reveal / the bling thing rexxxx / xxxxxx
For gems that have added meaning and ornaments that wow,
there are only a handful of exclusive global destinations that
combine the best of art and jewellery, writesMING LIU
ARTFUL
SPARKLES
176_#legend_March 2016 March 2016_#legend_177
ashion and the artsare
symbioticcreaturesand
lastyearhaditsshareof
blockbustershowsthat
linkedboth.Thehighly
praisedMetropolitan
MuseumofArt’sChina:
ThroughtheLooking
Glassexhibitionin
NewYorksetthesceneforthestar-studded
CostumeInstituteGalaanditsjuxtaposition
ofhighfashionthroughtheageswithexquisite
Chineseantiques,ceramicsandpaintings.
TheLouisVuittonSerieshaditslatest
iterationinLondonlastSeptember,afterstops
inShanghai,Tokyo,LosAngelesandRome.
Theeventcelebratedtheinfluenceofdesigner
NicolasGhesquière.
Itseemsthatsuperiorjewellersarehopping
ontheartbandwagonthisyear,puttingon
innovativeexhibitionsthatexplainhow
jewellery,itsaestheticsandrichheritage,
areshapedbyart.Asweseeit,therearefive
exhibitionsyouwillnotwanttomiss.
Left: Pouf Serpent Jaune by
Niki de Saint Phalle
Right: Her Body, Her Nation
2014-15 by Farhad Ahrarnia
SerpentiForm–Rome
ThismultifacetedshowbyveneratedItalian
jewellerBulgariissettobeatruefeastfor
allsenses.Snakeshavelongbeenpowerful
symbols,beingconsideredtalismansinancient
RomeandAfrica,andastheharbingers
offertilityandimmoralityinAsia.Bulgari
wasfirststruckbytheserpentinthe1940s,
interpretingthesymbolinalineofbracelet
watches.SerpentiFormisabeautifullook
atthisever-evocativecreature,andspans
theancienttomodernwhileembracinga
hostofartforms:contemporaryart,design,
photography,illustrationandfashion.
KeithHaring,NikideSaintPhalle,
AlexanderCalderandPaulKleearebuta
fewofartistswhoseworkisonshow,their
expressionsoftheophidianrunningthegamut
fromtheironicaltothedreamilyabstract.
FurtherjazzinguptheshowareItalian
vintagefashiondesignsandfilmcostumes.
Fashionistasmightwanttomakeabeeline
fortheoutfitswornbyElizabethTaylorin
Cleopatra.RarejewelsfromPompeii,onloan
F
frommuseumsofarchaeologyinTaranto
andNaples,addanantiquetouch.Ofcourse
thereisalsotheshow-stoppingcentrepieceof
exquisiteSerpentijewelsfromBulgari’svaults.
March10toApril10attheMuseumofRome
PHOTOS_GIULIOPIETROMARCHI(LEFT)_LAWRIESHABIBI
reveal / the bling thing
TurquoiseMountain–Washington
EstablishedattherequestofCharles,the
PrinceofWales,andAfghanistan’sformer
presidentHamidKarzai,TurquoiseMountain
isapioneeringcharitythathasbeenreviving
Afghanistan’srichculturalheritageforthepast
decade.Developingskillsisattheheartofits
mission,asittrainsanewgenerationofartisans
intraditionalcraftssuchaswoodworking,
miniaturepainting,carpetweaving,ceramics,
jewelleryandgemcutting.Aselectionofthe
outstandingworkcomingoutofthisground-
breakingprogrammewillheadtoWashington
inMarch,wheretheSmithsonianInstitution
willhostTurquoiseMountain:Artists
TransformingAfghanistan.
Showingoffthecharity’sachievements
intherealmofjewellerywillbeastunning
emeraldpiece.Theexhibitwasjointlycrafted
byPippaSmall,theBritishjewellerknown
forherethicalworkandorganicdesigns,and
Saeeda,aTurquoiseMountaingraduatewho
isdeaf.
