Koller view 3/ 21 English

3| 21
The Brueghel
dynasty
PAGE 8
Rembrandt’s
bankruptcy
PAGE 14
Strong
results
PAGES 4–6

2
Dear Reader,
Our summer auctions saw active bidding by more than 1 000 clients from
48 countries, leading to impressive hammer prices, many far exceeding
pre-sale estimates. Six results above the million mark and more than fifty
in the six-figure range, in addition to several auction records for individual
artists, are evidence of a strong market as well as our excellent international
standing in multiple collecting categories.
During the first half of the year, the departments of Old Master Paintings,
Swiss Art, Impressionist & Modern Art and Asian Art all recorded seven-
figure prices, including 2.44 million francs realised for a study by Anthony
van Dyck this spring. In addition, there were strong results for a Burma ruby
ring (CHF 810 000), a rare Rolex watch (CHF 626 000) and two world records
for colour screenprints by Andy Warhol (Volkswagen, CHF 110 000, and
Pine Barrens Tree Frog, CHF 104 000).
Our team of highly experienced specialists, combined with an important
international clientele and a global network of representatives, enables us
OURview. P. 2
Editorial
REview. PP. 3– 6
Summer 2021 auctions
PREview. PP. 7– 14
Autumn 2021 auctions
OVERview. P. 15
Contacts
CALENDARview. P. 16
All auction results include buyer’s premium. 1 CHF = € .93 (as of 10 August 2021). KOLLERview is published
four times annually, in English and German. Edition: 20 000 copies. Next issue: November 2021.
Texts: Dr Tilo Richter
Translations: Karl Green
Layout: Nicole Bloch
Photos: Koller Auctions Ltd
to achieve prices that compare favourably with those in New York, London
and Paris.
Goethe’s words ‘Would you roam forever onward? See the good that lies
so near’ may be a bit clichéd, but they are no less true for that – also when
applied to the consignment strategies of many art owners.
Starting on page 8, we present highlights of our upcoming auctions
of Old Masters and Decorative Arts, to be held from 29 September
to 1 October. In December, our auction programme will again include
modern and contemporary art, Asian art, jewellery and wristwatches.
We are happy to accept consignments to these auctions until the end
of September.
Yours,
Cyril Koller
Cover:
Joos de Momper the Younger (1564–1635) /
Jan Brueghel the Elder (1568–1625).
An extensive landscape with travellers.
Oil on panel. 46.5 × 75.5 cm.
Estimate: CHF 70 000/120 000
Old Master Paintings, 1 October 2021

3
Results of our
summer auctions

4
4
Among the top
ten lots of our
summer auctions this year, four works of Swiss art
were purchased by collectors in Switzerland, and three
Impressionist & Modern paintings sold to the USA
and England. One lot each from Asian art (a painting
by Li Keran that sold to a private collector in Beijing),
wristwatches (a Rolex purchased by a private collector
in London) and jewellery (a Burma ruby ring that sold to
a client in Hong Kong) completed the top ten.
Works of post-war and contemporary art were also
in demand, with two world record prices achieved for
Warhol screenprints. All results from our past auctions
canbefoundonourwebsite.Ourdepartmentheads,as
well as the staff in our offices in Geneva, Germany and
Italy, will be happy to provide you with free estimates
and expert advice regarding consignments to our up
coming auctions.
TOP 10 ...
1
2
3 4 5
6 7 8
©
2021,
ProLitteris,
Zurich

