English Q3L1

1. GOOD DAY
CLASS!

2. LET’S
BEGIN!

3. A _ G _ O
A _ E _ I _ A N
Round 1: complete it!

4. A _ G _ O
A _ E _ I _ A N
Round 1: complete it!

5. A N G L O
A M E R I C A N
Round 1: complete it!

6. Round 2: can you guess?
_ _ _ _ _ _
+

7. Round 2: can you guess?
_ _ _ _ _ _
+

8. Round 2: can you guess?
SONNET
+

9. Round 3: unjumbled me
T A M C I R A D E T Y O R P

10. Round 3: unjumbled me
T A M C I R A D E T Y O R P

11. Round 3: unjumbled me
D R A M A T I C P O E T R Y

12. Round 4: guess the gibberish word
b e e n y e t
_ _ _ _ _ _ _ _ _
9 l e t t e r s

13. Round 4: guess the gibberish word
b e e n y e t
_ _ _ _ _ _ _ _ _
9 l e t t e r s

14. Round 4: guess the gibberish word
b e e n y e t
V I G N E T T E
9 l e t t e r s

15. Round 5: Answer the riddle
I a m a t i n y t a l e , s h o r t b u t
s w e e t . W h a t a m I ?
S _ _ _ T s _ _ _ _ _ S

16. Round 5: Answer the riddle
I a m a t i n y t a l e , s h o r t b u t
s w e e t . W h a t a m I ?
S _ _ _ T s _ _ _ _ _ S

17. Round 5: Answer the riddle
I a m a t i n y t a l e , s h o r t b u t
s w e e t . W h a t a m I ?
S H O R T S TO R I E S

18. THANK YOU FOR
PARTICIPATING!

19. ANGLO
AMERICAN
SONNETS
DRAMATIC
POETRY
VIGNETTES
SHORT STORIES

20. Literary
Forms

21. FEATURES OF
ANGLO
AMERICAN
SONNETS,
DRAMATIC
POETRY,
VIGNETTES,
4 t h Q u a r t e r

22. ANGLO
AMERICAN
means something related to both England and
America, like their people, culture, or language.

23. SONN
ET
GIACOMO
DA
LENTENI
INVENTOR

24. SONN
ET
a four-stanza, 14-line poem.
1
2
derived from the Italian word
sonetto, meaning “a little sound
or song"
usually written in iambic
pentameter and with a strict
rhyme scheme.
3

25. RHYT
HM
A pattern of stress and unstress syllable in poetry.

26. TYPE
S OF
FEET

27. TYPE
S OF
MET
ER

28. Sonnet 13
“My mistress’eyes are nothing like the sun;
U U U U U
/ / / / /

29. 2 TYPES OF
SONNET

30. SHAKESPEAREAN
SONNET
PETRARCHAN
SONNET

31. SHAKESPEAREAN
SONNET
PETRARCHAN
SONNET
Francesco Petrarca
William Shakespeare
(Father of Sonnet)

32. Sonnet 13
“My mistress’eyes are nothing like the sun;
Coral is far more red than her lips’red;
If snow be white, why then her breasts are dun;
If hair be wires, black wires grow on her head.
I have seen roses, damasked red and white,
But no such roses see I in her cheeks;
And in some perfumes there is more delight
Than in the breath that from my mistress reeks.
I love to hear her speak, yet well I know
That music hath a far more pleasing sound;
I grant I never saw a goddess go;
My mistress when she walks treads on the ground.
And yet, by heaven, I think my love as rare
As any she belies with false compare.”
S
H
A
K
E
S
P
E
A
R
E
A
N
P
E
T
A
R
C
H
A
N

33. SHAKESPE
AREAN
SONNET
-William Shakespeare

34. SHAKESPEA
REAN
SONNET
?????
PETRARCH
AN
SONNET
• Have fourteen lines.
• Be written in iambic pentameter.
• Have an ABAB CDCD EFEF GG
rhyme scheme.
• Have three quatrains followed by
a couplet.

