2024 State of Marketing Report – by HubspotMarius Sescu
https://www.hubspot.com/state-of-marketing
· Scaling relationships and proving ROI
· Social media is the place for search, sales, and service
· Authentic influencer partnerships fuel brand growth
· The strongest connections happen via call, click, chat, and camera.
· Time saved with AI leads to more creative work
· Seeking: A single source of truth
· TLDR; Get on social, try AI, and align your systems.
· More human marketing, powered by robots
2024 State of Marketing Report – by HubspotMarius Sescu
https://www.hubspot.com/state-of-marketing
· Scaling relationships and proving ROI
· Social media is the place for search, sales, and service
· Authentic influencer partnerships fuel brand growth
· The strongest connections happen via call, click, chat, and camera.
· Time saved with AI leads to more creative work
· Seeking: A single source of truth
· TLDR; Get on social, try AI, and align your systems.
· More human marketing, powered by robots
ChatGPT is a revolutionary addition to the world since its introduction in 2022. A big shift in the sector of information gathering and processing happened because of this chatbot. What is the story of ChatGPT? How is the bot responding to prompts and generating contents? Swipe through these slides prepared by Expeed Software, a web development company regarding the development and technical intricacies of ChatGPT!
Product Design Trends in 2024 | Teenage EngineeringsPixeldarts
The realm of product design is a constantly changing environment where technology and style intersect. Every year introduces fresh challenges and exciting trends that mold the future of this captivating art form. In this piece, we delve into the significant trends set to influence the look and functionality of product design in the year 2024.
How Race, Age and Gender Shape Attitudes Towards Mental HealthThinkNow
Mental health has been in the news quite a bit lately. Dozens of U.S. states are currently suing Meta for contributing to the youth mental health crisis by inserting addictive features into their products, while the U.S. Surgeon General is touring the nation to bring awareness to the growing epidemic of loneliness and isolation. The country has endured periods of low national morale, such as in the 1970s when high inflation and the energy crisis worsened public sentiment following the Vietnam War. The current mood, however, feels different. Gallup recently reported that national mental health is at an all-time low, with few bright spots to lift spirits.
To better understand how Americans are feeling and their attitudes towards mental health in general, ThinkNow conducted a nationally representative quantitative survey of 1,500 respondents and found some interesting differences among ethnic, age and gender groups.
Technology
For example, 52% agree that technology and social media have a negative impact on mental health, but when broken out by race, 61% of Whites felt technology had a negative effect, and only 48% of Hispanics thought it did.
While technology has helped us keep in touch with friends and family in faraway places, it appears to have degraded our ability to connect in person. Staying connected online is a double-edged sword since the same news feed that brings us pictures of the grandkids and fluffy kittens also feeds us news about the wars in Israel and Ukraine, the dysfunction in Washington, the latest mass shooting and the climate crisis.
Hispanics may have a built-in defense against the isolation technology breeds, owing to their large, multigenerational households, strong social support systems, and tendency to use social media to stay connected with relatives abroad.
Age and Gender
When asked how individuals rate their mental health, men rate it higher than women by 11 percentage points, and Baby Boomers rank it highest at 83%, saying it’s good or excellent vs. 57% of Gen Z saying the same.
Gen Z spends the most amount of time on social media, so the notion that social media negatively affects mental health appears to be correlated. Unfortunately, Gen Z is also the generation that’s least comfortable discussing mental health concerns with healthcare professionals. Only 40% of them state they’re comfortable discussing their issues with a professional compared to 60% of Millennials and 65% of Boomers.
Race Affects Attitudes
As seen in previous research conducted by ThinkNow, Asian Americans lag other groups when it comes to awareness of mental health issues. Twenty-four percent of Asian Americans believe that having a mental health issue is a sign of weakness compared to the 16% average for all groups. Asians are also considerably less likely to be aware of mental health services in their communities (42% vs. 55%) and most likely to seek out information on social media (51% vs. 35%).
AI Trends in Creative Operations 2024 by Artwork Flow.pdfmarketingartwork
This article is all about what AI trends will emerge in the field of creative operations in 2024. All the marketers and brand builders should be aware of these trends for their further use and save themselves some time!
A report by thenetworkone and Kurio.
The contributing experts and agencies are (in an alphabetical order): Sylwia Rytel, Social Media Supervisor, 180heartbeats + JUNG v MATT (PL), Sharlene Jenner, Vice President - Director of Engagement Strategy, Abelson Taylor (USA), Alex Casanovas, Digital Director, Atrevia (ES), Dora Beilin, Senior Social Strategist, Barrett Hoffher (USA), Min Seo, Campaign Director, Brand New Agency (KR), Deshé M. Gully, Associate Strategist, Day One Agency (USA), Francesca Trevisan, Strategist, Different (IT), Trevor Crossman, CX and Digital Transformation Director; Olivia Hussey, Strategic Planner; Simi Srinarula, Social Media Manager, The Hallway (AUS), James Hebbert, Managing Director, Hylink (CN / UK), Mundy Álvarez, Planning Director; Pedro Rojas, Social Media Manager; Pancho González, CCO, Inbrax (CH), Oana Oprea, Head of Digital Planning, Jam Session Agency (RO), Amy Bottrill, Social Account Director, Launch (UK), Gaby Arriaga, Founder, Leonardo1452 (MX), Shantesh S Row, Creative Director, Liwa (UAE), Rajesh Mehta, Chief Strategy Officer; Dhruv Gaur, Digital Planning Lead; Leonie Mergulhao, Account Supervisor - Social Media & PR, Medulla (IN), Aurelija Plioplytė, Head of Digital & Social, Not Perfect (LI), Daiana Khaidargaliyeva, Account Manager, Osaka Labs (UK / USA), Stefanie Söhnchen, Vice President Digital, PIABO Communications (DE), Elisabeth Winiartati, Managing Consultant, Head of Global Integrated Communications; Lydia Aprina, Account Manager, Integrated Marketing and Communications; Nita Prabowo, Account Manager, Integrated Marketing and Communications; Okhi, Web Developer, PNTR Group (ID), Kei Obusan, Insights Director; Daffi Ranandi, Insights Manager, Radarr (SG), Gautam Reghunath, Co-founder & CEO, Talented (IN), Donagh Humphreys, Head of Social and Digital Innovation, THINKHOUSE (IRE), Sarah Yim, Strategy Director, Zulu Alpha Kilo (CA).
