Hanne Flarup - Brug kunsten

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Association of Danish Museums / Organisationen Danske Museer

ODM's Formidlingsseminar Aarhus 2016

BRUG KUNSTEN
HVORDAN SKABER VI MULIGHEDER FOR AT
BRUGE KUNSTEN I UNDERVISNINGEN?

HVAD SIGER ELEVERNE
OM AT LÆRE GENNEM KUNSTEN?
Interviewer: Hvad kunne du bruge fra undervisningen?
Elev: Det man har lært i samfundsfag og det med demokrati i det hele
taget. Det at bruge det på sig selv, sidde i situationen i stedet for at læse
om det.
Interviewer: Tror I, at I ville kunne bruge det her projekt for eksempel til
eksamen?
Elev 2: Ja, fordi vi fik lov til at mærke (...) For jeg levede mig ret meget ind
i rollen. Så jeg kan sige, at jeg nu kan forestille mig, hvordan det er.

This document discusses how museums can better understand and meet visitor needs and expectations. It summarizes that visitor motivations for visiting museums are diverse, including seeing it as a family outing, fulfilling an interest or hobby, or seeking an educational experience. Research shows visitors spend less time than museums assume exploring exhibits and don't always understand themes or start at the beginning. New types of interpretation using technology and interactive elements can help deepen engagement. Understanding visitor backgrounds, behaviors, and what museums are asking of them can help create exhibitions that better serve diverse audiences.

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Presentation2

rnck

This document discusses several energy efficient methods for saving money including switching to fluorescent light bulbs, turning off lights when not in use, unplugging devices when not in use, installing solar panels or wind power, using energy star appliances, planting trees for shade, installing glazed windows, and upgrading water heaters. Fluorescent light bulbs use less energy and last longer than incandescent bulbs. Turning off lights and unplugging devices helps conserve fossil fuels and reduces air pollution and global warming. Solar panels and wind power can generate energy and save money over time.

This document provides best practices for writing successful direct mail. It recommends focusing on the audience and objectives, using short words, sentences and paragraphs, and repeating the call to action multiple times. Key messages should be supported with benefits, specifics, testimonials and visuals like charts. Direct mail should be signed by a person, link to digital assets, and be tested. Resources for writers include a white paper, online calculator, video and eBook. The document emphasizes writing for scanners, using numbers strategically, selling benefits over features, and teaming with designers.

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The document summarizes changes to Colorado's public health system resulting from the 2008 Public Health Act. Key points: - The Act created a unified local public health agency structure across the state and established minimum standards and services. - It led to the creation of the Office of Planning and Partnerships to coordinate implementation of the Act and develop statewide public health improvement plans. - The office works with local public health agencies to build their assessment, planning, and service delivery capacities through tools like Colorado's Health Assessment and Planning System (CHAPS).

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This document provides dendrochronological dating results for wood samples from an archaeological site in Odense, Denmark. Seventeen samples from a 3-tier well and eleven samples from medieval latrines were dated to the mid-14th century AD. Sample identifiers and precise felling date ranges from 1338-1363 AD are listed. Comparison t-values between samples indicate they likely come from the same tree in several cases. The results help date construction phases and use of the features at the Thomas B Thriges Gade site in Odense.

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The document summarizes a risk assessment of four scenarios for the future of the Viking Ship Museum in Oslo, Norway. An expert group assessed moving the museum's collection, which includes three Viking ships and other artifacts, from its current location in Bygdøy to a new museum either in Bygdøy or Bjørvika. The group found that transporting the artifacts, especially 15 that are highly fragile, risks physical damage. They determined a new museum in Bjørvika posed the greatest risks and recommended keeping the collection on Bygdøy with minimal movement.

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