SlideShare a Scribd company logo
1 of 2
Savannah Block
                                                                                       Pre-College English
                                                                                            April 3rd, 2009

                                        For the “Love” of the Feed




       “...She opened her mouth. Something trembled there. Juice. It came out in lo-grave as a

beautiful purple wobble.” Here, in M.T. Anderson's Feed, Titus elucidates his first impression of his

love interest, Violet. Throughout the science fiction novel, these two teenagers quickly become a

couple. Yet the 'side story' of their attraction to each other is indubitably evident, preeminently

axiomatic during the beginning and re-visited at the end of the book. Anderson discreetly discusses

objective love, as well as the perks of subjective loving, and the transition between the two

substantially different amours.

       In commencement of his novel, the author writes according to idiosyncratic adoration. “[Juice]

stayed inches from her face. Her tongue was closed behind it, perched in the air like a pink slug

gargoyle” (19). Although Titus may believe Violet's looks are 'meg beautiful,' her actions speak

otherwise, 'being an unconventional bonus' (for the time frame this book was written in) of her

personality. For the duration of Feed, Titus constantly learns of the new, unorthodox tidbits Violet

possesses. “I looked at her funny. 'You write?' I said. 'With a pen?' 'Sure,' she said, a little

embarrassed” (65). Anderson believes that in the future, writing by hand will become antiquated. Still,

the “heroine” holds fast to these traditions. Although the reader would like to continue to see Titus and

Violet together, the author carried different plans. Titus and Violet would soon fall out of love.

       As the novel winds down to the end, Titus discovers his girl is not his standard of 'perfect,' and

slips into looking at Violet with objective eyes. “'I keep picturing you dead already. It feels like I'm

being felt up by a zombie'” (269). With Violet's death already on her heels, Titus is unable to shake

these objective thoughts and views. Such a development effects what type of person he finds attractive.
Titus continues his rant to include other pieces of Violet's personality. “You wanted to mingle with the

common people. Just latch on to this one dumbass and make fun of his friends for being stupid...”

(271). Mr. 'Protagonist' no longer finds Violet's smarts enticing and wishes to revert back to his friend's

objective standards of love, lesions and all. What could have caused Titus' about face turn of emotions

and feelings he once had for Violet?

       The feed. This 'advertisement chip' implanted in the brains of these future children causes

destruction in Anderson's dystopian novel in more ways than one. The first offense being its ineffective

word choice of 'supple' while attempting to describe Violet's spine (14). Second offense containing the

enhancement of Violet's breasts during the commercials running inside of Titus' brain while purchasing

the new car (122). The final offense consisting again of the 'wet t-shirt contest' commercial Titus

attempts to block out while he is with the dilapidated body of Violet (297). The feed's second priority,

other than sending out advertisements, is to spit out answers. Unfortunately, its answer for love is

primarily objective, and the proof is stated from beginning to end of Feed.

       Anderson's science fiction novel can be viewed at various avenues. The destruction of human

kind as a species. Technology taking the place of the brain. A 'better', 'more technically advanced'

world. Or the novel can be seen as an underlying battle against subjective and objective love. The

transition between the former to the latter in this particular novel can only be accomplished by what the

media and advertisements beamed twenty-four hours a day, seven days a week into the developing

minds of youngsters in Feed. The feed is undoubtedly guilty of subjective love slaughtering, and Titus'

and Violet's relationship within Anderson's novel sheds light upon what or who influences what we

believe is beautiful.

More Related Content

What's hot (20)

Character Profiles
Character ProfilesCharacter Profiles
Character Profiles
 
Pan's Labyrinth
Pan's LabyrinthPan's Labyrinth
Pan's Labyrinth
 
Evidence 4 English
Evidence 4 EnglishEvidence 4 English
Evidence 4 English
 
Evidence 4 english
Evidence 4 englishEvidence 4 english
Evidence 4 english
 
Costumes and propps
Costumes and proppsCostumes and propps
Costumes and propps
 
Pan's Labyrinth
Pan's LabyrinthPan's Labyrinth
Pan's Labyrinth
 
Pan's labyrinth
Pan's labyrinthPan's labyrinth
Pan's labyrinth
 
Isabel allende
Isabel allendeIsabel allende
Isabel allende
 
Pacifico comic analysis
Pacifico comic analysisPacifico comic analysis
Pacifico comic analysis
 
Garbage
GarbageGarbage
Garbage
 
Readers' advisory powerpoint
Readers' advisory powerpointReaders' advisory powerpoint
Readers' advisory powerpoint
 
Twilight4
Twilight4Twilight4
Twilight4
 
Why twilight sucks.
Why twilight sucks.Why twilight sucks.
Why twilight sucks.
 
