1) The document contains call sheets for the production "Forgotten" which provide details of scenes, locations, actors, costumes and equipment needed for each shoot.
2) Key details include scenes taking place at Charlotte's grandmother's house and a graveyard on specific dates from January to December. Actors include Lindsay Burch, Emily Mitchell, Jake Walker and Bob Mitchell.
3) The final sheets describe a torture scene to be filmed in Charlotte's garage, with Lindsay Burch's character Mary-Anne in ripped clothing and distressed state, and Bob Mitchell's character Dennis in work clothes and boots.
This document contains the filming schedule and call sheets for the production "Forgotten" taking place from January 12th to December 10th. It details the scenes, shots, locations, crew, actors and their costumes and makeup, required lighting, sound equipment and other props for each day of filming. The story involves characters Mary-Anne, John and Dennis and takes place at Charlotte's family home as well as a graveyard and abandoned parking lot. Scenes include arguments between Mary-Anne and John, Dennis stalking and kidnapping Mary-Anne, and a torture scene.
This document provides details for a production of Rebecca Gilman's play Dollhouse, which is a modern adaptation of Henrik Ibsen's A Doll's House. It summarizes the casting, themes, concept, set design, symbolism, lighting design, and costume design. The production is set in contemporary America and takes place in a suburban Chicago home around Christmas 2004 and New Year's Eve. The document outlines how each creative element will represent the modern setting and relationships between characters.
The document appears to be a shot list for a film depicting the events of a bride getting ready for her wedding. It begins with exterior shots of the house and evidence of the wedding (confetti, shoes, champagne) before cutting to interior shots showing the bride getting dressed and prepared for the wedding with the help of her bridesmaid and mother. It then flashes back one year earlier to show the bride filling out applications and posting them, hoping for her future.
This document contains production details for the filming of "Forgotten" over 10 days from December 1st-10th. It outlines the scenes, shots, locations, crew, actors and their costumes and makeup for each day of filming. The production involves scenes at Charlotte's Nan's house, a graveyard, abandoned car park and garage. It follows the kidnapping and torture of Mary-Anne by Dennis as the story progresses over the 10 days of shooting.
This document provides an outline and description for a short film pitch about a girl being stalked. The summary is as follows:
1) The film begins with the main character, Jenny, making hot chocolate alone in her kitchen as she has flashbacks to some past event.
2) She falls asleep on the sofa while watching TV but is later woken up by a light in her eyes, seeing her stalker running away through the door.
3) The document then describes the proposed mise-en-scene or visual elements of the film including locations, props, characters, lighting, sounds, camera shots, and iconography to set up the stalking scenario.
The document provides a detailed analysis of the title sequence of a horror film about a stepfather who is a serial killer. It analyzes elements like camera work, sound, mise-en-scene, editing, plot, characters, and credit order. Specifically, it notes the panning and tracking camera shots, minor key music that builds suspense, Christmas décor that contrasts with the murders, flashbacks, casual cutting between mundane and gruesome items, and a storyline where the stepfather methodically kills countless families. The credits follow a typical order and introduce the middle-class American family that is the target of the killer main character.
Beauty's father gets stranded outside a mysterious mansion during a snowstorm. He goes inside and is greeted by an eccentric household, including a dog that leads him to the study. The dog prompts him to eat and drink, then disappears. Beauty's father calls his daughter and a garage for help, with all expenses paid by his mysterious host. The dog returns with his coat, signaling it's time to leave the strange but hospitable house.
This document contains the filming schedule and call sheets for the production "Forgotten" taking place from January 12th to December 10th. It details the scenes, shots, locations, crew, actors and their costumes and makeup, required lighting, sound equipment and other props for each day of filming. The story involves characters Mary-Anne, John and Dennis and takes place at Charlotte's family home as well as a graveyard and abandoned parking lot. Scenes include arguments between Mary-Anne and John, Dennis stalking and kidnapping Mary-Anne, and a torture scene.
This document provides details for a production of Rebecca Gilman's play Dollhouse, which is a modern adaptation of Henrik Ibsen's A Doll's House. It summarizes the casting, themes, concept, set design, symbolism, lighting design, and costume design. The production is set in contemporary America and takes place in a suburban Chicago home around Christmas 2004 and New Year's Eve. The document outlines how each creative element will represent the modern setting and relationships between characters.
