This document discusses the hobby of cosplay, where participants dress up as characters from movies, anime, manga, or video games. It describes how cosplayers recreate characters' costumes, hairstyles, accessories, and behaviors to make the portrayal as accurate as possible. Cosplayers gather at events like End of Year celebrations to socialize and have their photos taken. The document also mentions websites where cosplay photos are shared, professional cosplayers who model costumes, and the growing popularity of "animegao" full body cosplay masks.
The document contains information about 4 candidates - Amy Cleary, Monae Minors-Gibbs, Jodie Foster-Pilia, and Pamela Younes. For each candidate it lists their name, candidate number, and colour code. The document also contains sections about inspiration from film opening sequences, including films like Se7en, Mission Impossible, and U Turn. It discusses elements like establishing characters, credits, and setting. Finally, it discusses inspiration from real film openings like Anatomy of a Murder, Oceans 11, and films dealing with themes like suicide, transgender experiences, and flashbacks.
The document discusses the differences between templates and genres for webcomics. Templates refer to the structure or format of the storytelling, such as gag-a-day or slice of life, while genres refer to the subject matter of the story, such as fantasy, horror, or sci-fi. It provides examples of popular webcomics that fit different templates and genres. The document also analyzes example webcomics, praising those that effectively employ templates and genres and criticizing those that are poorly executed or confusing. It concludes with tips for good webcomic writing.
The faux fur vest trend rose to popularity in fall 2011, seen on runway shows and celebrities. Retailers began offering a variety of faux fur vest styles at various price points. The trend has now reached the mass market and is predicted to decline by the end of winter as retailers shift to spring collections and markdown leftover fall inventory, though the trend may restart again the following fall season.
The document discusses conventions of soap opera genres and how they are used and developed in the trailer. It examines conventions like multiple storylines, characters, locations, and realistic cinematography. Specific scenes from the trailer are then analyzed in terms of how they use, develop, or challenge genre conventions. Character archetypes and names are also discussed as fitting conventions through their stereotypical traits and lifestyles.
The document is a script that retells the story of Jack the Giant Killer as he defeats a series of giants through clever tricks and combat. Jack uses his wits to defeat the giants Cormoran and Blunderbore by trapping them in pits and strangling them with ropes. He then encounters a Welsh giant with two heads who tries to kill Jack in his sleep, but Jack outsmarts the giant by hiding and making the giant think he successfully attacked an object in the bed, before tricking and killing the giant.
This document provides examples of various literary terms and genres including plays, novels, poems, and other works. It includes the name of the author or playwright, title of the work, relevant dates, and a brief reason for its classification in the specified genre or term. Examples cover genres such as tragedies, comedies, satire, and more.
The conventions of action genre films typically include:
1) Stereotypical characters like a muscular hero, damsel in distress, and villainous opponent.
2) Settings involving busy cities, boats, or alleys where fights and chases can take place.
3) Elements like guns, knives, fast cars, and jewelry as props and a narrative involving threats to the hero by the villain through attempts to kidnap the damsel or seriously harm the hero.
The document contains information about 4 candidates - Amy Cleary, Monae Minors-Gibbs, Jodie Foster-Pilia, and Pamela Younes. For each candidate it lists their name, candidate number, and colour code. The document also contains sections about inspiration from film opening sequences, including films like Se7en, Mission Impossible, and U Turn. It discusses elements like establishing characters, credits, and setting. Finally, it discusses inspiration from real film openings like Anatomy of a Murder, Oceans 11, and films dealing with themes like suicide, transgender experiences, and flashbacks.
The document discusses the differences between templates and genres for webcomics. Templates refer to the structure or format of the storytelling, such as gag-a-day or slice of life, while genres refer to the subject matter of the story, such as fantasy, horror, or sci-fi. It provides examples of popular webcomics that fit different templates and genres. The document also analyzes example webcomics, praising those that effectively employ templates and genres and criticizing those that are poorly executed or confusing. It concludes with tips for good webcomic writing.
The faux fur vest trend rose to popularity in fall 2011, seen on runway shows and celebrities. Retailers began offering a variety of faux fur vest styles at various price points. The trend has now reached the mass market and is predicted to decline by the end of winter as retailers shift to spring collections and markdown leftover fall inventory, though the trend may restart again the following fall season.