Trends In Paid Search: Navigating The Digital Landscape In 2024Search Engine Journal
The search marketing landscape is evolving rapidly with new technologies, and professionals, like you, rely on innovative paid search strategies to meet changing demands.
It’s important that you’re ready to implement new strategies in 2024.
Check this out and learn the top trends in paid search advertising that are expected to gain traction, so you can drive higher ROI more efficiently in 2024.
You’ll learn:
- The latest trends in AI and automation, and what this means for an evolving paid search ecosystem.
- New developments in privacy and data regulation.
- Emerging ad formats that are expected to make an impact next year.
Watch Sreekant Lanka from iQuanti and Irina Klein from OneMain Financial as they dive into the future of paid search and explore the trends, strategies, and technologies that will shape the search marketing landscape.
If you’re looking to assess your paid search strategy and design an industry-aligned plan for 2024, then this webinar is for you.
5 Public speaking tips from TED - Visualized summarySpeakerHub
From their humble beginnings in 1984, TED has grown into the world’s most powerful amplifier for speakers and thought-leaders to share their ideas. They have over 2,400 filmed talks (not including the 30,000+ TEDx videos) freely available online, and have hosted over 17,500 events around the world.
With over one billion views in a year, it’s no wonder that so many speakers are looking to TED for ideas on how to share their message more effectively.
The article “5 Public-Speaking Tips TED Gives Its Speakers”, by Carmine Gallo for Forbes, gives speakers five practical ways to connect with their audience, and effectively share their ideas on stage.
Whether you are gearing up to get on a TED stage yourself, or just want to master the skills that so many of their speakers possess, these tips and quotes from Chris Anderson, the TED Talks Curator, will encourage you to make the most impactful impression on your audience.
See the full article and more summaries like this on SpeakerHub here: https://speakerhub.com/blog/5-presentation-tips-ted-gives-its-speakers
See the original article on Forbes here:
http://www.forbes.com/forbes/welcome/?toURL=http://www.forbes.com/sites/carminegallo/2016/05/06/5-public-speaking-tips-ted-gives-its-speakers/&refURL=&referrer=#5c07a8221d9b
ChatGPT and the Future of Work - Clark Boyd Clark Boyd
Everyone is in agreement that ChatGPT (and other generative AI tools) will shape the future of work. Yet there is little consensus on exactly how, when, and to what extent this technology will change our world.
Businesses that extract maximum value from ChatGPT will use it as a collaborative tool for everything from brainstorming to technical maintenance.
For individuals, now is the time to pinpoint the skills the future professional will need to thrive in the AI age.
Check out this presentation to understand what ChatGPT is, how it will shape the future of work, and how you can prepare to take advantage.
A brief introduction to DataScience with explaining of the concepts, algorithms, machine learning, supervised and unsupervised learning, clustering, statistics, data preprocessing, real-world applications etc.
It's part of a Data Science Corner Campaign where I will be discussing the fundamentals of DataScience, AIML, Statistics etc.
Time Management & Productivity - Best PracticesVit Horky
Here's my presentation on by proven best practices how to manage your work time effectively and how to improve your productivity. It includes practical tips and how to use tools such as Slack, Google Apps, Hubspot, Google Calendar, Gmail and others.
The six step guide to practical project managementMindGenius
The six step guide to practical project management
If you think managing projects is too difficult, think again.
We’ve stripped back project management processes to the
basics – to make it quicker and easier, without sacrificing
the vital ingredients for success.
“If you’re looking for some real-world guidance, then The Six Step Guide to Practical Project Management will help.”
Dr Andrew Makar, Tactical Project Management
Unlocking the Power of ChatGPT and AI in Testing - A Real-World Look, present...Applitools
During this webinar, Anand Bagmar demonstrates how AI tools such as ChatGPT can be applied to various stages of the software development life cycle (SDLC) using an eCommerce application case study. Find the on-demand recording and more info at https://applitools.info/b59
Key takeaways:
• Learn how to use ChatGPT to add AI power to your testing and test automation
• Understand the limitations of the technology and where human expertise is crucial
• Gain insight into different AI-based tools
• Adopt AI-based tools to stay relevant and optimize work for developers and testers
* ChatGPT and OpenAI belong to OpenAI, L.L.C.
ChatGPT is a revolutionary addition to the world since its introduction in 2022. A big shift in the sector of information gathering and processing happened because of this chatbot. What is the story of ChatGPT? How is the bot responding to prompts and generating contents? Swipe through these slides prepared by Expeed Software, a web development company regarding the development and technical intricacies of ChatGPT!