The document appears to be a shot list for a film depicting the events of a bride getting ready for her wedding. It begins with exterior shots of the house and evidence of the wedding (confetti, shoes, champagne) before cutting to interior shots showing the bride getting dressed and prepared for the wedding with the help of her bridesmaid and mother. It then flashes back one year earlier to show the bride filling out applications and posting them, hoping for her future.
This document contains production details for the filming of "Forgotten" over 10 days from December 1st-10th. It outlines the scenes, shots, locations, crew, actors and their costumes and makeup for each day of filming. The production involves scenes at Charlotte's Nan's house, a graveyard, abandoned car park and garage. It follows the kidnapping and torture of Mary-Anne by Dennis as the story progresses over the 10 days of shooting.
This document provides an outline and description for a short film pitch about a girl being stalked. The summary is as follows:
1) The film begins with the main character, Jenny, making hot chocolate alone in her kitchen as she has flashbacks to some past event.
2) She falls asleep on the sofa while watching TV but is later woken up by a light in her eyes, seeing her stalker running away through the door.
3) The document then describes the proposed mise-en-scene or visual elements of the film including locations, props, characters, lighting, sounds, camera shots, and iconography to set up the stalking scenario.
The document provides a detailed analysis of the title sequence of a horror film about a stepfather who is a serial killer. It analyzes elements like camera work, sound, mise-en-scene, editing, plot, characters, and credit order. Specifically, it notes the panning and tracking camera shots, minor key music that builds suspense, Christmas décor that contrasts with the murders, flashbacks, casual cutting between mundane and gruesome items, and a storyline where the stepfather methodically kills countless families. The credits follow a typical order and introduce the middle-class American family that is the target of the killer main character.
Beauty's father gets stranded outside a mysterious mansion during a snowstorm. He goes inside and is greeted by an eccentric household, including a dog that leads him to the study. The dog prompts him to eat and drink, then disappears. Beauty's father calls his daughter and a garage for help, with all expenses paid by his mysterious host. The dog returns with his coat, signaling it's time to leave the strange but hospitable house.
The document discusses how lighting is used for effect in different horror films. In A Nightmare on Elm Street, backlighting creates a silhouette of Freddy Krueger, heightening fear of the unknown. In Orphan, blue lighting reflects Esther's cold nature and the change from pretending to be innocent. In Halloween, profile lighting on Michael Myers' face creates mystery about his dark and masked side.
The document discusses how props are used symbolically in horror films to build tension and convey meaning. It provides examples from Scream, Friday the 13th, and Saw. In Scream, rising popcorn represents mounting tension and symbolizes the danger Casey is in by staying on the phone. In Friday the 13th, Jason's mask allows him to see his victims while hiding his own identity and traumatic past. In Saw, the Jigsaw doll represents the changed nature of the film's antagonist after being diagnosed with cancer.
This document is a horror movie questionnaire that asks respondents about their horror movie preferences and viewing habits. It collects demographic information like age and asks which genre of horror is their favorite. It also asks about their last horror movie watched, how often they see horror films in theaters, and whether they are brave enough to watch alone. Additionally, it inquires about the importance of trailers/posters and if any have enticed the respondent to see a specific horror movie.
The document discusses common locations used in horror films and the reasons they are effective settings. Hotels are often large and confusing, making it difficult for victims to escape, and they frequently have dark histories. Houses are meant to feel safe but can be haunted, putting viewers on edge. Isolated settings like houses and hotels heighten tension as characters have no means of calling for help. Natural areas create fear of the unknown with anything potentially lurking in the trees. Hospitals and asylums are unsettling due to their association with disturbed individuals and past tragedies.
The document discusses various horror movie subgenres and their common conventions. It provides descriptions of supernatural, slasher, possession, psychological, and gothic horror genres. It notes that the group chose to focus their promotional package on psychological horror since it allows more creative freedom than other subgenres with stricter conventions. They believe this will help them develop a fresh, original idea that stands out from current popular supernatural and possession movies. Their goal is to create a psychological horror film that becomes a cinematic classic like Silence of the Lambs and Gothika.