The document discusses conventions of soap opera genres and how they are used and developed in the trailer. It examines conventions like multiple storylines, characters, locations, and realistic cinematography. Specific scenes from the trailer are then analyzed in terms of how they use, develop, or challenge genre conventions. Character archetypes and names are also discussed as fitting conventions through their stereotypical traits and lifestyles.
The document is a script that retells the story of Jack the Giant Killer as he defeats a series of giants through clever tricks and combat. Jack uses his wits to defeat the giants Cormoran and Blunderbore by trapping them in pits and strangling them with ropes. He then encounters a Welsh giant with two heads who tries to kill Jack in his sleep, but Jack outsmarts the giant by hiding and making the giant think he successfully attacked an object in the bed, before tricking and killing the giant.
This document provides examples of various literary terms and genres including plays, novels, poems, and other works. It includes the name of the author or playwright, title of the work, relevant dates, and a brief reason for its classification in the specified genre or term. Examples cover genres such as tragedies, comedies, satire, and more.
The conventions of action genre films typically include:
1) Stereotypical characters like a muscular hero, damsel in distress, and villainous opponent.
2) Settings involving busy cities, boats, or alleys where fights and chases can take place.
3) Elements like guns, knives, fast cars, and jewelry as props and a narrative involving threats to the hero by the villain through attempts to kidnap the damsel or seriously harm the hero.
The script tells the story of a young farmer named Jack who lives near Cornwall during the reign of King Arthur. The area is terrorized by a giant named Cormoran who is 18 feet tall and lives in a cave, often wading over to the mainland to take cattle and other food. Jack is described as being of quick wit and unable to be bested by anyone or anything.
The script tells the story of a young farmer named Jack who lives near Cornwall during the reign of King Arthur. The area is terrorized by a giant named Cormoran who is 18 feet tall and lives in a cave, frequently wading over to the mainland to take cattle and other food. Jack is described as being of quick wit and unable to be bested by anyone or anything.
William Shakespeare (1564-1616) wrote over 30 plays that are usually divided into histories, comedies, tragedies, and romances. His early plays were mainly comedies and histories, but in 1596 he wrote Romeo and Juliet, his second tragedy. Over the next dozen years he wrote many of his most famous tragedies including Julius Caesar, Hamlet, Othello, King Lear, Macbeth, and Antony and Cleopatra. Shakespeare used different forms of language - prose, rhymed verse, and blank verse - to achieve specific effects and match the tone and content of different scenes.
The Dark Knight falls under the genre of thriller and contains elements of the superhero, crime, and action subgenres. It can also be classified as a superhero drama, action-superhero, superhero thriller, or crime superhero drama hybrid. Stam's theory and Mittel's theory help explain how the film is classified based on its high budget, star actors, and ability to sell related products. Fuerer's theory acknowledges that genres are interpreted differently by individuals based on their experiences. Younger viewers may interpret some elements of the film differently than adults.
The document provides details for a film study assignment on the film "The Dark Knight", including choosing a target grade level of C-B, exploring the thriller genre and various film theories as they relate to the movie, analyzing conventions and providing examples from the film, and discussing dominant ideologies and intended audiences.
- The target audience is mainly young people aged 16-19, with a roughly even split between male and female viewers.
- Most of the audience prefers an animation length of 2-5 minutes.
- Viewers want the whole animation to be of good quality rather than just parts of it.
- There was a variety of preferences for character materials, but felt dolls may not be the most popular choice.
- The majority of viewers expressed interest in a "how it was made" video accompanying the animation.
- The gender of the lead characters does not seem to matter to most of the audience.
Shakespeare uses various linguistic and literary techniques to develop Iago's character in Act V, Scene 1 of Othello. Iago manipulates Roderigo through repetition of commands and reassurances. His speech patterns change to relate to those he interacts with, showing his ability to manipulate. Iago's public persona as "brave" and "honest" contrasts sharply with his private vindictive nature revealed through violent language. Pronoun shifts from "we" to "I" highlight Iago's self-serving nature, and caesuras used in soliloquies show his arrogance and contempt for others. These techniques illuminate Iago's duplicitous and manipulative character.
