WHAAAT is a platform that brings together musicians, fans, and private investors in a "win-win-win" situation. Artists can get financing for music productions, marketing, or touring without risk or costs by transferring rights to their songs to WHAAAT. Fans and investors can then purchase shares in the song rights on the WHAAAT platform and receive payments from future royalty streams. This provides funding for artists and labels while allowing fans and investors to financially support artists and potentially profit from successful songs. The WHAAAT jury reviews artist submissions and determines which songs to make available for investment.
Lyrics, music, recordings and production - Jack Mason
Mixed and mastered by Latin Grammy winner - Ale Gaiotto
Video production - Berto Ortiz, Patricia Lobo, Patty S, Jack Mason
all rights reserved:
Jack Mason Live LLC
Jackmasonlive.com
Music has become an integral part of people’s lives, with streaming services like Spotify and Apple Music making it easier than ever to access all sorts of music. Have you ever wondered, though, how the music industry works? In this blog post
Presenting Our Strategy for 2030 Win International Music Records an initiative of Worlds Leading Media Conglomerate Group of Companies www.prsinternationalgroup.com #prs #strategy #2030 #world #music
Presenting Our Strategy for 2030 Win International Music Records an initiative of Worlds Leading Media Conglomerate Group of Companies www.prsinternationalgroup.com #prs #strategy #2030 #world #music
The global market for background music is expected to grow from $ 1,614.1 million in 2021 to $ 2,201.1 million in 2026. The market is expected to grow at a CAGR of 6.4% over the forecast period (2021-2026). Some of the market's key participants are Almotech, Auracle Sound, Brandtrack, CSI Music, Cloud Cover Music, Custom Channels, Easy on Hold, Express Melody, Heartbeats International, Imagesound, Jamendo Listening, Jukeboxy, Kasimu, Mood Media, NSM Music., Open Ear Music, Pandora for Business, PlayNetwork, Qsic, Rockbot, SiriusXM for Business, SoundMachine, Soundjack, Soundreef, Soundtrack Your Brand, StorePlay, Sunflower Music, TouchTunes, Usen Corporation, Xenon Music Media. This report intends to identify significant growth areas and to explore relevant market strategies. This in-depth analysis delves into the global market for background music. The primary goal of this research is to examine the potential growth areas, significant trends, and the market's impact on the industry. The report also reviews the adoption of background music in both established and emerging markets.
Music industry veteran, Keith Hatschek, gives an overview of the world of music licensing including some examples of typical fees paid to use music in a variety of media. Presented Fall 2015 to McGeorge Law School students in Sacramento, CA.
Lyrics, music, recordings and production - Jack Mason
Mixed and mastered by Latin Grammy winner - Ale Gaiotto
Video production - Berto Ortiz, Patricia Lobo, Patty S, Jack Mason
all rights reserved:
Jack Mason Live LLC
Jackmasonlive.com
Music has become an integral part of people’s lives, with streaming services like Spotify and Apple Music making it easier than ever to access all sorts of music. Have you ever wondered, though, how the music industry works? In this blog post
Presenting Our Strategy for 2030 Win International Music Records an initiative of Worlds Leading Media Conglomerate Group of Companies www.prsinternationalgroup.com #prs #strategy #2030 #world #music
Presenting Our Strategy for 2030 Win International Music Records an initiative of Worlds Leading Media Conglomerate Group of Companies www.prsinternationalgroup.com #prs #strategy #2030 #world #music
The global market for background music is expected to grow from $ 1,614.1 million in 2021 to $ 2,201.1 million in 2026. The market is expected to grow at a CAGR of 6.4% over the forecast period (2021-2026). Some of the market's key participants are Almotech, Auracle Sound, Brandtrack, CSI Music, Cloud Cover Music, Custom Channels, Easy on Hold, Express Melody, Heartbeats International, Imagesound, Jamendo Listening, Jukeboxy, Kasimu, Mood Media, NSM Music., Open Ear Music, Pandora for Business, PlayNetwork, Qsic, Rockbot, SiriusXM for Business, SoundMachine, Soundjack, Soundreef, Soundtrack Your Brand, StorePlay, Sunflower Music, TouchTunes, Usen Corporation, Xenon Music Media. This report intends to identify significant growth areas and to explore relevant market strategies. This in-depth analysis delves into the global market for background music. The primary goal of this research is to examine the potential growth areas, significant trends, and the market's impact on the industry. The report also reviews the adoption of background music in both established and emerging markets.
