Conventions of my chosen genre
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This document discusses several conventions of the post-apocalyptic genre seen across multiple films. It describes how the films use lighting to create a dull, grey tone that conveys a sense of a post-apocalyptic setting. It also discusses the use of sound effects like clanking machinery, creature noises, and explosions in openings to set the scene. Editing techniques like black and white/sepia tones are used to relate to the genre's grey, green color palette. Costuming in openings often features dull or plain clothes to show a lack of resources, with some characters standing out through brighter colors linked to authority. Makeup is also generally natural looking, but exaggerated styles may indicate higher status characters. Props seen
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Conventions of my chosen genre
The document discusses conventions of the post-apocalyptic genre across several films. It notes that in "A Boy and His Dog" the lighting conveys a dull, grey/brown desert setting to indicate a post-apocalyptic world. In "The Maze Runner," the opening scene uses sound effects like footsteps and machinery to set the scene. Throughout "The Road," the black-and-white/sepia editing style relates to the dull, grey tones commonly seen in post-apocalyptic films. In "The Hunger Games," the costumes show characters in dull or white clothing to depict a bleak setting, with some characters in bright colors to stand out.
Conventions of my chosen genre
The document discusses conventions of the post-apocalyptic genre across several films. It notes that in "A Boy and His Dog" the lighting conveys a dull, grey/brown desert setting to indicate a post-apocalyptic world. In "The Maze Runner," the opening scene uses sound effects like footsteps and machinery to set the scene. Throughout "The Road," editing gives the film a black-and-white/sepia tone to relate to the dull, grey tones of a post-apocalyptic setting. In "The Hunger Games," the costumes are dull or white to signify a bleak world, while a woman in bright pink stands out as having authority.
Conventions of my chosen genre
This document discusses conventions of lighting, sound, editing, costume, makeup, and props commonly seen in post-apocalyptic films. It provides examples from the films "A Boy and His Dog," "The Maze Runner," and "The Road" to illustrate how lighting creates a dull, grey tone to reflect a post-apocalyptic setting. The document also analyzes the sound of footsteps, doors, and machinery in "The Maze Runner" opening, as well as the black and white color grading used in "The Road" to establish a post-apocalyptic atmosphere. Costuming in "The Hunger Games" features dull colors except for a woman in pink, and makeup is applied naturally
Conventions of my chosen genre
This document discusses conventions of the post-apocalyptic genre across several films. It notes that in "A Boy and His Dog" the lighting depicts a dull, grey/brown desert setting to convey a post-apocalyptic tone despite being shot during the day. The opening of "The Maze Runner" uses sound effects of doors and machinery to set the scene. Editing techniques like black and white/sepia tones are used in "The Road" to relate to the genre's dreary aesthetic. Costumes in "The Hunger Games" are dull or white except for a woman in pink who stands out, possibly linking to her authority.
Conventions of my chosen genre
The document discusses several conventions of the post-apocalyptic genre seen across multiple films. Lighting in post-apocalyptic films often uses dull colors to depict a bleak setting after a major event. Soundtracks commonly include industrial noises and signs of danger. Editing frequently applies sepia or black-and-white filters to relate to the genre. Costuming tends to be drab and plain for most characters, with some wearing brighter colors to denote higher status. Makeup aims for a natural look though some use exaggerated styles. Props showcase technology and weapons from the changed world.
Conventions of my chosen genre
The document discusses conventions of lighting, sound, editing, costume, makeup, and props commonly seen in post-apocalyptic films. It provides examples from films like A Boy and His Dog, The Maze Runner, The Road, and The Hunger Games. For lighting, it notes the use of dull colors to depict a bleak post-apocalyptic setting. Sound effects often include industrial noises or signs of danger. Editing frequently employs a black and white or sepia color palette. Costuming tends toward plain, dull-colored clothing. Makeup aims for a natural look, though some have exaggerated features. Props feature microphones, bows and arrows, and other items relevant to the story.
