This short document discusses keeping silent at times and following conventions. It mentions that elegance is important and conforming to typical formats. Overall, the message seems to be about discretion, refinement, and tradition.
Continuity editing makes shots appear filmed at the same time by showing characters in the same position at the end of one shot and the beginning of the next. The 180 degree rule keeps shots on the same side of a scene to avoid confusion, while shot reverse shot alternates between two characters talking to show who is speaking and being spoken to.
Our magazine targets 16-23 year olds as we can relate to their music interests. Music plays a large role in their lives through sharing music with others and listening daily. The magazine will feature a variety of genres each week to appeal to more readers and address their diverse music tastes. It will stand out through exclusive weekly images, an interactive design with surveys, and a bright color scheme that differs from other magazines.
Customers typically only "call out" a few feature choices on any product they want to buy. The opportunity is to complete the spec and recommend a good product choice, based on customer buying patterns. This dramatically improves customer buying experience and sales productivity.
The document discusses getting feedback on a music video from audiences. It indicates feedback was important to understand how to improve the video and fix any issues. Responses were mixed, with some positive and some negative, and comments addressed aspects like editing, filming, and camera work. Viewers also found the calm tone unusual but interesting for a rap video. Feedback from online comments and a questionnaire provided further perspective, showing areas for improvement and that the video diverged from expectations of typical rap music conventions. The feedback overall was constructive and helped the creator understand how to enhance the video.
Construction and research: The group researched similar music videos, websites, and digipacks before construction. They analyzed style elements and used online resources like YouTube and Google to inform their plans.
Music video: The group planned a classy R&B style video with bright lighting and clear backgrounds. They storyboarded using online tools and scheduled filming with online calendars. A Sony camera captured HD footage on tape for easy transfer to Final Cut Pro for editing.
Website: Analyzing other artists' websites informed the group's color scheme and style choices. They created the site using Wix for templates but switched to iWeb for customization. Photoshop edited images to look more professional. Videos uploaded to YouTube made
Continuity editing makes shots appear filmed at the same time by showing characters in the same position at the end of one shot and the beginning of the next. The 180 degree rule keeps shots on the same side of a scene to avoid confusion, while shot reverse shot alternates between two characters talking to show who is speaking and being spoken to.
Our magazine targets 16-23 year olds as we can relate to their music interests. Music plays a large role in their lives through sharing music with others and listening daily. The magazine will feature a variety of genres each week to appeal to more readers and address their diverse music tastes. It will stand out through exclusive weekly images, an interactive design with surveys, and a bright color scheme that differs from other magazines.
Customers typically only "call out" a few feature choices on any product they want to buy. The opportunity is to complete the spec and recommend a good product choice, based on customer buying patterns. This dramatically improves customer buying experience and sales productivity.
The document discusses getting feedback on a music video from audiences. It indicates feedback was important to understand how to improve the video and fix any issues. Responses were mixed, with some positive and some negative, and comments addressed aspects like editing, filming, and camera work. Viewers also found the calm tone unusual but interesting for a rap video. Feedback from online comments and a questionnaire provided further perspective, showing areas for improvement and that the video diverged from expectations of typical rap music conventions. The feedback overall was constructive and helped the creator understand how to enhance the video.
Construction and research: The group researched similar music videos, websites, and digipacks before construction. They analyzed style elements and used online resources like YouTube and Google to inform their plans.
Music video: The group planned a classy R&B style video with bright lighting and clear backgrounds. They storyboarded using online tools and scheduled filming with online calendars. A Sony camera captured HD footage on tape for easy transfer to Final Cut Pro for editing.
Website: Analyzing other artists' websites informed the group's color scheme and style choices. They created the site using Wix for templates but switched to iWeb for customization. Photoshop edited images to look more professional. Videos uploaded to YouTube made
The document summarizes responses to a survey about audience preferences for an R&B music video. Key findings include:
- The majority of respondents were female.
- Most felt the video should conform to typical R&B conventions like having an attractive protagonist and telling a story.
- There was no consensus on whether to include a love interest.
- Common ideas for how the video could start included morning scenes, dancing, beaches or rewinding from the end.
The document analyzes the responses to help inform production of the music video by understanding what elements appeal to both male and female viewers.
The document summarizes responses to a questionnaire about a music video. Most respondents enjoyed the video and understood the rewinding concept in the first part. Their favorite parts appealed to different tastes, while park scenes seemed less professional. Respondents agreed the protagonist and settings fit the R&B genre stereotype, and suggested better equipment could improve professionalism. The feedback was used to refine the video.
