Located in Port Jefferson Station, New York, Living Epistles Ministries was founded by teacher and pastor Sheila R. Vitale in 1988 as a teaching ministry with a global focus. As part of her work leading Living Epistles Ministries (LEM), Ms. Vitale has authored a wide variety of texts, from alternate translations of the Old and New Testament to movie reviews.
One of the latest LEM movie reviews connected various themes found throughout the Matrix trilogy of films to scriptural ideologies. In fact, the titular matrix of the franchise, in which machines disguise reality from humans, is indicative of the world today and the present human condition. The Matrix, the first film in the trilogy, focuses on a mind capable of seeing beyond this illusion and subsequently using truth to free the world from duplicitous agents of evil.
Meanwhile, these propagators of evil and deception strive to persecute protagonist Neo (Keanu Reeves) simply because he has discovered truth. Neo is presented as a Christ-like figure throughout the trilogy, while the character of Trinity serves as a symbol of the Mother and Son. The first film contains allusions to Samson and Delilah, as well as subjects such as turning away from sin and the pitting of old order against new order deliverance.
A more thorough exploration of scriptural influence on The Matrix trilogy, as well as reviews of films such as Reds, Interview with a Vampire, and Edge of Tomorrow, can be found at www.livingepistles.org.
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Located in Port Jefferson Station, New York, Living Epistles Ministries was founded by teacher and pastor Sheila R. Vitale in 1988 as a teaching ministry with a global focus. As part of her work leading Living Epistles Ministries (LEM), Ms. Vitale has authored a wide variety of texts, from alternate translations of the Old and New Testament to movie reviews.
One of the latest LEM movie reviews connected various themes found throughout the Matrix trilogy of films to scriptural ideologies. In fact, the titular matrix of the franchise, in which machines disguise reality from humans, is indicative of the world today and the present human condition. The Matrix, the first film in the trilogy, focuses on a mind capable of seeing beyond this illusion and subsequently using truth to free the world from duplicitous agents of evil.
Meanwhile, these propagators of evil and deception strive to persecute protagonist Neo (Keanu Reeves) simply because he has discovered truth. Neo is presented as a Christ-like figure throughout the trilogy, while the character of Trinity serves as a symbol of the Mother and Son. The first film contains allusions to Samson and Delilah, as well as subjects such as turning away from sin and the pitting of old order against new order deliverance.
A more thorough exploration of scriptural influence on The Matrix trilogy, as well as reviews of films such as Reds, Interview with a Vampire, and Edge of Tomorrow, can be found at www.livingepistles.org.
best hollywood movies of all time, best hollywood movies list, action hollywood movies 2018, top 10 hollywood movies of all time, must watch hollywood movies of all time, hollywood movies 2019, holloywood, movies,
Ya podemos decir que el invierno, aunque tarde, se ha instalado para quedarse. Pero eso no quiere decir que tengamos que volvernos tristes a la hora vestir ¿verdad?. Y para muestra ¡¡una camisa de flores!!
La verdad es que esta camisa de García Madrid tiene su historia, ya que fue de esas compras de ultimísimo día de rebajas... en el que ya das por hecho que no queda nada de tu talla.
Pero entonces te encuentras con esta camisa... que te gusta una barbaridad colgada en la percha, y piensas: Que camisa más bonita, pero no se yo si es para mi...
Aquí es cuando entra en acción Mrs. de la Renta, coge la camisa, me "coge" a mí, y nos mete a los dos en el probador... De ahí, a mi armario fue cuestión de segundos, y de concienciarme del por qué no iba a estar esta camisa pensada para mí.
Ahora es cuando se podría poner... moraleja: antes de decir que algo no está hecho para ti, entra en el probador y compruébalo por ti mismo.
Un saludo,
Mario de la Renta
All critiques follow this format and style however, these are the .docxgalerussel59292
All critiques follow this format and style however, these are the questions for the Final Critique which is more comprehensive. Not all of these questions are discussed in the critiques of Metropolis and Casablanca. The critique of Star Wars concerns the Hero’s Journey. Click “Critique Questions” on the Main Menu to make certain which questions pertain to each film.
Student’s Name
Date
The Matrix
1.
Directors: Larry and Andy Wachowski
Keanu Reeves: Thomas Anderson/Neo
Laurence Fishburne: Morpheus
2.