5
1 Ferdinand Hodler. Lake of Geneva from Chexbres.
Circa 1911. Oil on canvas. 68 × 90.5 cm.
Estimate: CHF 1.5/2.5 million.
Sold for CHF 2.56 million
2 Li Keran. Sunrise at Mount Tai. 1957.
Ink and colours on paper. 62.5 × 138.5 cm.
Estimate: CHF 150 000/250 000.
3 Marc Chagall. Bouquet d'été. 1973.
Oil on canvas. 92 × 73 cm.
Estimate: CHF 800 000/1 400 000.
4 Albert Anker. Young girl knitting. 1885.
Estimate: CHF 800 000/1 200 000.
5 Ferdinand Hodler. Lake Thun from Breitlauenen. 1906.
Oil and oil pastels on canvas.
103 × 89 cm. Estimate: CHF 800 000/1 200 000.
6 Alfred Sisley. Tournant du Loing à Moret. 1896.
Estimate: CHF 600 000/900 000.
Sold for CHF 1 million
7 Auguste Rodin. Le Baiser. 2ème
réduction dite
aussi ‘réduction n°4’. 1886. Bronze with brown patina.
H 59.8 cm. Estimate: CHF 300 000/500 000.
Sold for CHF 925 000
8 A Burma ruby and diamond ring, by Péclard.
Burma ruby of 5.12 ct.
Estimate: CHF 180 000/280 000.
9 Rolex. A very rare Daytona wristwatch with
‘Paul Newman’ dial, circa 1968.
Estimate: CHF 150 000/250 000.
10 Félix Vallotton. Falaise à Vasouy. 1910.
Estimate: CHF 280 000/380 000.
… and further results
from our summer auctions
Andy Warhol. Joseph Beuys (set of three). 1980.
Three colour screenprints, two with diamond dust. 23/90.
112 × 76.5 cm. Estimate: CHF 55 000/75 000.
Patek Philippe. A Very rare ‘Beyer’ anniversary perpetual
calendar wristwatch, 1985.
Estimate: CHF 50 000/90 000.
A bronze wine ewer ‘he’. China, Zhou dynasty,
Spring and Autumn period, L 26.5 cm.
Estimate: CHF 60 000/80 000.
Andy Warhol. Terrier (from the Toys series). 1983.
Synthetic polymer and silkscreen inks on canvas.
35.5 × 28 cm. Estimate: CHF 50 000/70 000.
9
10
©
The
Andy
Warhol
Foundation
for
the
Visual
Arts,
Inc.
/
2021,
ProLitteris,
Zurich
©
The
Andy
Warhol
Foundation
for
the
Visual
Arts,
Inc.
/
2021,
ProLitteris,
Zurich

6
Ossip Zadkine. Les trois soeurs. 1926. Bronze with dark brown
patina. 53 × 41 × 22 cm. Estimate: CHF 200 000/300 000.
FOR FURTHER INFORMATION
POSTWAR CONTEMPORARY
PRINTS MULTIPLES
Silke Stahlschmidt
stahlschmidt@kollerauctions.com
SWISS ART
Cyril Koller
lkoller@kollerauctions.com
IMPRESSIONIST MODERN ART
Jara Koller
jara.koller@kollerauctions.com
Max Liebermann. Study for the ‘Net Menders’. 1887. Oil on board on panel.
70 × 91 cm. Estimate: CHF 120 000/150 000.
Sold for CHF 354 000 (Purchased by the Hamburger Kunsthalle)
Ferdinand Hodler. Portrait of Clara Pasche-Battié.
1914. Oil on canvas. 47.5 × 39.5 cm.
Estimate: CHF 350 000/500 000.
A fine Thangka of the 13th
Dalai Lama Thubten Gyatso
(1876–1933). Tibet, 1st
half of the 20th c. 68 × 45 cm.
Estimate: CHF 25 000/35 000. Sold for CHF 511 000
Paul Klee. Côte de Provence 5. 1927. Watercolour on paper on artist’s
board. 11.4 × 32 cm. Estimate: CHF 220 000/300 000.
Alighiero Boetti. Aerei. 1983. Ballpoint pen on paper laid down on canvas (triptych). 70 × 150 cm.
Estimate: CHF 200 000/300 000. Sold for CHF 366 000
©
2021,
ProLitteris,
Zurich
©
2021,
ProLitteris,
Zurich