The homepage of Tinie Tempah's website is very busy, suggesting it targets younger audiences by feeling energetic and vibrant. This relates to Richard Dyer's theory of abundance by gratifying the target audience. The main image of Tinie Tempah uses the rule of thirds to draw immediate attention, with him holding New York to appear powerful and dominant, relating to Dyer's star image theory. The dark colors and male role model image attract more males, with the playful logo showing his humorous side to engage audiences. The interactive ads promoting his music keep audiences engaged and persuade them to buy his work.
Locationequipmentpersonnel organisationTyra' Wilson
The document lists details of Tyra Wilson's bookings for rehearsals, performances, and a narrative shoot across five dates in October 2012 at various venues in Harris City. It includes information on the date, location, props, costumes, and lighting required and whether the booking was made or not needed for each scheduled event, such as a rehearsal with black lighting at the Assembly Hall on October 2nd and a performance in front of the Peace Pagoda in Battersea Park where no booking was needed.
Usher's "Raymond v Raymond" album packaging uses dark colors like grey and black that denote authority and mystery rather than the typical bright colors of R&B albums. The main image on the cover shows only halves of Usher, enticing viewers to open it to see more. Inside, some photos portray Usher as a family man while others show intimacy and pain, and later photos reveal his sexuality. Overall, the packaging tells a story through images rather than text, creating mystery and leaving interpretation up to viewers in a way that converges rock and R&B styles.
Usher's "Raymond v Raymond" album packaging creates a mysterious feel through its use of grey and black colors. The main image on the front shows only halves of Usher, enticing viewers to open it to see more. When opened, a range of black and white and colored images tell a story, including one of Usher as a family man and others showing emotion in his eyes. Further images reveal his sexuality and include a sexualized image of a topless woman. Through careful image selection and construction without text, Usher crafts an enigmatic story for fans that combines elements of rock and R&B styles.
The music video for Toni Braxton's song "He Wasn't Man Enough for Me" portrays Braxton using her sexuality and feminine attributes to gain power over men and independence. Throughout the video, Braxton is shown flaunting her breasts and wearing provocative outfits. The man in the video is portrayed as the villain through dark, ominous lighting. By the end of the video, Braxton teams up with her partner's new girlfriend to emphasize "girl power" and that women are stronger without men. The video sends the message that women can achieve power and independence through their sexuality rather than relying on men.
The document summarizes different theories and ideas about how music videos convey meaning and narrative. It discusses theorists such as Firth who see music videos as conveying a concert experience with narratives often involving love stories dominated by men. Archer notes music videos cut between narrative and performance, using choreographed dance and lip synching. Goodwin identifies four different narrative types in music videos including illustrative, amplifying, contradicting, and disjuncture. The document also references theories by Berger, Propp, Levi-Strauss, Barthes and Todrov and provides various music video examples to illustrate each theorist's idea.
Music videos were created to allow artists more creativity in expressing their music and helping fans understand songs. The first pop video was Queen's "Bohemian Rhapsody" in 1975, establishing the promotional music video. Music videos were initially shown on BBC's Top of the Pops and MTV became a popular dedicated music channel, helping to make Michael Jackson the first black artist played on MTV and paving the way for more diversity. Over time, as technology advanced, music videos evolved from basic to highly edited and defined productions, shown across various channels and online platforms like YouTube.
The film "Monsters" tells the story of a US journalist who agrees to escort a shaken tourist through an "infected zone" in Mexico that has been quarantined after an alien life form crash landed near Central America. Six years prior, NASA had discovered the possibility of alien life in the solar system and launched a probe that crashed in Mexico, unleashing new life forms that led to half of Mexico being quarantined. The American and Mexican military still struggle to contain "the creatures." The film uses advanced animation technology to create the monsters, making it more commercially appealing to younger audiences.
Slumdog Millionaire (2008) was funded by Film 4 and initially distributed by Pathe, but they lost funding so Fox Searchlight Pictures took over distribution. It was exhibited in major multiplex cinemas in the UK and US and released on DVD. Directed by Danny Boyle and based on the novel Q&A, it was a financial success in the UK but made less initially in the US. The theme song "Jai Ho" became an international hit.
This document analyzes the representation of ethnicity in a hotel scene from the film Hotel Babylon. It notes that different ethnic groups are placed in separate locations within the hotel, representing their differences. Stereotypical representations are used, such as the two black men, one of whom is portrayed as homosexual, and the other mentioning stereotypical black interests. The two foreign women are shown as cleaners, portraying a stereotypical view of migrants. Rivalry is depicted between different ethnic groups, such as the English and Mediterranean chefs. Close-ups and long shots show the busy atmosphere with various ethnic groups, while the blonde man and woman are portrayed as high status through their dress and speech. Jump cuts imply that
The opening of Final Destination 3 sets up an ominous atmosphere through its dark background and blue lighting, which is a common convention for thriller films. While the funfair setting is an unexpected location compared to typical thrillers, its bright colors and fast-paced rides create a sense of mystery. Non-diegetic music and tracking shots of the characters on the rides enhance the eerie feeling and draw the viewer into the film's world from the start.
