This document outlines a case study on the impact of Cyclone Nargis on cultural heritage in Myanmar's Irrawaddy Delta and the subsequent restoration efforts led by Kyaw Myo Ko. Funded by the Prince Claus Fund, the project focused on restoring monasteries, pagodas, and theatrical organizations while addressing both tangible and intangible cultural heritage. Despite challenges in community participation and project coordination, the restoration activities significantly benefitted the local communities and preserved their cultural identity.

1. Institution: Mandalay Marionettes Theater and Culture Group
Job title: Director, Mandalay Marionettes Theater, Myanmar
Name: Kyaw Myo Ko
Email: kmk@myanmarupperland.com
Title of the case study:
The impact of the natural disaster on the Tangible and Intangible Culture Heritage:
Experience in the Irrawaddy Delta in Myanmar
Introduction and Context
Cyclone Nargis, devastated the Irrawaddy delta on 2 and 3 May 2008, killing tens of thousands
of people and ruined Myanmar infrastructure, many survivors remained vulnerable and
traumatized. In order to be able to continue theatrical and religious activities in the affected
region of Moulmeingyun Township and Bogalay Township, Myanmar, the following activities
were funded by Prince Claus Fund / CER and coordinated by Kyaw Myo Ko, Director of
Mandalay Marionettes and Culture Group.
Based on set objectives, we selected the locations and the fields that we aimed.
1. Under the category of artistic related, monasteries, cultural heritages of Location No.1
Moulmeingyun Township;
-Restoration of the Kanner Monastry
-Restoration of the Kyunlone Kutkar Pagoda, Sabbath and Mediation hall and Buddha Statues
-Rebuilding of the theatrical organization office
-Activities for Theatrical Supports
2. Under the category of artistic related, monasteries and cultural heritages of Location No.2
Bogalay Township
-Restoration of the Shin U Pa Goata Shrine
-Restoration of the Koe Myo Nan Spirit House

2. -Rebuilding of the theatrical organization office
-Activities for Theatrical Supports
Then commencing the projects under the two main titles as the Reconstruction of the cultural
Buildings Projects and the Theatrical Supports Projects for restoration of Tangible Culture
heritage and safeguarding of the Intangible Culture Heritage.
(The project activities were commenced in mid-March 2009 and finished at mid-October 2009)
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Description of the situation
The following steps were provided as the project initiating phase;
1) Planed meetings with local experts and selected participants
2) Organized field trips for data gathering and to make descriptions of;
• the disaster
• the cultural heritage in question
• the damage that the cultural heritage has incurred as a result of the disaster
• the heritage’s cultural value for the affected community
• the proposed activities
• a detailed financial budget for those activities
• information about the contract partner, the contact person and the project co-
coordinator
• information about any additional partners, both financial and otherwise
• a provisional budget for the heritage’s further restoration
As referring to the record of one leading Journal, the numerical breakdown of the damaged
monasteries by the cyclone Nargis were as follows;
In the Irrawaddy Division, there were 1163 partially damaged monasteries and 736 totally
collapsed monasteries. 600 Monasteries were being renovated by the Government, Public
sector and International aid.
In Yangon Division, there were 2846 partially damaged monasteries and 52 totally collapsed
monasteries.

3. Until the end of June 2008, 2593 Monasteries were being renovated by the Government, Public
sector and International aid in Yangon Division and 305 Monasteries were in need of
renovation.
In Myanmar, The land of Pagodas, we have some golden and towering Pagodas like the great
Shwedagon Pagoda in Yangon; others are small and whitewashed, on hilltops or flatlands
among green paddy fields and in almost every village.
Pagodas and Monasteries are not merely places of religious worship and ritual. They are also
centers of community for social activities, places for communal alms-giving in certain seasons
and last but not least they have an important function for the continuity of Intangible Culture
Heritage.
In Myanmar culture, every pagoda has an annual festival, and all such festivals are the place of
trade fairs, clan gathering and cultural diversity. Besides this, the Pagoda has an important role
for artists because it is the place for artists and where theatrical and dramatic troupes can
perform.
During our Assessment trip, we selected one monastery, one meditation hall with Buddha
statues, 2 spiritual houses and two township level theatrical organization offices which were
really in need to be renovated. We also found out the damages at other spiritual houses since
the majority of Buddhism as practiced in Myanmar is mixed up with spiritual worship and
animism.
According to the nature of this Irrawaddy delta region, the majority of the people earned their
living in fishing and farming. We assumed that there were artists who employ themselves as
artists and some artists also being a fisherman or farmer for their livelihoods. But due to lack of
some original records, it was difficult to discover the depth of their troubles. Thanks to support
of township level theatrical organizations, we could verify the most reliable data. There were no
puppets and puppeteers thoughtfully affected by Cyclone Nargis although the other performing
art community from this effected delta region was damaged.
In this deeply concerned with the devastations of Cyclone Nargis, the Prince Claus Fund (PCF),
in the context of the Cultural Emergency Response Program (CER), aimed on the subject of