Music industry veteran, Keith Hatschek, gives an overview of the world of music licensing including some examples of typical fees paid to use music in a variety of media. Presented Fall 2015 to McGeorge Law School students in Sacramento, CA.
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www.seribangash.com
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Name Clause: This clause states the name of the company, which should end with words like "Limited" or "Ltd." for a public limited company and "Private Limited" or "Pvt. Ltd." for a private limited company.
https://seribangash.com/article-of-association-is-legal-doc-of-company/
Registered Office Clause: It specifies the location where the company's registered office is situated. This office is where all official communications and notices are sent.
Objective Clause: This clause delineates the main objectives for which the company is formed. It's important to define these objectives clearly, as the company cannot undertake activities beyond those mentioned in this clause.
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Liability Clause: It outlines the extent of liability of the company's members. In the case of companies limited by shares, the liability of members is limited to the amount unpaid on their shares. For companies limited by guarantee, members' liability is limited to the amount they undertake to contribute if the company is wound up.
https://seribangash.com/promotors-is-person-conceived-formation-company/
Capital Clause: This clause specifies the authorized capital of the company, i.e., the maximum amount of share capital the company is authorized to issue. It also mentions the division of this capital into shares and their respective nominal value.
Association Clause: It simply states that the subscribers wish to form a company and agree to become members of it, in accordance with the terms of the MOA.
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Legal Requirement: The MOA is a legal requirement for the formation of a company. It must be filed with the Registrar of Companies during the incorporation process.
Constitutional Document: It serves as the company's constitutional document, defining its scope, powers, and limitations.
Protection of Members: It protects the interests of the company's members by clearly defining the objectives and limiting their liability.
External Communication: It provides clarity to external parties, such as investors, creditors, and regulatory authorities, regarding the company's objectives and powers.
https://seribangash.com/difference-public-and-private-company-law/
Binding Authority: The company and its members are bound by the provisions of the MOA. Any action taken beyond its scope may be considered ultra vires (beyond the powers) of the company and therefore void.
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While the MOA lays down the company's fundamental principles, it is not entirely immutable. It can be amended, but only under specific circumstances and in compliance with legal procedures. Amendments typically require shareholder
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2. WHAAAT
VISION
„WHAAAT’s vision is to bring together the most
talented musicians in Europe with fans and private
investors.
Everyone involved benefits from thisWIN:WIN:WIN
situation!!“
Mag. Lukas Rössler, MBA
Founder & CEO,WHAAAT GmbH
3. THE BENEFIT FROM
THE DIGITAL
DEVELOPMENT OF
THE MUSIC MARKET
A Goldman Sachs study finds the key royalty market of
the future, streaming, will increase by 833% by 2030.The
live music market is also developing steadily. (Source:
bit.ly/goldmanWHAAAT)
6. WHAAAT IN
SHORT
WHAAAT is an alternative financing platform that
establishes a completely new form of investment.
Investing in music. WHAAAT brings artists, fans and
investors together.
Fans and investors can buy shares of the rights of the
songs at www.whaaat.eu and benefit financially from the
royalties in subsequent years.You can become a music
investor with just a few Euros.
The resulting financing is paid out to the artists or
labels.
8. WHAAAT IS
WIN : WIN : WIN
Fans / Investors
Support of their favorite artists, financial
participation in the success of the songs
9. Music industry
Funding of quality productions, marketing and
touring activities for indie and major labels. Music
markets benefit from higher quality of the acts!
WHAAAT IS
WIN : WIN : WIN
10. HOW THE PROCESS WORKS
Artists submit a song bundle as an author of a song, manager, label- or publisher’s representative. Submissions of all genres
(except classical music) are welcome. Songs can be submitted to WHAAAT before and after release.
The WHAAAT jury is continuously listening to the submissions.
The decision-making principle of the jury is based on fairness towards all parties involved.This means that the jury
evaluates the earn-back opportunity of the funding sum within the contract period with the submitted song bundle and the
rights transferred from it.
WHAAAT concludes a single-title publishing or master-rights contract with the submitter(s). The respective rights of the
songs are transferred to WHAAAT and will be offered to investors.
The funding target and start date of the campaign are set. Now fans and investors can invest in songs and participate in the
later success of this song-bundle.
The financing target is achieved.The funding amount (ded. the fee) will be paid out to the submitter with the release of the
songs.
1
2
4
5
6
3
11. CONDITIONS FOR INVESTORS
Investors register on WHAAAT.
Investors acquire shares of the song
bundles.
A small transaction fee is deducted.
Over the contractual period, investors
receive pro rata distributions of the
royalties which are received by WHAAAT.