Louis Treserras (French, 1958)2
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Louis Treserras claims to be a self taught painter. For 30 years he has been painting young and mysterious female models. His rigorous approach to artistic composition would almost compare to a science, like mathematics. His style remains however poetic an intimist, with a very distinct and soft range of colors. He is neither photographer, nor painter, nor poet, he is an Artist. A contemporary artist with a highly classical technique, characteristic of the uncompromising self-taught artist. Louis Treserras also teaches at the academie at Aubenas en Ardéche. Berit Hildre, exceptional self-taught sculptor, offers us all the innocence of childhood. Her delicate and graceful little girls and girls embody the state of grace that is childhood, but also its fragility. Berit is self-taught. She was born on 1 February1964 in Norway. For Berit Hildre, the vocation is late, it is born from his meeting with the painter Louis Tresseras with whom she lives today in France. PLEASE SEE ALSO: https://www.slideshare.net/sandafoisoreanu/louis-treserras-french-19581 https://www.slideshare.net/sandafoisoreanu/berit-norwegian-19642 https://www.slideshare.net/sandafoisoreanu/berit-norwegian-19641 https://www.slideshare.net/sandafoisoreanu/olga-marciano-italian-19622 https://www.slideshare.net/sandafoisoreanu/olga-marciano-italian-19621
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Louis Treserras (French, 1958)2
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- 3. Louis Treserras claims to be a self taught painter. He is neither photographer, nor painter, nor poet, he is an Artist. A contemporary artist with a highly classical technique, characteristic of the uncompromising self- taught artist. For 30 years he has been painting young and mysterious female models. His rigorous approach to artistic composition would almost compare to a science, like mathematics. His style remains however poetic an intimist, with a very distinct and soft range of colors. We no longer know if they are paintings or photos, everything is imbued with delicacy and an unmistakable finesse, little moments of suspended dreams. Louis Treserras also teaches at the academie at Aubenas en Ardéche
- 5. Louis Treserras (French, 1958) Allez une petite dernière... École de danse Tartary (Patrice Ferragut) École de danse Tartary (Patrice Ferragut)
- 6. Louis Treserras (French, 1958) Danser dans les nuages.. École de danse Patrice Ferragut « On ne sait plus si ce sont des tableaux ou des photos, tout est empreint de délicatesse et d'une finesse ïnouie, petits instants de rêves suspendus »
- 7. Louis Treserras (French, 1958) Le spectacle est fini.... 120x120 cm
- 9. Louis Treserras (French, 1958) Coline 2018 40 x 40 cm
- 10. Louis Treserras (French, 1958) Un innocent automne Berit & Louis Treserras Exposition du 10 au 27 novembre 2021 en Galerie de Lyon
- 11. Louis Treserras (French, 1958) E14 Elise 80x80 cm
- 12. E16 Elise 2019 73 x 54 cm Louis Treserras (French, 1958) Elise
- 15. Louis Treserras (French, 1958) In the garden Lauralou
- 16. Louis Treserras (French, 1958) Jeux interdits… 80x80 cm Le messager 110x50 cm (fragment)
- 19. Louis Treserras (French, 1958) FEU Laetitia diam 80 cm
- 20. Louis Treserras (French, 1958) L'eau. La fille du nord (Marie) diam 80 cm
- 24. Rendez-vous 100x90 cm Louis Treserras (French, 1958) La libellule Elma 60x60 cm
- 25. Louis Treserras (French, 1958) La libellule Elma 60x60 cm
- 26. Louis Treserras (French, 1958) La Marine!!! 80x70.5 cm La libellule Nora 60x60 cm
- 32. Louis Treserras (French, 1958) Lauralou 90x70 cm Laetitia 50x50 cm