The document discusses various concepts including denotation and connotation of words, film posters and their design elements, film trailers, soundtracks, stereotypes, iconography of different genres, and narrative structure. It provides examples and analysis for each topic. Key points include how connotation influences the meaning and feelings associated with words, how posters use visual elements like actors' names, camera angles and lighting to provide context and intrigue, and how trailers aim to establish a film's genre and tone through editing, music and footage selection.
A man wakes up in a maze-like structure with no memory of how he got there. As he navigates the maze, he begins to realize why he is there and what he must do. He frees souls trapped in the maze that represent his past actions. After completing this task, he becomes the guardian of the maze.
The document provides guidelines for effectively incorporating quotations into writing, including how to punctuate quotations, how to introduce and integrate brief quotations into sentences, and how to quote poetry and longer passages. It discusses using quotation marks and brackets appropriately and avoiding overusing quotations or quoting multiple times in a row.
The document discusses various aspects of Japanese popular culture that have gained worldwide popularity, including anime, manga, J-pop music, and cosplay. It provides examples of popular anime titles and describes how voice actors in anime have devoted fans. The document also explains the cosplay hobby where fans recreate outfits from anime and manga, and how Japanese street fashion like Lolita style clothing has influenced fashion worldwide.
Connecting the World: The Visual Lexicon and Terminology of Anime, Manga, and...Lawrence Brenner
This document discusses the global visual lexicon of anime, manga, and fandom. It explains how anime and manga share visual content across languages, creating a unified understanding of imagery. Character emotions, intents, and states of mind like innocence, humor, and evil are communicated through distinct visual cues. Cosplay is also discussed as having its own lexicon, where a character's iconic visual elements allow for easy identification. The global spread of anime and manga has led to a worldwide shared understanding of these visual storytelling techniques.
This document identifies cosplaying as a new emerging social stereotype in Bangladesh. It defines cosplaying as fans dressing up as characters from comics, movies, video games, TV shows and anime. It notes that the trend started in 2010 among young people aged 13-24 who are easy accessing the internet. The purpose of cosplaying is described as expressing admiration for characters, seeking attention, meeting others with similar interests, and having fun. However, a deeper perspective is that cosplayers seek escape and affirmation through participating in fan activities to create an identity and gain acceptance. The document also provides characteristics of cosplayers and proposes a dedicated super shop service to meet cosplayers' needs.
I cover the 9 influencing traits of women leaders in Asia which includes Jannie Chan (The Hour Glass), Aliza Knox (Google) and Randy Lai (McDonalds). My contribution starts from page 21 onwards.
The script tells the story of a young farmer named Jack who lives near Cornwall during the reign of King Arthur. The area is terrorized by a giant named Cormoran who is 18 feet tall and lives in a cave, often wading over to the mainland to take cattle and other food. Jack is described as being of quick wit and unable to be bested by anyone or anything.
The script tells the story of a young farmer named Jack who lives near Cornwall during the reign of King Arthur. The area is terrorized by a giant named Cormoran who is 18 feet tall and lives in a cave, frequently wading over to the mainland to take cattle and other food. Jack is described as being of quick wit and unable to be bested by anyone or anything.
William Shakespeare (1564-1616) wrote over 30 plays that are usually divided into histories, comedies, tragedies, and romances. His early plays were mainly comedies and histories, but in 1596 he wrote Romeo and Juliet, his second tragedy. Over the next dozen years he wrote many of his most famous tragedies including Julius Caesar, Hamlet, Othello, King Lear, Macbeth, and Antony and Cleopatra. Shakespeare used different forms of language - prose, rhymed verse, and blank verse - to achieve specific effects and match the tone and content of different scenes.
The Dark Knight falls under the genre of thriller and contains elements of the superhero, crime, and action subgenres. It can also be classified as a superhero drama, action-superhero, superhero thriller, or crime superhero drama hybrid. Stam's theory and Mittel's theory help explain how the film is classified based on its high budget, star actors, and ability to sell related products. Fuerer's theory acknowledges that genres are interpreted differently by individuals based on their experiences. Younger viewers may interpret some elements of the film differently than adults.
