through strong communication, teamwork, and interpersonal skills.
1) O paciente, de 63 anos, foi internado devido a um tromboembolismo pulmonar maciço e trombose venosa profunda decorrentes de um adenocarcinoma de pequenas células, provavelmente de origem pulmonar, com metástases cerebrais.
2) O paciente apresentava lesões metastáticas múltiplas no cérebro diagnosticadas por exames de imagem e histologia após ressecção de lesão.
3) Além do tromboembolismo pulmonar, o paciente desenvolveu dispneia, tos
Fitzgerald's life closely paralleled his writing, reflecting the changing American economy of the 1920s with its introduction of widespread consumer credit. This analysis examines Fitzgerald's life and three short stories - "The Diamond as Big as the Ritz," "Winter Dreams," and "The Rich Boy" - to show how they reflect both Fitzgerald's personal struggles and the era's focus on constant wanting and spending beyond one's means. The stories portray characters constantly reaching for more wealth and status, mirroring both Fitzgerald's own ambitions and the changing consumer culture fueled by easy credit.
Amagond Biradar is seeking a job in chemical engineering. He has a B.E. in Chemical Engineering from B.I.E.T. Davangere with an aggregate of 67.59%. He currently works at Syngene International Ltd in Bangalore as an Associate Executive in Production since August 2016. Previously he worked at Cipla Ltd in Bangalore as a Production Officer from February 2015 to June 2016. His roles included supervising batch charging, maintaining process documentation, and ensuring compliance. He has experience operating various equipment like reactors, filters, and pumps. He is interested in heat and mass transfer, chemical reaction engineering, and unit operations.
Este documento presenta la información de un proyecto escolar sobre tecnología e informática realizado por un grupo de estudiantes, incluyendo sus nombres, profesores, objetivos del proyecto, contactos y preguntas sobre temas como la mente humana, generación de agua potable y robótica para ayudar a personas con discapacidad.
The document lists potential characters and their roles for a story including the protagonist James Brown, the haunted girl Katy Jones, the newspaper guy Douglas Fitzgerald, and the boss Mr. Adams. It also mentions potential extras like a woman jumping off a platform and the general public.
The document discusses colour schemes. It likely provides recommendations or guidelines for using different colours in design or some other application. In just a few words, the title gives a clear indication of the main topic and focus of the content in the document.
Risk assessments will need to be conducted to ensure safety when filming a horror trailer on the London Underground. Hazards include falls, inappropriate footwear, spills from food or drink, and injury from trains. Control measures like following instructions, proper costumes, and avoiding platform edges seek to mitigate these risks. Any shots simulating falling onto the tracks will be done elsewhere for added safety.
The document discusses plans to film a horror trailer in the London Underground to take advantage of its unusual setting and the variety of interesting shots possible. Camera techniques will be used cleverly to make it appear people are jumping onto train tracks, and different angles will be needed due to limited space while keeping the main character in focus despite possible members of the public in the background.
The document outlines a film shoot schedule for January 11th and November 4th. On January 11th, the production team and actors will meet at Cuffley train station before traveling to Finsbury Park to film establishing shots and scenes on the underground without actors. All actors will film scenes on the underground from 12-1pm and continue filming from 2-4:30pm, returning to Cuffley station by 5pm. One actor will separately film a close-up jump off an edge near the station from 5-6pm. On November 4th, one actor will film newspaper scenes at a production team member's house from 12-1pm and again from 2-4pm. The entire team will meet at
This document contains profiles for two individuals, Alex Peters who is a 19 year old male student in London studying travel and tourism, and Sammy Lee who is a 22 year old female graduate and teacher also living in London.
The document outlines various production costs for a film including actors, travel/location, special effects, costumes, props, marketing, and advertising with associated costs listed for each category. Actors cost £12,000 while other costs such as travel/location, special effects, costumes, props, marketing, and advertising are not specified.
Este documento presenta los meses del año en francés y su traducción al español. Comienza con enero en francés ("Janvier") y español ("Enero") y continúa lista los meses restantes del año de la misma manera. Termina agradeciendo la atención del lector.
Tamyra Pickering is an educator with over 30 years of experience as a teacher, principal, and director of alternative education programs. She holds a Doctorate in Education and has held leadership roles in both elementary and secondary education. Her experience includes strategic planning, curriculum development, and transforming schools to improve student achievement. She currently works as a Child and Family Support Specialist.
This document contains a resume for Chiran Mandrajith Dias. It includes personal details, education history, professional experience as a Trade Marketing Executive for Ceylon Tobacco Company PLC since 2010, skills and qualifications, and referees. Dias has over 8 years of experience in trade marketing and distribution, and has received awards for outstanding performance. He is pursuing further qualifications in marketing and believes he can add value to any organization through strong communication, teamwork, and interpersonal skills.
