'First Take' is an annual exhibition-cum-art award event by Abir, a charitable trust dedicated to supporting emerging artists in India. While the exhibition used to take place in Ahmedabad earlier, the sixth edition shall take place in Delhi for the first time, in November.
Grant Wood : American Gothic and Other Visual Fables.pdfAbir Pothi
Grant Wood, born in rural Iowa in 1891, uses a combination of realism and romanticism to create visually striking narratives that encapsulate the essence of American life during the Great Depression. His paintings, distinguished by their rich colour and careful detail. Read more here.
Architect Raj Rewal Projects : Solving Modern Issues with Ancient Heritage.pdfAbir Pothi
Raj Rewal is a renowned architect known for blending traditional principles with modern design. Educated in Delhi and London, he taught at the School of Planning and Architecture Delhi. Notable works include the Hall of Nations and CIDCO Housing. He founded Raj Rewal Associates in 1962. Read full article to know more.
Mary Cassatt- The Woman Who Wasn’t Allowed to Draw.pdfAbir Pothi
Mary Cassatt, a prominent American painter, was a key figure in the Impressionist movement. She was known for her paintings of women and children, capturing the tenderness and intimacy of everyday life. Despite facing challenges as a female artist, Cassatt broke barriers and achieved recognition for her unique style.
The Evolution Of The Indian Lifestyle_ Jyoti Bhatt’s Decades-Long ‘Revisitati...Abir Pothi
Jyoti Bhatt's 'Revisitations' solo exhibition at Vadehra Art Gallery unveils two decades of his art,In this exhibition, Bhatt revisits his oeuvre across two decades and presents various works exploring quotidian and conventional Indian lifestyles while bringing together notions of culture, religion, nature, and gender with fresh context, on display from Jan 30 to Mar 6, 2024.
Spiritual Splendor_ Exploring the Symbolism and Marvels of Hindu Temple Archi...Abir Pothi
Discover the diverse world of Hindu temple architecture, from iconic Vimanas to symbolic pillars. Explore Dravida and Nagara styles, unveiling cultural influences. Uncover the significance of mandapas, gopurams, and intricate carvings. Delve into Vastushastra's role, bridging cosmic principles and design. Journey through ancient Rajasthan's temples and administrative hubs in Tamil Nadu. Immerse in the rich symbolism of mandalas and shikharas, appreciating the blend of tradition and innovation in Deccan's Hoysala style. This concise exploration unveils the profound spiritual essence in Hindu temple design.
Breathing Life into Paper_ The Ancient Art of Paper Cutting by Sachiko Abe an...Abir Pothi
Explore the ancient art of paper cutting, from Sachiko Abe's mesmerizing installations to modern-day Kirigami artists, in this in-depth exploration of the meditative and transformative world of precision paper craftsmanship
Servants of God, the Wife of the Whole Town; Visual Narratives of Devadasi.pdfAbir Pothi
In 1789, a famous British landscape artist, Thomas Daniell, visited the affluent city of Varanasi with his nephew William Daniell. Amazed by the marvel of the temple architecture of the town, he painted the famous image ‘Hindu Temples at Brindavan’ in 1797. Daniell’s painting does not try to capture the contemporary life of the country’s people but instead tries to highlight the grandeur of Indian temples and their religious symbolism. This genre of paintings of Indian temples eventually served the European market better.
John Constable_ Man with the Meticulous Eye for Landscapes.pdfAbir Pothi
John Constable was born in East Bergholt, Suffolk to a merchant who dealt with corn, coal, and farming on June 11, 1776. He gave a considerable amount of time and effort towards creating paintings of the nearby scenery, particularly the places that reminded him of his carefree childhood. According to him, these experiences were instrumental in shaping his career as an artist. Despite being the second-born, Constable was seen as the natural heir to his father’s trade since his older brother was mentally challenged. Following a short stint at a boarding school located in Lavenham, he began attending a day school in Dedham. After completing his education, Constable ventured into the corn industry. However, the managerial responsibilities of the mills were eventually handed over to his younger sibling Abram.
Grant Wood : American Gothic and Other Visual Fables.pdfAbir Pothi
Grant Wood, born in rural Iowa in 1891, uses a combination of realism and romanticism to create visually striking narratives that encapsulate the essence of American life during the Great Depression. His paintings, distinguished by their rich colour and careful detail. Read more here.
Architect Raj Rewal Projects : Solving Modern Issues with Ancient Heritage.pdfAbir Pothi
Raj Rewal is a renowned architect known for blending traditional principles with modern design. Educated in Delhi and London, he taught at the School of Planning and Architecture Delhi. Notable works include the Hall of Nations and CIDCO Housing. He founded Raj Rewal Associates in 1962. Read full article to know more.