Screenplay for my Music Video
This document outlines the scene structure and descriptions for a music video titled "Say Something". It follows the story of Maisie and Callum. The video begins with Maisie starting her vocal lessons in a recording studio. Later, Callum arrives and hugs Maisie from behind. The video then shows various scenes of Maisie singing, the two characters walking home together, and Maisie sending Callum a message before bed. It is revealed that Callum has hurt Maisie by messaging another girl, leading to her crying alone in her room. The video culminates in Maisie performing in a theatre, only to walk off stage upset after seeing Callum has come to win her back.
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This shot list contains 14 shots for filming a music video. It includes the location, camera instructions, song lyrics, description of actions, actors, and equipment for each shot. The shots include close-ups and mid shots of the lead singer in different locations like the bedroom, oracy room, science lab, and house. The shots will showcase the singer alone and with others, incorporating props like polaroid pictures, balloons, beakers, and a punch bowl. The goal is to film the scenes to create a music video for the song describing partying and celebrating with friends.
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Conventions of my chosen genre
The document discusses conventions of the post-apocalyptic genre across several films. It notes that in "A Boy and His Dog" the lighting conveys a dull, grey/brown desert setting to indicate a post-apocalyptic world. In "The Maze Runner," the opening scene uses sound effects like footsteps and machinery to set the scene. Throughout "The Road," the black-and-white/sepia editing style relates to the dull, grey tones commonly seen in post-apocalyptic films. In "The Hunger Games," the costumes show characters in dull or white clothing to depict a bleak setting, with some characters in bright colors to stand out.
Conventions of my chosen genre
The document discusses conventions of the post-apocalyptic genre across several films. It notes that in "A Boy and His Dog" the lighting conveys a dull, grey/brown desert setting to indicate a post-apocalyptic world. In "The Maze Runner," the opening scene uses sound effects like footsteps and machinery to set the scene. Throughout "The Road," editing gives the film a black-and-white/sepia tone to relate to the dull, grey tones of a post-apocalyptic setting. In "The Hunger Games," the costumes are dull or white to signify a bleak world, while a woman in bright pink stands out as having authority.
Conventions of my chosen genre
This document discusses conventions of lighting, sound, editing, costume, makeup, and props commonly seen in post-apocalyptic films. It provides examples from the films "A Boy and His Dog," "The Maze Runner," and "The Road" to illustrate how lighting creates a dull, grey tone to reflect a post-apocalyptic setting. The document also analyzes the sound of footsteps, doors, and machinery in "The Maze Runner" opening, as well as the black and white color grading used in "The Road" to establish a post-apocalyptic atmosphere. Costuming in "The Hunger Games" features dull colors except for a woman in pink, and makeup is applied naturally
Conventions of my chosen genre
This document discusses conventions of the post-apocalyptic genre across several films. It notes that in "A Boy and His Dog" the lighting depicts a dull, grey/brown desert setting to convey a post-apocalyptic tone despite being shot during the day. The opening of "The Maze Runner" uses sound effects of doors and machinery to set the scene. Editing techniques like black and white/sepia tones are used in "The Road" to relate to the genre's dreary aesthetic. Costumes in "The Hunger Games" are dull or white except for a woman in pink who stands out, possibly linking to her authority.
Conventions of my chosen genre
The document discusses several conventions of the post-apocalyptic genre seen across multiple films. Lighting in post-apocalyptic films often uses dull colors to depict a bleak setting after a major event. Soundtracks commonly include industrial noises and signs of danger. Editing frequently applies sepia or black-and-white filters to relate to the genre. Costuming tends to be drab and plain for most characters, with some wearing brighter colors to denote higher status. Makeup aims for a natural look though some use exaggerated styles. Props showcase technology and weapons from the changed world.
Conventions of my chosen genre
The document discusses conventions of lighting, sound, editing, costume, makeup, and props commonly seen in post-apocalyptic films. It provides examples from films like A Boy and His Dog, The Maze Runner, The Road, and The Hunger Games. For lighting, it notes the use of dull colors to depict a bleak post-apocalyptic setting. Sound effects often include industrial noises or signs of danger. Editing frequently employs a black and white or sepia color palette. Costuming tends toward plain, dull-colored clothing. Makeup aims for a natural look, though some have exaggerated features. Props feature microphones, bows and arrows, and other items relevant to the story.
