In the poem "I Am From" by George Ella Lyon, the speaker uses descriptive imagery and specific references to convey their cultural background and upbringing. Through phrases that appeal to senses like taste, touch, and smell, the poem represents the speaker's family and where they come from. References to places, people, foods, and objects populate the poem with details that give insight into the speaker's identity and roots.
a couple discover each other as they explore an unending house of mysterious people and places in this prose poem story of a relationship's unraveling.
25 poems by Li-Young Lee1. THE WEIGHT OF SWEETNESS2. Early i.docxtamicawaysmith
25 poems by Li-Young Lee
1. THE WEIGHT OF SWEETNESS
2. Early in the Morning
3. Eating Alone
4. The Gift
5. A Story
6. The Hammock
7. Mnemonic
8. From Blossoms
9. Pillow
10. Mnemonic
11. The Hour and What Is Dead
12. Night Mirror
13. Little Father
14. ONE HEART
15. Station
16. Black Petal
17. From Blossoms
18. A Hymn to Childhood
19. Falling: The Code
20. Nocturne
21. Eating Together
22. I Ask My Mother to Sing
23. This Hour and What Is Dead
24. Immigrant Blues
25. Arise, Go Down
1. THE WEIGHT OF SWEETNESS
No easy thing to bear, the weight of sweetness.
Song, wisdom, sadness. Joy: sweetness
equals three of any of these gravities.
See a peach bend
the branch and strain the stem until
it snaps.
Hold the peach, try the weight, sweetness
and death so round and snug
in your palm.
And, so, there is
The weight of memory:
Windblown, a rain-soaked
bough shakes, showering
the man and the boy.
They shiver in delight,
and the father lifts from his son’s cheek
one green leaf
fallen like a kiss.
The good boy hugs a bag of peaches
his father has entrusted
to him.
Now he follows
his father, who carries a bagful in each arm.
See the look on the boy’s face
as his father moves
faster and farther ahead, while his own steps
flag, and his arms grow weak, as he labors
under the weight
of peaches.
2. Early in the Morning
While the long grain is softening
in the water, gurgling
over a low stove flame, before
the salted Winter Vegetable is sliced
for breakfast, before the birds,
my mother glides an ivory comb
through her hair, heavy
and black as calligrapher’s ink.
She sits at the foot of the bed.
My father watches, listens for
the music of comb
against hair.
My mother combs,
pulls her hair back
tight, rolls it
around two fingers, pins it
in a bun to the back of her head.
For half a hundred years she has done this.
My father likes to see it like this.
He says it is kempt.
But I know
it is because of the way
my mother’s hair falls
when he pulls the pins out.
Easily, like the curtains
when they untie them in the evening.
18. Falling: The Code
1.
Through the night
the apples
outside my window
one by one let go
their branches and
drop to the lawn.
I can’t see, but hear
the stem-snap, the plummet
through leaves, then
the final thump against the ground.
Sometimes two
at once, or one
right after another.
During long moments of silence
I wait
and wonder about the bruised bodies,
the terror of diving through air, and
think I’ll go tomorrow
to find the newly fallen, but they
all look alike lying there
dewsoaked, disappearing before me.
2.
I lie beneath my window listening
to the sound of apples dropping in
the yard, a syncopated code I long to know,
which continues even as I sleep, and dream I know
the meaning of what I hear, each dull
thud of unseen apple-
body, the earth
falling to earth
once and forever, over
and over.
3. Eating Alone
I've pulled the last of the year's young onions.
The garden is bare now. The ...
1. Respond to the Question Is auscultation of bowel sounds us.docxcarlstromcurtis
1. Respond to the Question: Is "auscultation" of bowel sounds useful in assessing for abdominal trauma in the wilderness? Why or why not?
2. List three symptoms of "mittelschmerz" (look it up if needed) and describe why it may or may not be helpful to distinguish these symptoms while in the wilderness.
3. Write one "insightful" Peer Review of a classmates response to the above question or symptoms.
Rubric: 15 Possible Points
1 point for writing a yes/no response to the questions.