Mary Cassatt- The Woman Who Wasn’t Allowed to Draw.pdfAbir Pothi
Mary Cassatt, a prominent American painter, was a key figure in the Impressionist movement. She was known for her paintings of women and children, capturing the tenderness and intimacy of everyday life. Despite facing challenges as a female artist, Cassatt broke barriers and achieved recognition for her unique style.
The Evolution Of The Indian Lifestyle_ Jyoti Bhatt’s Decades-Long ‘Revisitati...Abir Pothi
Jyoti Bhatt's 'Revisitations' solo exhibition at Vadehra Art Gallery unveils two decades of his art,In this exhibition, Bhatt revisits his oeuvre across two decades and presents various works exploring quotidian and conventional Indian lifestyles while bringing together notions of culture, religion, nature, and gender with fresh context, on display from Jan 30 to Mar 6, 2024.
Spiritual Splendor_ Exploring the Symbolism and Marvels of Hindu Temple Archi...Abir Pothi
Discover the diverse world of Hindu temple architecture, from iconic Vimanas to symbolic pillars. Explore Dravida and Nagara styles, unveiling cultural influences. Uncover the significance of mandapas, gopurams, and intricate carvings. Delve into Vastushastra's role, bridging cosmic principles and design. Journey through ancient Rajasthan's temples and administrative hubs in Tamil Nadu. Immerse in the rich symbolism of mandalas and shikharas, appreciating the blend of tradition and innovation in Deccan's Hoysala style. This concise exploration unveils the profound spiritual essence in Hindu temple design.
Breathing Life into Paper_ The Ancient Art of Paper Cutting by Sachiko Abe an...Abir Pothi
Explore the ancient art of paper cutting, from Sachiko Abe's mesmerizing installations to modern-day Kirigami artists, in this in-depth exploration of the meditative and transformative world of precision paper craftsmanship
Servants of God, the Wife of the Whole Town; Visual Narratives of Devadasi.pdfAbir Pothi
In 1789, a famous British landscape artist, Thomas Daniell, visited the affluent city of Varanasi with his nephew William Daniell. Amazed by the marvel of the temple architecture of the town, he painted the famous image ‘Hindu Temples at Brindavan’ in 1797. Daniell’s painting does not try to capture the contemporary life of the country’s people but instead tries to highlight the grandeur of Indian temples and their religious symbolism. This genre of paintings of Indian temples eventually served the European market better.
John Constable_ Man with the Meticulous Eye for Landscapes.pdfAbir Pothi
John Constable was born in East Bergholt, Suffolk to a merchant who dealt with corn, coal, and farming on June 11, 1776. He gave a considerable amount of time and effort towards creating paintings of the nearby scenery, particularly the places that reminded him of his carefree childhood. According to him, these experiences were instrumental in shaping his career as an artist. Despite being the second-born, Constable was seen as the natural heir to his father’s trade since his older brother was mentally challenged. Following a short stint at a boarding school located in Lavenham, he began attending a day school in Dedham. After completing his education, Constable ventured into the corn industry. However, the managerial responsibilities of the mills were eventually handed over to his younger sibling Abram.
Mithila Art - Reincarnated from the rubbles of an earthquake.pdfAbir Pothi
“In the best art there is an inescapable element of strangeness, the sense of a novel wonder, a mystery burning at the heart of life, and it is the strangeness this incandescence which above all the painting of Mithila transmits”. The overwritten statement is the words William G. Archer chose to end his article on Mithila art titled ‘Mithila Painting’ which was published in 1949 in Marg Vol. 3, No. 3. This article grabbed the public attention towards Mithila painting. Archer gave a detailed account of the social and ritual context, conventions, sources of variation, and uses of line and colour in the ancient wall-painting tradition in Mithila region of Bihar.
Plays by William Shakespeare and the Painter’s Creation.pdfAbir Pothi
William Shakespeare is considered a great dramatist because each of his plays has such visual images that settle in people’s memory. Even today his plays are being translated and staged all over the world. Not that Shakespeare influenced only writers. His sphere of influence included filmmakers as well as painters. The scenes of many of his plays have been presented by the famous artists of their time in their pictorial language. Here we are presenting the details of paintings made in some of his plays.
The Elegant and Provoking Sculptural Photography of Robert Mapplethorpe.pdfAbir Pothi
Mapplethorpe's highly controversial black-and-white photography centered on sexuality, gender, and power. His images were meticulously composed with sculptural elements and transformed ordinary objects and bodies into abstracted forms.