This document summarizes the history and evolution of the horror genre in film from the 1920s to the 2000s. It traces how the fears of audiences have changed over time and how horror films have reflected those changing fears. Early horrors from the 1920s-1930s were dark, Gothic films featuring mythical monsters. In the 1940s-1950s, films began featuring characters transforming into animals or humans mutated by science experiments and radiation. The 1960s saw the rise of psychological horrors about disturbed individuals. The 1970s brought mature, artistic horrors exploring social fears. Slashers emerged in the 1980s with a focus on gore and special effects. Clever meta-horrors became popular in the 1990s. Modern horrors reflect
This document provides a pitch for a horror/thriller film and includes links to clips from similar sub-genres that were inspirational. It identifies the target audience and references psychological horror/thriller films like One Hour Photo that influenced the proposed project. The clips are intended to demonstrate the visual style and tone envisioned for the pitched film.
This document summarizes several subgenres of horror films, including supernatural, slasher, psychological, possession, and zombie films. It provides examples for each subgenre, such as The Conjuring for supernatural horror and Scream for slasher films. The document also discusses conventions for each subgenre, like the use of children as victims in supernatural films or the "final girl" character in slashers. Finally, it states that the author's chosen subgenre for a film project is psychological horror, as they find these films most interesting and able to grip audiences through fear and tricks.
This document discusses several common horror movie subgenres and their conventions. It provides descriptions of supernatural, slasher, possession, psychological, and gothic horror genres. Key conventions listed for each include common locations, characters, themes, and plot devices. The document then explains that the group chose to focus their promotional package on psychological horror since it allows more creative freedom compared to other subgenres with stricter conventions. They believe this will help them develop a fresh, original story that could become a cinematic classic.
The document provides feedback on a presentation about horror movie subgenres created by Betsi Burch. The feedback includes:
- Praise for Betsi's work and knowledge demonstrated.
- Suggestions were made to add images, respond to comments, include more examples and explanations.
- Key terminology should always be used.
General feedback recommends reorganizing slides now that more content has been added and improving the overall appearance. Adding images between existing slides is suggested to make it more effective.
This document discusses several common horror movie subgenres and their conventions. It describes supernatural horror movies as featuring ghosts antagonizing victims through hauntings. Slasher movies involve a masked killer murdering attractive teenagers graphically. Possession movies center around a possessed female, especially a child, and usually involve religion and exorcisms. Psychological horrors focus more on mental fears than gore, using settings like isolated houses and flashbacks to build tension. Gothic horrors take place in gloomy settings like castles and feature monsters and mythical creatures. The document concludes by explaining why the author's group chose to focus on psychological horror for a class project, finding it offers more creative freedom than genres with stricter conventions.
The document summarizes the history of horror films from the 1920s to present day. It discusses how the genre has evolved over time to reflect the fears of the eras' audiences. Early horrors from the 1920s-1930s featured monsters from literature and were dark and gothic. Films of the 1940s-1950s began exploring themes of science experiments and radiation in the atomic age. The 1960s saw a rise of psychological horrors as social norms changed. The 1970s was a golden age for the genre focusing on fears of the family and children. Gore and special effects dominated 1980s films. Modern horrors emphasize realism and intellectual games with life-or-death stakes.
Project Serenity is an innovative initiative aimed at transforming urban environments into sustainable, self-sufficient communities. By integrating green architecture, renewable energy, smart technology, sustainable transportation, and urban farming, Project Serenity seeks to minimize the ecological footprint of cities while enhancing residents' quality of life. Key components include energy-efficient buildings, IoT-enabled resource management, electric and autonomous transportation options, green spaces, and robust waste management systems. Emphasizing community engagement and social equity, Project Serenity aspires to serve as a global model for creating eco-friendly, livable urban spaces that harmonize modern conveniences with environmental stewardship.
EASY TUTORIAL OF HOW TO USE REMINI BY: FEBLESS HERNANEFebless Hernane
Using Remini is easy and quick for enhancing your photos. Start by downloading the Remini app on your phone. Open the app and sign in or create an account. To improve a photo, tap the "Enhance" button and select the photo you want to edit from your gallery. Remini will automatically enhance the photo, making it clearer and sharper. You can compare the before and after versions by swiping the screen. Once you're happy with the result, tap "Save" to store the enhanced photo in your gallery. Remini makes your photos look amazing with just a few taps!
EASY TUTORIAL OF HOW TO USE G-TEAMS BY: FEBLESS HERNANEFebless Hernane
Using Google Teams (G-Teams) is simple. Start by opening the Google Teams app on your phone or visiting the G-Teams website on your computer. Sign in with your Google account. To join a meeting, click on the link shared by the organizer or enter the meeting code in the "Join a Meeting" section. To start a meeting, click on "New Meeting" and share the link with others. You can use the chat feature to send messages and the video button to turn your camera on or off. G-Teams makes it easy to connect and collaborate with others!