2 points for writing an adequate response to the Question (includes a yes/no answer along with an explanation as to why)
3 points for writing a thorough response to the Question (includes a yes/no answer, why, and possible treatments)
3 points for listing three correct symptoms of mittelschmerz
1 point for making a positive Peer Review response
2 points for making a positive Peer Review response with an explanation why it was a good
3 points for making a positive Peer Review response with an explanation why, and a suggestion of improvement or an additional insight.
1
Out of the Cold House
Zayda Sorrell-Medina
I was awakened by a loud thump in the middle of the night. The bedroom doors fluttered
open and the light flickered on. Before me, a tall man appeared from the back room. His shirt
was torn at the bottom and his hair was filled with lint. He held my eldest brother, Jonathan,
eleven, mercilessly by the neck. Jonathan’s long and lanky legs dangled in midair. His cinnamon
brown face slowly turned pulsing red. He scratched the tall man’s face to fight him off, but the
tall man squeezed harder. Jonathan’s arms fell to his side and his legs grew limp.
In my four-year-old mind, nothing made sense. The bustle of the St. Louis ghetto that
normally bled into the night was nonexistent. The world around me stopped. The piercing sound
of my eldest brother gasping for air echoed in my head. He could not breathe, and I had stood
there, helplessly watching.
My brothers and sisters were at home that night. Crystal, three, and Maria, two, both fast
asleep. Ricardo, five, must have been asleep in the other room. Andres, ten, who was known for
his quick temperament, watched stiffly from the hallway, his nose flared, and his forehead filled
with veins. He dashed into the other room and returned with a hammer in his right hand, ready to
pounce. The tall man smirked.
My mother, who was out a lot, was at home that night. She saw the sinister look on the
man’s face and quickly ran to Andres. “Give me the hammer,” she said, ripping it from my
brother’s hand. Her terror filled eyes shifted towards the tall man, whose nails were still planted
deeply in Jonathan’s throat. She leaped into the air and swung the hammer, hitting the tall man in
the temple. The man stumbled backwards, his cheeks landing firmly against the wooden floors,
his mouth and eyes wide open, blood oozing from his head. The world around us stopped. .
1. Respond to the Question Is auscultation of bowel sounds us.docxtrippettjettie
1. Respond to the Question: Is "auscultation" of bowel sounds useful in assessing for abdominal trauma in the wilderness? Why or why not?
2. List three symptoms of "mittelschmerz" (look it up if needed) and describe why it may or may not be helpful to distinguish these symptoms while in the wilderness.
3. Write one "insightful" Peer Review of a classmates response to the above question or symptoms.
Rubric: 15 Possible Points
1 point for writing a yes/no response to the questions.
2 points for writing an adequate response to the Question (includes a yes/no answer along with an explanation as to why)
3 points for writing a thorough response to the Question (includes a yes/no answer, why, and possible treatments)
3 points for listing three correct symptoms of mittelschmerz
1 point for making a positive Peer Review response
2 points for making a positive Peer Review response with an explanation why it was a good
3 points for making a positive Peer Review response with an explanation why, and a suggestion of improvement or an additional insight.
1
Out of the Cold House
Zayda Sorrell-Medina
I was awakened by a loud thump in the middle of the night. The bedroom doors fluttered
open and the light flickered on. Before me, a tall man appeared from the back room. His shirt
was torn at the bottom and his hair was filled with lint. He held my eldest brother, Jonathan,
eleven, mercilessly by the neck. Jonathan’s long and lanky legs dangled in midair. His cinnamon
brown face slowly turned pulsing red. He scratched the tall man’s face to fight him off, but the
tall man squeezed harder. Jonathan’s arms fell to his side and his legs grew limp.
In my four-year-old mind, nothing made sense. The bustle of the St. Louis ghetto that
normally bled into the night was nonexistent. The world around me stopped. The piercing sound
of my eldest brother gasping for air echoed in my head. He could not breathe, and I had stood
there, helplessly watching.
My brothers and sisters were at home that night. Crystal, three, and Maria, two, both fast
asleep. Ricardo, five, must have been asleep in the other room. Andres, ten, who was known for
his quick temperament, watched stiffly from the hallway, his nose flared, and his forehead filled
with veins. He dashed into the other room and returned with a hammer in his right hand, ready to
pounce. The tall man smirked.