The document provides details for a film study assignment on the film "The Dark Knight", including choosing a target grade level of C-B, exploring the thriller genre and various film theories as they relate to the movie, analyzing conventions and providing examples from the film, and discussing dominant ideologies and intended audiences.
- The target audience is mainly young people aged 16-19, with a roughly even split between male and female viewers.
- Most of the audience prefers an animation length of 2-5 minutes.
- Viewers want the whole animation to be of good quality rather than just parts of it.
- There was a variety of preferences for character materials, but felt dolls may not be the most popular choice.
- The majority of viewers expressed interest in a "how it was made" video accompanying the animation.
- The gender of the lead characters does not seem to matter to most of the audience.
Shakespeare uses various linguistic and literary techniques to develop Iago's character in Act V, Scene 1 of Othello. Iago manipulates Roderigo through repetition of commands and reassurances. His speech patterns change to relate to those he interacts with, showing his ability to manipulate. Iago's public persona as "brave" and "honest" contrasts sharply with his private vindictive nature revealed through violent language. Pronoun shifts from "we" to "I" highlight Iago's self-serving nature, and caesuras used in soliloquies show his arrogance and contempt for others. These techniques illuminate Iago's duplicitous and manipulative character.
The document discusses various concepts including denotation and connotation of words, film posters and their design elements, film trailers, soundtracks, stereotypes, iconography of different genres, and narrative structure. It provides examples and analysis for each topic. Key points include how connotation influences the meaning and feelings associated with words, how posters use visual elements like actors' names, camera angles and lighting to provide context and intrigue, and how trailers aim to establish a film's genre and tone through editing, music and footage selection.
A man wakes up in a maze-like structure with no memory of how he got there. As he navigates the maze, he begins to realize why he is there and what he must do. He frees souls trapped in the maze that represent his past actions. After completing this task, he becomes the guardian of the maze.
The document provides guidelines for effectively incorporating quotations into writing, including how to punctuate quotations, how to introduce and integrate brief quotations into sentences, and how to quote poetry and longer passages. It discusses using quotation marks and brackets appropriately and avoiding overusing quotations or quoting multiple times in a row.
The document discusses various aspects of Japanese popular culture that have gained worldwide popularity, including anime, manga, J-pop music, and cosplay. It provides examples of popular anime titles and describes how voice actors in anime have devoted fans. The document also explains the cosplay hobby where fans recreate outfits from anime and manga, and how Japanese street fashion like Lolita style clothing has influenced fashion worldwide.
Connecting the World: The Visual Lexicon and Terminology of Anime, Manga, and...Lawrence Brenner
This document discusses the global visual lexicon of anime, manga, and fandom. It explains how anime and manga share visual content across languages, creating a unified understanding of imagery. Character emotions, intents, and states of mind like innocence, humor, and evil are communicated through distinct visual cues. Cosplay is also discussed as having its own lexicon, where a character's iconic visual elements allow for easy identification. The global spread of anime and manga has led to a worldwide shared understanding of these visual storytelling techniques.
This document identifies cosplaying as a new emerging social stereotype in Bangladesh. It defines cosplaying as fans dressing up as characters from comics, movies, video games, TV shows and anime. It notes that the trend started in 2010 among young people aged 13-24 who are easy accessing the internet. The purpose of cosplaying is described as expressing admiration for characters, seeking attention, meeting others with similar interests, and having fun. However, a deeper perspective is that cosplayers seek escape and affirmation through participating in fan activities to create an identity and gain acceptance. The document also provides characteristics of cosplayers and proposes a dedicated super shop service to meet cosplayers' needs.
I cover the 9 influencing traits of women leaders in Asia which includes Jannie Chan (The Hour Glass), Aliza Knox (Google) and Randy Lai (McDonalds). My contribution starts from page 21 onwards.
2. Leisure
Sesshomaru from the manga/anime series Inuyasha, he/she must
act cool and aloof like the character. It would definitely be very
much out of character if the cosplayer were to act too cheerfully.