Plot Synopsis:
Thomas Anderson, a computer programmer bored with his life and job spends his nights as a nefarious hacker with the code name Neo. He pursues the question “What is the Matrix?” His quest leads him to Morpheus, the leader of a band of rebels who believes that Neo is “The One” who can defeat the machines and their Matrix to free all mankind. With his help Neo “unplugs” and begins his journey to find his own destiny. Reentering the Matrix with the rebels Neo meets with The Oracle who tells him he is not The One because he seems to be waiting for something and that he will have to choose between saving Morpheus’ life or his own. Neo, Morpheus, Trinity (a beautiful woman with whom Neo falls in love) and three other rebels are betrayed to the “Agents” by one of their own, Cypher. As a result Switch, Mouse and Apoc are killed and Morpheus is captured. Neo chooses to rescue Morpheus even though he will probably die. He believes that his human unpredictability will give him an edge. Neo and Trinity accomplish the impossible in the computer generated world of the Matrix and do rescue Morpheus. During the rescue Neo realizes that he no longer waiting for something as the Oracle predicted and that he is The One. As Morpheus tells him, “There’s difference between knowing the path and walking the path.” With his new found confidence Neo fights Agent Smith who shoots him in the chest. Neo believes he is dying but somewhere between the Real World and the Matrix he hears Trinity’s words of love and chooses to live. When he rises in the hallway of the Matrix where he transcends death he sees the Matrix for what it is, defeats Agent Smith and fulfills his destiny to become “The One.”
3.
Theme:
Create the path of your own destiny and have the courage to walk it.
4.
Visual Elements:
Scenery
A basic premise of the film is not to trust what others tell you is the truth of your reality, therefore the traditional choices made for good and evil are presented in opposition. Inside the Matrix the city looks like a regular American city. There are many long verticals lines to establish the power of the Matrix in the upward thrust of the buildings. The spaces around and within the buildings are large making the humans appear small. There are both warm and cool colors with an emphasis on blue used in decoration while the buildings are neutral. The street scenes are busy in line, texture, color and movement. It is a city apparently full .
Ya podemos decir que el invierno, aunque tarde, se ha instalado para quedarse. Pero eso no quiere decir que tengamos que volvernos tristes a la hora vestir ¿verdad?. Y para muestra ¡¡una camisa de flores!!
La verdad es que esta camisa de García Madrid tiene su historia, ya que fue de esas compras de ultimísimo día de rebajas... en el que ya das por hecho que no queda nada de tu talla.
Pero entonces te encuentras con esta camisa... que te gusta una barbaridad colgada en la percha, y piensas: Que camisa más bonita, pero no se yo si es para mi...
Aquí es cuando entra en acción Mrs. de la Renta, coge la camisa, me "coge" a mí, y nos mete a los dos en el probador... De ahí, a mi armario fue cuestión de segundos, y de concienciarme del por qué no iba a estar esta camisa pensada para mí.
Ahora es cuando se podría poner... moraleja: antes de decir que algo no está hecho para ti, entra en el probador y compruébalo por ti mismo.
Un saludo,
Mario de la Renta
All critiques follow this format and style however, these are the .docxgalerussel59292
All critiques follow this format and style however, these are the questions for the Final Critique which is more comprehensive. Not all of these questions are discussed in the critiques of Metropolis and Casablanca. The critique of Star Wars concerns the Hero’s Journey. Click “Critique Questions” on the Main Menu to make certain which questions pertain to each film.
Student’s Name
Date
The Matrix
1.
Directors: Larry and Andy Wachowski
Keanu Reeves: Thomas Anderson/Neo
Laurence Fishburne: Morpheus
2.
Plot Synopsis:
Thomas Anderson, a computer programmer bored with his life and job spends his nights as a nefarious hacker with the code name Neo. He pursues the question “What is the Matrix?” His quest leads him to Morpheus, the leader of a band of rebels who believes that Neo is “The One” who can defeat the machines and their Matrix to free all mankind. With his help Neo “unplugs” and begins his journey to find his own destiny. Reentering the Matrix with the rebels Neo meets with The Oracle who tells him he is not The One because he seems to be waiting for something and that he will have to choose between saving Morpheus’ life or his own. Neo, Morpheus, Trinity (a beautiful woman with whom Neo falls in love) and three other rebels are betrayed to the “Agents” by one of their own, Cypher. As a result Switch, Mouse and Apoc are killed and Morpheus is captured. Neo chooses to rescue Morpheus even though he will probably die. He believes that his human unpredictability will give him an edge. Neo and Trinity accomplish the impossible in the computer generated world of the Matrix and do rescue Morpheus. During the rescue Neo realizes that he no longer waiting for something as the Oracle predicted and that he is The One. As Morpheus tells him, “There’s difference between knowing the path and walking the path.” With his new found confidence Neo fights Agent Smith who shoots him in the chest. Neo believes he is dying but somewhere between the Real World and the Matrix he hears Trinity’s words of love and chooses to live. When he rises in the hallway of the Matrix where he transcends death he sees the Matrix for what it is, defeats Agent Smith and fulfills his destiny to become “The One.”
3.
Theme:
Create the path of your own destiny and have the courage to walk it.
4.
Visual Elements:
Scenery
A basic premise of the film is not to trust what others tell you is the truth of your reality, therefore the traditional choices made for good and evil are presented in opposition. Inside the Matrix the city looks like a regular American city. There are many long verticals lines to establish the power of the Matrix in the upward thrust of the buildings. The spaces around and within the buildings are large making the humans appear small. There are both warm and cool colors with an emphasis on blue used in decoration while the buildings are neutral. The street scenes are busy in line, texture, color and movement. It is a city apparently full .