1) O paciente, de 63 anos, foi internado devido a um tromboembolismo pulmonar maciço e trombose venosa profunda decorrentes de um adenocarcinoma de pequenas células, provavelmente de origem pulmonar, com metástases cerebrais.
2) O paciente apresentava lesões metastáticas múltiplas no cérebro diagnosticadas por exames de imagem e histologia após ressecção de lesão.
3) Além do tromboembolismo pulmonar, o paciente desenvolveu dispneia, tos
Fitzgerald's life closely paralleled his writing, reflecting the changing American economy of the 1920s with its introduction of widespread consumer credit. This analysis examines Fitzgerald's life and three short stories - "The Diamond as Big as the Ritz," "Winter Dreams," and "The Rich Boy" - to show how they reflect both Fitzgerald's personal struggles and the era's focus on constant wanting and spending beyond one's means. The stories portray characters constantly reaching for more wealth and status, mirroring both Fitzgerald's own ambitions and the changing consumer culture fueled by easy credit.
Amagond Biradar is seeking a job in chemical engineering. He has a B.E. in Chemical Engineering from B.I.E.T. Davangere with an aggregate of 67.59%. He currently works at Syngene International Ltd in Bangalore as an Associate Executive in Production since August 2016. Previously he worked at Cipla Ltd in Bangalore as a Production Officer from February 2015 to June 2016. His roles included supervising batch charging, maintaining process documentation, and ensuring compliance. He has experience operating various equipment like reactors, filters, and pumps. He is interested in heat and mass transfer, chemical reaction engineering, and unit operations.
Este documento presenta la información de un proyecto escolar sobre tecnología e informática realizado por un grupo de estudiantes, incluyendo sus nombres, profesores, objetivos del proyecto, contactos y preguntas sobre temas como la mente humana, generación de agua potable y robótica para ayudar a personas con discapacidad.
The document lists potential characters and their roles for a story including the protagonist James Brown, the haunted girl Katy Jones, the newspaper guy Douglas Fitzgerald, and the boss Mr. Adams. It also mentions potential extras like a woman jumping off a platform and the general public.
The document discusses colour schemes. It likely provides recommendations or guidelines for using different colours in design or some other application. In just a few words, the title gives a clear indication of the main topic and focus of the content in the document.
Risk assessments will need to be conducted to ensure safety when filming a horror trailer on the London Underground. Hazards include falls, inappropriate footwear, spills from food or drink, and injury from trains. Control measures like following instructions, proper costumes, and avoiding platform edges seek to mitigate these risks. Any shots simulating falling onto the tracks will be done elsewhere for added safety.
The document discusses plans to film a horror trailer in the London Underground to take advantage of its unusual setting and the variety of interesting shots possible. Camera techniques will be used cleverly to make it appear people are jumping onto train tracks, and different angles will be needed due to limited space while keeping the main character in focus despite possible members of the public in the background.
The document outlines a film shoot schedule for January 11th and November 4th. On January 11th, the production team and actors will meet at Cuffley train station before traveling to Finsbury Park to film establishing shots and scenes on the underground without actors. All actors will film scenes on the underground from 12-1pm and continue filming from 2-4:30pm, returning to Cuffley station by 5pm. One actor will separately film a close-up jump off an edge near the station from 5-6pm. On November 4th, one actor will film newspaper scenes at a production team member's house from 12-1pm and again from 2-4pm. The entire team will meet at
This document contains profiles for two individuals, Alex Peters who is a 19 year old male student in London studying travel and tourism, and Sammy Lee who is a 22 year old female graduate and teacher also living in London.
The document outlines various production costs for a film including actors, travel/location, special effects, costumes, props, marketing, and advertising with associated costs listed for each category. Actors cost £12,000 while other costs such as travel/location, special effects, costumes, props, marketing, and advertising are not specified.
The document provides information about genre in media texts. It states that genre is a way of categorizing media based on its content and style, with genres having recognizable characteristics or paradigms. Examples of genres include horror, comedy, crime, and sci-fi. Media texts use genre to attract specific target audiences. There can also be hybrid genres that combine elements of multiple genres. The document then discusses several genre theorists and their perspectives on genre. [END SUMMARY]
Post production involves all stages of filmmaking that occur after principal photography ends, such as editing together video clips, adding sound effects and music, color correction and visual effects. For a horror trailer, post production may include editing together filmed clips, adding background music and noises not intended to be part of the story, as well as visual effects and color grading. Modern digital technology has significantly accelerated and simplified the post production process.
