Theory of Architecture 2 class
Report by: Michelle S. Estrada & Caren V.Cuevas
Central Colleges of the Philippines
College of Architecture
2nd Semester S.Y. 2015-16
December 2015
Theory of Architecture 2 class
Report by: Michelle S. Estrada & Caren V.Cuevas
Central Colleges of the Philippines
College of Architecture
2nd Semester S.Y. 2015-16
December 2015
MODERNISM FIRST EMERGED IN THE 1920.THE PROMINENT FIGURES OF THE MOVEMENT ARE LE CORBUSIER ,WALTER GROPIUS AND LUDWIG MIES VAN DER ROHE.
HOWEVER IT WAS NOT UNTIL AFTER THE SECOND WORLD WAR THAT IT GAINED MASS POPULARITY, AFTER MODERNIST PLANNING WAS IMPLEMENTED AS A SOLUTION TO THE PREVIOUS FAILURE OF ARCHITECTURE AND DESIGN TO MEET BASIC SOCIAL NEEDS.
IN THE POST WAR ERA, THE AMBITIONS OF THE MODERNIST AND THEIR” STRONG SENSE OF SOCIAL RESPONSIBILITY IS THAT ARCHITECTURE SHOULD RAISE THE LIVING CONDITIONS OF THE MASSES”.
CHARACTERISTICS OF MODERNISM:
THE NOTION THAT "FORM FOLLOW FUNCTION”, EXPRESSED BY FLW,S EARLY MENTOR LOUIS SULLIVAN, MEANING THAT THE RESULT OF DESIGN SHOULD DERIVE DIRECTLY FROM ITS PURPOSE.
SIMPLICITY AND CLARITY OF FORMS AND ELIMINATION OF “UNNECESSARY DETAIL”.
MATERIALS AT GO DEGREES TO EACH OTHER.
VISUAL EXPRESSION OF STRUCTURE (AS OPPOSED TO THE HIDING OF THE STRUCTURAL ELEMENTS)
THE RELATED CONCEPT OF” TRUTH TO MATERIAL”, MEANING THAT THE TRUE NATURE OR NATURAL APPEARANCE OF MATERIAL OUGHT TO BE SEEN RATHER THAN CONCEALED OR ALTERED TO REPRESENT SOMETHING ELSE.
USE OF INDUSTRIALLY PRODUCED MATERIALS; ADOPTION OF THE MACHINE AESTHETICS.
PARTICULARLY IN INTERNATIONAL STYLE MODERNISM, A VISUAL EMPHASIS ON HORIZONTAL AND VERTICAL LINES.
Renaissance Architecture
Characteristics of Renaissance architecture
Example - Cathedral Of St. Peter, Rome
Baroque Style of Architecture
Detail study of Piazza Of St. Peter, Rome.
Rococo Style of Architecture
EH202-HISTORY OF ARCHITECTURE III
Compare two actual buildings (Le Corbusier’s ramp use in Villa Savoy and Lube...Service_supportAssignment
Compare two actual buildings (Le Corbusier’s ramp use in Villa Savoy and Lubetkin ramp use in Penguin pool, London Zoo
In the early years of 20th century, modernist movement led architecture into the direction of functionalism. This further provoked the idea of attempting to create architecture which has non-historical basis. Modernity in architecture also paved way to a new space sense which can be developed through modern material usage such as the use of ramps. Le Corbusier’s ramp usage while constructing Villa Savoye marked a turning point in space envisioning, modern forms and technology. Through comparison of use of ramp by Le Corbusier with the later ramp usage by Lubetkin at the Penguin pool, this paper seeks to highlight the legacy of Corbusier and the way in which ramp as an element served as an essential tool to translate such legacy.
Deconstructive Architecture and Its Pioneer Architects Rohit Arora
The concept of deconstructive architecture and main pioneers of deconstructive architecture. Town hall finland, Jacques Derrida ,Frank O Gehry , Bernard Tschumi, Zaha Hadid,Galaxy Soho, JVC entertainment Centre, Guggenheim Museum Bilbao.BMW Central Building.
Simple presentation to educate the pupils who are interested to choose architecture as their career choice. theses slides discuss about eligiblity, architecture standards, masters disciplines and professional practice optionsin architecture career.
In this theory the form is outcome of various physical, social, psychological and symbolic functions
For example if we want to design concert hall, the form will be the abstract of functional data which is defined by the distance of the seats the place of foyer the relation between all functions and also a symbolic appearance of the building. In this type of design the context of the building is not considered and we can put the designed project in different sites and places with no attention to the contextual matters. In this theory architects must act like a scientist. It means that they have to find some form in a body of pre existing facts. So it can be named as kind of true and false game. The designer will do its job according to client`s needs climatological conditions and community values. The difference is here that architects cannot define general lows for the design solution as like as the scientists do.