This release form gives South Mix Entertainment the irrevocable right to photograph, record, copyright, broadcast, advertise, and otherwise use the person's likeness and participation in video/web banners and photography without compensation. The person acknowledges that South Mix Entertainment will own all rights to the recordings and images in perpetuity. The person also releases South Mix Entertainment from any claims related to their participation.
The document discusses shooting a thriller film at the Harris Academy Crystal Palace location because it seems like a realistic setting where unusual events would be unlikely to occur, making it believable. The filmmakers are also familiar with the location, allowing them to use the facilities efficiently. Additionally, the building and surrounding area are large, not limiting what can be done, which is important for an action thriller. Photos show specific areas of the school that will be featured, such as the entrance, corridors, stairs, and a classroom.
The sound design in the TV drama Skins helps convey the age of the characters. Aggressive heavy metal music represents some teenagers, while ambient bird sounds create a calm atmosphere. The characters are generally rebellious and disrespectful, partying and using foul language. However, some characters subvert stereotypes, like the openly gay teenage ballet dancer. While most representations are negative, conforming to genre conventions, this negative portrayal also appeals to the target teenage audience as they can relate to the situations.
Close up shots focus on facial expressions to portray feelings, mid-shots show part of a person or object including facial expressions and body language, and long shots display the entire subject and background to provide context.
Yves saint laurent perfume poster analysisTyra' Wilson
This advertisement features an attractive young woman wearing a black suit that contrasts with her pale skin, drawing attention to her eyes and cleavage to seem both sophisticated and sexy. The perfume, called "elle" which means girl in French, is marketed toward young women, as evidenced by the feminine pink bottle and girly pink serif font. The mid-low camera angle makes the woman appear powerful and dominant to appeal to the target audience.
The document summarizes responses to a survey about audience preferences for an R&B music video. Key findings include:
- The majority of respondents were female.
- Most felt the video should conform to typical R&B conventions like having an attractive protagonist and telling a story.
- There was no consensus on whether to include a love interest.
- Common ideas for how the video could start included morning scenes, dancing, beaches or rewinding from the end.
The document analyzes the responses to help inform production of the music video by understanding what elements appeal to both male and female viewers.
The document summarizes responses to a questionnaire about a music video. Most respondents enjoyed the video and understood the rewinding concept in the first part. Their favorite parts appealed to different tastes, while park scenes seemed less professional. Respondents agreed the protagonist and settings fit the R&B genre stereotype, and suggested better equipment could improve professionalism. The feedback was used to refine the video.
The homepage of Tinie Tempah's website is very busy, suggesting it targets younger audiences by feeling energetic and vibrant. This relates to Richard Dyer's theory of abundance by gratifying the target audience. The main image of Tinie Tempah uses the rule of thirds to draw immediate attention, with him holding New York to appear powerful and dominant, relating to Dyer's star image theory. The dark colors and male role model image attract more males, with the playful logo showing his humorous side to engage audiences. The interactive ads promoting his music keep audiences engaged and persuade them to buy his work.
Locationequipmentpersonnel organisationTyra' Wilson
The document lists details of Tyra Wilson's bookings for rehearsals, performances, and a narrative shoot across five dates in October 2012 at various venues in Harris City. It includes information on the date, location, props, costumes, and lighting required and whether the booking was made or not needed for each scheduled event, such as a rehearsal with black lighting at the Assembly Hall on October 2nd and a performance in front of the Peace Pagoda in Battersea Park where no booking was needed.
Usher's "Raymond v Raymond" album packaging uses dark colors like grey and black that denote authority and mystery rather than the typical bright colors of R&B albums. The main image on the cover shows only halves of Usher, enticing viewers to open it to see more. Inside, some photos portray Usher as a family man while others show intimacy and pain, and later photos reveal his sexuality. Overall, the packaging tells a story through images rather than text, creating mystery and leaving interpretation up to viewers in a way that converges rock and R&B styles.
Usher's "Raymond v Raymond" album packaging creates a mysterious feel through its use of grey and black colors. The main image on the front shows only halves of Usher, enticing viewers to open it to see more. When opened, a range of black and white and colored images tell a story, including one of Usher as a family man and others showing emotion in his eyes. Further images reveal his sexuality and include a sexualized image of a topless woman. Through careful image selection and construction without text, Usher crafts an enigmatic story for fans that combines elements of rock and R&B styles.