Product Design Trends in 2024 | Teenage EngineeringsPixeldarts
The realm of product design is a constantly changing environment where technology and style intersect. Every year introduces fresh challenges and exciting trends that mold the future of this captivating art form. In this piece, we delve into the significant trends set to influence the look and functionality of product design in the year 2024.
How Race, Age and Gender Shape Attitudes Towards Mental HealthThinkNow
Mental health has been in the news quite a bit lately. Dozens of U.S. states are currently suing Meta for contributing to the youth mental health crisis by inserting addictive features into their products, while the U.S. Surgeon General is touring the nation to bring awareness to the growing epidemic of loneliness and isolation. The country has endured periods of low national morale, such as in the 1970s when high inflation and the energy crisis worsened public sentiment following the Vietnam War. The current mood, however, feels different. Gallup recently reported that national mental health is at an all-time low, with few bright spots to lift spirits.
To better understand how Americans are feeling and their attitudes towards mental health in general, ThinkNow conducted a nationally representative quantitative survey of 1,500 respondents and found some interesting differences among ethnic, age and gender groups.
Technology
For example, 52% agree that technology and social media have a negative impact on mental health, but when broken out by race, 61% of Whites felt technology had a negative effect, and only 48% of Hispanics thought it did.
While technology has helped us keep in touch with friends and family in faraway places, it appears to have degraded our ability to connect in person. Staying connected online is a double-edged sword since the same news feed that brings us pictures of the grandkids and fluffy kittens also feeds us news about the wars in Israel and Ukraine, the dysfunction in Washington, the latest mass shooting and the climate crisis.
Hispanics may have a built-in defense against the isolation technology breeds, owing to their large, multigenerational households, strong social support systems, and tendency to use social media to stay connected with relatives abroad.
Age and Gender
When asked how individuals rate their mental health, men rate it higher than women by 11 percentage points, and Baby Boomers rank it highest at 83%, saying it’s good or excellent vs. 57% of Gen Z saying the same.
Gen Z spends the most amount of time on social media, so the notion that social media negatively affects mental health appears to be correlated. Unfortunately, Gen Z is also the generation that’s least comfortable discussing mental health concerns with healthcare professionals. Only 40% of them state they’re comfortable discussing their issues with a professional compared to 60% of Millennials and 65% of Boomers.
Race Affects Attitudes
As seen in previous research conducted by ThinkNow, Asian Americans lag other groups when it comes to awareness of mental health issues. Twenty-four percent of Asian Americans believe that having a mental health issue is a sign of weakness compared to the 16% average for all groups. Asians are also considerably less likely to be aware of mental health services in their communities (42% vs. 55%) and most likely to seek out information on social media (51% vs. 35%).
AI Trends in Creative Operations 2024 by Artwork Flow.pdfmarketingartwork
This article is all about what AI trends will emerge in the field of creative operations in 2024. All the marketers and brand builders should be aware of these trends for their further use and save themselves some time!
A report by thenetworkone and Kurio.
The contributing experts and agencies are (in an alphabetical order): Sylwia Rytel, Social Media Supervisor, 180heartbeats + JUNG v MATT (PL), Sharlene Jenner, Vice President - Director of Engagement Strategy, Abelson Taylor (USA), Alex Casanovas, Digital Director, Atrevia (ES), Dora Beilin, Senior Social Strategist, Barrett Hoffher (USA), Min Seo, Campaign Director, Brand New Agency (KR), Deshé M. Gully, Associate Strategist, Day One Agency (USA), Francesca Trevisan, Strategist, Different (IT), Trevor Crossman, CX and Digital Transformation Director; Olivia Hussey, Strategic Planner; Simi Srinarula, Social Media Manager, The Hallway (AUS), James Hebbert, Managing Director, Hylink (CN / UK), Mundy Álvarez, Planning Director; Pedro Rojas, Social Media Manager; Pancho González, CCO, Inbrax (CH), Oana Oprea, Head of Digital Planning, Jam Session Agency (RO), Amy Bottrill, Social Account Director, Launch (UK), Gaby Arriaga, Founder, Leonardo1452 (MX), Shantesh S Row, Creative Director, Liwa (UAE), Rajesh Mehta, Chief Strategy Officer; Dhruv Gaur, Digital Planning Lead; Leonie Mergulhao, Account Supervisor - Social Media & PR, Medulla (IN), Aurelija Plioplytė, Head of Digital & Social, Not Perfect (LI), Daiana Khaidargaliyeva, Account Manager, Osaka Labs (UK / USA), Stefanie Söhnchen, Vice President Digital, PIABO Communications (DE), Elisabeth Winiartati, Managing Consultant, Head of Global Integrated Communications; Lydia Aprina, Account Manager, Integrated Marketing and Communications; Nita Prabowo, Account Manager, Integrated Marketing and Communications; Okhi, Web Developer, PNTR Group (ID), Kei Obusan, Insights Director; Daffi Ranandi, Insights Manager, Radarr (SG), Gautam Reghunath, Co-founder & CEO, Talented (IN), Donagh Humphreys, Head of Social and Digital Innovation, THINKHOUSE (IRE), Sarah Yim, Strategy Director, Zulu Alpha Kilo (CA).
Trends In Paid Search: Navigating The Digital Landscape In 2024Search Engine Journal
The search marketing landscape is evolving rapidly with new technologies, and professionals, like you, rely on innovative paid search strategies to meet changing demands.