7
Preview of our
autumn auctions

8
Preview of the Old Master Paintings auction on 1 October 2021
A family influences an era
Four generations of the Brueghel dynasty of
painters left their mark on the history of Flemish
art. The progenitor, Pieter Brueghel the Elder (circa
1526/30–1569), was active in Antwerp and Brussels.
His allegorical narrative paintings and depictions of
rural life, often richly populated with figures, played a
major role in shaping our image of the 16th
century.
Pieter was the father of two sons: Pieter Brueghel the
Younger (1564–1638) and Jan Brueghel (1568–1625),
later called the Elder. While the first-born Pieter
followed in his father’s footsteps, taking over his
workshop and closely imitating his style, Jan became
an innovator and a style-setting pioneer of Flemish
Baroque painting, primarily through his lifelike still lifes
and realistic landscapes. In the third generation, Jan
the Elder’s sons Jan Brueghel the Younger (1601–
1678) and Ambrosius Brueghel (1617–1675) ably
carried on the family tradition. The fourth generation
produced five more painters, but none matched the
artistic brilliance of their predecessors.
Three works by the Brueghels will be offered in the Old
Master Paintings auction: a large-format depiction
of John the Baptist preaching in the midst of a large
crowd, by Pieter the Younger based on the pictorial
repertoire of his father; an ‘Allegory of Hearing’ by
Jan Brueghel the Younger, and an atmospheric river
landscape by Jan Brueghel the Elder.
Jan Brueghel the Elder also regularly collaborated with
other artists. In several works by Peter Paul Rubens, he
was responsible for the floral decoration. The painting
illustrated on the cover of this issue was also created
in collaboration with a fellow painter: the landscape is
by Joos de Momper, and the figures by Jan Brueghel
the Elder.
1
2 3
1
Pieter Brueghel the Younger (1564–1638).
The sermon of John the Baptist. Oil on canvas.
95 × 162.5 cm. Estimate: CHF 380 000/500 000
2 Jan Brueghel the Elder (1568–1625). A village scene
with a canal. 1608. Oil on copper. 14.7 × 19.6 cm.
Estimate: CHF 70 000/120 000
3 Jan Brueghel the Younger (1601–1678).
Allegory of Hearing. Oil on copper. 59.3 × 91 cm.
Estimate: CHF 200 000/300 000

9
Bernardo Bellotto
This rare view of Munich as seen from
Gasteig hill was recently rediscovered in a
private collection. Bernardo Bellotto, who
workedunderthenameCanalettolikehis
famous uncle, Giovanni Antonio Canal,
painted first in his native Italy and later in
Dresden under the aegis of the Saxon
elector Frederick Augustus II. During his
time in Munich in the 1760s, the artist
painted several city views commissioned
byMaximilianIIIJoseph,ElectorofBavaria.
Bernardo Bellotto, called Canaletto
(1722–1780), and Lorenzo Bellotto
(1744–1770). View of Munich from the
east. Circa 1762–1767. Oil on canvas.
69 × 119 cm. Estimate on request
Cornelis Bega
Bega grew up surrounded by art and artists, and was listed as a member of the Haarlem
painters’ guild beginning in 1654. He is known for outstanding colouration and sublime
brushwork. The woman depicted here modelled for several of Bega’s paintings. She is
shown holding a glass and wearing an open jacket – the latter indicates her status as a
courtesan. The small table in the foreground and the majolica jug also appear in other works
by Bega. This excellent portrait has a noble provenance, having belonged to Pierre Marquis
de Colbert (1834–1905), owner of the Château du Saussay, located south of Paris. In 1911,
the property passed from his daughter to the Bourbon-Busset family, who still occupy the
stately castle today.
Cornelis Bega (1631/32–1664). Young woman in an interior, holding a glass of wine. Oil on canvas.
26.7 × 22.2 cm. Estimate: CHF 150 000/200 000
Govaert Flinck
Goevart Flinck was one of the most talented artists of Rembrandt’s circle in
Amsterdam. He was Rembrandt’s pupil in 1635–36 and then established his own
studio. He adapted the style of his master with virtuosity, also including the ‘tronie’
in his repertoire: a form of portrait that is not a realistic representation of a specific
model, but rather exemplifies a character type. This bearded old man incorporates
idealised images from biblical history and, although not identified by any attributes,
might represent one of the prophets. Apparently Rembrandt, Flinck and other
painters in their circle used the same model, who can be recognised in various
paintings. At the same time, this work from Flinck’s late period, with a loosely fluid
brushstroke, represents the artist’s increasing detachment from the style of his
famous teacher.
Govaert Flinck (1615–1660). Tronie of a bearded man. 1650. Oil on canvas.
61.5 × 50.7 cm. Estimate: CHF 700 000/900 000
OLD MASTER PAINTINGS
Karoline Weser
weser@kollerauctions.com
ONLINE CATALOGUES
www.kollerauctions.com