35. Sonnet 13
“My mistress’eyes are nothing like the sun;
Coral is far more red than her lips’red;
If snow be white, why then her breasts are dun;
If hair be wires, black wires grow on her head.
I have seen roses, damasked red and white,
But no such roses see I in her cheeks;
And in some perfumes there is more delight
Than in the breath that from my mistress reeks.
I love to hear her speak, yet well I know
That music hath a far more pleasing sound;
I grant I never saw a goddess go;
My mistress when she walks treads on the ground.
And yet, by heaven, I think my love as rare
As any she belies with false compare.”

36. Sonnet 13
“My mistress’eyes are nothing like the sun;
Coral is far more red than her lips’red;
If snow be white, why then her breasts are dun;
If hair be wires, black wires grow on her head.
I have seen roses, damasked red and white,
But no such roses see I in her cheeks;
And in some perfumes there is more delight
Than in the breath that from my mistress reeks.
I love to hear her speak, yet well I know
That music hath a far more pleasing sound;
I grant I never saw a goddess go;
My mistress when she walks treads on the ground.
And yet, by heaven, I think my love as rare
As any she belies with false compare.”
A
B
A
B
C
D
C
D
E
F
E
F
G
G

37. STANZA
FORMS
• MONOSTICH – one line
• COUPLET – two lines
• TERCET – three lines
• QUATRAIN – four lines
• QUINTAIN – five lines
• SETSET – six lines
• SEPTET – seven lines
• OCTET – eight lines
• NONET/SPENSERIAN – nine lines
• DIZAIN – ten lines

38. Sonnet 13
“My mistress’eyes are nothing like the sun;
Coral is far more red than her lips’red;
If snow be white, why then her breasts are dun;
If hair be wires, black wires grow on her head.
I have seen roses, damasked red and white,
But no such roses see I in her cheeks;
And in some perfumes there is more delight
Than in the breath that from my mistress reeks.
I love to hear her speak, yet well I know
That music hath a far more pleasing sound;
I grant I never saw a goddess go;
My mistress when she walks treads on the ground.
And yet, by heaven, I think my love as rare
As any she belies with false compare.”
A
B
A
B
C
D
C
D
E
F
E
F
G
G
Q
U
A
T
R
A
I
N
S
COUPLET

39. PETRARCH
AN
SONNET
-Francesco Petrarca

40. SHAKESPEA
REAN
SONNET
• Also called Italian sonnet
• It has two stanzas: the octet and the
sestet.
• Have an ABBAABBA CDECDE or
ABBAABBA CDCDCD rhyme
scheme.
PETRARCH
AN
SONNET
• Have fourteen lines.
• Be written in iambic pentameter.
• Have an ABAB CDCD EFEF GG
rhyme scheme.
• Have three quatrains followed by a
couplet.

41. LOVE’S UNYIELDING LIGHT
“Upon the hills where golden sunrays gleam,
A lonely heart doth wander lost in time,
As echoes whisper love’s eternal rhyme,
A fleeting dream with a silver stream.
The roses bloom beneath the moon’s soft beam,
Yet sorrow weaves its tale in threads sublime,
For longing bells in mournful chime
Recall the love that once was but a dream.
Yet hope remains where gentle breezes sigh,
And morning’s glow ignites the darkened past,
The heart still yearns, though fate may turn away,
For love’s bright light will never fade nor die,
Like ocean waves that crash yet hold steadfast,
Its ember burns beyond the break of day.
A
B
B
A
A
B
B
A
C
D
E
C
D
E
U U U U U
/ / / / /

42. DRAM
ATIC
POETR
Y
encompasses a highly emotional story
that's written in verse and meant to be
recited.
1
2
This would include closet drama,
dramatic monologues, and rhyme verse.
It usually tells a story or refers to a
specific situation.
3

43. My Last Duchess
That’s my last Duchess painted on the wall,
Looking as if she were alive. I call
That piece a wonder, now: Fra Pandolf’s hands
Worked busily a day, and there she stands.
She had
A heart—how shall I say?—too soon made glad,
Too easily impressed; she liked whate’er
She looked on, and her looks went everywhere.
Sir, ’twas all one! My favor at her breast,
The dropping of the daylight in the West,
The bough of cherries some officious fool