It’s important that you’re ready to implement new strategies in 2024.
Check this out and learn the top trends in paid search advertising that are expected to gain traction, so you can drive higher ROI more efficiently in 2024.
You’ll learn:
- The latest trends in AI and automation, and what this means for an evolving paid search ecosystem.
- New developments in privacy and data regulation.
- Emerging ad formats that are expected to make an impact next year.
Watch Sreekant Lanka from iQuanti and Irina Klein from OneMain Financial as they dive into the future of paid search and explore the trends, strategies, and technologies that will shape the search marketing landscape.
If you’re looking to assess your paid search strategy and design an industry-aligned plan for 2024, then this webinar is for you.
5 Public speaking tips from TED - Visualized summarySpeakerHub
From their humble beginnings in 1984, TED has grown into the world’s most powerful amplifier for speakers and thought-leaders to share their ideas. They have over 2,400 filmed talks (not including the 30,000+ TEDx videos) freely available online, and have hosted over 17,500 events around the world.
With over one billion views in a year, it’s no wonder that so many speakers are looking to TED for ideas on how to share their message more effectively.
The article “5 Public-Speaking Tips TED Gives Its Speakers”, by Carmine Gallo for Forbes, gives speakers five practical ways to connect with their audience, and effectively share their ideas on stage.
Whether you are gearing up to get on a TED stage yourself, or just want to master the skills that so many of their speakers possess, these tips and quotes from Chris Anderson, the TED Talks Curator, will encourage you to make the most impactful impression on your audience.
See the full article and more summaries like this on SpeakerHub here: https://speakerhub.com/blog/5-presentation-tips-ted-gives-its-speakers
See the original article on Forbes here:
http://www.forbes.com/forbes/welcome/?toURL=http://www.forbes.com/sites/carminegallo/2016/05/06/5-public-speaking-tips-ted-gives-its-speakers/&refURL=&referrer=#5c07a8221d9b
ChatGPT and the Future of Work - Clark Boyd Clark Boyd
Everyone is in agreement that ChatGPT (and other generative AI tools) will shape the future of work. Yet there is little consensus on exactly how, when, and to what extent this technology will change our world.
Businesses that extract maximum value from ChatGPT will use it as a collaborative tool for everything from brainstorming to technical maintenance.
For individuals, now is the time to pinpoint the skills the future professional will need to thrive in the AI age.
Check out this presentation to understand what ChatGPT is, how it will shape the future of work, and how you can prepare to take advantage.
A brief introduction to DataScience with explaining of the concepts, algorithms, machine learning, supervised and unsupervised learning, clustering, statistics, data preprocessing, real-world applications etc.
It's part of a Data Science Corner Campaign where I will be discussing the fundamentals of DataScience, AIML, Statistics etc.
Time Management & Productivity - Best PracticesVit Horky
Here's my presentation on by proven best practices how to manage your work time effectively and how to improve your productivity. It includes practical tips and how to use tools such as Slack, Google Apps, Hubspot, Google Calendar, Gmail and others.
The six step guide to practical project managementMindGenius
The six step guide to practical project management
If you think managing projects is too difficult, think again.
We’ve stripped back project management processes to the
basics – to make it quicker and easier, without sacrificing
the vital ingredients for success.
“If you’re looking for some real-world guidance, then The Six Step Guide to Practical Project Management will help.”
Dr Andrew Makar, Tactical Project Management
Unlocking the Power of ChatGPT and AI in Testing - A Real-World Look, present...Applitools
During this webinar, Anand Bagmar demonstrates how AI tools such as ChatGPT can be applied to various stages of the software development life cycle (SDLC) using an eCommerce application case study. Find the on-demand recording and more info at https://applitools.info/b59
Key takeaways:
• Learn how to use ChatGPT to add AI power to your testing and test automation
• Understand the limitations of the technology and where human expertise is crucial
• Gain insight into different AI-based tools
• Adopt AI-based tools to stay relevant and optimize work for developers and testers
* ChatGPT and OpenAI belong to OpenAI, L.L.C.
Unlocking the Power of ChatGPT and AI in Testing - A Real-World Look, present...
falsos margenes
1. InskrIpzIoa: Fundacion Bilbao Arte Fundazioan egingo da. Horretarako, curriculuma gutun, e-mail edo fax bidez
aurkeztuko da, eta honekin batera, azken lanen txosten labur bat ere bai.
Eskaerak egiteko epea: 2010ko azaroaren 5 arte.
prezioa: 100 euro.
partehartzaile-kopurua: 12.
ordutegia: tailerraren ordutegia jarraitua izango da 10:00etatik 19:00etara, eta eskolaorduak 10:00etatik 14:00etara
eta 16:00etatik 18:00etara izango dira.
Mintegia bukatzean ziurtagiri bana emango zaie partehartzaileei.
InscrIpcIón: se realizará en la Fundación Bilbao Arte Fundazioa presentando, por carta, e-mail o fax, el currículum
vitae y un breve dossier de obras recientes.
plazo de solicitud: hasta el día 5 de noviembre de 2010.
precio: 100 euros.
participantes: 12.
Horario: el horario del taller será continuo de 10:00 a 19:00 horas, con un periodo lectivo de 10:00 a 14:00 y de 16:00 a
18:00 horas.
al finalizar el seminario se entregará un certificado a los participantes.