4. making inventory of Cultural heritage, Artistic related to the Intangible Asset and the damaged
Monasteries and other which related to Tangible Culture Heritage
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Discussion of the approach chosen
Challenges of the Local Community
The local community of artists and the owners of heritage places were not aware how these
projects worked and how they should response to such activity. Unfortunately, participation in
decision-making for the local people is not a “bottom-up” but rather “top-down” process.
Since before the cyclone Nargis hit 2008, public infrastructure is underdeveloped and a more
rigorous heritage-oriented activity is questioned to achieve at this stage.
After the devastations, the community of the artists obviously does not have access to viable
financial support for their profession and are also lacking means for their survival needs.
Challenges of the project Team
Although the core project team was affiliated with the Myanmar Theatrical Association, there
was still lacking awareness of the method of assessment at Tangible heritage and especially in
Intangible heritage as there had no such experiences been before at that time of June 2008.
Lure of the telecommunication was the main challenge and also there has no public internet
connection in this delta region.
Activities in Moulmeingyun, Myanmar
Restoration of the Kanner Monastry
The Kanner monastery was provided mostly with a new building with the previous design.
The building was in use to hold the examinations for the monks around this region and for the
public community for donation ceremonies and also for novitiate ceremonies and situated at
the township center. The head monk of this monastery is also a chairman of the township level
Monk association.

5. This monastery is of particular value to the community of Maoulmeingyun and of social
significance for the people of the township.
Restoration of the Kyunlone Kutkar Pagoda, Sabbath and Mediation hall and Buddha Statues
In this Sabbath hall from Kyunlone Kutkar Pagoda where the Buddhists used to take the 8
perceptions and learn the Buddha’s teaching once a week of every Sabbath day, most of the
Buddha statues were damaged in this cyclone Nargis.
The structure of the distorted Pagoda and the meditation hall were restored; as well as
repaired on Buddha statues and also some new replaced Buddha statues were built.
These activities helped the continuity of religious belief and this is of spiritual and social
significance for the local community.
Rebuilding the theatrical organization office
The theatrical office building was rebuilt completely as according to the proposed plan to
support, centre and maintain the intangible cultural heritage of the local community.
Activities in Bogalay, Myanmar
Restoration of the Shin U Pa Goata Shrine
The Shin U Pa Goata (the name of the Buddha’s disciple) Shrine was rebuilt completely. This is
also of spiritual and social significance for the local people since it was used to hold an
important ceremony once a year.
Restoration of the Koe Myo Nan Spirit House
The Koe Myo Nan spirit house was completely rebuilt as in the original style, the walls and
roofing were repaired; a wooden stand to put on the Nat statues (Nats are Burmese spirits that
died at the hands of royalty) was also provided.
It is the religious belief of the township people and this is of spiritual significance for the local
community.

6. Rebuilding of the theatrical organization office
The theatrical office building was rebuilt completely according to the proposed plan for the
union of the artists in this region. The theatrical office building is of significance with future
communication to this remote area and to support this specific community of Artists.
Activities for Theatrical Supports in the Region
5 Sets of Quality Traditional Orchestras were produced and delivered to entitled Orchestra
bands that were lost and damaged their musical instruments. Those entitled were selected by
the previous decision of the board of Myanmar Theatrical association, township theatrical
associations and the project coordinator.
Sets of Orchestras have an important role in maintaining all branches of Myanmar traditional
culture to preserve and safeguard the diversity of Intangible Culture Heritage which is closely
related to the artists/musicians/dancers
One of the theatrical groups expressed their concern with regard to sustain the traditional
performing art, for them were necessary, replacement of theatrical related objects such as
sound box, amplifier and its accessories, performance curtains and lights settings. Those
activities supported the artistic and social significance for the Artists and the local communities.
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Critical evaluation and Conclusion
Traditional cultural community from Delta region did really appreciate the support of the
Cultural Emergency Response program of Prince Claus Fund (PCF) and the Local Actors since
there was no hope for them. Although there were some INGO’s but they did help other
communities.
The people from traditional cultural communities, monks, caretakers and trusteeship of the
concerning buildings have been really pleased and also expressed their gratitude and many
thanks to the project at their testimonial letters as well when they did regained the monk’s
dining and examination hall and Sabbath day gathering and the meditation hall in
Moulmeingyun and the spiritual house in Bogalay.

7. The stakeholders like the members from the different levels of Myanmar Theatrical association,
the monks, trustees and heads of the communities and the artists also had been very pleased
and were proud on bridging those opportunities to the local community though there had
inland policy disputed circumstances by the government.
Although the implementation of the project was faced with difficulties due to communication
and transportation, eventually set objectives and intended deliverables of the project were
met. The social awareness has been raised among the local communities with regard to the
importance of preserving not only the tangible but also the intangible cultural heritage.
One of the key factors of the success is that this project was affiliated with Myanmar Theatrical
Association (Central) at some main management parts like the selection of the artists who
entitled the set of Myanmar Orchestra and some other theatrical related. So that we have more
access to formal procedure of Governmental works as well.
Finally all the projects have fulfilled all of the requirements as documented and the
stakeholders and the people from every community who were connected to this project were
satisfied that all outstanding items had been satisfactorily addressed.
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References:
Kyaw Myo Ko (Director, Mandalay Marionettes and Culture Group), “Project Closure Report for
Reconstruction Buildings Projects and Project Closure Report for Theatrical Supports Project” to
Prince Claus Fund/ CER, The Netherland.