Thecollaborationisreminiscentof
theworkSmallhasdonewithartisansin
developingcountrieswhichwonheranMBE
in2013.SaeedaandSmall’screation,made
intheTurquoiseMountainworkshopin
Kabul,comprisessome200emeralds–stones
whicharefoundinAfghanistanandhavea
deepsymbolicimportance.Atthebackof
theamulet-inspiredpieceisacaseofthetype
traditionallyusedforholdingwrittenprayers
orkeepsakes.Forthedurationoftheexhibition
itwillholdsoilfromKabul.AfilmbySaeeda
enrichesthetalebehindthiswonderfullyone-
offpiece.
March5toJanuary29,2017,intheFreerand
SacklerGalleriesofArtintheSmithsonian
Institution,Washington
Above: Conceptualising
jewellery designs
Far left: A delicate
necklace by Turquoise
Mountain
Left: Pippa Small and
Saeeda
178_#legend_March 2016
AmrapaliMuseumofJewelleryand
Art–Jaipur
AmrapaliisIndia’sbiggestjewellerbutthe
Rajasthanhouse’sexceptionaldesignsare
currentlymakingbigwavesinternationally.
Thecompanyisnotyet40yearsoldand
createsvintage-inspired,yetcoollymodern,
pieceswithacombinationofexquisite
craftsmanshipandtraditionalskills.In
Amrapali’scase,alloozeadistinctiveAsian
aesthetic.Thehouse,afterall,isnamedafter
alegendaryroyalcourtesan,famousforher
extraordinarybeautyandcharm.
Amrapali’sfoundersaretheembodiment
ofthehouse’sapproach.RajivAroraand
RajeshAjmerawerehistorystudentsstruck
bywanderlustinthelate1970s,whosetoffto
travelthecountry,pickinguppiecesofIndian
heritagealongtheway.Theirdiscoveries
andinspirationswouldeventuallyleadto
themmakingjewellery,butnotbeforethey
hadamassedsome3,000antiquesthatare
nowhousedinanewmuseumbuiltbeside
Amrapali’sheadquartersinJaipur.
Themuseumisthefirstofitskindinthe
Indiangemcapital.Itdisplaysnotonlythe
jaw-droppingpiecesfromAmrapali’svaults
butalsothewonderfulheritagethatinspired
them.Forexample,acollectionofshivlingam
carriers,customarilywornlikenecklacesby
theLingayatpeopleofKarnataka,willbe
ondisplay.Raremango-shapedcontainers
forlime,snuffandperfumealsoformpartof
theshow.Oneexhibitthatstandsoutisthe
remarkablesilvercrownthatadornedastatue
oftheLordKrishna.
CurrentlyopenatAmrapali,Jaipur
Left: Tarang Arora, the son of
Amrapali’s co-founder, Rajiv Arora
Above: An intricate necklace and
earrings set by Amrapali
March 2016_#legend_179
reveal / the bling thing
TheArtandScienceofGems–Singapore
Jewellery-makingisasmuchgeoscienceas
craft,soit’sfittingthatSingapore’sArtScience
Museumshouldbehometoanexcitingnew
exhibitionofVanCleef&Arpelspieces,shown
alongsidegeologicaltreasuresfromFrance.
TheArtandScienceofGemsexhibition
willshowmorethan400piecesfromthe
VanCleef&Arpelsheritagecollection,with
selecteditemsfromprivatecollectors.The
showfollowstheseventhemesofcouture;
abstractions,influences,preciousobjects,
nature,ballerinas,andfairiesandicons.
Abolddiamondbraceletfrom1925
illustratestheearlyforaybyVanCleef&
Arpelsintoartdeco.Otherpiecestellofthe
house’slegendarypatrons,includingnewlywed
Europeanroyalty,Indianmaharajas,American
socialites.Stillotherstellofthedancersthat
servedasmusesforthecreatorsoftheballerina
clipsofthe1940s.
