Forced perspective
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The document discusses forced perspective and how perspective can make things appear different than how they truly are. It covers topics such as looking down, across, or over objects from different angles; pavement art and giant objects that use forced perspective; and examples of photos that play tricks on the eyes through unusual perspectives. The overall agenda is to explore how forced perspective can make things seem not as they normally would from other points of view.
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2016 forced perspective
This document discusses the principle of forced perspective, which uses techniques of depth, distance, and size to trick the eye. It defines forced perspective as a photographic illusion that makes objects appear a different size than their actual size. It then explains three main categories of forced perspective - making a subject appear smaller using distance, making a subject appear larger by placing it closer to the viewer, and defying gravity. Small groups are tasked with brainstorming ideas that use a foot or basketball to demonstrate these size-altering techniques. The document concludes by recapping the key aspects of forced perspective and listing due dates for a related photo project.
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The history of photography began with ancient civilizations using camera obscuras to project images on walls. In the 16th century, lenses were added to camera obscuras to improve image quality. By the 17th century, camera obscuras became portable. In 1800, Thomas Wedgwood created the first photographs on paper treated with silver nitrate. Nicéphore Niépce combined the camera obscura with photosensitive paper in 1816. Color photography was demonstrated in 1861 using three black and white photos taken through red, green, and blue filters. George Eastman founded the Eastman Dry Plate Company in 1880, producing dry plates and roll film, launching modern photography. In 2004, Kodak ceased production of film
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The history of photography began in ancient times with the use of camera obscuras to project images. In the early 19th century, Nicéphore Niépce and Louis Daguerre developed early photographic processes allowing the creation of permanent images. William Henry Fox Talbot's invention of the calotype process in the 1840s allowed for the mass-production of photographs. In 1888, George Eastman introduced the Kodak camera, making photography widely popular. Throughout the 20th century, technological advances such as roll film, 35mm cameras, and digital cameras transformed photography.
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Forced perspective
- 1. FORCED PERSPECTIVE Somerset Cres 17 August 2010
- 2. FORCED PERSPECTIVE Somerset Cres 17 August 2010
- 3. AGENDA
- 8. AGENDA Perspective Weird trucks Eye Teasers From Above Things Are Not Always As They Seem
- 9. AGENDA Perspective Weird trucks Eye Teasers From Above Things Are Not Always As They Seem Up Close
- 10. AGENDA Perspective Weird trucks Eye Teasers From Above Things Are Not Always As They Seem Up Close Pavement Art
- 11. AGENDA Perspective Weird trucks Eye Teasers From Above Things Are Not Always As They Seem Up Close Pavement Art Forced Perspective
- 14. LOOKING DOWN
- 15. LOOKING DOWN
- 16. LOOKING ACROSS
- 17. LOOKING ACROSS
- 18. LOOKING OVER
- 19. LOOKING OVER
- 20. AT THE EDGE
- 21. AT THE EDGE
- 22. WHICH WAY IS FRONT?
- 23. WHICH WAY IS FRONT?
- 24. GIANT AQUARIUM?
- 25. GIANT AQUARIUM?
- 26. LIBRARY?
- 27. LIBRARY?
- 28. A REALLY BIG BOTTLE
- 29. A REALLY BIG BOTTLE
- 30. EYE TEASERS
- 31. EYE TEASERS
- 32. HOW MANY PEOPLE?
- 33. HOW MANY PEOPLE?
- 34. WHICH WAY IS UP?
- 35. WHICH WAY IS UP?
- 36. FROM ABOVE
- 37. FROM ABOVE
- 38. FROM ABOVE
- 39. FROM ABOVE
- 40. FROM ABOVE
- 41. FROM ABOVE
- 42. NOT ALWAY WHAT THEY SEEM
- 43. NOT ALWAY WHAT THEY SEEM
- 44. NOT ALWAY WHAT THEY SEEM
- 45. NOT ALWAY WHAT THEY SEEM
- 46. NOT ALWAY WHAT THEY SEEM
- 47. NOT ALWAY WHAT THEY SEEM
- 48. NOT ALWAY WHAT THEY SEEM
- 49. NOT ALWAY WHAT THEY SEEM
- 50. UP CLOSE
- 51. UP CLOSE
- 52. UP CLOSE
- 53. UP CLOSE
- 54. UP CLOSE
- 55. UP CLOSE
- 56. UP CLOSE
- 57. UP CLOSE
- 58. PAVEMENT ART
- 59. PAVEMENT ART
- 60. PAVEMENT ART
- 61. PAVEMENT ART
- 62. PAVEMENT ART
- 63. PAVEMENT ART
- 64. PAVEMENT ART
- 65. PAVEMENT ART
- 66. PAVEMENT ART
- 67. PAVEMENT ART