10
FURNITURE DECORATION,
ARMS ARMOUR
Stephan Koller
skoller@kollerauctions.com
PORCELAIN
Sabine Neumaier
neumaier@kollerauctions.com
SILVER
Corinne Koller
ckoller@kollerauctions.com
Auctions: 30 September 2021
ONLINE CATALOGUES
www.kollerauctions.com 1
Early porcelain
Our autumn Decorative Arts Auction offers
porcelain from the early years of the Meissen
manufactory circa 1710–1713, such as a tankard
and a pilgrim flask in Böttger stoneware, and an
early Böttger porcelain teapot. A small collection
of various Meissen animals from the 18th
century,
comprisingmorethan20pieces,providesaglimpse
into the diversity of animal figures produced in the
valley of the Elbe: from exotic animals including
a pair of lions on gilded bronze pedestals and a
series of parrots, to magnificently moulded and
painted figures of indigenous wildlife, and a rare
early depiction of a cat. This exquisite potpourri of
unusual porcelain figures reflects the extravagant
courtly life in Saxony at a time when the display of
exotic animals was a royal passion.
Precious ivory objects
A collection of circa 70 carved ivory items features mainly German and
French works from the 19th
-century Historicist period, many of which
were made in the great ivory-carving centres of Dieppe and Erbach.
An outstanding Historicist Viennese tankard is particularly noteworthy:
the silver mount bears the master mark of the Court and Chamber
goldsmith Christian Friedrich Rothe (1817–1892); the ivory
carving is probably by Anton Dominik von Fernkorn
(1813–1878). Also featured is a large presentation
platter with mount, made in Germany circa 1860/80,
decorated with mythological motifs.

11
1
A pair of large Louis XV ormolu firedogs. Paris circa
1750. 45 × 78 × 47 cm. Estimate: CHF 8 000/12 000
2 A pair of North Italian silver candlesticks. Turin, circa
1760–1786. Maker’s mark Gabriel Marcello Giuliano.
H 27,5 cm. Estimate: CHF 25 000/35 000
3 A rare South German pendant watch, probably by
Hans Christoph Kreizer, Augsburg circa 1630.
H 8.5 cm. Estimate: CHF 15 000/25 000
3
2
Weapons steeped in history
Around 100 antique firearms, cut and thrust weapons,
polearms and armour from the 16th
to 19th
centuries
consigned from various Swiss private collections will
be featured in the 30 September auction. The lots
were all examined and catalogued with the assistance
of the renowned expert on historical weapons Jürg A.
Meier. Featured are a Russian-Caucasian ceremonial
sabre from the end of the 19th
century, a pair of
percussion pistols produced in Paris in the mid-19th
century,aswellasararecompletelypreservedGerman
iron suit of armour from circa 1580. Such armour was
producedfromthe14th
centuryonwardsbyspecialised
blacksmiths known as ‘Plattner’. Afterwards, artisans
called ‘Harnischfeger’ polished and decorated the
protective armour. Not only knights, but horses and
even elephants used in battles sported plate armour.
An exceptionally rare piece in the sale is the hinged
‘Klappvisier’ visor for a type of bascinet helmet known
as a ‘Hundsgugel’, worn by the Austrians at the Battle
of Sempach in 1386. Such characteristic bascinets
can be seen in pictorial representations such as the
famous ‘Lucerne Chronicle’ by Diebold Schilling the
Younger, 1513.