IBAIERTZ FALTSUAK: EZER EZ ETA FESTA rEgIstratIon: it will be made in the Fundación Bilbao Arte Fundazioa, presenting, either by post, e-mail or fax, the
KoleKtiboaK saKelaKo telefonotiK transmititzen dute: www.megafone.netan
TXUSPO POYOK EMANGO DU MINTEGIA. 2010eko azaroaren 15etik 26ra Curriculum Vitae and a short dossier including the most recent works of the artist.
ANTONI ABADEN HITZALDIA. Azaroak 19, ostiralean, 20:00etan
ANTONI ABADEN HITZALDIA. Azaroak 19 time limit for the registration: November 5, 2010.
(Sarrera librea, aretoa bete arte)
price: 100 euros.
number of participants: 12.
FALSOS MARGENES: MUchO RUIdO y pOcAS NUEcES timetable: the timetable of the workshop will be continuous, from 10:00 a.m. to 19:00 p.m, having a school period
ColeCtivos transmiten desde móviles en www.megafone.net
SEMINARIO IMPARTIDO POR TXUSPO POYO. Del 15 al 26 de noviembre de 2010 elapsing from 10:00 a.m to 14:00 p.m and 16:00 p.m to 18:00 p.m.
CONFERENCIA IMPARTIDA POR ANTONI ABAD. Día 19 de noviembre, viernes, a las 20:00 horas
CONFERENCIA DE ANTONI ABAD. Día 19 de noviembre a certificate will be given to all the participants at the end of the workshop.
(Entrada libre hasta completar el aforo de la sala)
FALSE MARGINS: MUch AdO ABOUT NOThING Communities transmit from mobile phones via www.megafone.net
SEMINAR GIVEN BY TXUSPO POYO. From 15 to 26, November 2010 LECTURE GIVEN BY ANTONIO ABAD. 19 November, Friday, at 8:30 pm
LECTURE GIVEN BY ANTONIO ABAD. 19 November (Free entry until seating capacity has been reached)
FUNDACIÓN BILBAO ARTE FUNDAZIOA
Urazurrutia, 32. 48003 Bilbao
Tel.: 94 415 50 97
Fax: 94 415 61 93
info@bilbaoarte.org
www.bilbaoarte.org
2. IBAIERTZ FALTSUAK: Irudiaren Azterketaren gaineko XV. Jardunaldietan hartu zuen
parte Txuspo Poyok Madrilen eta beste zenbait erakusketan, FALSOS MARGENES: MUchO Luanda, Angola; U.N(Inverse), Museo Artium; Museo de Arte y
diseño de Costa Rica; File en Sao Paulo, Brasil; Les Rencontres
FALSE MARGINS: MUch Glass project and in the same year he won the Gure Artea prize.
In 2008 he received the Unión Fenosa prize.
EZER EZ ETA FESTA hala nola Luandako (Angola) Arte Hirurtekoa; U.N(Inverse), RUIdO y pOcAS NUEcES Internationales, Jeu de Pome Paris; Incógnitas, Museo Gugg- AdO ABOUT NOThING Txuspo Poyo participated in the Fifteenth Image Study Sym-
TXUSPO POYOK EMANGO DU MINTEGIA Artium Museoa; Costa Ricako Arte eta Diseinu Museoa; File, SEMINARIO IMPARTIDO POR TXUSPO POYO enheim, Bilbao; Gure Artea, Museo Artium; Geopolíticas de la SEMINAR GIVEN BY TXUSPO POYO posia in Madrid and exhibitions such as the Luanda Triennial,
Sao Paulo, Brasil; Les Rencontres Internationales, Jeu de Pome, Angola, U.N(Inverse) Artium Museum; Museo de Arte y Diseño
2010eko azaroaren 15etik 26ra Paris; Incógnitas, Guggenheim Museoa, Bilbo; Gure Artea,
Del 15 al 26 de noviembre de 2010 animación, Museo de Sevilla CAAC y Marco de Vigo; Anamnesis, From 15 to 26, November 2010 de Costa Rica; File in Sao Paulo, Brasil; Les Rencontres Interna-
Bienal de Valencia; Site-Ations International, Lodz, Polonia; Get
Artium Museoa; Geopolíticas de la animación, Sevillako CAAC tionales, Jeu de Pome, Paris; Incógnitas, Guggenheim Muse-
Bilboko itsasadarraren gainean azterketa egitea eta eztabai- El taller pretende someter a análisis y debate la ría de Bilbao en Off, Sex Museum, Nueva York; Kassel video festival, Alemania; The workshop is intended to provide a forum for analysing
Museoa eta Vigoko Markoa; Anamnesis, Valentziako Bienala; um, Bilbao; Gure Artea, Artium Museum; Geo-politics of Ani-
da sortzea du xede tailerrak, muga-ertz (zentzu batean edo Site-Ations International, Lodz, Polonia; Get Off, Sex Museum, cuanto a limite-margen (en un sentido u otro), desde instintos Cine y casi cine, MNCARS, Madrid; Teor(ética), San José de Costa and discussing the Nervion river and estuary as a limit/ mation, Museo de Sevilla CAAC and Marco de Vigo; Anamnesis,