44. My Last Duchess
“My Last Duchess” is a dramatic monologue written by Victorian poet
Robert Browning in 1842. In the poem, the Duke of Ferrara uses a
painting of his former wife as a conversation piece. The Duke speaks
about his former wife's perceived inadequacies to a representative of
the family of his bride-to-be, revealing his obsession with controlling
others in the process. Browning uses this compelling psychological
portrait of a despicable character to critique the objectification of
women and abuses of power.
http://acip.sd79.bc.ca/vocab_sheets/short_story_terms.pdf

45. VIGNE
TTE
is a French word that means “little
vine.”
1
2
Hence, the derivation of this term is
that source of drawings.
The printers, during the nineteenth-
century, would decorate their title
pages with drawings of looping vines.
3
4
Contemporary ideas from the scenes
shown in television and film scripts
also have influenced vignettes.

46. In Our Time (By Ernest Hemingway)
“Maera lay still, his head on his arms, his face in the sand. He felt
warm and sticky from the bleeding. Each time he felt the horn
coming. Sometimes the bull only bumped him with his head. Once
the horn went all the way through him and he felt it go into the
sand … Maera felt everything getting larger and larger and then
smaller and smaller. Then it got larger and larger and larger and
then smaller and smaller. Then everything commenced to run
faster and faster as when they speed up a cinematograph film.
Then he was dead.”
https://literarydevices.net/vignette/

47. In this impressionistic sketch, the author gives an illustration
of the character Maera, who is a bullfighter that dies from
injuries inflicted by a bull.

48. SHORT
STORIE
S
tend to be less complex than novels.
1
2
Usually, a short story will focus on
only one incident, has a single plot, a
single setting, a limited number of
characters, and covers a short period
of time.
Usually between 1,000 and 10,000
words
3

49. "The Lottery"
Shirley Jackson (1948) (Horror/Dystopian)
In a small, seemingly peaceful town, the villagers gather for their
annual lottery, a long-standing tradition. However, as the event
unfolds, it becomes clear that the "winner" is not lucky at all. The
shocking twist ending reveals that the chosen person is stoned to
death by the townspeople, including their own family members, in
a brutal ritual sacrifice meant to ensure a good harvest. The story
critiques blind conformity and tradition.

50. ELEMENTS OF A
SHORT STORY
is a person, or
sometimes even an
animal, who takes
part in the action of a
short story or other
literary work.
is the time and place in
which it happens. Authors
often use descriptions of
landscape, scenery,
buildings, seasons or
weather to provide a
strong sense of setting.
is a series of events
and character actions
that relate to the
central conflict.
CHARACTER SETTING PLOT

51. ELEMENTS OF A
SHORT STORY
is a struggle between
two people or things in
a short story. The main
character is usually on
one side of the central
conflict.
is the central idea or
belief in a short story.
CONFLICT THEME

52. LET’S RECALL!

53. ???
A poem written as a monologue or dialogue,
where a speaker reveals their thoughts,
emotions, or conflicts.

54. DRAMATIC
POETRY
A poem written as a monologue or dialogue,
where a speaker reveals their thoughts,
emotions, or conflicts.

55. ???
A short, descriptive literary sketch that captures a
single moment, mood, or impression without a
full plot.

56. VIGNETTE
A short, descriptive literary sketch that captures a
single moment, mood, or impression without a
full plot.

57. ???
A brief, self-contained fictional narrative with
characters, a plot, and a conflict leading to a
resolution.

58. SHORT
STORIES
A brief, self-contained fictional narrative with
characters, a plot, and a conflict leading to a
resolution.

59. ???
A 14-line poem with a structured rhyme scheme
and meter, often about love, nature, or deep
emotions.

60. SONNET
A 14-line poem with a structured rhyme scheme
and meter, often about love, nature, or deep
emotions.

61. FEATURES OF
ANGLO
AMERICAN
SONNETS,
DRAMATIC
POETRY,
VIGNETTES,
4 t h Q u a r t e r

62. How can identifying
the key features of a
literary form help us
understand the
author’s message?
What are some
unique benefits of
reading different
types of literature?
How do the forms we
studied differ in how
they create impact?
1 2 3
PROCESS
QUESTIONS

63. PROCESS
QUESTIONS
If you were to write a
short story about a
significant event in your
life, which literary form
would you choose?
4

64. THE
END
Good luck with your studies!

65. TIME TO TEST
YOUR
KNOWLWDGE!