12
Eugène Louis Boudin
Boudin, who belonged to the first generation of plein air
painters, excelled in depicting seascapes and the daily
lives of fishermen. He often chose to paint his homeland
of Normandy between Dieppe and Cherbourg, with its
picturesque rocky coast. Corot referred to Boudin as
the ‘king of the sky’ because of the atmospheric cloud
formations in his paintings. Boudin’s last wish was to die
with a view of the sea, which he was granted in Deauville in
1898. The harbour scene offered in our autumn auction
of 19th
Century Paintings was created in the fashionable
seaside resort of Trouville, which, like many other coastal
towns in Normandy, was a popular destination for the
Parisian haute bourgeoisie and the British upper class
from the mid-19th
century through the Belle Époque.
Eugène Louis Boudin (1824–1898). Trouville. Les jetées.
Marée haute. 1894. Oil on panel. 32 × 41 cm.
Estimate: CHF 60 000/80 000
Jean-Baptiste Camille Corot
This painting is a characteristic example of Corot’s landscapes and
those of the Barbizon School, which he helped shape. Corot made
plein air studies during several trips to Italy, later completing them in
his studio. His ability to reproduce light and atmosphere as defining
elements formed the basis of a new understanding of landscape
painting and the emergence of Impressionism. Corot subsequently
influenced numerous French artists. His fellow painter Louis Car
bonnel famously said: ‘Without Corot there would be neither Gadan
nor Carbonnel. There would be no light’.
Jean-Baptiste Camille Corot (1796–1875). Le Chevrier (Souvenir d’Italie).
1872. Oil on canvas. 65.5 × 81.2 cm. Estimate: CHF 80 000/120 000
Paul Désiré Trouillebert
Trouillebert’s paysages intimes, like this one, fit seamlessly into the
pre-impressionist currents surrounding the Barbizon school. His
stylistic closeness to Corot is apparent in the subjects Trouillebert
painted, elegiac river and alluvial landscapes. Here we can see
the artists’ direct approach to nature, devoid of any idealisation.
They both devoted their attention to rendering the most delicate
expressions of nature, light and air, sky and water in their very own
materiality.
Paul Désiré Trouillebert (1829–1900). Le faucheur et un rameur sur la
rivière. Oil on canvas. 85 × 113.5 cm. Estimate: CHF 30 000/40 000

13
Carl Spitzweg
Spitzweg’s empathic powers of observation are reflected in his anecdotal-
narrative subjects. The artist succeeds in capturing the oddity and
idiosyncrasy of his sitters in an individual yet sympathetic way, without
mockery.TheviewerisdrawntowardsSpitzweg’sprotagonistsandattached
to their fate. The experienced artist captures the breezy atmosphere in a
quick, almost fleeting style and in a small format. For all the humour in his
subjects, Spitzweg remained a precise and often critical observer of his
Biedermeier-influenced, sometimes eccentric time.
Franz Xaver Winterhalter
Grand Duke Leopold I of Baden and the French King Louis-Philippe sponsored
the German artist Winterhalter, and for decades he was considered the most
renowned portraitist in Europe. His career in France was punctuated by stays at
the English and later at the Spanish court. His clients came from royal families
and courtly circles from St Petersburg to Lisbon. This portrait of a young lady was
always titled ‘The American Girl’; according to tradition, it is Winterhalter’s fiancée,
whom he painted in Paris in 1868/69.
Franz Xaver Winterhalter (1805–1873). The beautiful American. Circa 1868–1869.
Oil on canvas. 115 × 88 cm (oval). Estimate: CHF 30 000/40 000
19TH
CENTURY PAINTINGS
Karoline Weser
Auction: 1 October 2021
ONLINE CATALOGUES
Carl Spitzweg (1808–1885). On the bastion (Military outpost in peacetime). Oil on canvas. 22.8 × 40 cm. Estimate: CHF 150 000/250 000
Carl Spitzweg (1808–1885). A country parson memorising a text. Circa 1840.
Oil on canvas. 31.7 × 27.2 cm. Estimate: CHF 25 000/35 000

