Jake Smedley is scheduled to film his role as a band member on November 22nd, 2016. He is called to set between 12:50pm and 1:20pm. The producer and director for the shoot is Ethan Lucey.
The document discusses different types of sounds that can be used in films, including diegetic sounds that originate within the scene and non-diegetic sounds that are added later. It provides examples of using dramatic music to accompany scenes of agony and pain, while calm ambient noises like rain or trees suggest tranquility. Tragic music can also be used to emphasize tragedy and create tension, drawing the audience in. Different sounds should be selected to match the mood and atmosphere of each scene.
The document summarizes two potential openings for a radio trailer for a horror movie called LIVE EVIL. The second version was chosen because it was deemed more appealing. It uses dialogue excerpts from the film and sound effects to set the scene and give listeners a sense of the horror theme. It introduces the main character Rebecca Lucky and plays out a scenario where strange and scary things begin occurring after she receives an unknown DVD, hinting at the plot of the film.
This document lists the opening credits for the 1979 film Alien, directed by Ridley Scott. It identifies the main cast which includes Tom Skerritt, Sigourney Weaver, Veronica Cartwright, Harry Dean Stanton, John Hurt, Ian Holm, and Yaphet Kotto. It also notes the composer, executive producer, screenwriters, and producers. The title Alien is revealed letter by letter over the opening credits.
This short document explores four different film genres - aesthetic, emotional, narrative, and documentary - but does not provide any details about each genre. It concludes simply by stating "[THE END]".
The document discusses diegetic and non-diegetic sounds in films. It provides examples of each type of sound: diegetic sounds come from visible or implied sources on screen, like dialogue, footsteps, or music from a radio, while non-diegetic sounds do not come from sources on screen, such as music or narration added to set the mood. The document also explains how diegetic and non-diegetic sounds are often combined in scenes to both convey what is happening and how characters feel about it.
Non-diegetic sounds can characterize characters as good or evil, while diegetic sounds can indicate a character's behavior or state of mind. Sound also establishes genre, such as dramatic music setting a horror tone. Both diegetic and non-diegetic sounds can convey setting through elements like howling wind or creaking doors that suggest an uneasy atmosphere. Voiceovers and sound bridges are examples of how sound shapes narrative meaning by providing information or linking scenes.
Tension is built in thriller films through several techniques. Mise-en-scene uses darkness, large locations with blind spots, and shocking scenes. The film cross-cuts between the protagonist and antagonist to show different viewpoints and build anticipation of their interactions. Music also builds tension by getting louder before action scenes. Tension arises from the viewer's knowledge that the antagonist has power over the protagonist and is making them uncomfortable.
This document provides a service cue sheet for December 23, 2007 at "The Verdict" church. It outlines the roles and responsibilities of various ministry leaders, worship team members, and elements of the service. The sermon theme is "Christmas" and will feature drama presentations, musical performances by the praise team and kidz choir, and sermons by Pastor Jerry Doss at 7:30, 9:00, and 11:00 AM. The service order is subject to change.
The document discusses different types of sounds that can be used in films, including diegetic sounds that originate within the scene and non-diegetic sounds that are added later. It provides examples of using dramatic music to accompany scenes of agony and pain, while calm ambient noises like rain or trees suggest tranquility. Tragic music can also be used to emphasize tragedy and create tension, drawing the audience in. Different sounds should be selected to match the mood and atmosphere of each scene.
The document summarizes two potential openings for a radio trailer for a horror movie called LIVE EVIL. The second version was chosen because it was deemed more appealing. It uses dialogue excerpts from the film and sound effects to set the scene and give listeners a sense of the horror theme. It introduces the main character Rebecca Lucky and plays out a scenario where strange and scary things begin occurring after she receives an unknown DVD, hinting at the plot of the film.
This document lists the opening credits for the 1979 film Alien, directed by Ridley Scott. It identifies the main cast which includes Tom Skerritt, Sigourney Weaver, Veronica Cartwright, Harry Dean Stanton, John Hurt, Ian Holm, and Yaphet Kotto. It also notes the composer, executive producer, screenwriters, and producers. The title Alien is revealed letter by letter over the opening credits.
This short document explores four different film genres - aesthetic, emotional, narrative, and documentary - but does not provide any details about each genre. It concludes simply by stating "[THE END]".
The document discusses diegetic and non-diegetic sounds in films. It provides examples of each type of sound: diegetic sounds come from visible or implied sources on screen, like dialogue, footsteps, or music from a radio, while non-diegetic sounds do not come from sources on screen, such as music or narration added to set the mood. The document also explains how diegetic and non-diegetic sounds are often combined in scenes to both convey what is happening and how characters feel about it.
Non-diegetic sounds can characterize characters as good or evil, while diegetic sounds can indicate a character's behavior or state of mind. Sound also establishes genre, such as dramatic music setting a horror tone. Both diegetic and non-diegetic sounds can convey setting through elements like howling wind or creaking doors that suggest an uneasy atmosphere. Voiceovers and sound bridges are examples of how sound shapes narrative meaning by providing information or linking scenes.