STUDY ON THE DEVELOPMENT STRATEGY OF HUZHOU TOURISMAJHSSR Journal
ABSTRACT: Huzhou has rich tourism resources, as early as a considerable development since the reform and
opening up, especially in recent years, Huzhou tourism has ushered in a new period of development
opportunities. At present, Huzhou tourism has become one of the most characteristic tourist cities on the East
China tourism line. With the development of Huzhou City, the tourism industry has been further improved, and
the tourism degree of the whole city has further increased the transformation and upgrading of the tourism
industry. However, the development of tourism in Huzhou City still lags far behind the tourism development of
major cities in East China. This round of research mainly analyzes the current development of tourism in
Huzhou City, on the basis of analyzing the specific situation, pointed out that the current development of
Huzhou tourism problems, and then analyzes these problems one by one, and put forward some specific
solutions, so as to promote the further rapid development of tourism in Huzhou City.
KEYWORDS:Huzhou; Travel; Development
This tutorial presentation offers a beginner-friendly guide to using THREADS, Instagram's messaging app. It covers the basics of account setup, privacy settings, and explores the core features such as close friends lists, photo and video sharing, creative tools, and status updates. With practical tips and instructions, this tutorial will empower you to use THREADS effectively and stay connected with your close friends on Instagram in a private and engaging way.
This tutorial presentation provides a step-by-step guide on how to use Facebook, the popular social media platform. In simple and easy-to-understand language, this presentation explains how to create a Facebook account, connect with friends and family, post updates, share photos and videos, join groups, and manage privacy settings. Whether you're new to Facebook or just need a refresher, this presentation will help you navigate the features and make the most of your Facebook experience.
Your LinkedIn Success Starts Here.......SocioCosmos
In order to make a lasting impression on your sector, SocioCosmos provides customized solutions to improve your LinkedIn profile.
https://www.sociocosmos.com/product-category/linkedin/
The document discusses how lighting is used for effect in different horror films. In A Nightmare on Elm Street, backlighting creates a silhouette of Freddy Krueger, heightening fear of the unknown. In Orphan, blue lighting reflects Esther's cold nature and the change from pretending to be innocent. In Halloween, profile lighting on Michael Myers' face creates mystery about his dark and masked side.
The document discusses how props are used symbolically in horror films to build tension and convey meaning. It provides examples from Scream, Friday the 13th, and Saw. In Scream, rising popcorn represents mounting tension and symbolizes the danger Casey is in by staying on the phone. In Friday the 13th, Jason's mask allows him to see his victims while hiding his own identity and traumatic past. In Saw, the Jigsaw doll represents the changed nature of the film's antagonist after being diagnosed with cancer.
This document is a horror movie questionnaire that asks respondents about their horror movie preferences and viewing habits. It collects demographic information like age and asks which genre of horror is their favorite. It also asks about their last horror movie watched, how often they see horror films in theaters, and whether they are brave enough to watch alone. Additionally, it inquires about the importance of trailers/posters and if any have enticed the respondent to see a specific horror movie.
The document discusses common locations used in horror films and the reasons they are effective settings. Hotels are often large and confusing, making it difficult for victims to escape, and they frequently have dark histories. Houses are meant to feel safe but can be haunted, putting viewers on edge. Isolated settings like houses and hotels heighten tension as characters have no means of calling for help. Natural areas create fear of the unknown with anything potentially lurking in the trees. Hospitals and asylums are unsettling due to their association with disturbed individuals and past tragedies.
The document discusses various horror movie subgenres and their common conventions. It provides descriptions of supernatural, slasher, possession, psychological, and gothic horror genres. It notes that the group chose to focus their promotional package on psychological horror since it allows more creative freedom than other subgenres with stricter conventions. They believe this will help them develop a fresh, original idea that stands out from current popular supernatural and possession movies. Their goal is to create a psychological horror film that becomes a cinematic classic like Silence of the Lambs and Gothika.