14
14
Preview of the Books Autographs auction on 29 September 2021
Rembrandt: a genius on the brink
Rembrandt Harmenszoon van Rijn was the shining
light of European Baroque painting in the ‘Golden
Age’ and is practically considered the patron saint
of the Netherlands today, but when he died on 4
October 1669, aged 63, he was utterly impoverished,
deprived of the splendour of his finest years.
The rise of Rembrandt – painter, draughtsman and
engraver – was inextricably linked with his move to
Amsterdam around 1631/32 and thus to the centre
ofDutchartofthatera.Hismarriagein1634toSaskia
van Uylenburgh, who came from a wealthy patrician
family, enabled him to run his own master workshop.
But Saskia’s family soon took issue with what they
saw as the artist’s lavish spending. Not only did he live
in grand style, but also amassed a veritable ‘cabinet
of curiosities’ with hundreds of exotic natural rarities
and works of art.
Saskia died in 1642 at the age of 29, and in May 1656
Rembrandt signed his residence over to his son
Titus. Shortly afterwards, his insolvency became
official and a two-year forced sale of his assets,
especially his art collection, ensued – at a time
when the overheated art market was experiencing
a severe downturn. The broadsheet offered in our
September auction, which announces the auction of
Rembrandt’s possessions, is a central and extremely
rare document concerning the bankruptcy of the
famous artist. Only one other copy of this historic
notice is known; it is in the collection of the British
Museum in London (shelfmark: 1857,0613.990).
The broadsheet announces ‘outstanding art on
paper’ as well as the remaining part of his collection
‘of the foremost Italian, French, Dutch and German
masters’, and notes that the artist had gathered
BOOKS AUTOGRAPHS
Dr Andreas Terwey
terwey@kollerauctions.com
ONLINE CATALOGUES
1 Déscription du Sacre et du Couronnement de
leurs Majestés Impériales l’Empereur Alexandre II
et l’Impératrice Marie Alexandrovna. St Petersburg,
1856. Estimate: CHF 40 000/60 000
2 Rembrandt van Rijn (1606–1669). Broadsheet of
the ‘Curateur over den Insolventen Boedel van
Rembrant van Rijn’ with the announcement of the
forced auction of works of art from Rembrandt’s
collection. With a large woodcut initial letter.
[Amsterdam, 1658]. Estimate: CHF 70 000/90 000
2
1
these together ‘with a great deal of curiosity’.
In addition, ‘a good portion’ of the drawings and
sketches were by Rembrandt himself. The time of
the auction, which was to take place at Barent Janzs
Schuurman’s, the landlord of the Kaiserkrone inn on
Amsterdam’s Kalverstraat, is not precisely known:
‘The sale will take place on the date, at the hour and
in the year stated above’. What this ‘above’ refers to
is unclear. As early as December 1655, Rembrandt
had rented a room in the Kaiserkrone inn and offered
some of his possessions for sale there, to which the
present sheet apparently also refers (‘where the
previous sale was held’).
‘The profit made was a bitter disappointment, the
first of many to follow in the difficult years ahead.
Ruin showed its grimace to him.’ (Simon Schama,
Rembrandts Augen, Berlin 1999, p. 597).

15
OLD MASTER PRINTS
DRAWINGS
Franz-Carl Diegelmann
diegelmann@kollerauctions.com
ONLINE CATALOGUES
Adolph Menzel (1815–1905). Woman in traditional dress
(Maria Cocozza). Circa 1881/82. Carpenter’s pencil on paper.
20.7 × 13.3 cm. Estimate: CHF 9 000/12 000
Christoph Murer (1558–1614). The three Graces. Circa 1585/87.
Black ink, grey wash heightened with white, on grey prepared wove
paper. 20.4 × 15.1 cm. Estimate: CHF 6 000/8 000
Branch
offices