Screenplay for my Music Video
This document outlines the scene structure and descriptions for a music video titled "Say Something". It follows the story of Maisie and Callum. The video begins with Maisie starting her vocal lessons in a recording studio. Later, Callum arrives and hugs Maisie from behind. The video then shows various scenes of Maisie singing, the two characters walking home together, and Maisie sending Callum a message before bed. It is revealed that Callum has hurt Maisie by messaging another girl, leading to her crying alone in her room. The video culminates in Maisie performing in a theatre, only to walk off stage upset after seeing Callum has come to win her back.
Shotlistttttt
This shot list contains 14 shots for filming a music video. It includes the location, camera instructions, song lyrics, description of actions, actors, and equipment for each shot. The shots include close-ups and mid shots of the lead singer in different locations like the bedroom, oracy room, science lab, and house. The shots will showcase the singer alone and with others, incorporating props like polaroid pictures, balloons, beakers, and a punch bowl. The goal is to film the scenes to create a music video for the song describing partying and celebrating with friends.
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The document discusses the editing process for the opening scene of a horror film aimed at 16-21 year olds. Music was edited to create tension and scare during key scenes like a girl screaming and being killed. The "toy box" music was slowed down to highlight these scary moments and a creepy laugh. Slow motion and low music were used for a final close-up of the victim's face to give audiences a sad impression. The opening was designed to draw in the target audience and build tension through placing actors in danger and using music and camera techniques to excite and scare viewers.
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The document is a poem that encourages the reader to smile even when facing sorrow or fear. It suggests that by smiling through difficult times, the reader may find the sun shining through tomorrow and that life remains worthwhile if they maintain a positive outlook through smiling. The poem repeats that even when sadness feels near, the reader should light up their face with gladness, hide traces of sadness, keep trying, and understand that crying serves no purpose when smiling can help them see the worthwhile aspects of life.
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The film opening of Insidious establishes the horror genre through eerie music and slow edits showing shadows and ghostly figures. It introduces the film's title and key personnel against a backdrop of an empty house where strange events seem to be occurring. The audience is left with many unanswered questions about who will be haunted and what dangers may lie ahead.
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- Napoleon Dynamite establishes the comedy genre through its titles presented on food and objects implying silliness. Shot types and locations within a house create familiar
Analysing Opening Sequences - Insidious
The opening sequence of Insidious establishes an eerie atmosphere through its use of visual and auditory elements. Red text against a black background in the opening credits hints at the horror genre. Subjective camerawork moves through a child's bedroom and empty house, implying a ghostly point of view. Unsettling music plays throughout, getting louder during a shot of a mysterious woman at a door. Dark colors, low lighting, and a lack of characters in the empty house leave audiences uncomfortable and wanting answers about the woman's purpose in the film.
Six thriller openings
The document discusses conventions, titles/timings, mise-en-scene, sound, and camera techniques used in horror and thriller movies. It provides examples of how these elements set the tone and build suspense, such as using string instruments and dark colors in the score, having the male character wear dark clothing, showing clocks at night to suggest mystery, and employing jump cuts and zooms between characters and locations. The document analyzes how these techniques are employed in the openings of movies to immerse viewers and establish the psychological nature of the films.
Music video analysis
The document analyzes 5 screenshots from the music video for Blur's song "Coffee and TV". Each screenshot is analyzed in terms of camera work, mise-en-scene, editing, sound, and relevant film theories. The video tells the story of a milk carton character searching for a missing person through surreal and humorous means, playing with conventions of death scenes and the rock genre. It incorporates elements of classical storytelling while also being unconventional in its use of a cheerful milk carton protagonist.
Analysis gone girl final 2
The opening scene of Gone Girl establishes mystery and suspense through its use of lighting, sound, and camera work. A voiceover contrasts with soothing gestures, while Amy looks unsettled on a man's chest in shadows. Shots introduce an empty, "ghost town" setting. Nick is shown disheveled near his home on July 5th, the day after Independence Day, leaving questions around what happened. The scene ends with Nick walking home as tension and intrigue are built around the unknown events.