Thenarrativeofthejewellery,desk
clocks,pocketwatchesandlacqueroryellow
goldMinaudièrebagsisenrichedby250
raremineralsandgemsfromtheNational
MuseumofNaturalHistoryinParis.Like
theexhibitsfromVanCleef&Arpels,
thegeologicaltreasuresaredisplayedin
accordancewithseventhemes:pressure,
temperature,transport,water,oxygen,lifeand
metamorphism.
Thehighlightsofthejewelleryonshow
includea1970sgoldclipandpendantofabird
carryingabriolette-cut96.62-caratyellow
diamondthatbelongedtothePolishopera
singerGannaWalska.Itisadornedwith
emeralds,sapphires,andyellowandwhite
diamonds.Thepieceisalsoingenious:itcan
beturnedintoapairofwingedearringsanda
brooch.Similarly,aplatinumandgold1950s
Zipcouturenecklacewithdiamondandrubies,
conceivedbytheDuchessofWindsor,hasa
functioningzipper,whichallowsthepieceto
betransformedintoabracelet.#
FromApril23toAugust14attheArtScience
Museum,Singapore
Top: Bouquet clip, 1940
Above: Passe Partout jewel, 1939
Right: Bird clip and pendant, 1971-1972,
all by Patrick Gries
March 2016_#legend_181
DaidoTokyoandCaliClair-Obscur–Paris
CelebratedjewellerandwatchmakerCartier
establishedtheFondationCartierpourl’Art
Contemporainin1984,andtodaythenon-
profitfoundationoccupiesaJeanNouvel-
designedmuseuminthe14tharrondissement
inParis.Thefoundationhasheldmorethan
100exhibitionsandcommissionedmore
than1,000worksofcontemporaryartfroma
diverseandimpressiverangeofartists.Marc
Couturier,FabriceHybert,CaiGuo-Qiang,
WilliamEggleston,SarahSze,WimDelvoye,
GaryHillandDavidLyncharejustsomeofthe
namesontheroster.
TwoexhibitionsrunninguntilJunewill
beatreatforloversofcontemporaryart,
particularlyaficionadosofphotography.One
showsalargeselectionofworkbyJapanese
photographerDaidoMoriyama.Moriyama
beganbycapturingapost-SecondWorld
WarJapancaughtbetweentraditionand
modernity,beforemovingontomoreavant-
gardestreetphotography.Moriyamaisno
strangertothefoundation,whichputonits
firstexhibitionofhisworkin2003.
Thenewexhibition,calledDaidoTokyo,
featurescolourphotographsfromthepast
twodecadesthatwillbefamiliartoMoriyama
fans,theworkencompassingkitscherotica
andseductivenocturnalpanoramas.Also
familiarwillbetheblack-and-whiteimagesin
DogandMeshTights,animmersivemultiscreen
projectioncommissionedbythefoundation.
Theworkingeniouslybringsmodernlifeinto
striking,frankfocus.
ComplementingtheMoriyamaexhibition
isashowoftheworkofanotherurban
photographer,FernellFranco.The140
photographsfrom10differentseriestaken
between1970and1996haveneverbefore
beenseeninEurope.Francolivedamidthe
povertyofCaliinColombia,workingasa
photojournalistforElPaisandDiarioOccidente,
snappingsubjectsasdiverseasurbanuprisings,
massacresinthecountrysideandcocktail
partiesthrownbyCali’selite.IntheCali
Clair-Obscurexhibition,curatorsAlexisFabry
andMariaWillsLondoñopresent26yearsof
Franco’swork,demonstratingthefullrange
ofhistalents,fromconveyingserenityinhis
landscapestoconveyingmenace,almost,inhis
SérieBillaresportraits.