This document summarizes the history and evolution of the horror genre in film from the 1920s to the 2000s. It traces how the fears of audiences have changed over time and how horror films have reflected those changing fears. Early horrors from the 1920s-1930s were dark, Gothic films featuring mythical monsters. In the 1940s-1950s, films began featuring characters transforming into animals or humans mutated by science experiments and radiation. The 1960s saw the rise of psychological horrors about disturbed individuals. The 1970s brought mature, artistic horrors exploring social fears. Slashers emerged in the 1980s with a focus on gore and special effects. Clever meta-horrors became popular in the 1990s. Modern horrors reflect
This document provides a pitch for a horror/thriller film and includes links to clips from similar sub-genres that were inspirational. It identifies the target audience and references psychological horror/thriller films like One Hour Photo that influenced the proposed project. The clips are intended to demonstrate the visual style and tone envisioned for the pitched film.
This document summarizes several subgenres of horror films, including supernatural, slasher, psychological, possession, and zombie films. It provides examples for each subgenre, such as The Conjuring for supernatural horror and Scream for slasher films. The document also discusses conventions for each subgenre, like the use of children as victims in supernatural films or the "final girl" character in slashers. Finally, it states that the author's chosen subgenre for a film project is psychological horror, as they find these films most interesting and able to grip audiences through fear and tricks.
This document discusses several common horror movie subgenres and their conventions. It provides descriptions of supernatural, slasher, possession, psychological, and gothic horror genres. Key conventions listed for each include common locations, characters, themes, and plot devices. The document then explains that the group chose to focus their promotional package on psychological horror since it allows more creative freedom compared to other subgenres with stricter conventions. They believe this will help them develop a fresh, original story that could become a cinematic classic.
The document provides feedback on a presentation about horror movie subgenres created by Betsi Burch. The feedback includes:
- Praise for Betsi's work and knowledge demonstrated.
- Suggestions were made to add images, respond to comments, include more examples and explanations.
- Key terminology should always be used.
General feedback recommends reorganizing slides now that more content has been added and improving the overall appearance. Adding images between existing slides is suggested to make it more effective.
This document discusses several common horror movie subgenres and their conventions. It describes supernatural horror movies as featuring ghosts antagonizing victims through hauntings. Slasher movies involve a masked killer murdering attractive teenagers graphically. Possession movies center around a possessed female, especially a child, and usually involve religion and exorcisms. Psychological horrors focus more on mental fears than gore, using settings like isolated houses and flashbacks to build tension. Gothic horrors take place in gloomy settings like castles and feature monsters and mythical creatures. The document concludes by explaining why the author's group chose to focus on psychological horror for a class project, finding it offers more creative freedom than genres with stricter conventions.
The document summarizes the history of horror films from the 1920s to present day. It discusses how the genre has evolved over time to reflect the fears of the eras' audiences. Early horrors from the 1920s-1930s featured monsters from literature and were dark and gothic. Films of the 1940s-1950s began exploring themes of science experiments and radiation in the atomic age. The 1960s saw a rise of psychological horrors as social norms changed. The 1970s was a golden age for the genre focusing on fears of the family and children. Gore and special effects dominated 1980s films. Modern horrors emphasize realism and intellectual games with life-or-death stakes.
Project Serenity is an innovative initiative aimed at transforming urban environments into sustainable, self-sufficient communities. By integrating green architecture, renewable energy, smart technology, sustainable transportation, and urban farming, Project Serenity seeks to minimize the ecological footprint of cities while enhancing residents' quality of life. Key components include energy-efficient buildings, IoT-enabled resource management, electric and autonomous transportation options, green spaces, and robust waste management systems. Emphasizing community engagement and social equity, Project Serenity aspires to serve as a global model for creating eco-friendly, livable urban spaces that harmonize modern conveniences with environmental stewardship.
EASY TUTORIAL OF HOW TO USE REMINI BY: FEBLESS HERNANEFebless Hernane
Using Remini is easy and quick for enhancing your photos. Start by downloading the Remini app on your phone. Open the app and sign in or create an account. To improve a photo, tap the "Enhance" button and select the photo you want to edit from your gallery. Remini will automatically enhance the photo, making it clearer and sharper. You can compare the before and after versions by swiping the screen. Once you're happy with the result, tap "Save" to store the enhanced photo in your gallery. Remini makes your photos look amazing with just a few taps!
EASY TUTORIAL OF HOW TO USE G-TEAMS BY: FEBLESS HERNANEFebless Hernane
Using Google Teams (G-Teams) is simple. Start by opening the Google Teams app on your phone or visiting the G-Teams website on your computer. Sign in with your Google account. To join a meeting, click on the link shared by the organizer or enter the meeting code in the "Join a Meeting" section. To start a meeting, click on "New Meeting" and share the link with others. You can use the chat feature to send messages and the video button to turn your camera on or off. G-Teams makes it easy to connect and collaborate with others!
