Minion is a typeface designed in 1990 by Robert Slimbach for Adobe Systems. It was inspired by late Renaissance era typefaces and is easy to read with a compact size. Minion has good typographic color and is economical, serving as a replacement for Times New Roman. It has distinctive features like an oblique stress, heavily bracketed serifs, and minimal thick-thin contrast. Minion is used in popular books like The Girl with the Dragon Tattoo series and pairs well with other typefaces like Frutiger and Gill Sans.
The document discusses a poster representing a movie called "Manors" that depicts harsh realities of living in poor neighborhoods. It includes imagery of a man vomiting, a dark background resembling streets, and text noting the strong language and mature themes addressed in the film. The quotes provide insight into how difficult it can be to survive in such an environment and that people must make their own positive changes to their circumstances.
This document provides an analysis of visual elements common in zombie films. It notes that shots of fire and smoke show turmoil within a scene without leadership. Large abandoned spaces create tension by not knowing what could be around corners. Close-ups of gory zombie makeup make attacks look realistic. Titles using bold red letters directly reference blood and violence. Surprising elements like child zombies make the threat more unsettling. Ambulances ironically running people over shows societal collapse. Large zombie crowds display the skill needed for survivors to persist against such odds. Clever title editing using blowing blood enhances the horror genre experience. Overall these techniques suit zombie films known for blood and gore.
This document provides a plot synopsis and production details for a dystopian sci-fi film titled "Pitch AV". The film tells the story of a hacker known as AV who causes a global economic crash by wiping credit histories. This leads to worldwide chaos. Five years later, AV meets a woman seeking to rebuild society as AV now regrets his actions, especially since the woman is dying of leukemia. AV plans to travel back in time to stop himself in order to save the woman. Production elements like gritty cinematography and desaturated color palette aim to portray a realistic post-apocalyptic world.
The document analyzes the opening sequences of three thriller films - World War Z, Se7en, and The Dark Knight Rises. For each film, it discusses several shots or clips from the opening and how they set tension, create unease, or foreshadow danger, violence, or psychological themes in a way that is conventional for the thriller genre. Overall, the document shows how the openings draw in the audience through the use of music, lighting, colors, and imagery that leaves questions unanswered and builds a sense of mystery.
This summary provides an overview of key events in Act 3, Scene 5 of Romeo and Juliet:
Juliet tries to convince Romeo that it is still night and he has time before he must leave, as their secret marriage could mean death if discovered. Lady Capulet tells Juliet she must marry Paris, but Juliet refuses and says she will only marry Romeo. When Lord Capulet hears this, he is angry at her defiance and threatens to disown her. He tells Juliet she has no choice and must marry Paris. Seeing no other option, Juliet decides to go to Friar Lawrence for help escaping the marriage to Paris, or she will kill herself.
This document provides an analysis of the TV show Arrow based on its pilot episode script. It discusses how the script uses flashbacks to illuminate the present narrative and engages the target audience immediately with quick action sequences. The analysis also examines the script's adherence to various narrative and genre theories, finding it follows an anachronic modular narrative structure through consistent flashbacks. Key codes like action and enigma are also identified within the genre blending of comic books, action, and romance.
The paper is about Cyrano de Bergerac play by Edmond Rostand in 1897 and later released in a film based on a romantic soldier who romances his cousin, Roxane, by proxy
This document discusses techniques used in crime documentaries that could be incorporated into the creator's own documentary. It analyzes the use of jump cuts in "Ross Kemp on Gangs" to make scenes flow smoothly. It also notes how Ross Kemp uses direct address to help audiences understand dangerous situations. The document likes how over-the-shoulder shots in "Ross Kemp" create a sense of caution and how two shots in "Danny Dyer Deadliest Men" show genuine conversations. It concludes that voiceovers, as used in a thoughtful long shot of Dyer, can make shocking stories more engaging.
The document discusses a poster representing a movie called "Manors" that depicts harsh realities of living in poor neighborhoods. It includes imagery of a man vomiting, a dark background resembling streets, and text noting the strong language and mature themes addressed in the film. The quotes provide insight into how difficult it can be to survive in such an environment and that people must make their own positive changes to their circumstances.