bestean) den neurrian, hondakinezko eta erresistentziazko New York; Kassel bideo jaialdia, Alemania; Cine y casi cine, residuales y de resistencia. La ría constituye un trazo sobre la Rica; Multitude, Artist Space, Nueva York; La Habana Centro margin (in every sense of the term), from residual instincts Valencia Biennial; Site-Ations International, Lodz, Poland; ”Get
senetatik abiatuta. Aldaketek definitutako hiriaren gaineko MNCARS, Madril; Teor(ética), Costa Ricako San José; Multitude, ciudad que se define por variaciones y, actúa por contagio e Cultural de España, Cuba; 304 Proyect, Bangkok, Thailandia; and instincts of resistance. The rivers draws a line across the Off”, Sex Museum, New York; Kassel Video Festival, Germany;
marra dugu itsasadarra, eta kutsatze eta infiltrazioen bultza- Artist Space, New York; Habanako Espainiako Kultura-gunea, infiltración, no por descendencia. Un cuerpo tanto físico como Paradise 8, Exit Art, Nueva York; Camera Oscura, San Casciano city which is defined through variations and acts; through Cine y casi cine, MNCARS, Madrid; Teor(ética), San José de
daz jarduten du, ez beheranzko korronteen eraginez. Gorputz Kuba; 304 Proyect, Bangkok, Thailandia; Paradise 8, Exit Art, sociológico y medioambiental en un entorno de desplaza- dei Bagni, Italia; +8+7+3+1-1-1-5, Forum 98, Moscu, Rusia; contagion and infiltration, not through descendancy. It is a Costa Rica; “Multitude”, Artist Space, New York; La Habana Cen-
fisikoa, soziologikoa eta ingurumenari lotutakoa, lekualdatze, New York; Camera Oscura, San Casciano dei Bagni, Italia; mientos, información, conductas, movilidad, desequilibrios e A very short space of time, Bienal de la Imágen, Paris, France; body that is at once physical, sociological and environmen- tro Cultural de España, Cuba; 304 Project, Bangkok, Thailand;
informazio, jarrera, mugikortasun, desoreka, eta baita kolapso +8+7+3+1-1-1-5 Forum 98, Mosku, Errusia; A very short incluso de colapso (inundaciones). Un entorno ambiental de Fondazione Sandretto Re Rebaudengo, Guarene-Turín, Italia; tal in a setting of displacements, of information, of conduct, Paradise 8. Exit Art, New York; Camera Oscura, San Casciano dei
ere (uholdeak) ingurune batean kokatutakoa. Ingurunearen space of time, Irudiaren Bienala, Paris, Frantzia; Fondazione mutabilidad y permanencia de las formas, de transforma- Interzones · Kunstforningen, Copenhague, Dinamarca; Uppsala mobility, imbalances and even collapse (floods). It is an Bagni, Italy; +8+7+3+1-1-1-5 Forum 98, Moscow, Russia; A
aldakortasuna eta formen iraunkortasuna nabarmena da, Sandretto Re Rebaudengo, Guarene-Torino, Italia; Interzones ciones sociales en su trazado, de cruce a lo largo de distintas Konstmuseum, Slottet Uppsala, Suecia y Current Uncurrent: environmental setting of mutability and permanence of very short space of time, Biennale de l’image, Paris, France;
bere norabidean aldakuntza sozialak direla nagusi, denbora · Kunstforningen, Copenhague, Danimarka; Uppsala Konstmu- fracciones de tiempo, un dominio aparente en constante mo- working in Brooklyn, Brooklyn Museum, Nueva York. forms; of social transformations along its route; of crossover Fondazione Sandretto Re Rebaudengo, Guarene-Turin, Italy;
tarte ezberdinetan bidegurutzeak agertzen dira, ageriko bere seum, Slottet Uppsala, Suedia eta Current Uncurrent: working vimiento, en constante cambio. across different fractions of time; an apparent dominion in Interzones · Kunstforningen, Copenhagen, Denmark; Uppsala
agindupekoa etengabe mugitzen eta aldatzen delarik. in Brooklyn, Brooklyn Museum, New York. · oBJEtIVos: establecer una plataforma (hábitat) tanto a ni- antonI aBaD constant movement, in constant change. Konstmuseum, Slottet Uppsala-Sweden and Current Uncur-
· HELBUrUak: Itsasadarraren gainean ikerkuntza eta propo- vel individual como de grupo, de investigación y producción · aIMs: to establish a platform (habitat) both at an individual rent: working in Brooklyn, Brooklyn Museum, New York.