STUDY ON THE DEVELOPMENT STRATEGY OF HUZHOU TOURISMAJHSSR Journal
ABSTRACT: Huzhou has rich tourism resources, as early as a considerable development since the reform and
opening up, especially in recent years, Huzhou tourism has ushered in a new period of development
opportunities. At present, Huzhou tourism has become one of the most characteristic tourist cities on the East
China tourism line. With the development of Huzhou City, the tourism industry has been further improved, and
the tourism degree of the whole city has further increased the transformation and upgrading of the tourism
industry. However, the development of tourism in Huzhou City still lags far behind the tourism development of
major cities in East China. This round of research mainly analyzes the current development of tourism in
Huzhou City, on the basis of analyzing the specific situation, pointed out that the current development of
Huzhou tourism problems, and then analyzes these problems one by one, and put forward some specific
solutions, so as to promote the further rapid development of tourism in Huzhou City.
KEYWORDS:Huzhou; Travel; Development
This tutorial presentation offers a beginner-friendly guide to using THREADS, Instagram's messaging app. It covers the basics of account setup, privacy settings, and explores the core features such as close friends lists, photo and video sharing, creative tools, and status updates. With practical tips and instructions, this tutorial will empower you to use THREADS effectively and stay connected with your close friends on Instagram in a private and engaging way.
This tutorial presentation provides a step-by-step guide on how to use Facebook, the popular social media platform. In simple and easy-to-understand language, this presentation explains how to create a Facebook account, connect with friends and family, post updates, share photos and videos, join groups, and manage privacy settings. Whether you're new to Facebook or just need a refresher, this presentation will help you navigate the features and make the most of your Facebook experience.
Your LinkedIn Success Starts Here.......SocioCosmos
In order to make a lasting impression on your sector, SocioCosmos provides customized solutions to improve your LinkedIn profile.
https://www.sociocosmos.com/product-category/linkedin/
Telegram is a messaging platform that ushers in a new era of communication. Available for Android, Windows, Mac, and Linux, Telegram offers simplicity, privacy, synchronization across devices, speed, and powerful features. It allows users to create their own stickers with a user-friendly editor. With robust encryption, Telegram ensures message security and even offers self-destructing messages. The platform is open, with an API and source code accessible to everyone, making it a secure and social environment where groups can accommodate up to 200,000 members. Customize your messenger experience with Telegram's expressive features.
UR BHatti Academy dedicated to providing the finest IT courses training in the world. Under the guidance of experienced trainer Usman Rasheed Bhatti, we have established ourselves as a professional online training firm offering unparalleled courses in Pakistan. Our academy is a trailblazer in Dijkot, being the first institute to officially provide training to all students at their preferred schedules, led by real-world industry professionals and Google certified staff.
Lifecycle of a GME Trader: From Newbie to Diamond Handsmediavestfzllc
Your phone buzzes with a Reddit notification. It's the WallStreetBets forum, a cacophony of memes, rocketship emojis, and fervent discussions about Gamestop (GME) stock. A spark ignites within you - a mix of internet bravado, a rebellious urge to topple the hedge funds (remember Mr. Mayo?), and maybe that one late-night YouTube rabbit hole about tendies. You decide to YOLO (you only live once, right?).
Ramen noodles become your new best friend. Every spare penny gets tossed into the GME piggy bank. You're practically living on fumes, but the dream of a moonshot keeps you going. Your phone becomes an extension of your hand, perpetually glued to the GME ticker. It's a roller-coaster ride - every dip a stomach punch, every rise a shot of adrenaline.
Then, it happens. Roaring Kitty, the forum's resident legend, fires off a cryptic tweet. The apes, as the GME investors call themselves, erupt in a frenzy. Could this be it? Is the rocket finally fueled for another epic launch? You grip your phone tighter, heart pounding in your chest. It's a wild ride, but you're in it for the long haul.
The Evolution of SEO: Insights from a Leading Digital Marketing AgencyDigital Marketing Lab
Explore the latest trends in Search Engine Optimization (SEO) and discover how modern practices are transforming business visibility. This document delves into the shift from keyword optimization to user intent, highlighting key trends such as voice search optimization, artificial intelligence, mobile-first indexing, and the importance of E-A-T principles. Enhance your online presence with expert insights from Digital Marketing Lab, your partner in maximizing SEO performance.