Chromatic Flight_ The mastery of Manisha Parekh.pdfAbir Pothi
Nature Morte is one of the most important art galleries in India that is known for featuring and promoting predominantly South Asian artist’s contemporary artworks in various genres and media. They are currently hosting the solo exhibition of ‘Chromatic Flight’ by Manisha Parekh. She was the part of the jury panel for Abir First Take 2022, an annual art festival for young and emerging artists. On account of this exhibition, Nature Morte is inviting art lovers to an exclusive conversation with Manisha Parekh herself and Roobina Karode, Director and Chief Curator of Kiran Nadar Museum of Art on the 16th of March, 2023.
Bengal-Nama_ Rich Heritage Of Art From Bengal (1).pdfAbir Pothi
1) The group exhibition 'Bengal-Nama' at Bikaner House from November 26th to December 4th features works from 20 modern and contemporary artists from Bengal and Bangladesh.
2) The show pays homage to the rich artistic heritage of Bengal from early times and includes works in diverse media like textiles, paintings, photography, ceramics, installations and sculptures.
3) Key artworks highlighted include Shimul Saha's piece combining different periods of Bengal, Bappaditya Biswas' experiment with indigo dye, and Sudipta Das's commentary on society through doll-like figurines in the piece "Home".
Vincent Van Gogh once wrote to his sister in 1888: "THE SUN, A LIGHT THAT FOR LACK OF A BETTER WORD I CAN ONLY CALL YELLOW, BRIGHT SULFUR YELLOW, PALE LEMON GOLD. HOW BEAUTIFUL YELLOW IS!"
Mithila Art - Reincarnated from the rubbles of an earthquake.pdfAbir Pothi
“In the best art there is an inescapable element of strangeness, the sense of a novel wonder, a mystery burning at the heart of life, and it is the strangeness this incandescence which above all the painting of Mithila transmits”. The overwritten statement is the words William G. Archer chose to end his article on Mithila art titled ‘Mithila Painting’ which was published in 1949 in Marg Vol. 3, No. 3. This article grabbed the public attention towards Mithila painting. Archer gave a detailed account of the social and ritual context, conventions, sources of variation, and uses of line and colour in the ancient wall-painting tradition in Mithila region of Bihar.
Plays by William Shakespeare and the Painter’s Creation.pdfAbir Pothi
William Shakespeare is considered a great dramatist because each of his plays has such visual images that settle in people’s memory. Even today his plays are being translated and staged all over the world. Not that Shakespeare influenced only writers. His sphere of influence included filmmakers as well as painters. The scenes of many of his plays have been presented by the famous artists of their time in their pictorial language. Here we are presenting the details of paintings made in some of his plays.
The Elegant and Provoking Sculptural Photography of Robert Mapplethorpe.pdfAbir Pothi
Mapplethorpe's highly controversial black-and-white photography centered on sexuality, gender, and power. His images were meticulously composed with sculptural elements and transformed ordinary objects and bodies into abstracted forms.
Chromatic Flight_ The mastery of Manisha Parekh.pdfAbir Pothi
Nature Morte is one of the most important art galleries in India that is known for featuring and promoting predominantly South Asian artist’s contemporary artworks in various genres and media. They are currently hosting the solo exhibition of ‘Chromatic Flight’ by Manisha Parekh. She was the part of the jury panel for Abir First Take 2022, an annual art festival for young and emerging artists. On account of this exhibition, Nature Morte is inviting art lovers to an exclusive conversation with Manisha Parekh herself and Roobina Karode, Director and Chief Curator of Kiran Nadar Museum of Art on the 16th of March, 2023.
Bengal-Nama_ Rich Heritage Of Art From Bengal (1).pdfAbir Pothi
1) The group exhibition 'Bengal-Nama' at Bikaner House from November 26th to December 4th features works from 20 modern and contemporary artists from Bengal and Bangladesh.
2) The show pays homage to the rich artistic heritage of Bengal from early times and includes works in diverse media like textiles, paintings, photography, ceramics, installations and sculptures.
3) Key artworks highlighted include Shimul Saha's piece combining different periods of Bengal, Bappaditya Biswas' experiment with indigo dye, and Sudipta Das's commentary on society through doll-like figurines in the piece "Home".
Vincent Van Gogh once wrote to his sister in 1888: "THE SUN, A LIGHT THAT FOR LACK OF A BETTER WORD I CAN ONLY CALL YELLOW, BRIGHT SULFUR YELLOW, PALE LEMON GOLD. HOW BEAUTIFUL YELLOW IS!"