BothuntilJune5attheFondationCartierpour
l’ArtContemporain,Paris
Top: Daido Moriyama, Tokyo Color, 2008-2015
Above: Fernell Franco Série Interiores, 1978
180_#legend_March 2016
PHOTOS_DAIDOMORIYAMAPHOTOFOUNDATION(TOP)_FUNDACIONFERNELLFRANCOCALITOLUCAFINEART,PARIS

#Legend TheBlingThing

  • 1.
    reveal / thebling thing rexxxx / xxxxxx For gems that have added meaning and ornaments that wow, there are only a handful of exclusive global destinations that combine the best of art and jewellery, writesMING LIU ARTFUL SPARKLES 176_#legend_March 2016 March 2016_#legend_177 ashion and the artsare symbioticcreaturesand lastyearhaditsshareof blockbustershowsthat linkedboth.Thehighly praisedMetropolitan MuseumofArt’sChina: ThroughtheLooking Glassexhibitionin NewYorksetthesceneforthestar-studded CostumeInstituteGalaanditsjuxtaposition ofhighfashionthroughtheageswithexquisite Chineseantiques,ceramicsandpaintings. TheLouisVuittonSerieshaditslatest iterationinLondonlastSeptember,afterstops inShanghai,Tokyo,LosAngelesandRome. Theeventcelebratedtheinfluenceofdesigner NicolasGhesquière. Itseemsthatsuperiorjewellersarehopping ontheartbandwagonthisyear,puttingon innovativeexhibitionsthatexplainhow jewellery,itsaestheticsandrichheritage, areshapedbyart.Asweseeit,therearefive exhibitionsyouwillnotwanttomiss. Left: Pouf Serpent Jaune by Niki de Saint Phalle Right: Her Body, Her Nation 2014-15 by Farhad Ahrarnia SerpentiForm–Rome ThismultifacetedshowbyveneratedItalian jewellerBulgariissettobeatruefeastfor allsenses.Snakeshavelongbeenpowerful symbols,beingconsideredtalismansinancient RomeandAfrica,andastheharbingers offertilityandimmoralityinAsia.Bulgari wasfirststruckbytheserpentinthe1940s, interpretingthesymbolinalineofbracelet watches.SerpentiFormisabeautifullook atthisever-evocativecreature,andspans theancienttomodernwhileembracinga hostofartforms:contemporaryart,design, photography,illustrationandfashion. KeithHaring,NikideSaintPhalle, AlexanderCalderandPaulKleearebuta fewofartistswhoseworkisonshow,their expressionsoftheophidianrunningthegamut fromtheironicaltothedreamilyabstract. FurtherjazzinguptheshowareItalian vintagefashiondesignsandfilmcostumes. Fashionistasmightwanttomakeabeeline fortheoutfitswornbyElizabethTaylorin Cleopatra.RarejewelsfromPompeii,onloan F frommuseumsofarchaeologyinTaranto andNaples,addanantiquetouch.Ofcourse thereisalsotheshow-stoppingcentrepieceof exquisiteSerpentijewelsfromBulgari’svaults. March10toApril10attheMuseumofRome PHOTOS_GIULIOPIETROMARCHI(LEFT)_LAWRIESHABIBI
  • 2.
