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 Like any mass media product, anime has 
widespread cultural impact, and as such 
needs to be evaluated critically for its 
gender dynamics 
 Most anime, percentage-wise, is 
consumed by children, making negative 
gender stereotypes especially damaging
 Japanese women, more-so than in first 
world countries, are marginalized in the 
workplace 
 Most Japanese women are part-time 
workers or stay-at-home mothers, despite 
being highly educated 
 Having a salaryman husband is key
 OL (Office Lady) culture is a good 
example of how Japan treats its female 
professionals 
 Patriarchal ideals are still strong in Japan, 
specifically for child-care
 Fanservice girl: no utility beyond partial 
nudity 
Examples: Queen's Blade, Kanokon, Kiss x Sis, harem shows in general 
Shows objectification, relative worth of females
 The mother: Nags the protagonist, then 
makes him dinner. 
Examples: Chi Chi from DBZ, Hiroko from Hajime no Ippo, many other shonen 
moms 
Reflects Japanese values of housewives
 The objective: Save her and complete 
your quest! 
Examples: Yuria from Hokuto no Ken, Holly from JoJo's Bizarre Adventure, Nico Robin during 
Enies Lobby in One Piece, Rukia during the Soul Society Arc in Bleach 
Standard damsel in distress trope, but the key here is when formerly useful characters become 
useless so they can be saved
 Most of my examples are from Shonen, 
because it's emblematic of the problems 
in the genre as a whole, and by far the 
biggest market in the anime industry 
 Shojo, Seinen and Josei have their own 
problems, which I will detail on the next 
slides.
 While male role-models in Shonen may 
want to rule the world, become the 
strongest or become rich, girls just want 
Senpai to notice them. 
This gives a young, impressionable girls a warped perspective of what they should 
be aiming for in their lives, for someone else to validate them. 
While this is also not exclusive to anime/manga, it's particularly pernicious with series 
meant for young girls
 Seinen series rarely have any women at 
all, especially in major roles. 
This is reflective of the trend of increasing singleness among middle-aged 
Japanese men; they don't have women in their lives and don't want them in 
their fiction either.
 Josei manga, intended for adult women, 
does generally have gender-positive 
characters and stories. However, owing 
to its target audience, it sells far less than 
all other types of manga. 
Recommendations: Chihayafuru, Nodame Cantabile, 
Gokusen
 Male characters in anime are typically 
either very weak-willed or stereotypical 
manly men, reinforcing typical gender 
stereotypes. 
 These are less damaging, overall, than 
the negative female stereotypes, 
because the male characters are 
generally successful heroes.
 Madoka Magica has multitudes of strong 
female characters, but the most 
interesting in terms of gender dynamics is 
Madoka’s stay-at-home father. 
 The Madoka universe is filled with unreal 
buildings, magic, and somehow the most 
unrealistic thing is Madoka’s dad.
 For the first 5 parts, most of the story of 
JoJo’s Bizarre Adventure is about men 
saving women. 
 Part 6 is about a woman saving herself. 
This part was widely critically acclaimed, 
but the author fought with editorial over 
it and eventually moved magazines as a 
result of the disputes.
 A series about a young female tennis 
player, this manga is all about feminine 
self-sacrifice. 
 While it’s hard to clarify without deep 
spoilers, this is an example of a truly 
realistic (flawed, but still good) 
independent female character.
 Because Japan is a male-centric society, 
anime simply reflects what Japan is like. 
 Some media, like the works of Studio 
Ghibli have decent feminist material, but 
they're few and far between. 
 Japanese culture has to change for 
anime to change, so it will take a long 
time.

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Feminism in Anime

  • 1.
  • 2.  Like any mass media product, anime has widespread cultural impact, and as such needs to be evaluated critically for its gender dynamics  Most anime, percentage-wise, is consumed by children, making negative gender stereotypes especially damaging
  • 3.  Japanese women, more-so than in first world countries, are marginalized in the workplace  Most Japanese women are part-time workers or stay-at-home mothers, despite being highly educated  Having a salaryman husband is key
  • 4.  OL (Office Lady) culture is a good example of how Japan treats its female professionals  Patriarchal ideals are still strong in Japan, specifically for child-care
  • 5.  Fanservice girl: no utility beyond partial nudity Examples: Queen's Blade, Kanokon, Kiss x Sis, harem shows in general Shows objectification, relative worth of females
  • 6.  The mother: Nags the protagonist, then makes him dinner. Examples: Chi Chi from DBZ, Hiroko from Hajime no Ippo, many other shonen moms Reflects Japanese values of housewives
  • 7.  The objective: Save her and complete your quest! Examples: Yuria from Hokuto no Ken, Holly from JoJo's Bizarre Adventure, Nico Robin during Enies Lobby in One Piece, Rukia during the Soul Society Arc in Bleach Standard damsel in distress trope, but the key here is when formerly useful characters become useless so they can be saved
  • 8.  Most of my examples are from Shonen, because it's emblematic of the problems in the genre as a whole, and by far the biggest market in the anime industry  Shojo, Seinen and Josei have their own problems, which I will detail on the next slides.
  • 9.  While male role-models in Shonen may want to rule the world, become the strongest or become rich, girls just want Senpai to notice them. This gives a young, impressionable girls a warped perspective of what they should be aiming for in their lives, for someone else to validate them. While this is also not exclusive to anime/manga, it's particularly pernicious with series meant for young girls
  • 10.  Seinen series rarely have any women at all, especially in major roles. This is reflective of the trend of increasing singleness among middle-aged Japanese men; they don't have women in their lives and don't want them in their fiction either.
  • 11.  Josei manga, intended for adult women, does generally have gender-positive characters and stories. However, owing to its target audience, it sells far less than all other types of manga. Recommendations: Chihayafuru, Nodame Cantabile, Gokusen
  • 12.  Male characters in anime are typically either very weak-willed or stereotypical manly men, reinforcing typical gender stereotypes.  These are less damaging, overall, than the negative female stereotypes, because the male characters are generally successful heroes.
  • 13.  Madoka Magica has multitudes of strong female characters, but the most interesting in terms of gender dynamics is Madoka’s stay-at-home father.  The Madoka universe is filled with unreal buildings, magic, and somehow the most unrealistic thing is Madoka’s dad.
  • 14.  For the first 5 parts, most of the story of JoJo’s Bizarre Adventure is about men saving women.  Part 6 is about a woman saving herself. This part was widely critically acclaimed, but the author fought with editorial over it and eventually moved magazines as a result of the disputes.
  • 15.  A series about a young female tennis player, this manga is all about feminine self-sacrifice.  While it’s hard to clarify without deep spoilers, this is an example of a truly realistic (flawed, but still good) independent female character.
  • 16.  Because Japan is a male-centric society, anime simply reflects what Japan is like.  Some media, like the works of Studio Ghibli have decent feminist material, but they're few and far between.  Japanese culture has to change for anime to change, so it will take a long time.