Introduction Gothic Architecture Characteristics Features of GOTHIC architecture Major Influences on Gothic Architecture Architecture Character of Gothic Style Difference Between Gothic and Romanesque Architecture Features for Sacredness in Gothic Architecture Types of Gothic Architecture Gothic Architecture-Styles French Gothic Architecture
MODERNISM FIRST EMERGED IN THE 1920.THE PROMINENT FIGURES OF THE MOVEMENT ARE LE CORBUSIER ,WALTER GROPIUS AND LUDWIG MIES VAN DER ROHE.
HOWEVER IT WAS NOT UNTIL AFTER THE SECOND WORLD WAR THAT IT GAINED MASS POPULARITY, AFTER MODERNIST PLANNING WAS IMPLEMENTED AS A SOLUTION TO THE PREVIOUS FAILURE OF ARCHITECTURE AND DESIGN TO MEET BASIC SOCIAL NEEDS.
IN THE POST WAR ERA, THE AMBITIONS OF THE MODERNIST AND THEIR” STRONG SENSE OF SOCIAL RESPONSIBILITY IS THAT ARCHITECTURE SHOULD RAISE THE LIVING CONDITIONS OF THE MASSES”.
CHARACTERISTICS OF MODERNISM:
THE NOTION THAT "FORM FOLLOW FUNCTION”, EXPRESSED BY FLW,S EARLY MENTOR LOUIS SULLIVAN, MEANING THAT THE RESULT OF DESIGN SHOULD DERIVE DIRECTLY FROM ITS PURPOSE.
SIMPLICITY AND CLARITY OF FORMS AND ELIMINATION OF “UNNECESSARY DETAIL”.
MATERIALS AT GO DEGREES TO EACH OTHER.
VISUAL EXPRESSION OF STRUCTURE (AS OPPOSED TO THE HIDING OF THE STRUCTURAL ELEMENTS)
THE RELATED CONCEPT OF” TRUTH TO MATERIAL”, MEANING THAT THE TRUE NATURE OR NATURAL APPEARANCE OF MATERIAL OUGHT TO BE SEEN RATHER THAN CONCEALED OR ALTERED TO REPRESENT SOMETHING ELSE.
USE OF INDUSTRIALLY PRODUCED MATERIALS; ADOPTION OF THE MACHINE AESTHETICS.
PARTICULARLY IN INTERNATIONAL STYLE MODERNISM, A VISUAL EMPHASIS ON HORIZONTAL AND VERTICAL LINES.
Renaissance Architecture
Characteristics of Renaissance architecture
Example - Cathedral Of St. Peter, Rome
Baroque Style of Architecture
Detail study of Piazza Of St. Peter, Rome.
Rococo Style of Architecture
EH202-HISTORY OF ARCHITECTURE III
Compare two actual buildings (Le Corbusier’s ramp use in Villa Savoy and Lube...Service_supportAssignment
Compare two actual buildings (Le Corbusier’s ramp use in Villa Savoy and Lubetkin ramp use in Penguin pool, London Zoo
In the early years of 20th century, modernist movement led architecture into the direction of functionalism. This further provoked the idea of attempting to create architecture which has non-historical basis. Modernity in architecture also paved way to a new space sense which can be developed through modern material usage such as the use of ramps. Le Corbusier’s ramp usage while constructing Villa Savoye marked a turning point in space envisioning, modern forms and technology. Through comparison of use of ramp by Le Corbusier with the later ramp usage by Lubetkin at the Penguin pool, this paper seeks to highlight the legacy of Corbusier and the way in which ramp as an element served as an essential tool to translate such legacy.
Deconstructive Architecture and Its Pioneer Architects Rohit Arora
The concept of deconstructive architecture and main pioneers of deconstructive architecture. Town hall finland, Jacques Derrida ,Frank O Gehry , Bernard Tschumi, Zaha Hadid,Galaxy Soho, JVC entertainment Centre, Guggenheim Museum Bilbao.BMW Central Building.
Simple presentation to educate the pupils who are interested to choose architecture as their career choice. theses slides discuss about eligiblity, architecture standards, masters disciplines and professional practice optionsin architecture career.
In this theory the form is outcome of various physical, social, psychological and symbolic functions
For example if we want to design concert hall, the form will be the abstract of functional data which is defined by the distance of the seats the place of foyer the relation between all functions and also a symbolic appearance of the building. In this type of design the context of the building is not considered and we can put the designed project in different sites and places with no attention to the contextual matters. In this theory architects must act like a scientist. It means that they have to find some form in a body of pre existing facts. So it can be named as kind of true and false game. The designer will do its job according to client`s needs climatological conditions and community values. The difference is here that architects cannot define general lows for the design solution as like as the scientists do.
Introduction Gothic Architecture Characteristics Features of GOTHIC architecture Major Influences on Gothic Architecture Architecture Character of Gothic Style Difference Between Gothic and Romanesque Architecture Features for Sacredness in Gothic Architecture Types of Gothic Architecture Gothic Architecture-Styles French Gothic Architecture
2. FÜTÜRİZM NEDİR-TARİHÇESİ
• 20. yüzyılın başlarında yeni yaşamı ve yeni yaşamın
teknolojisini özne olarak tanımlayan, hareket ve
dinamizme önem veren, geleneksel kuralları yıkma
amacı güden bir sanat akımı olarak doğmuş
ilerici,yenilikçi ve özgün bir akımdır.
