Death mask
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This document briefly mentions 6 notable figures - Alfred Hitchcock a pioneer filmmaker known for suspense, Michelangelo a renowned artist, speculation about a curse surrounding King Tut's tomb, Abraham Lincoln the 16th US President nicknamed "Honest Ab", and Isaac Newton who discovered gravity.
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History of horror
After World War 2, science fiction and horror films became popular as people feared advances in science and technology from the war. Movies from this era featured mutants, monsters, and aliens instead of human villains. These films played on public fears of nuclear weapons and a possible apocalypse. Many low-budget "B movies" were also produced in the 1950s and shot in black and white, with some becoming more profitable than higher-budget films by appealing to post-war audiences.
History of horror -Mutant creatures and alien invaders
After World War 2, science fiction and horror films became popular as people feared advances in science and technology from the war. Movies from this era featured mutants, monsters, and aliens instead of human villains. These films played on public fears of nuclear weapons and a possible apocalypse. Many low-budget "B movies" were also produced in the 1950s and some became more profitable than higher-budget films by appealing to post-war audiences. One example is the film "Invasion of the Body Snatchers" which used alien invaders to represent the fear of communism and a loss of individual identity.
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This document summarizes the evolution of several notable British science fiction films from 1911 to 2006, providing each film's title, director, production details, and length. It traces the development of the sci-fi genre in Britain from early silent films like 1911's 15-minute "Aerial Anarchists" to later productions such as 1981's 115-minute "Memoirs of a Survivor" and 2006's 100-minute "Displaced" that took six years to produce.
History of horror
The document traces the evolution of horror movies from the 1920s to the 2000s. It discusses how early films like Nosferatu (1922) and Dracula (1931) helped establish the vampire genre. The Wolf Man (1941) was a popular werewolf film of the 1940s. Frankenstein became a trend with several films in that decade featuring the monster. The 1950s saw movies about giant insects caused by science experiments. The 1960s brought psychological horror like Psycho (1960) while Night of the Living Dead (1968) introduced the modern zombie. Blockbuster horror films of the 1970s included The Exorcist (1973), The Texas Chainsaw Massacre (1974), and Jaws (1975). Special
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The document discusses the history and evolution of the horror genre from the 1890s to the 2000s. It outlines several key developments and influences for each decade, including the rise of German Expressionist films in the early 20th century, Universal Pictures popularizing horror films in the 1930s with Dracula and Frankenstein, the incorporation of new technologies like 3D and themes reflecting postwar anxieties in the 1950s-1960s, and the emergence of subgenres like slashers, torture porn and zombie films in later decades.
Horror history
In the early 1900s, German filmmakers created the first horror films, with Paul Wegener's 1913 film Der Golem enjoying great success. F.W. Murnau's 1922 vampire film Nosferatu was also influential as the first feature-length vampire movie. In the 1930s, Universal Studios dominated the genre with successful films like Dracula and Frankenstein, which spawned numerous sequels. In the 1950s, the tone of horror films shifted from the gothic themes of the 1930s to focus more on modern threats involving aliens and mutations, as seen in popular films like The Thing From Another World and Invasion of the Body Snatchers.
History Of Genre
The horror genre aims to elicit negative emotions in audiences by creating fear through sudden noises, suspenseful buildup, or transformations of humans and animals. The genre originated in the late 1800s and early 1900s with silent films but grew increasingly popular and technologically advanced through the 20th century. Iconic early films included Dracula, Frankenstein, and The Invisible Man. As technology improved, low-budget films featured threats like aliens and mutated creatures. The 1950s saw the rise of British horror films in color like Hammer productions. Renowned directors like Hitchcock and influential films like Psycho further cemented the genre. By the 21st century, horror had become hugely popular globally and continues expanding its possibilities through new
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History of horror
After World War 2, science fiction and horror films became popular as people feared advances in science and technology from the war. Movies from this era featured mutants, monsters, and aliens instead of human villains. These films played on public fears of nuclear weapons and a possible apocalypse. Many low-budget "B movies" were also produced in the 1950s and shot in black and white, with some becoming more profitable than higher-budget films by appealing to post-war audiences.
