The document discusses stained glass windows created by Clarke Studios for churches in Ireland and Africa connected to Catholic missionary work. It includes images and descriptions of a 1948 window in Killeshandra, Ireland commemorating Bishop Shanahan and featuring accurate details of African figures. Letters from 1958 discuss Clarke Studios' designs for the Carmelite Convent in Nairobi, Kenya, including a nun's preferences that the angel faces be strong and manly rather than girlish. The document examines Clarke Studios' depictions of African subjects and connections to Catholic missions in their stained glass work.