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CRITIQUEOfMetropolis1. List the name of the Director, 2 le.docxfaithxdunce63732
CRITIQUE
Of
Metropolis
1. List the name of the Director, 2 leading actors and the names of their characters. (10 pts)
2. Give a plot synopsis. (Name leading characters and major action in half page)(10 pts)
3. What was the theme or underlying message? (State in one sentence) (15 pts)
4. What symbols were used? (Discuss 3 symbols and what they represent) (15 pts)
5.
What choices were made in the placement of the camera and why?
(Separate each choice into an individual paragraph. Begin with the specific scene in which it was used and what emotional impact this choice has on the audience and their relationship to the character or object.) (35 pts)
Give specific examples of the use of:
Long Shot:
Medium Shot:
Close-up Shot:
Low Angle:
Eye Level Angle:
High Angle:
Dolly or Crane:
7.
Critique the film using Goethe’s three questions.
(As an exercise in critical thinking the discussion of each question should be separated into individual paragraphs and collectively they should be at least 1 page in length. Refer back to the Introduction Power Point for suggestions about answering these questions. (15 pts)
What was the artist trying to do?
How well did he do it?
Was it worth doing?
This critique should be typed in size 12 font, double spaced and no less (hopefully more) than 3 pages in length. Submit your critique under the button on the Main Menu and attach it in an e-mail to me in as a back-up.
[email protected]
1. The growth of the service economy has seen even traditional product-focused companies aggressively pursuing a service design to add value to their product offering. Explain the differences between a product design and a service design.
Compare the product and service design processes and explain why the two are different.
2. Materials Requirements Planning (MRP) seeks to time the phases of orders of materials to meet the Master Production Schedule requirements. Is MRP a push-based or pull-based program? Why?
Compare push-based and pull-based programs within the context of supply chain management. Also, discuss the short-term or long-term implications, if any, of both programs.
Which of the two programs is most commonly implemented in supply chains? Support your answer with an example.
Cite sources in APA format
,
All critiques follow this format and style however, these are the questions for the Final Critique which is more comprehensive. Not all of these questions are discussed in the critiques of Metropolis and Casablanca. The critique of Star Wars concerns the Hero’s Journey. Click “Critique Questions” on the Main Menu to make certain which questions pertain to each film.
Student’s Name
Date
The Matrix
1.
Directors: Larry and Andy Wachowski
Keanu Reeves: Thomas Anderson/Neo
Laurence Fishburne: Morpheus
2.
Plot Synopsis:
Thomas Anderson, a computer programmer bored with his life and job spends his nights as a nefarious hacker with the code name Neo. He pursues the question “What is the.
1. directors · Andy Wachowski and Larry Wachowski
leading actors/actresses · Keanu Reeves, Laurence Fishburne, Carrie-Anne Moss,
Hugo Weaving
supporting actors/actresses · Gloria Foster, Mary Alice, Joe Pantoliano, Jada Pinkett
Smith, Lambert Wilson, Harold Perrineau, Nona Gaye, Harry Lennix, David Roberts,
Helmut Bakaitis, Collin Chou, Tanveer K. Atwal, Monica Belluci, Cornel West
type of work · Motion picture
genre · Science Fiction
language · English
dates of release
· The Matrix: March 31, 1999
· The Matrix Reloaded: May 15, 2003
· The Matrix Revolutions: November 5, 2003
producer · Joel Silver
setting (time) · 1999 and circa 2199
setting (place) · Unnamed cities in the Matrix, the ravaged real world, the
underground human city (Zion), the Machine City
protagonist · Neo (a.k.a. Thomas A. Anderson, a.k.a. the One)
major conflict · Neo must find the faith in himself to assume his role as the One and
lead the fight against the machines to save Zion and free human minds.
rising action · When the Agents ambush the Nebuchadnezzar’s crew, kill half of it,
and capture Morpheus, threatening the security of all of Zion, Neo must choose to
have faith in himself and re-enter the Matrix against all odds to attempt to rescue
Morpheus.
climax · Neo and Trinity’s successful rescue of Morpheus directs his path toward a
final confrontation with Agent Smith, which Neo initially appears to win heroically,
but Smith surprises him by appearing out of nowhere and murdering him. When
Trinity resurrects Neo’s dead body with a kiss, Neo fully believes he is the One and
defeats Agent Smith.
falling action · Having fully assumed his role as the One at the end of The Matrix,
Neo can now lead the renegades throughout the two sequels on their quest to save
Zion and free minds.
themes · The blurred line between humans and machines; fate vs. free will in the
Matrix and the real world; the relationship between body, brain, and mind
2. motifs · Sexuality and sensuality; sunglasses, eyes, and mirrors; Biblical references
symbols · Zion; the green light of the Matrix; three/the Trinity
foreshadowing · In a trilogy about fate, free will, and the repeating cycles of a
computer program, foreshadowing is embedded in the very structure of the plot, its
characters’ words, and its visual system. Everything the Oracle says, for example,
foreshadows something. Every piece of information Neo learns about previous cycles
of the Matrix foreshadows a future event.