History of horror -Mutant creatures and alien invaders
After World War 2, science fiction and horror films became popular as people feared advances in science and technology from the war. Movies from this era featured mutants, monsters, and aliens instead of human villains. These films played on public fears of nuclear weapons and a possible apocalypse. Many low-budget "B movies" were also produced in the 1950s and some became more profitable than higher-budget films by appealing to post-war audiences. One example is the film "Invasion of the Body Snatchers" which used alien invaders to represent the fear of communism and a loss of individual identity.
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This document summarizes the evolution of several notable British science fiction films from 1911 to 2006, providing each film's title, director, production details, and length. It traces the development of the sci-fi genre in Britain from early silent films like 1911's 15-minute "Aerial Anarchists" to later productions such as 1981's 115-minute "Memoirs of a Survivor" and 2006's 100-minute "Displaced" that took six years to produce.
History of horror
The document traces the evolution of horror movies from the 1920s to the 2000s. It discusses how early films like Nosferatu (1922) and Dracula (1931) helped establish the vampire genre. The Wolf Man (1941) was a popular werewolf film of the 1940s. Frankenstein became a trend with several films in that decade featuring the monster. The 1950s saw movies about giant insects caused by science experiments. The 1960s brought psychological horror like Psycho (1960) while Night of the Living Dead (1968) introduced the modern zombie. Blockbuster horror films of the 1970s included The Exorcist (1973), The Texas Chainsaw Massacre (1974), and Jaws (1975). Special
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The chapter discusses how the commandments on the farm are changed to ban killing without cause and drinking alcohol excessively. It describes stories of animal abuse on Pinchfield Farm, possibly symbolizing Nazi atrocities. Napoleon agrees to sell timber to the owner of Pinchfield Farm, paralleling the Nazi-Soviet pact between Hitler and Stalin. Frederick later betrays the animals' trust, mirroring Germany's invasion of Russia despite their agreement.
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The document discusses the history and evolution of the horror genre from the 1890s to the 2000s. It outlines several key developments and influences for each decade, including the rise of German Expressionist films in the early 20th century, Universal Pictures popularizing horror films in the 1930s with Dracula and Frankenstein, the incorporation of new technologies like 3D and themes reflecting postwar anxieties in the 1950s-1960s, and the emergence of subgenres like slashers, torture porn and zombie films in later decades.
Horror history
In the early 1900s, German filmmakers created the first horror films, with Paul Wegener's 1913 film Der Golem enjoying great success. F.W. Murnau's 1922 vampire film Nosferatu was also influential as the first feature-length vampire movie. In the 1930s, Universal Studios dominated the genre with successful films like Dracula and Frankenstein, which spawned numerous sequels. In the 1950s, the tone of horror films shifted from the gothic themes of the 1930s to focus more on modern threats involving aliens and mutations, as seen in popular films like The Thing From Another World and Invasion of the Body Snatchers.
History Of Genre
The horror genre aims to elicit negative emotions in audiences by creating fear through sudden noises, suspenseful buildup, or transformations of humans and animals. The genre originated in the late 1800s and early 1900s with silent films but grew increasingly popular and technologically advanced through the 20th century. Iconic early films included Dracula, Frankenstein, and The Invisible Man. As technology improved, low-budget films featured threats like aliens and mutated creatures. The 1950s saw the rise of British horror films in color like Hammer productions. Renowned directors like Hitchcock and influential films like Psycho further cemented the genre. By the 21st century, horror had become hugely popular globally and continues expanding its possibilities through new
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This document provides a historical overview of physiological thrillers from the 1920s to the 21st century. It summarizes key thriller films from each era that reflected the social and political climates of the time, from Hitchcock's Blackmail in the aftermath of WWI, to Reed's The Third Man during WWII, to Fincher's Seven in the 1990s following the Rwandan genocide. The document uses example films to illustrate how the thriller genre evolved alongside and commented on major world events over the past century.
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This document lists several classic and popular horror and science fiction films from the 20th century including Bride of Frankenstein from 1935, The Exorcist from 1973, Planet of the Apes from 2001, the Nightmare on Elm Street franchise from 1987-2001, Beetlejuice from 1988, X-Men, and Dawn of the Dead from 1978 and its 2004 remake.