My mother, who was out a lot, was at home that night. She saw the sinister look on the
man’s face and quickly ran to Andres. “Give me the hammer,” she said, ripping it from my
brother’s hand. Her terror filled eyes shifted towards the tall man, whose nails were still planted
deeply in Jonathan’s throat. She leaped into the air and swung the hammer, hitting the tall man in
the temple. The man stumbled backwards, his cheeks landing firmly against the wooden floors,
his mouth and eyes wide open, blood oozing from his head. The world around us stopped. .
a couple discover each other as they explore an unending house of mysterious people and places in this prose poem story of a relationship's unraveling.
25 poems by Li-Young Lee1. THE WEIGHT OF SWEETNESS2. Early i.docxtamicawaysmith
25 poems by Li-Young Lee
1. THE WEIGHT OF SWEETNESS
2. Early in the Morning
3. Eating Alone
4. The Gift
5. A Story
6. The Hammock
7. Mnemonic
8. From Blossoms
9. Pillow
10. Mnemonic
11. The Hour and What Is Dead
12. Night Mirror
13. Little Father
14. ONE HEART
15. Station
16. Black Petal
17. From Blossoms
18. A Hymn to Childhood
19. Falling: The Code
20. Nocturne
21. Eating Together
22. I Ask My Mother to Sing
23. This Hour and What Is Dead
24. Immigrant Blues
25. Arise, Go Down
1. THE WEIGHT OF SWEETNESS
No easy thing to bear, the weight of sweetness.
Song, wisdom, sadness. Joy: sweetness
equals three of any of these gravities.
See a peach bend
the branch and strain the stem until
it snaps.
Hold the peach, try the weight, sweetness
and death so round and snug
in your palm.
And, so, there is
The weight of memory:
Windblown, a rain-soaked
bough shakes, showering
the man and the boy.
They shiver in delight,
and the father lifts from his son’s cheek
one green leaf
fallen like a kiss.
The good boy hugs a bag of peaches
his father has entrusted
to him.
Now he follows
his father, who carries a bagful in each arm.
See the look on the boy’s face
as his father moves
faster and farther ahead, while his own steps
flag, and his arms grow weak, as he labors
under the weight
of peaches.
2. Early in the Morning
While the long grain is softening
in the water, gurgling
over a low stove flame, before
the salted Winter Vegetable is sliced
for breakfast, before the birds,
my mother glides an ivory comb
through her hair, heavy
and black as calligrapher’s ink.
She sits at the foot of the bed.
My father watches, listens for
the music of comb
against hair.
My mother combs,
pulls her hair back
tight, rolls it
around two fingers, pins it
in a bun to the back of her head.
For half a hundred years she has done this.
My father likes to see it like this.
He says it is kempt.
But I know
it is because of the way
my mother’s hair falls
when he pulls the pins out.
Easily, like the curtains
when they untie them in the evening.
18. Falling: The Code
1.
Through the night
the apples
outside my window
one by one let go
their branches and
drop to the lawn.
I can’t see, but hear
the stem-snap, the plummet
through leaves, then
the final thump against the ground.
Sometimes two
at once, or one
right after another.
During long moments of silence
I wait
and wonder about the bruised bodies,
the terror of diving through air, and
think I’ll go tomorrow
to find the newly fallen, but they
all look alike lying there
dewsoaked, disappearing before me.
2.
I lie beneath my window listening
to the sound of apples dropping in
the yard, a syncopated code I long to know,
which continues even as I sleep, and dream I know
the meaning of what I hear, each dull
thud of unseen apple-
body, the earth
falling to earth
once and forever, over
and over.
3. Eating Alone
I've pulled the last of the year's young onions.
The garden is bare now. The ...
1. Respond to the Question Is auscultation of bowel sounds us.docxcarlstromcurtis
1. Respond to the Question: Is "auscultation" of bowel sounds useful in assessing for abdominal trauma in the wilderness? Why or why not?
2. List three symptoms of "mittelschmerz" (look it up if needed) and describe why it may or may not be helpful to distinguish these symptoms while in the wilderness.