2. Name of Production
Date of Shoot
Time of Shoot
Scenes and Shots
“Forgotten”
01/12/13
6pm onwards
• Opening scene
• Shot No. 3 and 5
Location
Crew Present
Charlotte‟s Grandmothers house (The Family Home)
Betsi Burch
Amber Khamou
Charlotte Mitchell
Jake Walker (John)
Lindsay Burch (Mary-anne)
Emily Mitchell (Lizzie)
• Lizzie – Gothic, black top, trousers and shoes. Heavy black
make up with hair down and straight slightly covering face.
Actors Present
Costume, Hair and Make-Up
Required
• John – Shirt and trousers – he has just arrived home from work
for dinner and is then going out. He has neatly gelled hair with
no make-up on.
• Mary-Anne – Jeans and a white top, styled hair with minimal
makeup on to portray her natural beauty
Lighting and Sound Equipment
Required
• Lighting – Available lighting from lamps and lights in the
house.
• Sound – Dialogue
Other Equipment and Props
Required
Glass of wine, dinner, camera phone, homely vibe,
3. Name of Production
“Forgotten”
Date of Shoot
02/12/13
Time of Shoot
6pm onwards
Scenes and Shots
• Scene where Mary-Anne finds out about her mother‟s death
• Shot No. 7 and 8
Location
Charlotte‟s Grandmother‟s House (The Family Home)
Crew Present
Charlotte Mitchell
Amber Khamou
Betsi Burch
Actors Present
Jake Walker (John)
Lindsay Burch (Mary-Anne)
Emily Mitchell (Lizzie)
Costume, Hair and Make-Up
Required
• Mary-Anne – Jeans light coloured top, hair in a pony tail,
minimal makeup to create a natural look.
Lighting and Sound Equipment
Required
Other Equipment and Props
Required
•Lighting – Available (lamps ceiling lights)
•Sound – Dialogue, diegetic and non diegetic.
Wine, dinner, sofa, radio, phone
4. Name of Production
“Forgotten”
Date of Shoot
03/12/13
Time of Shoot
9am onwards
Scenes and Shots
• Graveyard scene
• Shot No. 9, 10, 11, 12, 13 14 and 15
Location
St Martin‟s Grave Yard
Crew Present
Amber Khamou
Charlotte Mitchell
Betsi Burch
Actors Present
Bob Mitchell (Dennis)
Lindsay Burch (Mary-Anne)
Costume, Hair and Make-Up
Required
• Mary-Anne – Smart black clothing, nice and neat hair, with
natural makeup.
• Dennis – Jeans, dark top and leather jacket with work boots,
no makeup or hair.
Lighting and Sound Equipment
Required
•Lighting – Ambient e.g daylight.
Other Equipment and Props
Required
•Sound – Dialogue, diegetic sound e.g birds and clock chimes,
and non diegetic sound.
Grave stone, flowers and card in the flowers.
5. Name of Production
Date of Shoot
Time of Shoot
Scenes and Shots
“Forgotten”
04/12/13
6pm onwards
• Stalking scenes
• Shot No. 17, 18, 19, 20 and 22
Location
Crew Present
Charlotte‟s Grandmother‟s House (The Family Home)
Betsi Burch
Amber Khamou
Charlotte Mitchell
Jake Walker (John)
Lindsay Burch (Mary-anne)
Emily Mitchell (Lizzie)
Actors Present
Costume, Hair and Make-Up
Required
Lighting and Sound Equipment
Required
Other Equipment and Props
Required
• Mary-Anne – Pyjamas and socks. Dark make up under eyes to
make her look haggard and tired, hair down and backcombed (messy).
• Dennis – jeans, black leather jacket, he looks old, menacing,
stressed and lifeless
• Lighting – Available lighting from lamps and lights in the house
and ambient (daylight).
• Sound – Dialogue, form of non diegetic sound, shouting and
screaming, doors slamming and heavy footsteps.
„the wall of pictures‟, dennis‟ van
6. Name of Production
Date of Shoot
Time of Shoot
Scenes and Shots
Location
Crew Present
Actors Present
Costume, Hair and Make-Up
Required
“Forgotten”
06/12/13
6pm onwards
• Scene where Mary-Anne and John have an argument about
what‟s happening to her.