representatives
Specialists
SWISS ART
Cyril Koller
lkoller@kollerauctions.com
POSTWAR CONTEMPORARY
PRINTS MULTIPLES
Silke Stahlschmidt
stahlschmidt@kollerauctions.com
IMPRESSIONIST
MODERN ART
Cyril Koller
PHOTOGRAPHY
Gabriel Müller
mueller@kollerauctions.com
FINE FURNITURE
Stephan Koller
MEDIEVAL SCULPTURE
Stephan Koller
ASIAN ART
Regi Preiswerk
asianart@kollerauctions.com
OLD MASTER
19TH
CENTURY PAINTINGS
Karoline Weser
OLD MASTER PRINTS
DRAWINGS
Franz-Carl Diegelmann
diegelmann@kollerauctions.com
EUROPEAN PORCELAIN
Sabine Neumaier
neumaier@kollerauctions.com
SILVER
Corinne Koller
ckoller@kollerauctions.com
DESIGN
Cyril Himmer
himmer@kollerauctions.com
VINTAGE FASHION
Jara Koller
BOOKS, MANU
SCRIPTS
AUTOGRAPHS
Dr Andreas Terwey
terwey@kollerauctions.com
ART DECO, ART NOUVEAU
CARPETS
Jean-Pierre Dalla Vedova
dallavedova@kollerauctions.com
JEWELLERY
Carla Süssli
suessli@kollerauctions.com
WATCHES
Uwe Vischer
vischer@kollerauctions.com
WINE
Koller Geneva
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KOLLER ZURICH
Hardturmstrasse 102
8031 Zurich
Switzerland
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office@kollerauctions.com
DÜSSELDORF
Ulrike Gruben
Citadellstrasse 4
40213 Düsseldorf
Germany
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M +49 175 586 38 64
duesseldorf@kollerauctions.com
KOLLER GENEVA
Rue de l’Athénée 2
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Switzerland
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MUNICH
Fiona Seidler
Maximiliansplatz 20
80333 Munich
Germany
T +49 89 22 802 766
M +49 177 257 63 98
muenchen@kollerauctions.com
MILAN / TICINO
Luigi Pesce
Via Cairoli 18
16124 Genua, Italy
T +39 339 596 27 68
italia@kollerauctions.com
BEIJING
Jing Li
Chedaogou 10# 6/4-307
Haidian Qu
100089 Beijing / China
T +86 135 2039 8057
beijing@kollerauctions.com

AUTUMN 2021 AUCTIONS
29 September Books, Manuscripts Autographs
30 September Furniture, Arms Armour, Silver, Porcelain, Clocks,
Carpets, Ivory collection
1 October Old Master 19th
Century Paintings,
Drawings Prints
Preview in Zurich:
24–28 September, 10am–6pm
Hardturmstrasse 102 121, 8005 Zurich
online only
5 October Furniture, Clocks, Porcelain, Books Autographs
Bidding open from 21 September to 5 October
6 October
Old Master 19th
Century Paintings,
Drawings Prints, Jewellery
Bidding open from 21 September to 6 October
Preview in Zurich:
24–28 September, 10am–6pm
Hardturmstrasse 102 + 121, 8005 Zurich
CONSIGNMENTS
December Asian Art
Consignments accepted until mid-September.
December Modern Contemporary Art, Swiss Art,
Watches, Jewellery, Photography, Art Nouveau
Art Deco, Design, Vintage Fashion
Consignments accepted until late September
March 2022 Old Master 19th
Century Paintings, Drawings
Prints, Jewellery, Fine Furniture, Porcelain,
Silver, Books, Manuscripts Autographs,
Carpets
Consignments accepted until late January
Please contact us at least a week before the deadlines.
We look forward to hearing from you.
APPRAISAL EVENTS
Old Master 19th
Century Paintings
Düsseldorf Frankfurt: 22/23 November
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Lapis lazuli and diamond necklace
with ear clips, Van Cleef Arpels.
Estimate: CHF 4 000/6 000

Koller view 3/ 21 English

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Koller view 3/ 21 English