Special Types of
Creative Nonfiction
GROUP 1
Travel Writing
In Yogyakarta, Indonesia
By: Lola Mendez
Travel Writing
Yogyakarta, Indonesia has been high on my bucket list
for ages so I was stoked to finally get to this cultural hub and
explore it’s street art lined alleys, eat all the vegan food, and
see ancient religious structures that are larger than life. As per
usual, I tried to make sure my trip was as responsible as
possible by collaborating with an eco-hotel, going on
community-based tours with Backstreet Academy, and hiring
local drivers for out-of-town adventures. There’s so much to
see and do in Yogyakarta, lovingly called Jogja by locals. I’d
recommend spending at least five days here and following this
Yogyakarta, Indonesia responsible travel guide.
The UNESCO Heritage Site was every bit as magical as I hope it would be.
The site was built during the 9th century back when there were Buddhists on
Java which is now Islamic. Borobudur has 504 Buddha statues inside stupas
and niches throughout the structure which was built without any cement or
modern tools. Until 1815 the site was covered in volcanic ash, it was finally
restored in the 1970s. This was intended to represent the layers of Buddhist
theory with three zones representing consciousness and Nirvana
(unconsciousness). Buddhist theory also divides the universe into three sections
—from bottom to top: Kamadhatu (humans who can control desire),
Rupadhatu (humans who can control desire but are bound by form), and
Arupadatu (nirvana, represented with three terraces).
Anagard’s art is politically powerful and
graces walls everywhere from Poland, Lithuania,
Sweden, Denmark to Thailand, and have had
their work exhibited in Germany and Australia.
They have a background in sculpture which they
studied in Sumatra in 2005. We met at their
house and they gave us a tour through their
stencils and explained their creative process to us.
They hand draw every stencil and many of the
characters are rooted in visual images of Hindu
mythology and incorporate both human and
animal body parts. They use a human model to
get the proportions correct. Anagard finds
inspiration from their surroundings and
community so it’s no surprise that much of their
work is rooted in policy.
Thank You
Thank You

Creative nonfiction and the fiction of imaginary

  • 1.
    Special Types of CreativeNonfiction GROUP 1
  • 2.
    Travel Writing In Yogyakarta,Indonesia By: Lola Mendez
  • 3.
    Travel Writing Yogyakarta, Indonesiahas been high on my bucket list for ages so I was stoked to finally get to this cultural hub and explore it’s street art lined alleys, eat all the vegan food, and see ancient religious structures that are larger than life. As per usual, I tried to make sure my trip was as responsible as possible by collaborating with an eco-hotel, going on community-based tours with Backstreet Academy, and hiring local drivers for out-of-town adventures. There’s so much to see and do in Yogyakarta, lovingly called Jogja by locals. I’d recommend spending at least five days here and following this Yogyakarta, Indonesia responsible travel guide.
  • 4.
    The UNESCO HeritageSite was every bit as magical as I hope it would be. The site was built during the 9th century back when there were Buddhists on Java which is now Islamic. Borobudur has 504 Buddha statues inside stupas and niches throughout the structure which was built without any cement or modern tools. Until 1815 the site was covered in volcanic ash, it was finally restored in the 1970s. This was intended to represent the layers of Buddhist theory with three zones representing consciousness and Nirvana (unconsciousness). Buddhist theory also divides the universe into three sections —from bottom to top: Kamadhatu (humans who can control desire), Rupadhatu (humans who can control desire but are bound by form), and Arupadatu (nirvana, represented with three terraces).
  • 5.
    Anagard’s art ispolitically powerful and graces walls everywhere from Poland, Lithuania, Sweden, Denmark to Thailand, and have had their work exhibited in Germany and Australia. They have a background in sculpture which they studied in Sumatra in 2005. We met at their house and they gave us a tour through their stencils and explained their creative process to us. They hand draw every stencil and many of the characters are rooted in visual images of Hindu mythology and incorporate both human and animal body parts. They use a human model to get the proportions correct. Anagard finds inspiration from their surroundings and community so it’s no surprise that much of their work is rooted in policy.
  • 13.