    reveal / thebling thing TurquoiseMountain–Washington EstablishedattherequestofCharles,the PrinceofWales,andAfghanistan’sformer presidentHamidKarzai,TurquoiseMountain isapioneeringcharitythathasbeenreviving Afghanistan’srichculturalheritageforthepast decade.Developingskillsisattheheartofits mission,asittrainsanewgenerationofartisans intraditionalcraftssuchaswoodworking, miniaturepainting,carpetweaving,ceramics, jewelleryandgemcutting.Aselectionofthe outstandingworkcomingoutofthisground- breakingprogrammewillheadtoWashington inMarch,wheretheSmithsonianInstitution willhostTurquoiseMountain:Artists TransformingAfghanistan. Showingoffthecharity’sachievements intherealmofjewellerywillbeastunning emeraldpiece.Theexhibitwasjointlycrafted byPippaSmall,theBritishjewellerknown forherethicalworkandorganicdesigns,and Saeeda,aTurquoiseMountaingraduatewho isdeaf. Thecollaborationisreminiscentof theworkSmallhasdonewithartisansin developingcountrieswhichwonheranMBE in2013.SaeedaandSmall’screation,made intheTurquoiseMountainworkshopin Kabul,comprisessome200emeralds–stones whicharefoundinAfghanistanandhavea deepsymbolicimportance.Atthebackof theamulet-inspiredpieceisacaseofthetype traditionallyusedforholdingwrittenprayers orkeepsakes.Forthedurationoftheexhibition itwillholdsoilfromKabul.AfilmbySaeeda enrichesthetalebehindthiswonderfullyone- offpiece. March5toJanuary29,2017,intheFreerand SacklerGalleriesofArtintheSmithsonian Institution,Washington Above: Conceptualising jewellery designs Far left: A delicate necklace by Turquoise Mountain Left: Pippa Small and Saeeda 178_#legend_March 2016 AmrapaliMuseumofJewelleryand Art–Jaipur AmrapaliisIndia’sbiggestjewellerbutthe Rajasthanhouse’sexceptionaldesignsare currentlymakingbigwavesinternationally. Thecompanyisnotyet40yearsoldand createsvintage-inspired,yetcoollymodern, pieceswithacombinationofexquisite craftsmanshipandtraditionalskills.In Amrapali’scase,alloozeadistinctiveAsian aesthetic.Thehouse,afterall,isnamedafter alegendaryroyalcourtesan,famousforher extraordinarybeautyandcharm. Amrapali’sfoundersaretheembodiment ofthehouse’sapproach.RajivAroraand RajeshAjmerawerehistorystudentsstruck bywanderlustinthelate1970s,whosetoffto travelthecountry,pickinguppiecesofIndian heritagealongtheway.Theirdiscoveries andinspirationswouldeventuallyleadto themmakingjewellery,butnotbeforethey hadamassedsome3,000antiquesthatare nowhousedinanewmuseumbuiltbeside Amrapali’sheadquartersinJaipur. Themuseumisthefirstofitskindinthe Indiangemcapital.Itdisplaysnotonlythe jaw-droppingpiecesfromAmrapali’svaults butalsothewonderfulheritagethatinspired them.Forexample,acollectionofshivlingam carriers,customarilywornlikenecklacesby theLingayatpeopleofKarnataka,willbe ondisplay.Raremango-shapedcontainers forlime,snuffandperfumealsoformpartof theshow.Oneexhibitthatstandsoutisthe remarkablesilvercrownthatadornedastatue oftheLordKrishna. CurrentlyopenatAmrapali,Jaipur Left: Tarang Arora, the son of Amrapali’s co-founder, Rajiv Arora Above: An intricate necklace and earrings set by Amrapali March 2016_#legend_179
  • 3.