3. Write one "insightful" Peer Review of a classmates response to the above question or symptoms.
Rubric: 15 Possible Points
1 point for writing a yes/no response to the questions.
2 points for writing an adequate response to the Question (includes a yes/no answer along with an explanation as to why)
3 points for writing a thorough response to the Question (includes a yes/no answer, why, and possible treatments)
3 points for listing three correct symptoms of mittelschmerz
1 point for making a positive Peer Review response
2 points for making a positive Peer Review response with an explanation why it was a good
3 points for making a positive Peer Review response with an explanation why, and a suggestion of improvement or an additional insight.
1
Out of the Cold House
Zayda Sorrell-Medina
I was awakened by a loud thump in the middle of the night. The bedroom doors fluttered
open and the light flickered on. Before me, a tall man appeared from the back room. His shirt
was torn at the bottom and his hair was filled with lint. He held my eldest brother, Jonathan,
eleven, mercilessly by the neck. Jonathan’s long and lanky legs dangled in midair. His cinnamon
brown face slowly turned pulsing red. He scratched the tall man’s face to fight him off, but the
tall man squeezed harder. Jonathan’s arms fell to his side and his legs grew limp.
In my four-year-old mind, nothing made sense. The bustle of the St. Louis ghetto that
normally bled into the night was nonexistent. The world around me stopped. The piercing sound
of my eldest brother gasping for air echoed in my head. He could not breathe, and I had stood
there, helplessly watching.
My brothers and sisters were at home that night. Crystal, three, and Maria, two, both fast
asleep. Ricardo, five, must have been asleep in the other room. Andres, ten, who was known for
his quick temperament, watched stiffly from the hallway, his nose flared, and his forehead filled
with veins. He dashed into the other room and returned with a hammer in his right hand, ready to
pounce. The tall man smirked.
My mother, who was out a lot, was at home that night. She saw the sinister look on the
man’s face and quickly ran to Andres. “Give me the hammer,” she said, ripping it from my
brother’s hand. Her terror filled eyes shifted towards the tall man, whose nails were still planted
deeply in Jonathan’s throat. She leaped into the air and swung the hammer, hitting the tall man in
the temple. The man stumbled backwards, his cheeks landing firmly against the wooden floors,
his mouth and eyes wide open, blood oozing from his head. The world around us stopped. .
1. Respond to the Question Is auscultation of bowel sounds us.docxtrippettjettie
1. Respond to the Question: Is "auscultation" of bowel sounds useful in assessing for abdominal trauma in the wilderness? Why or why not?
2. List three symptoms of "mittelschmerz" (look it up if needed) and describe why it may or may not be helpful to distinguish these symptoms while in the wilderness.
3. Write one "insightful" Peer Review of a classmates response to the above question or symptoms.
Rubric: 15 Possible Points
1 point for writing a yes/no response to the questions.
2 points for writing an adequate response to the Question (includes a yes/no answer along with an explanation as to why)
3 points for writing a thorough response to the Question (includes a yes/no answer, why, and possible treatments)
3 points for listing three correct symptoms of mittelschmerz
1 point for making a positive Peer Review response
2 points for making a positive Peer Review response with an explanation why it was a good
3 points for making a positive Peer Review response with an explanation why, and a suggestion of improvement or an additional insight.
1
Out of the Cold House
Zayda Sorrell-Medina
I was awakened by a loud thump in the middle of the night. The bedroom doors fluttered
open and the light flickered on. Before me, a tall man appeared from the back room. His shirt
was torn at the bottom and his hair was filled with lint. He held my eldest brother, Jonathan,
eleven, mercilessly by the neck. Jonathan’s long and lanky legs dangled in midair. His cinnamon
brown face slowly turned pulsing red. He scratched the tall man’s face to fight him off, but the
tall man squeezed harder. Jonathan’s arms fell to his side and his legs grew limp.
In my four-year-old mind, nothing made sense. The bustle of the St. Louis ghetto that
normally bled into the night was nonexistent. The world around me stopped. The piercing sound
of my eldest brother gasping for air echoed in my head. He could not breathe, and I had stood
there, helplessly watching.