Nosferatu
Nosferatu is a 1922 German film adaptation of Bram Stoker's novel Dracula. It tells the story of Count Orlok, a vampire who resembles a rat or insect and has bald head and claw-like fingernails. He travels from Transylvania to the city of Wisborg and brings the plague. A young couple, Hutter and his wife Ellen, become involved when Hutter is sent to Transylvania to finalize a real estate deal with Count Orlok and discovers his true nature as a vampire. The film was an unauthorized adaptation of Dracula and changed character names to avoid legal issues.
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In the 1950s, audiences were introduced to movies featuring mutant creatures and aliens. Some of the most popular sci-fi films of the decade included The Thing, The Day the Earth Stood Still, Invasion of the Body Snatchers, It Came from Outer Space, and War of the Worlds. These films represented the cutting edge of special effects at the time and helped draw audiences away from television. Monster movies also stemmed from public fears generated by the atomic bomb and offered a vision of destruction created by non-humans rather than humans. Films in the 1950s focused on the effects of new technologies like the atom bomb rather than the war, fueling fears that technology could mutate and deform people. This started a trend of
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Alfred Hitchcock
Alfred Hitchcock was a renowned British film director born in 1899 in London. He directed over 50 films in his career, notably Psycho, Rear Window, Vertigo, and North by Northwest, for which he became famous for his mastery of suspense and pace. Psycho was a turning point, killing off the main character early, using innovative filming techniques like 50 camera cuts in the iconic shower scene.
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Alfred Hitchcock
Sir Alfred Hitchcock was a pioneering British film director and producer born in 1899 who moved to Hollywood in the 1920s. He became famous for his mastery of suspense and psychological thrillers, often depicting ordinary people caught in frightening situations beyond their control. Some of his most famous films include Psycho, Strangers on a Train, Rear Window, Vertigo and North by Northwest.
Hammer horror
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The document discusses the history and roots of the horror genre. It notes that horror has been around since ancient times and exists in all cultures as a way for people to confront their anxieties through frightening stories. Examples of influential early horror films that helped establish conventions of the genre include Nosferatu, Bride of Frankenstein, and The Woman in Black. The document also suggests that horror appeals to something primal in the human imagination and that each generation explores different monsters that represent threats relevant to their time.
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In the 1950s, audiences were introduced to movies featuring mutant creatures and aliens. Some of the most popular sci-fi films of the decade included The Thing, The Day the Earth Stood Still, Invasion of the Body Snatchers, It Came from Outer Space, and War of the Worlds. These films represented the cutting edge of special effects at the time and helped draw audiences away from television. Monster movies also stemmed from public fears generated by the atomic bomb and offered a vision of destruction created by non-humans rather than humans. Films in the 1950s focused on the effects of new technologies like the atom bomb rather than the war, fueling fears that technology could mutate and deform people. This started a trend of
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The evolution of the mummy genre in film began with one of the earliest known mummy films in 1899. However, the popularity of ancient Egyptian-inspired films rose significantly after the discovery of King Tutankhamun's intact tomb in 1922, fueling public fascination with curses. This led Carl Laemmle Jr. to produce the seminal 1932 film The Mummy, starring Boris Karloff as the bandage-wrapped priest Imhotep. The Mummy spawned several sequels and the franchise was later revived by Hammer Film Productions and Universal Studios, with the 1999 remake launching a new series of films. However, mummy films have also faced criticism for historical and cultural inaccuracies in their portrayals of ancient Egypt.
Alfred Hitchcock
Alfred Hitchcock was a renowned British film director born in 1899 in London. He directed over 50 films in his career, notably Psycho, Rear Window, Vertigo, and North by Northwest, for which he became famous for his mastery of suspense and pace. Psycho was a turning point, killing off the main character early, using innovative filming techniques like 50 camera cuts in the iconic shower scene.
