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Documental Photography:
Supportive Techniques for
Archaeology and Art History
Gene Berryhill, Ph.D.
Fulbright Sr. Specialist
University of Maryland - UMUC
Basic Equipment Review - Field
A. My Camera: Digital Nikon D1H
B. Lenses: 2
1.All around travel: 28-105 mm zoom (AF
Nikkor 1:3.5-4.5 D) MACRO SETTING
2.Distance: 70-210 mm zoom (AF Nikkor
1:4-5.6) Telephoto
C. Flash Cards: 512 – 2 GB
D. Flash Unit and extra batteries (AA-8 total)
E. Second battery pack
– Recording Journal, pen, pencil for drawing
(Field Journal Data Sheet)
G. UV Barrier Filter- Protection for your lens and helps
correct scattering of light at a distance.
Useful Lenses
- Short: wide angle – steeper more distortion on
images (closer up)
- Long: Telephoto – lower contrast, perspective
flattened, less distortion (farther away)
Perspective Corrections:
possible distortion
- Increase the distance between the camera
and object.
- If distortion can’t be helped, use
Photoshop’s perspective, warp and distortion
tools to make corrections in the studio.
Best Practices - Field
- Batteries
- Camera set up
- Extra Flash Cards
- Intended Uses
-Sizing, Resolution
- Frame as you shoot
- Levels
- Consider the composition
- Shoot surrounding areas
- Shoot image with and without a
scale.
- Measure artifacts
- Shoot at even levels
- Keep lenses clean
Lighting
-Try a non-flash shot first
- Bouncing and diffusion
- Hot spots, reflections, color casts
- Reflectors
- Natural lighting
3 Basic Types for close-up
-Lighting the sides (artifact)
- Face on
- Diffused
- Low light: tripod/monopod,
stationary objects
- Textures
- Time of day
- Flood lights
Architecture
- Record phases
- Exteriors - main points
- Relevant features
- Good composition, aesthetic appeal
- Good mid-ranges, maintain details
Record Keeping
-Keep good records
- Field book notes
- Thumbnail sketches
- First shot of the day
- Field journal shots
- Record techniques and set ups
FIELD JOURNAL DATA SHEETProject
Your Name Today’s date #________
Observations:
Name of Artifact
Date and Location of Discovery
Detailed Description: color/value, texture/patterns, form, line, lighting, space.
Material, Medium and Size
Analysis:
Who made the artifact?
Projected Age (if known)
What cultural clues are present?
What was the purpose of the artifact?
What are other objects and surroundings nearby?
Draw a thumbnail sketch for reference.
Part 2:
Archiving
Image Prepping
Presentation
Best Practices: Studio
- Prep for at least 3 situations
- Maintain the originals
- Enhancements
- Types of presentations
- Record your Photoshop applications
Publications and Presentation
- Books:
- Have a plan
-Hard Copy
- e Books
- Case Studies
- Websites
- Exhibitions
- Online Galleries
Sorting and Archiving
- Adobe Lightroom
- Have a good system in place
-Workable database
- Burn on Disks--CDs, DVDs
Documental photography

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Documental photography

  • 1. Documental Photography: Supportive Techniques for Archaeology and Art History Gene Berryhill, Ph.D. Fulbright Sr. Specialist University of Maryland - UMUC
  • 2. Basic Equipment Review - Field A. My Camera: Digital Nikon D1H B. Lenses: 2 1.All around travel: 28-105 mm zoom (AF Nikkor 1:3.5-4.5 D) MACRO SETTING 2.Distance: 70-210 mm zoom (AF Nikkor 1:4-5.6) Telephoto C. Flash Cards: 512 – 2 GB D. Flash Unit and extra batteries (AA-8 total) E. Second battery pack – Recording Journal, pen, pencil for drawing (Field Journal Data Sheet) G. UV Barrier Filter- Protection for your lens and helps correct scattering of light at a distance.
  • 3. Useful Lenses - Short: wide angle – steeper more distortion on images (closer up) - Long: Telephoto – lower contrast, perspective flattened, less distortion (farther away)
  • 4. Perspective Corrections: possible distortion - Increase the distance between the camera and object. - If distortion can’t be helped, use Photoshop’s perspective, warp and distortion tools to make corrections in the studio.
  • 5. Best Practices - Field - Batteries - Camera set up - Extra Flash Cards - Intended Uses -Sizing, Resolution
  • 6. - Frame as you shoot - Levels - Consider the composition - Shoot surrounding areas - Shoot image with and without a scale.
  • 7. - Measure artifacts - Shoot at even levels - Keep lenses clean
  • 8. Lighting -Try a non-flash shot first - Bouncing and diffusion - Hot spots, reflections, color casts - Reflectors - Natural lighting
  • 9. 3 Basic Types for close-up -Lighting the sides (artifact) - Face on - Diffused
  • 10. - Low light: tripod/monopod, stationary objects - Textures - Time of day - Flood lights
  • 11. Architecture - Record phases - Exteriors - main points - Relevant features - Good composition, aesthetic appeal - Good mid-ranges, maintain details
  • 12. Record Keeping -Keep good records - Field book notes - Thumbnail sketches - First shot of the day - Field journal shots - Record techniques and set ups
  • 13. FIELD JOURNAL DATA SHEETProject Your Name Today’s date #________ Observations: Name of Artifact Date and Location of Discovery Detailed Description: color/value, texture/patterns, form, line, lighting, space. Material, Medium and Size Analysis: Who made the artifact? Projected Age (if known) What cultural clues are present? What was the purpose of the artifact? What are other objects and surroundings nearby? Draw a thumbnail sketch for reference.
  • 15. Best Practices: Studio - Prep for at least 3 situations - Maintain the originals - Enhancements - Types of presentations - Record your Photoshop applications
  • 16. Publications and Presentation - Books: - Have a plan -Hard Copy - e Books - Case Studies - Websites - Exhibitions - Online Galleries
  • 17. Sorting and Archiving - Adobe Lightroom - Have a good system in place -Workable database - Burn on Disks--CDs, DVDs