This document provides an analysis of visual elements common in zombie films. It notes that shots of fire and smoke show turmoil within a scene without leadership. Large abandoned spaces create tension by not knowing what could be around corners. Close-ups of gory zombie makeup make attacks look realistic. Titles using bold red letters directly reference blood and violence. Surprising elements like child zombies make the threat more unsettling. Ambulances ironically running people over shows societal collapse. Large zombie crowds display the skill needed for survivors to persist against such odds. Clever title editing using blowing blood enhances the horror genre experience. Overall these techniques suit zombie films known for blood and gore.
This document provides a plot synopsis and production details for a dystopian sci-fi film titled "Pitch AV". The film tells the story of a hacker known as AV who causes a global economic crash by wiping credit histories. This leads to worldwide chaos. Five years later, AV meets a woman seeking to rebuild society as AV now regrets his actions, especially since the woman is dying of leukemia. AV plans to travel back in time to stop himself in order to save the woman. Production elements like gritty cinematography and desaturated color palette aim to portray a realistic post-apocalyptic world.
The document analyzes the opening sequences of three thriller films - World War Z, Se7en, and The Dark Knight Rises. For each film, it discusses several shots or clips from the opening and how they set tension, create unease, or foreshadow danger, violence, or psychological themes in a way that is conventional for the thriller genre. Overall, the document shows how the openings draw in the audience through the use of music, lighting, colors, and imagery that leaves questions unanswered and builds a sense of mystery.
This summary provides an overview of key events in Act 3, Scene 5 of Romeo and Juliet:
Juliet tries to convince Romeo that it is still night and he has time before he must leave, as their secret marriage could mean death if discovered. Lady Capulet tells Juliet she must marry Paris, but Juliet refuses and says she will only marry Romeo. When Lord Capulet hears this, he is angry at her defiance and threatens to disown her. He tells Juliet she has no choice and must marry Paris. Seeing no other option, Juliet decides to go to Friar Lawrence for help escaping the marriage to Paris, or she will kill herself.
This document provides an analysis of the TV show Arrow based on its pilot episode script. It discusses how the script uses flashbacks to illuminate the present narrative and engages the target audience immediately with quick action sequences. The analysis also examines the script's adherence to various narrative and genre theories, finding it follows an anachronic modular narrative structure through consistent flashbacks. Key codes like action and enigma are also identified within the genre blending of comic books, action, and romance.
The paper is about Cyrano de Bergerac play by Edmond Rostand in 1897 and later released in a film based on a romantic soldier who romances his cousin, Roxane, by proxy
This document discusses techniques used in crime documentaries that could be incorporated into the creator's own documentary. It analyzes the use of jump cuts in "Ross Kemp on Gangs" to make scenes flow smoothly. It also notes how Ross Kemp uses direct address to help audiences understand dangerous situations. The document likes how over-the-shoulder shots in "Ross Kemp" create a sense of caution and how two shots in "Danny Dyer Deadliest Men" show genuine conversations. It concludes that voiceovers, as used in a thoughtful long shot of Dyer, can make shocking stories more engaging.
This document analyzes the opening scene of the James Bond film Quantum of Solace. It summarizes that the opening combines the key elements of film production to create a fast-paced and action-packed scene. Mise-en-scene, including costumes that distinguish Bond and the villains, advance the narrative. Props like cars and guns maintain the violent pace expected of action movies. Editing uses quick cuts between characters and settings to keep the audience engaged without missing any of the action. Suspenseful non-diegetic music and realistic diegetic sounds of guns and cars immerse viewers in the scene. Overall the opening entices audiences to continue watching through its skillful use of cinematic techniques.
Rico narrates in a deserted favela under the scorching sun, cynically stating that there is no justice in this slum and it's a dangerous reality where fighting for a cause could get you killed. He directly addresses the camera asking if the viewer is ready to join, implying the viewer is taking on the role of Rico's character in an upcoming game called "Shanty Town" that depicts this grim slum setting.
The document discusses possible movie titles for a film centered around the character Alex, who gets caught up in a criminal lifestyle. "Shooter" is considered as a main title due to the narrative revolving around Alex and a firearm. "Brum" is also discussed as a short, slang title that conveys the film is aimed at young people and focuses on life in Birmingham. Ultimately, "Runaway" is selected as it can metaphorically represent Alex running away from his old life and identity, as well as another character Jordan wanting a fresh start.
The document discusses possible movie titles for a film about a young man named Alex who gets involved with a gang and criminal lifestyle in Birmingham, England. It considers titles like "Shooter", "Brum", and "Runaway" and analyzes how each title relates to the film's narrative, characters, themes of violence, criminal behavior, and personal growth. Ultimately it determines that "Runaway" is the best title as it represents Alex leaving his old life and journey of self-discovery, and also references another character Jordan wanting a fresh start.
