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Artist: Miss Tess
Album: Baby, We All Know
Label: Rights Records
Release Date: 07/08/2016
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Miss Tess
Baby, We All Know
Album Reviews | August 9th, 2016
Miss Tess grew up in rural Maryland and
was raised on the American folk and
1930’s swing that her parents, both
musicians, played at home. Later she
studied jazz and blues, including a stint at
The Berklee College of Music. Tess draws
as much from Patsy Cline as from Howlin’
Wolf as well as the pop and punk she
listened to growing up in the 1980’s. Today
she plays her own brand of Americana
with her swinging band The Talkbacks,
featuring guitar ace Thomas Bryan Eaton.
Tess recently relocated to Nashville,
Tennessee where she recorded her latest
release, Baby We All Know. On this disc she
brought in producer Dan Knobler (Rodney
Crowell, Tift Merritt) as well as top session
players who help round out her sound.
The album immediately kicks into high gear with the feel good shuffle of “Ride That
Train.” Tasty background vocals punctuate this country swinger along with fantastic
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piano work by John Pahmer. Though Mr.Eaton usually fills the role of lead guitarist,
Miss Tess is also a talented player and knows how to coax classic tones from her rare
Weymann archtop guitar. On “Little Lola” Mr.Eaton lays down thick, swampy chords
reminiscent of CCR’s “Born On The Bayou” thanks to throbbing tremolo. With its catchy
chorus and gritty riffs, “I Can’t Help Myself” is a standout track that really rocks.
Stinging solos by Mr.Eaton bring to mind B.B.King via Eric Clapton, and Stefan Zeniuk
gets down and dirty on baritone sax. “Do You Want My Love” is a pop ballad rich with
romantic longing, and “Shotgun Wedding” gets back to raw rockabilly with the question
“How’d you like to have a shotgun wedding?” Surely a warning for careless lovers.
“Take You Break You Shake You” grooves with a sultry feel that would make Tom Waits
proud, while the chiming pedal steel guitars and hillbilly fiddles of “Moonshiner” shows
Tess’s deep feel for country music. There are 11 tunes total on this prodigious platter,
each song strong. Tess’s knowledge of genre is in full effect and with this solid crew of
musicians, we get an overview of what makes American roots music so great.
Miss Tess clearly understands the power of tight structure and the importance
of involving the listener via irresistible choruses. One can’t avoid getting caught up in
the call and response fun of “Oh lord I can’t help myself!” These are good time party
tunes executed with excellence. Though Miss Tess wears her influences on her sleeve,
her music sounds fresh, spirited, and relevant. It’s enough to make you wanna get up
and dance. Highly recommended.
-Mike Cobb
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