3. Fütürist kimdir?
• Kendisi ve tüm insanlık için yararlı,
olumlu ilerici yenilikçi;
• insanlıktan sorumlu olduğunu bilen,
• geleceğin seyircisi değil de
tasarımcısı olması gerektiğini bilen;
• fütürizm akımına dahil olarak
dünyanın örgütlenmesinde yer
almak isteyen bireydir.
4. Neden fütürizm ?
• Sanayi ve medeniyetinin şekillendirdiği
modern hayat ortamında doğan
fütürizmin amacı; bu hayatın en belirgin
niteliği durumundaki yenilikleri,
dinamizmi, hızı, değişimi, heyecanı, sanata
taşımak ve sanatın diliyle ifade etmek;
dolayısıyla sanat-hayat arasındaki
kopukluğu ortadan kaldırmaktır.
5. Manifesto nedir?
• Toplumsal bir
hareketin duyurulması
ve savların
belirtilmesi üzerine
kurulan, bir akımın, bir
hareketin oluşunu
bildiren yazılara
manifesto ya da bildiri
denmektedir.
6. Fütürizm akımının öncüleri
Antonio Sant’Elia (1888-1916)
• Fütürizm akımının anahtar
kişiliklerinden italyan bir
mimar.
• 1912-1914 arası
Amerika’daki endüstri
şehirlerinden etkilendi
ayrıca Venesseli
mimarlardan etkilenerek
bir dizi şehir
tasarladıNew City
• Ağustos 1914’te New City’nin
kataloğunun önsözleri
manifestonun temelini
oluşturur.
8. Kentlerin yirmi yılda bir yıkılıp
yeniden yapılması gerektiği
düşüncesine sahiptir.
Mimarinin üzerine eklenen objeler
anlamında dekorasyonun saçmalık
olduğunu düşünür ve dekorasyon
sadece yapıda kullanılan malzeme
ve renklerden kaynaklanmalıdır
fikrini savunur.
9. Fütürist kenti
yaşatmalıyız ve
yeniden inşa
etmeliyiz; o her
parçası dinamik
olan uçsuz
bucaksız
kargaşalı canlı ve
soylu bir şantiye
gibi olmalıdır.
Fütürist konut ise
kocaman bir
makineye
benzemelidir.
10.
11. Filippo Tommaso Marinetti
(1876-1944)
• İtalyan şair, editör, ve
fütürizmin
kurucularından biri.
• 1909da yazdığı fütürizm
manifestosu en prestijli
fransız gazetesi olan ‘Le
Figaro’ da yayımlandı.
• Hız tutkunudur.
• Ona göre zaman ve mekan
dün yok olmuştur.
12. Fütürizm Manifestosu
• İdeal ekseni, kendi
yörüngesinde hızla ilerleyen
dünyayı dolaşan dümeni
elinde bulunduran insanı
yüceltmek istiyoruz.
• Modern mimarlığın yarattığı
yanlış düşünce: ‘Fütürist konut
ve kentin sınırları ve
sorunlarını çözmeye
yöneltmek yerine, klasik
modelleri kopya etmeye
zorlamasıdır.’
13. • Asıl sorun;
Fütürist konutu sağlam bir plana göre yaratmak,
tüm bilimsel ve teknik olanakların yardımıyla
inşa etmek,
yaşam biçimimiz ve ruhumuzun her gereksinimini
sonuna dek karşılamak,
bize hantal ve yabancı gelen her şeyi reddetmek
(gelenek, üslup, estetik, oran),
yeni biçimler, yeni çizgiler, profil ve hacımlardan
yeni bir uyum oluşturmak ve uyum içindeki
mimarlığı yaratmak.
14. • Beğenimizi hafif, pratik, geçici ve hızlı
olanla zenginleştirdik.
• Bezeme unsuru ortadan kaldırılmalıdır.
Ev mekanik yalınlığıyla son derece çirkin
olmalı; kendi çizgilerinin ve girintiçıkıntılarının güzelliği ile
zenginleşmelidir. Her şey devrimci
olmalıdır.
• Fütürist mimarlık nesneler dünyasından
ruhu yansıtma çabasıdır.
15. • Eğik ve eliptik çizgiler
• Yatay ve dikey çizgiler
dinamik
statik, ağır, ezici
• Tüm klasik , ağırbaşlı, dinsel, yapmacık,
süslemeli, anıtsal, uçarı ve hoş mimarlık
Hesaplı, atak, yalın mimarlık.
• Eskiden sanatların esin kaynağı
Bizlerin esin kaynağıysa
dünyanın ögeleri.
doğa,
yarattığımız mekanik