My brothers and sisters were at home that night. Crystal, three, and Maria, two, both fast
asleep. Ricardo, five, must have been asleep in the other room. Andres, ten, who was known for
his quick temperament, watched stiffly from the hallway, his nose flared, and his forehead filled
with veins. He dashed into the other room and returned with a hammer in his right hand, ready to
pounce. The tall man smirked.
My mother, who was out a lot, was at home that night. She saw the sinister look on the
man’s face and quickly ran to Andres. “Give me the hammer,” she said, ripping it from my
brother’s hand. Her terror filled eyes shifted towards the tall man, whose nails were still planted
deeply in Jonathan’s throat. She leaped into the air and swung the hammer, hitting the tall man in
the temple. The man stumbled backwards, his cheeks landing firmly against the wooden floors,
his mouth and eyes wide open, blood oozing from his head. The world around us stopped. .
This document announces the winners of the 2024 Youth Poster Contest organized by MATFORCE. It lists the grand prize and age category winners for grades K-6, 7-12, and individual age groups from 5 years old to 18 years old.
Brushstrokes of Inspiration: Four Major Influences in Victor Gilbert’s Artist...KendraJohnson54
Throughout his career, Victor Gilbert was influenced heavily by various factors, the most notable being his upbringing and the artistic movements of his time. A rich tapestry of inspirations appears in Gilbert’s work, ranging from their own experiences to the art movements of that period.
This tutorial offers a step-by-step guide on how to effectively use Pinterest. It covers the basics such as account creation and navigation, as well as advanced techniques including creating eye-catching pins and optimizing your profile. The tutorial also explores collaboration and networking on the platform. With visual illustrations and clear instructions, this tutorial will equip you with the skills to navigate Pinterest confidently and achieve your goals.
Fashionista Chic Couture Maze & Coloring Adventures is a coloring and activity book filled with many maze games and coloring activities designed to delight and engage young fashion enthusiasts. Each page offers a unique blend of fashion-themed mazes and stylish illustrations to color, inspiring creativity and problem-solving skills in children.
Hadj Ounis's most notable work is his sculpture titled "Metamorphosis." This piece showcases Ounis's mastery of form and texture, as he seamlessly combines metal and wood to create a dynamic and visually striking composition. The juxtaposition of the two materials creates a sense of tension and harmony, inviting viewers to contemplate the relationship between nature and industry.
2. I Am From by George Ella Lyon
I am from clothespins,
from Clorox and carbon-tetrachloride
I am from the dirt under the back porch
(Black, glistening
it tasted like beets)
I am from the forsythia bush,
the Dutch elm
whose long gone limbs I remember
as if they were my own.
I’m from the fudge and eyeglasses,
from Imogene and Alafair.
I’m from the know-it-alls
and the pass-it-ons,
from perk up and pipe down.
I’m from He restoreth my soul
with a cottonball lamb
and ten verses I can say myself.
I’m from Artemus and Billie’s Branch,
fried corn and strong coffee.
from the finger my grandfather lost
to the auger
the eye my father shut to keep his sight.
Under my bed was a dress box
spilling old pictures,
a sift of lost faces
to drift beneath my dreams.
I am from those moments–
snapped before I budded–
leaf-fall from the family tree
3. In the poem, “Where I’m From” by George Ella Lyon, Lyon
reflects upon both her culture and her family.
Lyon uses imagery along with specific words and phrases
in order to represent her family as well as her culture. In
the poem, there are many phrases that play on imagery
to convey a sense of culture and family.
https://iamfromproject.com/ -
4.
5. I Am From Poem
By Neve
I am from rice, chicken, pasta, and cheese
I am from my dad’s special chicken sauce and i am from cake
I am from my dad, dog, brother,mom and 2 hamsters
I am from
Fresh
Air
And friends laughing
I’m From the darkness
I the am from sizzling from the pan on the oven
I am from “no” “yay” “ok” and “come here”
I am from the nature and trees
I am from the trickling
Water
From the sink
I am from a death of a grandma
6. I Am From
By Lia Licht
I am from the seasons changing, autumn creeping with its
colors dull.
From watching clock hands tick.
From backyard swings and the warmth of green.
I am from the bird’s nest adjacent to my window.