Nace en Lleida en el año 1956. Actualmente reside en Bar-
samen poliedrikoak garatuko duen plataforma (habitat) bat antonI aBaD de propuestas poliédricas en torno a la ría. Se establecerán ca- level and in terms of group, research and production of
Lleidan jaio zen 1956 urtean. Egun, Bartzelonan bizi da. Bart- celona. Es licenciado en Historia del Arte por la Universidad
ezartzea maila indibidualean zein taldeka. Publikoan eta pri- minos (relatos) paralelos a los flujos de cambios morfológicos polyhedral proposals around the river. Paths (stories) will be antonIo aBaD
batuan, agerikoan eta ikusezinean, ohituran eta aldakuntzan, zelonako Unibertsitatean lizentziatu zen Artearen Historian. de Barcelona. A principio de los años 80 comienza a exponer
de lo público y lo privado, de lo visible y lo invisible, de la cos- públicamente sus obras, que han alcanzado una creciente established running parallel to the flows of morphological Born in Lleida in 1956. Currently lives in Barcelona. Graduated
arruntean eta ezohizkoan, barneratzailean eta baztertzailean, 80. hamarkadaren hasieran bere lanak jendaurrean erakus- in History of Art from the University of Barcelona. Began exhib-
tumbre y la variación, de lo ordinario y lo extraordinario, de lo proyección internacional. En el año 1999 Harald Szeemann lo changes in the public and the private area, in the visible and
iraunkorrean eta iragankorrean ematen diren aldaketa mor- teari ekin zion eta nazioarte mailan geroz eta proiekzio gehia-
que incluye y lo que excluye, de lo que permanece y lo efímero. seleccionó para la Bienal de Venecia donde presentó Últimos the invisible, in custom and variation, in the ordinary and the iting in public in the early 1980s, with increasing international
fologikoen fluxuekiko paraleloak diren bideak (kontaketak) go lortu dute bere lanek. 1999 urtean, Harald Szeemann-ek
Para tener una visión más amplia de la singularidad de estos extraordinary, in that which includes and that which excludes, projection. In year 1999 Harald Szeemann selected Abad for
ibiliko dira. aukeratu egin zuen Veneziako Bienalerako eta bertan aurkeztu deseos (1994) y Love Story (1998). Antoni Abad es uno de los
recorridos, el taller contará con la participación de Antoni Abad the enduring and the ephemeral. the Venice Biennale where he presented Últimos deseos [Last
Ibilbide hauen berezitasunaren gaineko ikuspegi zabalagoa zituen Últimos deseos (1994) eta Love Story (1998). Lehene- primeros video-artistas que comenzó a utilizar la diversidad
(artista que nos introducirá en los proyectos que ha realizado In order to offer a broader vision of the singularity of these Wishes] (1994) and Love Story (1998). Antonio Abad was one
izan xedez, Antoni Abaden partaidetza izango du tailerrak tariko bideo-artista dugu Antoni Abad, teknologia digitalek de recursos y de soportes que ofrecen las tecnologías digitales.
eskaintzen dituzten baliabide eta eusgarri aniztasuna erabil- a través de móviles para ciudades como México y Sao Paulo), routes, the workshop will also include the participation of of the first video-artists to began to use the diversity of media
(Mexiko edo Sao Paulo moduko hirietan sakelako telefonoen Sus proyectos han sido presentados en el Espacio Uno / Centro and supports offered by digital technologies.
tzeari ekin ziolarik. Javier Armentia (director del Planetario de Pamplona, que Antonio Abad (an artist who will talk about the projects he
bidez egin dituen proiektuen berri emango digun artista), de Arte Reina Sofía, Madrid 1997; Museo de Arte Moderno de His projects have been presented at Espacio Uno / Centro de
Bere proiektuak honako lekuetan aurkeztu dira: Espacio Uno ampliará los términos de residuos y resistencia más allá de los has created through mobile phones for cities such as Mexico
Javier Armentia (Iruñeko Planetarioaren zuzendariak ertzez Buenos Aires 1999; 2ª Bienal Iberoamericana de Lima 1999; Arte Reina Sofía, Madrid 1997; Museo de Arte Moderno de
/ Sofía Erregina Arte Zentroa, Madril 1997; Buenos Aireseko márgenes) y del arquitecto Juan Sádaba quien ha diseñado and Sao Paulo), Javier Armentia (Director of the Pamplona
haratagoko hondakin eta erresistentzia terminoen gainean MECAD/ZKM’net_condition, Karlsruhe 1999; Dapertutto La Buenos Aires 1999; Segunda Bienal Iberoamericana de Lima,
arituko da) eta, honez gain, Juan Sádaba arkitektoak itsa- Arte Garaikidearen Museoa 1999; Limako 2. Iberiar Ame- proyectos aplicados a la ría y otros utópicos. Planetarium, who will expand on the terms of waste and
rikako Bienala 1999; MECAD/ZKM’net_condition, Karlsruhe Biennale di Venezia 1999; Media Lounge / New Museum of 1999; MECAD/ZKM’net_condition, Karlsruhe 1999; Dapertutto
sadarrari aplikatutako proiektuak eta beste utopiko batzuk · DIrIgIDo a: estudiantes, entusiastas y profesionales de dife- resistance beyond the fringes) and the architect Juan Sádaba
1999; Dapertutto La Biennale di Venezia 1999; Media Lo- Contemporary Art, New York 2001; Hamburger Banhof, Berlin La Biennale di Venezia 1999; Media Lounge / New Museum of
diseinatu ditu. rentes disciplinas artísticas. Los interesados acompañarán a su who has designed projects applying to the river and other
unge / New Museum of Contemporary Art, New York 2001; 2002; Museu d’Art Contemporani de Barcelona 2003; P.S.1./ Contemporary Art, New York 2001; Hamburger Banhof, Berlin
· norI zUzEnDUa: arte diziplina ezberdinetako profesiona- solicitud una breve carta con los motivos para realizar el taller, utopian projects.