The document discusses taking inspiration from the Danish film director Thomas Vinterberg and his Dogme 95 film movement. Some key rules of Dogme 95 that will be followed include using only hand-held cameras to film where the action takes place, and avoiding superficial actions like violence. Specifically, the naturalistic style of Vinterberg's film The Celebration will be influential, with its documentary-like camera movements and sense of realism. Drawing from this style could suit the avant-garde nature of the music in the project. One scene will reference Samuel Taylor Coleridge's poem The Rime of the Ancient Mariner by depicting the protagonist with a mask tied around his neck, alluding to a past crime through repetition and mystery
The document discusses different types of narrative structures that can be used in stories. It provides examples of a linear narrative structure found in "It's a Wonderful Life" and a non-linear structure in "Pulp Fiction." The story described follows a single storyline, or strand, and has a closed narrative with a conclusion rather than an open-ended one. While grounded in reality rather than fantasy, it manipulates time and space similar to the film "Hot Fuzz," which condenses a long travel time.
This document analyzes the opening scene of the James Bond film Quantum of Solace. It summarizes that the opening combines the key elements of film production to create a fast-paced and action-packed scene. Mise-en-scene, including costumes that distinguish Bond and the villains, advance the narrative. Props like cars and guns maintain the violent pace expected of action movies. Editing uses quick cuts between characters and settings to keep the audience engaged without missing any of the action. Suspenseful non-diegetic music and realistic diegetic sounds of guns and cars immerse viewers in the scene. Overall the opening entices audiences to continue watching through its skillful use of cinematic techniques.
Rico narrates in a deserted favela under the scorching sun, cynically stating that there is no justice in this slum and it's a dangerous reality where fighting for a cause could get you killed. He directly addresses the camera asking if the viewer is ready to join, implying the viewer is taking on the role of Rico's character in an upcoming game called "Shanty Town" that depicts this grim slum setting.
The document discusses possible movie titles for a film centered around the character Alex, who gets caught up in a criminal lifestyle. "Shooter" is considered as a main title due to the narrative revolving around Alex and a firearm. "Brum" is also discussed as a short, slang title that conveys the film is aimed at young people and focuses on life in Birmingham. Ultimately, "Runaway" is selected as it can metaphorically represent Alex running away from his old life and identity, as well as another character Jordan wanting a fresh start.
The document discusses possible movie titles for a film about a young man named Alex who gets involved with a gang and criminal lifestyle in Birmingham, England. It considers titles like "Shooter", "Brum", and "Runaway" and analyzes how each title relates to the film's narrative, characters, themes of violence, criminal behavior, and personal growth. Ultimately it determines that "Runaway" is the best title as it represents Alex leaving his old life and journey of self-discovery, and also references another character Jordan wanting a fresh start.
The document discusses taking inspiration from the Danish film director Thomas Vinterberg and his Dogme 95 film movement. Some key rules of Dogme 95 that will be followed include using only hand-held cameras to film where the action takes place, and avoiding superficial actions like violence. Specifically, the naturalistic style of Vinterberg's film The Celebration will be influential, with its documentary-like camera movements and sense of realism. Drawing from this style could suit the avant-garde nature of the music in the project. One scene will reference Samuel Taylor Coleridge's poem The Rime of the Ancient Mariner by depicting the protagonist with a mask tied around his neck, alluding to a past crime through repetition and mystery
The document discusses different types of narrative structures that can be used in stories. It provides examples of a linear narrative structure found in "It's a Wonderful Life" and a non-linear structure in "Pulp Fiction." The story described follows a single storyline, or strand, and has a closed narrative with a conclusion rather than an open-ended one. While grounded in reality rather than fantasy, it manipulates time and space similar to the film "Hot Fuzz," which condenses a long travel time.
2. Meet Minion
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3. Minion
Minion is an Old style typeface
designed by Robert Slimbach
for Adobe Systems in 1990.
Inspired by late Rennaissance
era type.
Easy to read
Compact
Good Typographic Color
Economical
Replacement for Times New
Roman
3
4. Anatomy
O Oblique Stress
L Heavily bracketed serifs
M Minimal thick/thin
contrast
Ff Capital height is shorter
than lowercase ascender
4
5. Similar Faces
ABCDEFGHIJ
AB C D E F G H I J
Minion Times New Roman
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LMNOPQRST
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