Gone girl analysis
The opening scene of the film "Gone Girl" establishes mystery and suspense. It begins with a voiceover from the main character Nick, whose calm tone contrasts with the violent things he describes. His wife Amy looks uneasy as she rests on his chest. The identities of both characters are kept hidden in shadows at first. Throughout the scene, shots move between close-ups of Amy's questioning facial expressions and wider shots that portray the empty, unsettling town. Mysterious music and diegetic sounds of nature set an ominous tone. The scene ends with Nick approaching his house on the morning after July 4th, leaving viewers with unanswered questions about what happened.
THE OPENING SEQUENCE OF BACK TO THE FUTURE
The opening sequence of Back to the Future establishes the film's themes of time travel through various visual and audio cues. Shots of clocks, newspapers with headlines about time, and a boy experimenting with a large speaker introduce the concepts of time and scientific experimentation. The sequence uses low-key colors, close-up shots, and diegetic sounds of clocks and machines to set a mysterious tone and pique the audience's curiosity about the film's plot involving time travel.
BACK TO THE FUTURE OPENNING SEQUENCE AS-LEVEL MEDIA STUDIES
The opening sequence of Back to the Future establishes the film's themes of time travel through various visual and audio cues. Shots of clocks, newspapers from different eras, and a clock-themed title sequence foreshadow the time-bending plot. The sequence also introduces the protagonist as a teenage bass player through props like his skateboard and yellow bass guitar. Together, these elements use mise-en-scene, editing, sound, and cinematography to set up the film's comedic exploration of scientific experimentation and time travel while piquing the audience's curiosity.
Lighting of post apocalyptic films
The document discusses lighting and color schemes in post-apocalyptic films. It notes that these films often use minimal lighting beyond daylight scenes and feature grey, black, and brown colors to create a dull atmosphere. Scenes may also include orange lights from fires to contribute to the post-apocalyptic aesthetic along with greys. Common props and costumes in the genre have grey or dusty appearances to further convey the post-apocalyptic setting.
Veritogo notes
The document provides an analysis of various technical and stylistic elements of the film Vertigo. It summarizes that the film uses various camera shots including wide establishing shots and point-of-view shots from the main character's perspective. The score contains sinister and suspenseful moments. Key themes include acrophobia and vertigo representing the main character's mental problems. Symbolic elements like red filters and spinning foreshadow future events. The nonlinear narrative makes the film harder to follow but the changing dresses represent the woman's changing mind and memories.
Title sequence and Film opening
The opening sequence of the movie Halloween uses a black background with scratching and tickling sounds to create an eerie atmosphere. The title appears in bold red letters that fade between red and dark orange to symbolize aggression and blood. The title is centered to draw attention.
The opening of Gone Girl uses fade transitions between shots that initially fade slowly but then cut faster once the title is shown. Shots of an empty town suggest an unfortunate event, most likely a disappearance or death, and the isolation of the town is a key theme kept prominent in the thriller genre.
Post apocalyptic film lighting
The document discusses the use of lighting and color schemes in post-apocalyptic film openings. It notes that most openings use very dark lighting and dull, grayscale color schemes to create a lonely, helpless, and uneasy mood. This fits the genre by representing the sad events of the apocalypse and how colorless and emotionless the world and characters now are. Examples given are the dark and blue lighting in The Road and how The Book of Eli could almost be black and white.
Film opening 3 don't look now analysis
The opening sequence of the psychological thriller "Don't Look Now" starts in a tranquil manner by showing a young girl playing in a field. However, the sequence takes a dark turn when the girl tragically dies in an accident. Through changes in editing, music, and sound design, the sequence transforms from peaceful to distressing as it shows the father's grief and desperate attempts to save his daughter. The pacing and music become more intense, and diegetic sounds are utilized to create tension and draw the viewer into the character's distress. This marked shift in tone from the beginning innocence to the ending tragedy is integral to the progression of events in the opening scene.