I am from the songs that those chickadees sang.
I am from the day that the nest blew over
among the howling winds and the cruelest, pouring rain.
I am from homemade pasta.
From the old, rosy scent of my grandmother’s room.
I am from the feeling of dough between my fingers.
From the taste of cheddar biscuits and cold chocolate milk.
I am from family game nights, laughter echoing.
I am from pink LED lights, my room illuminated.
I am from the warped wooden door that muffled their fights.
I am from a home that demands I must respect.
From “I accept you no matter what.” and
“We’ll love you always!”
I am from the hole in my heart and lack of motivation.
From joyous Christmases and holiday celebrations.
I am from the time I ran into a glass door at age six and
pretended that I meant to.
From anxiety and ADHD.
From the feeling of being lucky and the feeling of being
loved.
From growing up in a rundown, Christian-Catholic school.
From my closest friends at this much better place.
From holding a knife over my chest.
From the sports that I don’t play anymore.
From the piano that I do.
I am from so, so many feelings and ideas,
stories and pictures, movies and books, that I live to tell.
7. I Am From
Priscilla Dyko
I am from Night lights ), from Dream lights and Sophia the
First
I am from the _Cherry Blossoms And my litle ponys, and
spy gear
I am from the wolfs and flowers the Water rushing in between
my toes
I am from Campfires and Singalongs from Deanna’s heart and
Megan’s love and Grandmas shopping
I am from the Farming land and Faith . From never lie and steal
and I said stop
I am from Jesus Christ and Jesus Christ my personal savior and
lord
I’m from North Carolina , macaroni, hamburgers
From the Adoption , the strong bond of sisters , and
the anoying love from my brother.
I am from the soft sand and salty water .
8. I Am From
By Bella Cornett
I am from construction paper, from Persil, and Dawn dish soap,
and anything to get out stains.
I am from the bright, earthy, uneven, grass. The half finished
fountain. The repaired front porch.
I am from books, that I wish would be real.
I am from the trees, the tulips.
I am from Camping and Kindness, from laughter and grief and
stories of the past
I am from the Adventures and arguing. From Santa and Purple
pool water.
I am from awkward Christmas stories and a book I could never
understand
I’m from Kentucky, Mac and Cheese, and soup. From the time I
didn’t know what to say to her, on the fishing boat, and the
regret that would follow.
I am from the boxes under my bed in which I store memories of
the past. The pictures by our front door of the places waiting to
be returned to. The pictures that are worth their weight in
gold, but only to us. The pictures of the moments you can
never get back.
That is where I am from.
9. I AM FROM
I am from an old mill city; a place that
grew with wealth and crumbled with poverty.
I am from a flowing river that is the beating heart
and life’s blood pumping through decrepit locks.
I am from intricate architecture with bespoke
marble detailing that falls in beautiful decay.
I am from a single mother, late nights, latch keys,
grandmother’s quilts,
wine in the sauce, black and white reruns and
imagination.
I am from smells of hand-me-down cooking and
yard sale finds
with eternally romantic hopes of finding what you
seek around the next bend.
I am from chaos and loud music.
I am from quiet enough to hear the birds’ song and
a cup of tea.
10. Think of the 5 senses
Taste… What do you Taste?
Smell… What do you Smell?
Touch… What do you Touch or Feel?
See… What do you See?
Hear… What do you Hear?
11. I AM FROM
I am from an old mill city; a place that
grew with wealth and crumbled with poverty.
I am from a flowing river that is the beating heart
and life’s blood pumping through decrepit locks.
I am from intricate architecture with bespoke
marble detailing that falls in beautiful decay.
I am from a single mother, late nights, latch keys,
grandmother’s quilts,
wine in the sauce, black and white reruns and
imagination.
I am from smells of hand-me-down cooking and yard
sale finds
with eternally romantic hopes of finding what you seek
around the next bend.
I am from chaos and loud music.
I am from quiet enough to hear the birds’ song and a
cup of tea.
12. What Imagery can you see
from the poem?
What Symbols do you see?
Is it an interesting
Composition?
13. Composition
Composition is how you arrange the Elements of Art in your artwork.
Line
Shape
Form
Space
Texture
Value
Color