Hamburger Banhof, Berlin 2002; Museu d’Art Contemporani MOMA, New York 2003; Centro Cultural de España, México DF 2002; Museu d’Art Contemporani de Barcelona 2003; P.S.1./
lei, zale porrokatuei, ikasleei. Interesatuek, bere eskaerarekin y el material que consideren adecuado para la evaluación de · targEtED: at students, enthusiasts and professionals from
Bartzelona 2003; P.S.1./MOMA, New York 2003; Espainiako 2004; 1ª Bienal de Sevilla 2004; Centre d’Art La Panera, Lleida MOMA, New York 2003; Centro Cultural de España, México DF
batera, tailerra egiteko dituzten arrazoiak azalduko dituen gu- su solicitud. different artistic disciplines. Those interested in participating
Kultura-gunea, Mexiko DF 2004; Sevillako 1. Bienala 2004; 2005; Museo de Arte Contemporáneo de Castilla y León 2005; 2004; 1ª Bienal de Sevilla 2004; Centre d’Art La Panera, Lleida
tuna idatzi beharko dute eta bere eskaera ebaluatzeko egoki should send their applications accompanied by a short letter 2005; Museo de Arte Contemporáneo de Castilla y León 2005;
Centre d’Art La Panera, Lleida 2005; Gaztela eta Leongo Arte tXUspo poYo. www.txuspo-poyo.com La Casa Encendida, Madrid 2005; Centre d’Art Santa Mònica, stating their reasons for wishing to attend the workshop
deritzoten materiala. Garaikidearen Museoa 2005; La Casa Encendida, Madril 2005; La Casa Encendida, Madrid 2005; Centre d’Art Santa Mònica,
Licenciado en Bellas Artes por la Universidad del Pais Vasco, ha Barcelona 2006; Estrecho dudoso: Tráficos, Fundación Teorética, and any material they consider relevant for assessing their
Centre d’Art Santa Mònica, Bartzelona 2006; Estrecho dudoso: San José de Costa Rica 2006; Centro Cultural Sao Paulo, Brasil Barcelona 2006; Estrecho dudoso: Tráficos, Fundación Teorética,
tXUspo poYo. www.txuspo-poyo.com continuado sus estudios en Toronto, Cánada. En el año 2001, la application. San José de Costa Rica 2006; Centro Cultural Sao Paulo, Brasil
Tráficos, Fundación Teorética, Costa Ricako San José 2006; Sao 2007; Centre d’Art Contemporaine, Ginebra 2008; Der diskrete
Euskal Herriko Unibertsitatean Arte Ederretan lizentziatua, Fundación Marcelino Botín le concede una beca para la resi- 2007; Centre d’Art Contemporaine, Ginebra 2008; Der diskrete
Paulo Kultura-gunea, Brasil 2007; Centre d’Art Contemporaine, charme der technologie, ZKM Karlsruhe, Alemania 2008; Almas
Toronton, Kanada, jarraitu zituen bere ikasketak. 2001 urtean, Geneva 2008; Der diskrete charme der technologie, ZKM Karls- dencia en el ISCP (Internation Studio and Curatorial Program) tXUspo poYo. www.txuspo-poyo.com charme der technologie, ZKM Karlsruhe, Germany 2008; Almas
Marcelino Botín Fundazioak beka bat eman zion New Yorke- en Nueva York y estudia en CADA (Centro para nuevas tecnolo- y máquinas, Centro de Arte Reina Sofía, Madrid 2008 y en In- After graduating in Fine Arts from the University of the Basque y máquinas, Centro de Arte Reina Sofía, Madrid 2008 and on
ruhe, Alemania 2008; Almas y máquinas, Sofía Erregina Arte
ko bizilekurako ISCP-ean (Internation Studio and Curatorial gías) en la Universidad de Nueva York. En el año 2006 la Fun- ternet. Country, Poyo continued his studies in Toronto, Canada. In the Internet.
Zentroa, Madril 2008 eta Interneten.
Program) eta CADA-n ikasi zuen (teknologia berrientzako Canal*ACCESSIBLE proiektuak, Centre d’Art Santa Mònican, dación Arte y Derecho y La Fundación de las Artes de Valencia El proyecto canal*ACCESSIBLE en el Centre d’Art Santa Mònica 2001, the Marcelino Botín Foundation awarded him a scholar- The project canal*ACCESSIBLE at the Centres d’Art. Santi Mòni-
zentroa) New Yorkeko Unibertsitatean. 2006 urtean, Artea Kataluniako Generalitatearen Ikus Arteen Nazio Saria jaso le conceden una ayuda para realizar el proyecto Delay Glass. recibió el Premio Nacional de Artes Visuales de la Generalitat ship for a residency in the ISCP (International Studio and Cura- ca was awarded the National Prize for the Visual Arts of the
eta Eskubidea Fundazioak eta Valentziako Arteen Fundazioak zuen eta Linz-eko Golden Nica Digital Communities del Prix Ese mismo año recibe el premio Gure Artea. En el 2008 recibe de Cataluña y el Golden Nica Digital Communities del Prix Ars torial Programme) in New York and he studied at CADA (Center Government of Catalonia and the Golden Nica (Digital Com-
diru-laguntza bat eman zioten Delay Glass proiektua egiteko. Ars Electronica, Austria 2006. www.megafone.net web orriak el premio de Unión Fenosa. Electronica de Linz, Austria 2006. www.megafone.net recibió for Advanced Digital Applications) at New York University. In munities) from Prix Ars Electronica, Linz, Austria 2006. www.
Urte berean Gure Artea saria jaso zuen. 2008an Unión Feno- Zientzia eta Teknologiarako, FECYT, Espainiako Fundazioaren Txuspo Poyo ha participado en las XV Jornadas de Estudio de la el premio Innovae de la Fundación Española para la Ciencia y la 2006, the Fundación Arte y Derecho and the Fundación de las megafone.net was awarded the Innovae prize of the Spanish
saren saria jaso zuen. Innovae Saria jaso zuen 2009an. Imagen en Madrid y en exposiciones como la Trienal de Arte de Tecnología FECYT en 2009. Artes de Valencia awarded him a grant to complete the Delay Foundation for Science and Technology (FECYT) in 2009.