    reveal / thebling thing TheArtandScienceofGems–Singapore Jewellery-makingisasmuchgeoscienceas craft,soit’sfittingthatSingapore’sArtScience Museumshouldbehometoanexcitingnew exhibitionofVanCleef&Arpelspieces,shown alongsidegeologicaltreasuresfromFrance. TheArtandScienceofGemsexhibition willshowmorethan400piecesfromthe VanCleef&Arpelsheritagecollection,with selecteditemsfromprivatecollectors.The showfollowstheseventhemesofcouture; abstractions,influences,preciousobjects, nature,ballerinas,andfairiesandicons. Abolddiamondbraceletfrom1925 illustratestheearlyforaybyVanCleef& Arpelsintoartdeco.Otherpiecestellofthe house’slegendarypatrons,includingnewlywed Europeanroyalty,Indianmaharajas,American socialites.Stillotherstellofthedancersthat servedasmusesforthecreatorsoftheballerina clipsofthe1940s. Thenarrativeofthejewellery,desk clocks,pocketwatchesandlacqueroryellow goldMinaudièrebagsisenrichedby250 raremineralsandgemsfromtheNational MuseumofNaturalHistoryinParis.Like theexhibitsfromVanCleef&Arpels, thegeologicaltreasuresaredisplayedin accordancewithseventhemes:pressure, temperature,transport,water,oxygen,lifeand metamorphism. Thehighlightsofthejewelleryonshow includea1970sgoldclipandpendantofabird carryingabriolette-cut96.62-caratyellow diamondthatbelongedtothePolishopera singerGannaWalska.Itisadornedwith emeralds,sapphires,andyellowandwhite diamonds.Thepieceisalsoingenious:itcan beturnedintoapairofwingedearringsanda brooch.Similarly,aplatinumandgold1950s Zipcouturenecklacewithdiamondandrubies, conceivedbytheDuchessofWindsor,hasa functioningzipper,whichallowsthepieceto betransformedintoabracelet.# FromApril23toAugust14attheArtScience Museum,Singapore Top: Bouquet clip, 1940 Above: Passe Partout jewel, 1939 Right: Bird clip and pendant, 1971-1972, all by Patrick Gries March 2016_#legend_181 DaidoTokyoandCaliClair-Obscur–Paris CelebratedjewellerandwatchmakerCartier establishedtheFondationCartierpourl’Art Contemporainin1984,andtodaythenon- profitfoundationoccupiesaJeanNouvel- designedmuseuminthe14tharrondissement inParis.Thefoundationhasheldmorethan 100exhibitionsandcommissionedmore than1,000worksofcontemporaryartfroma diverseandimpressiverangeofartists.Marc Couturier,FabriceHybert,CaiGuo-Qiang, WilliamEggleston,SarahSze,WimDelvoye, GaryHillandDavidLyncharejustsomeofthe namesontheroster. TwoexhibitionsrunninguntilJunewill beatreatforloversofcontemporaryart, particularlyaficionadosofphotography.One showsalargeselectionofworkbyJapanese photographerDaidoMoriyama.Moriyama beganbycapturingapost-SecondWorld WarJapancaughtbetweentraditionand modernity,beforemovingontomoreavant- gardestreetphotography.Moriyamaisno strangertothefoundation,whichputonits firstexhibitionofhisworkin2003. Thenewexhibition,calledDaidoTokyo, featurescolourphotographsfromthepast twodecadesthatwillbefamiliartoMoriyama fans,theworkencompassingkitscherotica andseductivenocturnalpanoramas.Also familiarwillbetheblack-and-whiteimagesin DogandMeshTights,animmersivemultiscreen projectioncommissionedbythefoundation. Theworkingeniouslybringsmodernlifeinto striking,frankfocus. ComplementingtheMoriyamaexhibition isashowoftheworkofanotherurban photographer,FernellFranco.The140 photographsfrom10differentseriestaken between1970and1996haveneverbefore beenseeninEurope.Francolivedamidthe povertyofCaliinColombia,workingasa photojournalistforElPaisandDiarioOccidente, snappingsubjectsasdiverseasurbanuprisings, massacresinthecountrysideandcocktail partiesthrownbyCali’selite.IntheCali Clair-Obscurexhibition,curatorsAlexisFabry andMariaWillsLondoñopresent26yearsof Franco’swork,demonstratingthefullrange ofhistalents,fromconveyingserenityinhis landscapestoconveyingmenace,almost,inhis SérieBillaresportraits. BothuntilJune5attheFondationCartierpour l’ArtContemporain,Paris Top: Daido Moriyama, Tokyo Color, 2008-2015 Above: Fernell Franco Série Interiores, 1978 180_#legend_March 2016 PHOTOS_DAIDOMORIYAMAPHOTOFOUNDATION(TOP)_FUNDACIONFERNELLFRANCOCALITOLUCAFINEART,PARIS