Creativity is using imagination and original ideas to create artistic works. A creative horror movie trailer can include developing an original soundtrack that builds tension and suspense. It can also feature realistic costumes and gore scenes to make the supernatural beings or criminals look authentic and scare viewers.
Digital technology refers to on-demand access to content from any device anywhere and allows for interactive engagement and community formation around media. New media is often digital, with characteristics of manipulation, connectivity, density, compression and interactivity like the internet, websites and computer games. When creating a horror trailer, a variety of digital technologies must be used such as filming, editing in PremierePro, burning to disc, designing packaging in Photoshop, and uploading to YouTube for worldwide access.
This document analyzes the codes and conventions found in three horror film trailers: The Devil Inside, The Woman In Black, and Paranormal Activity 3. It discusses how the trailers relate to typical horror conventions such as isolated settings, eerie music, tension, fast editing, and supernatural elements. While The Devil Inside and The Woman In Black follow many conventions, Paranormal Activity 3 goes against some with its lack of fast pacing and use of handheld camera footage. The document examines how the trailers relate to different film theories regarding narrative, genre, and audience motivation.
Research and planning is essential for developing successful products by conducting surveys, analyzing sales reports, and ensuring continuity and a well-thought-out plot. When creating a horror film, research and planning are needed to determine the plot, target audience, cinematography, editing, sound, and atmosphere through tension, suspense and darkness. Marketing and creating trailers must also be carefully planned.
The document analyzes three horror movie trailers: The Devil Inside, The Woman In Black, and Paranormal Activity 3. It examines the use of cinematography, editing, sound, and mise-en-scene in each trailer to create tension and establish them as typical examples of the horror genre. Elements like dark lighting, quick cuts, ominous music, realistic settings, and frightening imagery work together to generate an atmosphere of terror and suspense meant to attract audiences to the films.
The document discusses several theories of how audiences interact with and make sense of media texts:
- Uses and Gratification theory which suggests individuals choose media for purposes like entertainment, information, social relationships, and identity.
- Hypodermic Syringe Model which proposes that audiences passively absorb information without thought and are easily manipulated.
- Two Step Flow theory which argues information spreads from media to opinion leaders and then to less active associates.
- Reception Theory which finds that individuals' interpretations are shaped by their own circumstances and ideologies rather than just the text itself.
Media representations are codified symbols that re-present reality to audiences. Representations often focus on social groups like women, minorities, and subcultures in ways that can lead to stereotyping, such as portraying black people as criminals. Representations categorize and evaluate groups through emphasized features that audiences easily recognize to draw conclusions about them, with evaluations often being negative. For example, horror films frequently represent women as vulnerable targets through the "male gaze," though some allow stereotypical views of women to be challenged as characters grow stronger.
Narrative refers to story structure and devices used in genres. There are linear narratives with a clear beginning, middle, and end, as identified by Aristotle. There are also circular narratives where the beginning and end are the same. Todorov's narrative theory states stories follow an equilibrium-disequilibrium-recognition-resolution-restoration structure. Propp analyzed folktales and identified 8 character roles and 31 functions that advance the story. Barthes identified codes within narratives, including the hermeneutic code of unexplained mysteries, the semantic code of additional meanings, the cultural code of assumed truths, the proairetic code of implied future actions, and the symbolic code of deeper meanings.
Genre refers to categorizing media texts by content and style into categories like horror, comedy, and romance. Genres have recognizable characteristics that create expectations in audiences. There are also hybrid genres combining elements of multiple genres. Genre theorists debate how genres should be defined, with some focusing on semantic or narrative elements, conventions of content and form, or arguing no strict definition can fully capture a genre's complexity. Horror films commonly feature codes and conventions like isolated settings, low lighting, heroes versus villains or monsters.
The document outlines a production schedule for a magazine spanning several weeks in March and April 2012. It details taking photos the week of March 30th, designing the front cover the same week, and allowing extra time for reshoots. The next steps are producing the contents page and double page spread the week of April 6th, with time for reshoots, and a final check the week of April 13th with everything to be completed by April 18th.
Within this moodboard I have created is examples of products and artist my target audience will be typically interested in and other images to reflect the pop genre of my magazine. I have also included examples of front covers, contents pages and double page spreads of existing magazines of the pop genre. The main similarities between them is that they have a sophisticated look to them as opposed to the stereotypical colour of pink, but instead mainly black and white with a splash of colour. They also consist of mainly one main image as opposed to lots of images to keep the sophisticated look to the magazine. The mastheads on them are not the main focus but instead the main image. From this I will incorporate the sophisticated look to my magazine.