Cabin fever
The document analyzes the opening scene of the horror film "Cabin Fever" through its use of lighting, sound, shot types, mise-en-scene, and setting. Low-key lighting is used to create a dark, mysterious atmosphere through shadows and dim tones. Sounds like birds, flies, music and screams are employed to signify the horror genre. Shot types include establishing shots of the sunrise and woods. Mise-en-scene reveals the main character to have a scruffy, disheveled appearance in dark colors that conveys the film will involve ominous events. The setting of the woods as the location of the first gory incident establishes where future events will take place.
Similar to Conventions of my chosen genre (20)
BACK TO THE FUTURE OPENNING SEQUENCE AS-LEVEL MEDIA STUDIES
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三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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2、国（境）学习人员提供就业推荐信服务
3、留学人员区块链存储服务
【关于价格问题（保证一手价格）】
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：客户在留信官方认证查询网站查询到认证通过结果后付款，不成功不收费！
All Of My Java Codes With A Sample Output.docx
Contains All of the Java Programs from Beginning to the Advanced Concepts that I had Practiced While Learning Java
A Guide to a Winning Interview June 2024
This webinar is an in-depth review of the interview process. Preparation is a key element to acing an interview. Learn the best approaches from the initial phone screen to the face-to-face meeting with the hiring manager. You will hear great answers to several standard questions, including the dreaded “Tell Me About Yourself”.
按照学校原版(UofT文凭证书)多伦多大学毕业证快速办理
快速办理【(UofT毕业证书)多伦多大学毕业证】【176555708微信号】硕士毕业证成绩单、外壳、offer、留信学历认证（永久存档真实可查）采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【我们承诺采用的是学校原版纸张（纸质、底色、纹路），我们拥有全套进口原装设备，特殊工艺都是采用不同机器制作，仿真度基本可以达到100%，所有工艺效果都可提前给客户展示，不满意可以根据客户要求进行调整，直到满意为止！】
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信176555708】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信176555708】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
留信网服务项目：
1、留学生专业人才库服务（留信分析）
2、国（境）学习人员提供就业推荐信服务
3、留学人员区块链存储服务
→ 【关于价格问题（保证一手价格）】
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：客户在留信官方认证查询网站查询到认证通过结果后付款，不成功不收费！
Connect to Grow: The power of building networks
In the intricate tapestry of life, connections serve as the vibrant threads that weave together opportunities, experiences, and growth. Whether in personal or professional spheres, the ability to forge meaningful connections opens doors to a multitude of possibilities, propelling individuals toward success and fulfillment.
Eirini is an HR professional with strong passion for technology and semiconductors industry in particular. She started her career as a software recruiter in 2012, and developed an interest for business development, talent enablement and innovation which later got her setting up the concept of Software Community Management in ASML, and to Developer Relations today. She holds a bachelor degree in Lifelong Learning and an MBA specialised in Strategic Human Resources Management. She is a world citizen, having grown up in Greece, she studied and kickstarted her career in The Netherlands and can currently be found in Santa Clara, CA.
How to overcome obstacles in the way of success.pdf
Success is often not achievable without facing and overcoming obstacles along the way. To reach our goals and achieve success, it is important to understand and resolve the obstacles that come in our way.
In this article, we will discuss the various obstacles that hinder success, strategies to overcome them, and examples of individuals who have successfully surmounted their obstacles.
Learnings from Successful Jobs Searchers
Are you interested to know what actions help in a job search? This webinar is the summary of several individuals who discussed their job search journey for others to follow. You will learn there are common actions that helped them succeed in their quest for gainful employment.
Leadership Ambassador club Adventist module
Aims to equip people who aspire to become leaders with good qualities,and with Christian values and morals as per Biblical teachings.The you who aspire to be leaders should first read and understand what the ambassador module for leadership says about leadership and marry that to what the bible says.Christians sh
Community Skills Building Workshop | PMI Silver Spring Chapter | June 12, 2024
Community Skills Building Workshop | PMI Silver Spring Chapter | June 12, 2024Hector Del Castillo, CPM, CPMM
We recently hosted the much-anticipated Community Skill Builders Workshop during our June online meeting. This event was a culmination of six months of listening to your feedback and crafting solutions to better support your PMI journey. Here’s a look back at what happened and the exciting developments that emerged from our collaborative efforts.