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Alfred Hitchcock
Sir Alfred Hitchcock was a pioneering British film director and producer born in 1899 who moved to Hollywood in the 1920s. He became famous for his mastery of suspense and psychological thrillers, often depicting ordinary people caught in frightening situations beyond their control. Some of his most famous films include Psycho, Strangers on a Train, Rear Window, Vertigo and North by Northwest.
Hammer horror
Hammer is a British film and television production company founded in 1934 that specializes in horror films. It is headquartered in London and owned by Exclusive Media. Hammer found success in the 1950s with horror films adapted from science fiction stories that received an X rating for violence and gore. Some recent Hammer horror films include Let Me In from 2010 with box office revenues over $24 million, Wake Wood of unknown budget and box office, and The Quiet Ones from 2014 with box office revenues of nearly $18 million.
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The document discusses the history and roots of the horror genre. It notes that horror has been around since ancient times and exists in all cultures as a way for people to confront their anxieties through frightening stories. Examples of influential early horror films that helped establish conventions of the genre include Nosferatu, Bride of Frankenstein, and The Woman in Black. The document also suggests that horror appeals to something primal in the human imagination and that each generation explores different monsters that represent threats relevant to their time.
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This timeline document outlines important events from 1960 to 1969, including the powerful Valdivia earthquake in 1960, the invention of the first computer video game in 1962, the assassination of President John F. Kennedy in 1963, the release of the Beatles' albums in 1964 and 1967, the launch and success of the Star Trek television series in 1966-1969, the Tlatelolco massacre in Mexico City in 1968, the first moon landing in 1969, and the Beatles' final concert in 1969.
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The document provides a list of entertainment media across different genres including video games like Assassin's Creed Syndicate and Dishonored 2, films such as The Book of Eli and Blade Runner 2049, and a television series called The Man in the High Castle. The media span the genres of action-adventure, thriller, science fiction, drama, and alternate history.
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This document provides brief biographies and descriptions of many important artists from 1450 to the late 1800s, spanning movements from the Renaissance to Realism. It touches on masters like Piero Antonio Martini, Canaletto, Jacques-Louis David, Francisco Goya, John Constable, Joseph Mallord William Turner, Gustave Courbet, Jean-François Millet, the Pre-Raphaelite Brotherhood, Édouard Manet and others, as well as early photography pioneers. The works and styles of these artists from different eras are summarized concisely.
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German Expressionism was a movement in silent horror films that emerged during World War 1. These films used stylistic techniques like twisted sets and landscapes to express feelings about the war and critique society. The Cabinet of Dr. Caligari, released in 1920, is considered one of the earliest and most influential examples, dealing with themes of insanity, murder and serial killers that went on to influence many later horror films. Nosferatu also used expressionist techniques in its 1922 adaptation of the Dracula story. Overall, German Expressionist films shocked audiences by using horror and psychological drama to provide social commentary on the post-war era in a way not seen before in cinema.
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4cegypt laith
Tutankhamen became pharaoh of Egypt at age 9 and ruled for 9-10 years in the 14th century BC. He died unexpectedly at age 19 or 20, with various theories around his cause of death including illness, leg infection, or being bludgeoned. His burial site in the Valley of the Kings was discovered in 1922. The mummification process involved removing organs except the heart, drying the body with natron, wrapping it in linen, and placing amulets and charms in the wrappings. Some deaths of those involved in excavating Tutankhamen's tomb led to speculation of a "mummy's curse." Mummification practices connected to later burial customs of placing bodies in
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The document discusses several gold death masks that were discovered in various locations in the Philippines. It provides details on a gold death mask found in Oton, Iloilo from the late 14th to early 15th century, the first of its kind found in the Philippines. It would have served as an amulet placed on the dead. A similar mask was discovered in Cebu in 2008, described in a 1600 publication. Gold face masks were used as a sign of status and wealth in life and death, and were crafted by cutting designs from thin gold sheets. The document also briefly describes a decorative mask found in Butuan, Mindanao.
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Death mask
- 1. Death Mask Alfred Hitchcock pioneer suspense filmmaker and producer. Michelangelo renown artist King Tut is there really a mummy’s curse? Abraham Lincoln our 16th President, better know as “Honest Ab.” Isaac Newton discovered gravity