These cosplayers would then gather at events where they can mix
around with people who have similar interests and have their
photographs taken. Such events include the End of Year (EOY)
event that usually takes place at the Singapore Expo in December
and the Start of Year (SOY) event at the Ngee Ann Polytechnic in
January. To find out more about such events, you can visit the
following forums and websites:
· http://sgcafe.com/forumdisplay.php?f=8 49
· http://www.sgclub.com/cosplay_chat/
· http://soy-japtsubasa.net/
The world is a stage...
· http://www.theeoy.com/
· http://www.sgcosplay.com/
Cosplayers may also choose to hold
their own private photography shoots
with a few like-minded friends and a
photographer. They would then try
to re-enact scenes in the anime or
manga by choosing places that best
fit the mood of the series they are
basing their cosplay on. For example,
the Chinese and Japanese Gardens
may be suitable for an anime that
mostly takes place in a natural
environment or around Japanese
structures. Cosplayers are, however,
advised to practise caution when
conducting such private photo shoots.
Although there are photographers
who are happy to offer their services
for free on forums such as Sgcafe
and Sgclub, cosplayers should always
bring a trusted friend along who can
help them should something go wrong.
Lady of the Geass - Redux, cosplayed by Inuran.
Photographer: Hexlord.
3. Leisure
50
The world is a stage...
Clockwise from top: Cosplayers at EOY 2008, held at the Singapore Expo;
Tao Jun from Shaman King, cosplayed by Sientia; Kula Diamond from King of
Fighters, cosplayed by Reicharu. Photographer: Hexlord.
4. Leisure
After each photo shoot, the cosplayers would then either keep
the photos in their own collection or upload on forums or websites
for fellow cosplayers to admire or critique. To make the photos
look more interesting, cosplayers would use computer software
such as Adobe Photoshop to add special effects. If you want to
check out the impressive range of cosplay photos from different
anime, manga, games, or movies, you can visit websites such as
the following:
· http://www.japanforum.com/gallery/
showgallery.php?cat=509
· http://www.cosplay.com/photos/
· http://www.cosplaytoday.com/ 51
You can leave your comments to show
The world is a stage...
your support, but remember to post
encouraging words even if you feel the
cosplayer could have done better. Aside
from the hobbyists who upload their
photos on these websites, there are also
a number of professional cosplayers
(also known as cosplay models) in the
world. These people make a living by
modelling cosplay costumes for cosplay
magazines like Cosmode or companies
such as Cospa (a company that
specialises in making cosplay costumes).
You can usually identify them from their
high quality photos and well-made
costumes that try to be as accurate as
possible.
Accuracy is very important in cosplaying
because cosplayers are modelling
themselves after the original
characters. Although one does not have
to be 100% accurate, a good cosplayer
should at least try to make sure his or
Suigintou from Rozen Maiden, cosplayed
by Korin. Photographer: Zerartrul.
Location: Chijmes.
5. Leisure
her appearance is a close match to the original. For example, one
should not go around wearing an orange wig when the original
character has yellow hair.
Another type of cosplay, which is slowly gaining popularity in the
world today, is Animegao. It is a form of kigurumi cosplay where
people put on masks, bodysuits, and wigs to fully immerse
themselves into a particular character. At least one person in
Singapore is an avid hobbyist of this form of cosplay and has set
up a website at http://wyu.ulmb.com/ where you can check out
the various self-made masks as well as photos.
52
The world is a stage...
Ciel Phantomhive and
Grell Sutcliff from Black
Butler, cosplayed by Cvy
and Kanasaiii at SOYA
2009. Photographer:
Hexlord.
6. Leisure
After reading so much about the hobby of cosplay, are you now
keen to try your hand at cosplaying? Do remember that cosplaying
is an expensive hobby because it requires a lot of time, effort,
and money to produce a costume. In addition, there are codes of
etiquette to observe, even if you are simply taking photos of
cosplayers at events. Here are some things which you should take
note of:
· Respect every cosplayer that you come across at events. Even
if you feel that the cosplayer has room for improvement, be
sure to give only constructive but polite critique and not rude
comments.
53
· Avoid touching cosplayers’ props or costumes. Although the
prop or costume may look sturdy to you, it could fall apart the
The world is a stage...
minute you touch it and months of hard work would go down
the drain.