A Gathering of Minds
We were thrilled to see a diverse group of attendees, including local certified PMI trainers and both new and experienced members eager to contribute their perspectives. The workshop was structured into three dynamic discussion sessions, each led by our dedicated membership advocates.
Key Takeaways and Future Directions
The insights and feedback gathered from these discussions were invaluable. Here are some of the key takeaways and the steps we are taking to address them:
• Enhanced Resource Accessibility: We are working on a new, user-friendly resource page that will make it easier for members to access training materials and real-world application guides.
• Structured Mentorship Program: Plans are underway to launch a mentorship program that will connect members with experienced professionals for guidance and support.
• Increased Networking Opportunities: Expect to see more frequent and varied networking events, both virtual and in-person, to help you build connections and foster a sense of community.
Moving Forward
We are committed to turning your feedback into actionable solutions that enhance your PMI journey. This workshop was just the beginning. By actively participating and sharing your experiences, you have helped shape the future of our Chapter’s offerings.
Thank you to everyone who attended and contributed to the success of the Community Skill Builders Workshop. Your engagement and enthusiasm are what make our Chapter strong and vibrant. Stay tuned for updates on the new initiatives and opportunities to get involved. Together, we are building a community that supports and empowers each other on our PMI journeys.
Stay connected, stay engaged, and let’s continue to grow together!
About PMI Silver Spring Chapter
We are a branch of the Project Management Institute. We offer a platform for project management professionals in Silver Spring, MD, and the DC/Baltimore metro area. Monthly meetings facilitate networking, knowledge sharing, and professional development. For more, visit pmissc.org.Recently uploaded (20)
Gabrielle M. A. Sinaga Portfolio, Film Student (2024)
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How to overcome obstacles in the way of success.pdf
Community Skills Building Workshop | PMI Silver Spring Chapter | June 12, 2024
Community Skills Building Workshop | PMI Silver Spring Chapter | June 12, 2024
Conventions of my chosen genre
- 1. CONVENTIONS OF MY CHOSEN GENRE Post-apocalyptic
- 2. LIGHTING In the post-apocalyptic film ‘A boy and his dog’ there is daylight, due to majority of the film being shot throughout the day. However, the setting adds contrast to the lighting as the usage of a desert creates dullness due to the grey/brown colours of the background. Therefore we get the idea of a post-apocalyptic genre present.
- 3. SOUND In the opening of the film ‘The maze runner’ we can hear footsteps and opening of big metal doors almost like prison doors, however everything is black. Then we hear factory-like noises as it shows a man on top of a metal caged lift, this indicates that the clanking heard is the functioning of the lift. Also, the sound of some sort of aggressive creature occurs throughout the opening, ending with the sound of an explosion followed by ringing of a building alarm.
- 4. EDITING Throughout The Road opening scene, it is clear that it has been edited to have a black and white/sepia look. This has been done to relate to the post apocalyptic genre, which consists of mostly grey and green colours as it makes it look dull and almost as though a significant event has occur to make life seem different.
- 5. MES- COSTUME Costume- At the beginning of the opening scene, everybody is wearing dull or white clothing, dresses for the females and top and trousers for the males. The guards are wearing white tops with beige dungaree-styled trousers over the top with black knee-high wellie/boots and a white riding styled hat with a black stripe over the middle. However the women speaking into the microphone is wearing bright pink, which stands out from everybody else. This could link to her authority. Alongside this, there are people sat to her left and right wearing black suits and dresses which could also link to higher status and wealth.
- 6. MES- MAKE UP The make-up for the females in ‘The hunger games’ are made to look natural and as though they don’t wear any. However the lady in pink has a lot of exaggerated make-up which is clearly visible. Her face is very pale, which contrasts to the pinkness of her eye-shadow and lipstick.
- 7. MES- PROPS Within the film opening of ‘The hunger games’ multiple props are used, firstly a microphone which the woman in pink is holding. Also a big glass bowl is used to hold the cards with the peoples names on, that they pick out at random. Although these are the only props throughout the opening, props such as bow and arrows are used throughout ‘The hunger games’.