- 35. Louis Treserras (French, 1958) Le monde selon Marie 60x30 cm Mission D 102 cm
- 36. Louis Treserras (French, 1958) Rencontree 90x70 cm Le printemps de Marie 80x80 cm
- 37. Louis Treserras (French, 1958) Marie 50x50cm Paule 80x80 cm
- 39. Louis Treserras (French, 1958) Portrait de Mme Elise Morales 50x50cm Mademoiselle (avec Manon Botineau)
- 41. Portrait d'Elise Louis Treserras (French, 1958) Portrait de Chloé Dupuis
- 44. Louis Treserras (French, 1958) Le chemin 2016 Polyptyque huile sur toile, 1.20x8.50 m
- 48. Louis Treserras (French, 1958) Le chemin 2016 Polyptyque huile sur toile, 1.20x8.50 m
- 49. Sound: L'envie d'aimer - Pascal Obispo (Daniel Levi / La Troupe Des Dix Commandements) Text and pictures: Internet All copyrights belong to their respective owners Presentation: Sanda Foişoreanu https://www.slideshare.net/sandafoisoreanu https://ma-planete.com/michaelasanda 2022
Editor's Notes
- Maestro Lino Tagliapietra at Schantz Galleries Lino Tagliapietra’s career is defined by a dedication to workmanship, innovation, and collaboration. Born in 1934 on the renowned glass-blowing island of Murano, Italy, Tagliapietra began his apprenticeship at age 11 with Muranese master Archimede Seguso from whom Tagliapietra achieved the status of Maestro Vetraio by the age of 21. For over forty-two years, Lino worked in various for-profit Murano factories including Vetreria Galliano Ferro, Venini & Co., and finally as the Artistic and Technical Director of Effetre International (1976-1989). Tagliapietra has been an independent artist since 1989, exhibiting in museums around the globe, receiving countless honors, openly sharing his far-reaching knowledge of the medium and his skill as one of its finest practitioners, and helping to create a new renaissance in studio glassmaking. As James Yood, adjunct professor of art history at the School of the Art Institute of Chicago and regular contributor to GLASS magazine wrote, “there are probably no two words more respected and honored in the history of modern sculpture in glass than ‘Lino Tagliapietra’; he is the living bridge, the crucial link between the august history of Venetian glass and the ceaseless wonders of what today we call the modern Studio Glass Movement”, (to read more of this essay, refer to Dalle Mani del Maestro, Lino Tagliapietra.) Lino Tagliapietra has been featured in numerous solo exhibitions and is represented in a global assortment of museums and art institutions, including: Bellevue Art Museum, Bellevue, WA; Bergstrom-Mahler Museum of Glass, Neenah, WI: Venice Biennale, Italy; Carnegie Museum of Art, Pittsburgh, PA; Chrysler Museum; Norfolk, VA; Colby Museum of Art, Waterville, ME; Corning Museum of Glass, NY; The Danish Royal Museum, Copenhagen, Denmark; Glasmuseum, Ebeltoft, Denmark; Hokkaido Museum of Modern Art, Sapporo, Japan; M.H. de Young Memorial Museum, San Francisco, CA; The Metropolitan Museum of Art, New York, NY: Mint Museum of Craft and Design, Charlotte, NC; Musée des Arts Décoratifs, Losanna, Switzerland; Musée des Arts Décoratifs, Paris, France; Museo del Vidrio, Monterrey, Mexico; Museum of Arts and Design, New York, NY; Museum Boymans, Rotterdam, The Netherlands; Museum of Glass, Tacoma, WA; Museum Het Paleis, The Hague, Netherlands; National Museum of Ceramic Art and Glass, Baltimore, MD; Orlando Museum, FL; Palazzo Franchetti, Venice, Italy; Palazzo Grassi, Venice, Italy; Palm Springs Art Museum, CA; Renwick Gallery of the Smithsonian American Art Museum, Washington, D.C.; Seattle Art Museum, WA; Shanghai Museum of Glass, China; Stanford University, Palo Alto, CA; Tokyo National Modern Art Museum, Japan; and the Victoria and Albert Museum, London, UK.
- Callas with Francesco Albanese, Tenor