· Avoid making photo requests that make cosplayers
uncomfortable (i.e. requests for indecent poses). Cosplayers
have a right to reject such requests so even if you really want
him or her to do the pose for you, respect his or her decision
and do not press the issue.
· Avoid taking photos of cosplayers before they are ready.
Cosplayers need time to ready themselves for the shoot so it is
extremely rude to point your camera in their faces and snap
away.
· Always thank the cosplayers or photographers for their time.
It is a kind gesture that shows how much you appreciate their
presence.
· If you feel that a cosplayer or photographer has made a request
that makes you uncomfortable or has crossed the line at some
point, you have the right to politely reject or approach the
event organisers for help. Be sure to stay in crowded areas at
all times or keep a friend close by.
7. Leisure
54
The world is a stage...
Clockwise from top: Siegfried Schtauffen from Soul Calibur IV, cosplayed by
OrochiX of Endiru; Day 1 of Comic Fiesta 2008; Soul and Maka from Soul Eater,
cosplayed by Cvy and Envyinwondrland at Cosfest VII. Photographer: Hexlord.
8. Leisure
Let’s Try DIY
So how does one go about preparing a cosplay costume? Well,
some cosplayers choose to buy or rent their costumes off the
rack at shops such as Pan-In-The-Box (Chinatown Point, #02-09).
Pan-In-The-Box also provides an online service at http://
www.sgclub.com/singapore/pan_in_box_93272.html where you can
post your queries on props, costumes, or accessories. Another
shop that carries costumes and accessories is Mr Cosplay’s Otaku
House that is located at the following places:
· Suntec City, #03-089/089A
· Plaza Singapura, #07-13B 55
· Iluma, #03-01
The world is a stage...
Its website can be found at http://myotakuhouse.com. However,
if you are keen to try your hand at making your own costumes
and props, you may find the following information useful when
sourcing for materials or when you are cracking your head over
how to produce a particular prop.
Cloth
· People’s Park (near Chinatown MRT)
· Arab Street (near Bugis MRT)
· Spotlight at Plaza Singapura (near Dhoby Ghaut MRT)
Materials for props, accessories, etc.
· Popular bookshops (for materials such as jumping clay,
ice cream sticks, etc.)
· Art Friend (Bras Basah Complex, Takashimaya Shopping
Centre, IOI Plaza, more information can be found at
http://www.artfriend.com.sg/location.html)
· Golden Dragon Store (People’s Park Centre, more
information can be found at
http://www.goldendragon.com.sg/)
9. Leisure
Wigs, costumes, accessories, etc.
· Elysium Cosplay (http://elysium.omgforum.net/)
· World of Fantasy (http://koshinaka.blogspot.com/)
· Haru Cosplay (http://haru-cosplay.blogspot.com/)
· http://sgcafe.com/showthread.php?t=34172 (wigs
only)
· http://sgcafe.com/showthread.php?t=51797 (wigs,
Lolita dresses, secondhand costumes and secondhand
wigs)
· Wig styling and care (http://www.bunnycosplay.com/
wigs.html)
56 · Wig care and you (http://windofthestars.com/
cosplays/wigcare.html)
The world is a stage...
Tutorials for making props, costumes, etc.
· Sword tutorial
(http://sgcafe.com/showthread.php?t=51842)
· Elf ears and armour tutorial
(http://sgcafe.com/showthread.php?t=51787)
· Cardboard katana
(http://www.cosplay.com/showthread.php?t=76828)
· Tutorial list and information on different materials such
as plastic and resin
(http://www.cosplay.com/showthread.php?t=84955)
· Amethyst’s Closet
(http://amethyst-angel.com/cosplay/tutorials.html)
· Cosplay Classes (http://www.cosplayclasses.com/)
· TR Rose & Concolor’s Cosplay Guides & Tutorials
(http://www.trsrockin.com/cosplayc.html)
The above lists are non-exhaustive, meaning there are more
websites out there on the World Wide Web where you can find
more useful information. You can simply type in the keywords on
Google and you will be amazed at the results you can get. Just
remember to have fun while doing your costume and props. See
you at the next cosplay event!