First Take Update 2022 Eminent Jury Expediently Selects Finalists For Exhibition.pdf
1. First Take Update, 2022: Eminent Jury Expediently Selects Finalists For
Exhibition
'First Take' is an annual exhibition-cum-art award event by Abir, a charitable trust dedicated
to supporting emerging artists in India. While the exhibition used to take place in
Ahmedabad earlier, the sixth edition shall take place in Delhi for the first time, in November.
First Take Jury For 2022. L To R: Manisha Parekh, Manjunath Kamath, V. Ramesh, And
G. R. Iranna | Abir Pothi
Article by Vinay Seth
Since 2016, Abir has been annually inviting artwork entries from emerging artists from all
over India, where after the entrants are shortlisted for displaying their works in a group
show. From these shortlisted exhibition finalists, the top few — 10 this year — are selected
for the First Take award, carrying an honorarium.
First Take 2022 opened its gate for entries on 23rd May, and closed the submission round
on 14th July. Abir was overwhelmed by the positive response, with around a 1000 entrants
participating from over 300 cities across the country. The entries needed to be shortlisted
for the exhibition though, and Abir was delighted to get on board esteemed personalities
from the world of Indian Contemporary Art for the jury. This team of five comprises the
notable artists V. Ramesh, G.R. Iranna, Manjunath Kamath, and Manisha Parekh, and the art
historian Jayaram Poduval.
2. First Take 2022 Jury with Team Abir Pothi | Abir Pothi
The jury was invited for the shortlisting round to the office of Abir group’s art magazine,
Abir Pothi, in New Delhi, on the 21st and 22nd of August. We were pleased to host them,
and felt grateful to them for having sacrificed their Sunday - 21st August - for the sake of
contributing to the future of India’s budding artists. One of the esteemed jury members, V.
Ramesh, came all the way from Chennai just to tend to the jury selection, heading back in
the evening of 22nd immediately after the duty was done. Jayaram Poduval, got stuck with
some commitments though, and unfortunately couldn’t attend the event in person. He
made up for his physical absence, however, by going through the entries by himself, and
sending us the pen drive containing his verdict.
Abir founder Ruby Jagrut giving a virtual note of thanks to the jury members | Abir Pothi
3. This first stage entailed shortlisting from hundreds of entries. The round was opened on
Sunday the 21st, with Abir founder, - Ruby Jagrut — an artist herself briefing the jury over a
video call on a laptop. After exchanging warm greetings and a note of thanks, the team
wasted no time in getting to work. The task was carried out expediently by the jury with the
aid of our sub-editor Rajesh projecting soft copies onto a projection screen, from our office
computer. The team did an excellent job of shortening down to over hundred entries for the
final display. The artworks sent varied in mediums, ranging from painting to sculpture, from
oil on canvas to mixed media, and from bronze to terracotta.
Jury on judgement | Abir Pothi
During the process, Manisha Parekh emphasised that even though the jury members held
their own distinct views about each entry, it was important for them to peacefully come to a
consensus. For this reason, the four worked in tandem, going to the lengths of holding a
separate round just to finalise on those contestants for whom everyone wasn’t on the same
page during the first viewing. They took great pains to ensure that the process was fair, and
that as many deserving candidates got shortlisted as possible. The four eminent artists were
very giving of their time. G. R. Iranna, in fact, had to get his measurements done on Monday
for an art-cum-fashion show he was to soon model for. He got that preponed to early
Monday morning, so that he could attend the jury process on time.
Working in tandem | Abir Pothi
4. Our team managed to shoot V. Ramesh and G.R. Iranna on camera, recording their
reflections over the two days gone by. Iranna was highly appreciative of Abir’s founder Ruby
Jagrut, as he felt that artists are otherwise generally a bit lazy to connect other people in the
field. He expressed that he felt it his responsibility to encourage initiatives like Abir and First
Take, so as to serve as a helping hand to the next generation of budding talent in the
country. V. Ramesh stated that he had heard about this event from his artist-friends, and
had been looking forward to contributing. Both expressed their slight disappointment
though, over the deterioration of art education in the country, reflective in some of the
entries sent. We in the Abir family hope to remediate this issue, by doing our best to
support emerging voices of contemporary art in India.
Day 2 culminates with a hearty lunch | Abir Pothi
We are looking forward to the jury assembling again in the coming months, for the selection
of 10 entries to be given the First Take award. Stay tuned to Abir Pothi for the next First
Take update!
In case you submitted your work for First Take 2022, you can check whether you were
selected, on Abir’s Instagram post.