The music video for Toni Braxton's song "He Wasn't Man Enough for Me" portrays Braxton using her sexuality and feminine attributes to gain power over men and independence. Throughout the video, Braxton is shown flaunting her breasts and wearing provocative outfits. The man in the video is portrayed as the villain through dark, ominous lighting. By the end of the video, Braxton teams up with her partner's new girlfriend to emphasize "girl power" and that women are stronger without men. The video sends the message that women can achieve power and independence through their sexuality rather than relying on men.
The document summarizes different theories and ideas about how music videos convey meaning and narrative. It discusses theorists such as Firth who see music videos as conveying a concert experience with narratives often involving love stories dominated by men. Archer notes music videos cut between narrative and performance, using choreographed dance and lip synching. Goodwin identifies four different narrative types in music videos including illustrative, amplifying, contradicting, and disjuncture. The document also references theories by Berger, Propp, Levi-Strauss, Barthes and Todrov and provides various music video examples to illustrate each theorist's idea.
Music videos were created to allow artists more creativity in expressing their music and helping fans understand songs. The first pop video was Queen's "Bohemian Rhapsody" in 1975, establishing the promotional music video. Music videos were initially shown on BBC's Top of the Pops and MTV became a popular dedicated music channel, helping to make Michael Jackson the first black artist played on MTV and paving the way for more diversity. Over time, as technology advanced, music videos evolved from basic to highly edited and defined productions, shown across various channels and online platforms like YouTube.
The film "Monsters" tells the story of a US journalist who agrees to escort a shaken tourist through an "infected zone" in Mexico that has been quarantined after an alien life form crash landed near Central America. Six years prior, NASA had discovered the possibility of alien life in the solar system and launched a probe that crashed in Mexico, unleashing new life forms that led to half of Mexico being quarantined. The American and Mexican military still struggle to contain "the creatures." The film uses advanced animation technology to create the monsters, making it more commercially appealing to younger audiences.
Slumdog Millionaire (2008) was funded by Film 4 and initially distributed by Pathe, but they lost funding so Fox Searchlight Pictures took over distribution. It was exhibited in major multiplex cinemas in the UK and US and released on DVD. Directed by Danny Boyle and based on the novel Q&A, it was a financial success in the UK but made less initially in the US. The theme song "Jai Ho" became an international hit.
This document analyzes the representation of ethnicity in a hotel scene from the film Hotel Babylon. It notes that different ethnic groups are placed in separate locations within the hotel, representing their differences. Stereotypical representations are used, such as the two black men, one of whom is portrayed as homosexual, and the other mentioning stereotypical black interests. The two foreign women are shown as cleaners, portraying a stereotypical view of migrants. Rivalry is depicted between different ethnic groups, such as the English and Mediterranean chefs. Close-ups and long shots show the busy atmosphere with various ethnic groups, while the blonde man and woman are portrayed as high status through their dress and speech. Jump cuts imply that
The opening of Final Destination 3 sets up an ominous atmosphere through its dark background and blue lighting, which is a common convention for thriller films. While the funfair setting is an unexpected location compared to typical thrillers, its bright colors and fast-paced rides create a sense of mystery. Non-diegetic music and tracking shots of the characters on the rides enhance the eerie feeling and draw the viewer into the film's world from the start.
This release form gives South Mix Entertainment the irrevocable right to photograph, record, copyright, broadcast, advertise, and otherwise use the person's likeness and participation in video/web banners and photography without compensation. The person acknowledges that South Mix Entertainment will own all rights to the recordings and images in perpetuity. The person also releases South Mix Entertainment from any claims related to their participation.
The document discusses shooting a thriller film at the Harris Academy Crystal Palace location because it seems like a realistic setting where unusual events would be unlikely to occur, making it believable. The filmmakers are also familiar with the location, allowing them to use the facilities efficiently. Additionally, the building and surrounding area are large, not limiting what can be done, which is important for an action thriller. Photos show specific areas of the school that will be featured, such as the entrance, corridors, stairs, and a classroom.
The sound design in the TV drama Skins helps convey the age of the characters. Aggressive heavy metal music represents some teenagers, while ambient bird sounds create a calm atmosphere. The characters are generally rebellious and disrespectful, partying and using foul language. However, some characters subvert stereotypes, like the openly gay teenage ballet dancer. While most representations are negative, conforming to genre conventions, this negative portrayal also appeals to the target teenage audience as they can relate to the situations.
Close up shots focus on facial expressions to portray feelings, mid-shots show part of a person or object including facial expressions and body language, and long shots display the entire subject and background to provide context.
Yves saint laurent perfume poster analysisTyra' Wilson
This advertisement features an attractive young woman wearing a black suit that contrasts with her pale skin, drawing attention to her eyes and cleavage to seem both sophisticated and sexy. The perfume, called "elle" which means girl in French, is marketed toward young women, as evidenced by the feminine pink bottle and girly pink serif font. The mid-low camera angle makes the woman appear powerful and dominant to appeal to the target audience.