• Shot No. 23, 24, 25, 26, 27, 28, 29, 30
Charlotte‟s Grandmother‟s House (The Family Home)
Betsi Burch
Amber Khamou
Charlotte Mitchell
Jake Walker (John)
Lindsay Burch (Mary-anne)
• John – Comfortable every day costume e.g jumper and ¾
length tracksuit bottoms. Neatly gelled hair with no make-up.
• Mary-Anne – Pyjamas and socks. Dark make up under eyes to
make her look haggard and tired, hair down and backcombed (messy).
Lighting and Sound Equipment
Required
Other Equipment and Props
Required
• Lighting – Available lighting from lamps and lights in the
house.
• Sound – Dialogue, form of non diegetic sound, shouting and
screaming, doors slamming and heavy footsteps.
Glass of wine, shoes lying around, catalogues on the table,
and candle burning.
7. Name of Production
“Forgotten”
Date of Shoot
07/12/13
Time of Shoot
6pm onwards
Scenes and Shots
• Scene – Mary-Anne‟s reaction to John leaving
• Shot No. 31, 32, 33, 34, 35, 37, 38, 39, 40
Location
Charlotte‟s Grandmother‟s House (The Family Home)
Crew Present
Amber Khamou
Betsi Burch
Charlotte Mitchell
Actors Present
Lindsay Burch (Mary-Anne)
Costume, Hair and Make-Up
Required
Lighting and Sound Equipment
Required
Other Equipment and Props
Required
• Mary-Anne - Pyjamas, messy hair and dark make-up to make
her look tired.
• Lighting - Available lighting e.g lamps (low) and ambient
lighting e.g moonlight.
• Sound – Diegetic/dialogue
Glass of water, phone and sleeping pills
8. Name of Production
“Forgotten”
Date of Shoot
08/12/13
Time of Shoot
6pm onwards
Scenes and Shots
• Scene – Dennis‟ breaks in to Mary-Anne‟s house
• Shot No. 42, 43, 44, 45, 46, 47, 49
Location
Charlotte‟s Grandmother‟s House (The Family Home)
Crew Present
Amber Khamou
Betsi Burch
Charlotte Mitchell
Actors Present
Lindsay Burch (Mary-Anne)
Costume, Hair and Make-Up
Required
Lighting and Sound Equipment
Required
Other Equipment and Props
Required
• Mary-Anne - Pyjamas, messy hair and dark make-up to make
her look tired.
• Lighting - Available lighting e.g lamps (low) and ambient
lighting e.g moonlight.
• Sound – Diegetic/dialogue
Glass of water, bed, cushions and sleeping pills
9. Name of Production
“Forgotten”
Date of Shoot
09/12/13
Time of Shoot
9am onwards
Scenes and Shots
• Scene – Dennis kidnaps Mary-Anne
• Shot No. 51, 52, 53, 54
Location
Abandoned car park
Crew Present
Amber Khamou
Betsi Burch
Charlotte Mitchell
Actors Present
Costume, Hair and Make-Up
Required
Lindsay Burch (Mary-Anne)
Bob Mitchell (Dennis)
• Mary-Anne – Jeans and black coat, messy hair and dark
make-up to make her look tired.
• Dennis – Jeans and black leather jacket, black gloves and
black hat
Lighting and Sound Equipment
Required
• Lighting - ambient lighting e.gday light
• Sound – Diegetic/dialogue *scream*
Other Equipment and Props
Required
car, shopping bags
10. Name of Production
“Forgotten”
Date of Shoot
Time of Shoot
Scenes and Shots
10/12/13
5pm onwards
Torture scene
Shot No. 56, 57, 59
Location
Crew Present
Charlotte‟s garage
Charlotte Mitchell
Betsi Burch
Amber Khamou
Bob Mitchell - Dennis
Lindsay Burch – Mary-Anne
Mary-Anne – ripped clothing, dirt on face and
blood, messy hair, distressed, no shoes.
Dennis – jeans, dark top and jacket with work mans
boots.
Actors Present
Costume, Hair and MakeUp Required
Lighting and Sound
Equipment Required
Lighting – Low lighting,
Sound – dialogue, non diegetic and diegetic,
screams, shouts, slamming of doors, footsteps,
heavy breathing.
Other Equipment and Props
Required
Wooden chair, screw driver, rope, scissors, knife,
torch