Archer
ArcherArcher
Archer
 
Carter
CarterCarter
Carter
 
Readers' advisory powerpoint
Readers' advisory powerpointReaders' advisory powerpoint
Readers' advisory powerpoint
 
Franky ch 5- 10
Franky ch 5- 10Franky ch 5- 10
Franky ch 5- 10
 
narrative theory
narrative theorynarrative theory
narrative theory
 
Roald dahl martynyuk
Roald dahl martynyukRoald dahl martynyuk
Roald dahl martynyuk
 
Theory
TheoryTheory
Theory
 

Viewers also liked

The Rise And Fall Of Al Capone
The Rise And Fall Of Al CaponeThe Rise And Fall Of Al Capone
The Rise And Fall Of Al CaponeSavannah Block
 
What You Ask Is Against Regulations
What You Ask Is Against RegulationsWhat You Ask Is Against Regulations
What You Ask Is Against RegulationsSavannah Block
 
Philosophy paperii (1)
Philosophy paperii (1)Philosophy paperii (1)
Philosophy paperii (1)Savannah Block
 
Chbosky Reiterates Teenage Hardships in Perks
Chbosky Reiterates Teenage Hardships in PerksChbosky Reiterates Teenage Hardships in Perks
Chbosky Reiterates Teenage Hardships in PerksSavannah Block
 
The Beauty Behind Cyrano
The Beauty Behind CyranoThe Beauty Behind Cyrano
The Beauty Behind CyranoSavannah Block
 
Operating System Multiple Choice Questions
Operating System Multiple Choice QuestionsOperating System Multiple Choice Questions
Operating System Multiple Choice QuestionsShusil Baral
 

Viewers also liked (6)

The Rise And Fall Of Al Capone
The Rise And Fall Of Al CaponeThe Rise And Fall Of Al Capone
The Rise And Fall Of Al Capone
 
What You Ask Is Against Regulations
What You Ask Is Against RegulationsWhat You Ask Is Against Regulations
What You Ask Is Against Regulations
 
Philosophy paperii (1)
Philosophy paperii (1)Philosophy paperii (1)
Philosophy paperii (1)
 
Chbosky Reiterates Teenage Hardships in Perks
Chbosky Reiterates Teenage Hardships in PerksChbosky Reiterates Teenage Hardships in Perks
Chbosky Reiterates Teenage Hardships in Perks
 
The Beauty Behind Cyrano
The Beauty Behind CyranoThe Beauty Behind Cyrano
The Beauty Behind Cyrano
 
Operating System Multiple Choice Questions
Operating System Multiple Choice QuestionsOperating System Multiple Choice Questions
Operating System Multiple Choice Questions
 

More from Savannah Block

English Risk Taking Composition
English Risk Taking CompositionEnglish Risk Taking Composition
English Risk Taking CompositionSavannah Block
 
English Journal Helen Coopers Past
English Journal   Helen Coopers PastEnglish Journal   Helen Coopers Past
English Journal Helen Coopers PastSavannah Block
 
Egyptian Poems Verus Nickleback
Egyptian Poems Verus NicklebackEgyptian Poems Verus Nickleback
Egyptian Poems Verus NicklebackSavannah Block
 
Cyrano De Bergerac Reflection
Cyrano De Bergerac ReflectionCyrano De Bergerac Reflection
Cyrano De Bergerac ReflectionSavannah Block
 
Al Capone: The True Gangster
Al Capone: The True GangsterAl Capone: The True Gangster
Al Capone: The True GangsterSavannah Block
 

More from Savannah Block (9)

English Risk Taking Composition
English Risk Taking CompositionEnglish Risk Taking Composition
English Risk Taking Composition
 
English Review
English ReviewEnglish Review
English Review
 
English Paper
English PaperEnglish Paper
English Paper
 
English Journal Helen Coopers Past
English Journal   Helen Coopers PastEnglish Journal   Helen Coopers Past
English Journal Helen Coopers Past
 
English Journal 1
English Journal 1English Journal 1
English Journal 1
 
Egyptian Poems Verus Nickleback
Egyptian Poems Verus NicklebackEgyptian Poems Verus Nickleback
Egyptian Poems Verus Nickleback
 
Cyrano De Bergerac Reflection
Cyrano De Bergerac ReflectionCyrano De Bergerac Reflection
Cyrano De Bergerac Reflection
 
A Kiss
A KissA Kiss
A Kiss
 
Al Capone: The True Gangster
Al Capone: The True GangsterAl Capone: The True Gangster
Al Capone: The True Gangster
 

For the “Love” of the Feed

  • 1. Savannah Block Pre-College English April 3rd, 2009 For the “Love” of the Feed “...She opened her mouth. Something trembled there. Juice. It came out in lo-grave as a beautiful purple wobble.” Here, in M.T. Anderson's Feed, Titus elucidates his first impression of his love interest, Violet. Throughout the science fiction novel, these two teenagers quickly become a couple. Yet the 'side story' of their attraction to each other is indubitably evident, preeminently axiomatic during the beginning and re-visited at the end of the book. Anderson discreetly discusses objective love, as well as the perks of subjective loving, and the transition between the two substantially different amours. In commencement of his novel, the author writes according to idiosyncratic adoration. “[Juice] stayed inches from her face. Her tongue was closed behind it, perched in the air like a pink slug gargoyle” (19). Although Titus may believe Violet's looks are 'meg beautiful,' her actions speak otherwise, 'being an unconventional bonus' (for the time frame this book was written in) of her personality. For the duration of Feed, Titus constantly learns of the new, unorthodox tidbits Violet possesses. “I looked at her funny. 'You write?' I said. 'With a pen?' 'Sure,' she said, a little embarrassed” (65). Anderson believes that in the future, writing by hand will become antiquated. Still, the “heroine” holds fast to these traditions. Although the reader would like to continue to see Titus and Violet together, the author carried different plans. Titus and Violet would soon fall out of love. As the novel winds down to the end, Titus discovers his girl is not his standard of 'perfect,' and slips into looking at Violet with objective eyes. “'I keep picturing you dead already. It feels like I'm being felt up by a zombie'” (269). With Violet's death already on her heels, Titus is unable to shake these objective thoughts and views. Such a development effects what type of person he finds attractive.
  • 2. Titus continues his rant to include other pieces of Violet's personality. “You wanted to mingle with the common people. Just latch on to this one dumbass and make fun of his friends for being stupid...” (271). Mr. 'Protagonist' no longer finds Violet's smarts enticing and wishes to revert back to his friend's objective standards of love, lesions and all. What could have caused Titus' about face turn of emotions and feelings he once had for Violet? The feed. This 'advertisement chip' implanted in the brains of these future children causes destruction in Anderson's dystopian novel in more ways than one. The first offense being its ineffective word choice of 'supple' while attempting to describe Violet's spine (14). Second offense containing the enhancement of Violet's breasts during the commercials running inside of Titus' brain while purchasing the new car (122). The final offense consisting again of the 'wet t-shirt contest' commercial Titus attempts to block out while he is with the dilapidated body of Violet (297). The feed's second priority, other than sending out advertisements, is to spit out answers. Unfortunately, its answer for love is primarily objective, and the proof is stated from beginning to end of Feed. Anderson's science fiction novel can be viewed at various avenues. The destruction of human kind as a species. Technology taking the place of the brain. A 'better', 'more technically advanced' world. Or the novel can be seen as an underlying battle against subjective and objective love. The transition between the former to the latter in this particular novel can only be accomplished by what the media and advertisements beamed twenty-four hours a day, seven days a week into the developing minds of youngsters in Feed. The feed is undoubtedly guilty of subjective love slaughtering, and Titus' and Violet's relationship within Anderson's novel sheds light upon what or who influences what we believe is beautiful.