Tension is built in thriller films through several techniques. Mise-en-scene uses darkness, large locations with blind spots, and shocking scenes. The film cross-cuts between the protagonist and antagonist to show different viewpoints and build anticipation of their interactions. Music also builds tension by getting louder before action scenes. Tension arises from the viewer's knowledge that the antagonist has power over the protagonist and is making them uncomfortable.
This document provides a service cue sheet for December 23, 2007 at "The Verdict" church. It outlines the roles and responsibilities of various ministry leaders, worship team members, and elements of the service. The sermon theme is "Christmas" and will feature drama presentations, musical performances by the praise team and kidz choir, and sermons by Pastor Jerry Doss at 7:30, 9:00, and 11:00 AM. The service order is subject to change.
The document discusses the use of hardware and software in the production of a music video. It describes using an iPhone to capture behind-the-scenes footage and timelapses, a Canon camera for stills, and a tripod for steady shots. An iMac was used for research, planning, and editing. Photoshop was used to design album artwork and a digipak, and Final Cut Pro was used to edit video footage. Online tools like Blogger, Wix, Prezi, and Google Docs were utilized for planning, sharing work, and collaborating as a team. While some skills with the technologies were developed, the document reflects that there is still room for growth in fully utilizing the capabilities of Phot
The combination of products for the band Neon Waves is effective due to the consistent style and theme across all elements. A minimalist design with a focus on the colors black, white, and neon pink creates a recognizable brand identity. This color scheme and style carries through the digipak, website, and music video. Research on other artists like The 1975 and Ed Sheeran showed the importance of maintaining a consistent look and feel across all promotional materials to effectively promote the band and their music.
This document summarizes feedback received on three indie music products: costumes for a live performance, a digipak for an album, and a music video. The costumes and digipak received many positive comments about suiting the genre and having good design. The video also received praise but some criticism around technical issues like drums being out of sync. The feedback will help the creators improve products to better meet audience needs and expectations within the indie genre.
The document provides an updated narrative for a music video to better align with the song lyrics. The new narrative simplifies the initial idea so they can focus on quality details and shots specifically linking to lyrics. It involves scenes of the protagonist calling but hanging up, looking at a clock showing a time difference, packing bags to disappear for days, walking while looking at a watch, and ignoring a phone call.
The document provides updates on a music video, digipak, and website based on received feedback. The music video storyline has been completely changed. The digipak design has been revised to a 6 panel format that allows for a barcode while keeping consistent yet varied artwork. Feedback led to rethinking the website design to make it more detailed and interesting, including moving the navigation bar to the top of the page.
Through researching other bands' logos, the band decided to design their own logo to represent themselves. They brainstormed logo ideas and created initial designs in Photoshop. Their favorite logo incorporated the band's name and a wave, but it did not fit well on their website. So they designed a final logo with the band's name in a wave-style text within a colored background to represent their "Neon Waves" identity and sound professionally on their website.
The document discusses and compares several potential song choices for a student band to perform in a music video project. It analyzes songs by Nirvana, MGMT, and The Killers based on the band's abilities and the suitability of the song's narrative, instrumentation, and popularity. Ultimately, the document decides on "Seven" by Catfish and the Bottlemen, as the lyrics and genre fit well and there is no existing official music video for the song.
This document provides location information for filming at a summer house located at 26 Church Street Bishop Middleham. Permission has already been obtained from the owner, Oliver Bullen, to film there. The summer house is suitable for the shoot due to fitting the genre convention and having ample space. There are no anticipated access, sound, or lighting issues at the private garden location.
This document analyzes and summarizes three music videos. For the first video, "Itch" by Nothing But Thieves, the summary notes that the video has a narrative style with random moments from the protagonist's day and maintains interest through unpredictable elements. It targets a niche audience. The second video, "PARKING LOT" by VANT, is performance-based, showing a rowdy crowd at the band's show. It cuts very quickly between shots. The third video, "Hook, Line & Sinker" by Royal Blood, is a live performance with no narrative. It focuses on illustrating the instruments and changing camera techniques and lighting to match the energy of the song.
This document provides visual representations for three music genres: indie rock, indie rock, and indie pop. For indie rock, the images show band members in suits performing on a stage with instruments like drums and guitars, representing a typical live indie rock performance. For indie rock, the images depict laid back musicians playing guitars on a rooftop or in a studio, reinforcing a casual attitude. For indie pop, the settings include a road and woodland area, and the musicians have casual styles and body language, connecting the genre to indie while also incorporating classic pop elements like bright colors and diamond shapes.
The music video uses 2-3 locations including two hallways and another place under sheets. There are no costume changes. The video relies on camera movement and lighting effects rather than narrative elements to keep it engaging.
The document discusses font and color choices for an indie magazine. It will use orange, white, and green - known as "earth colors" commonly seen in indie magazines. These three colors will be used consistently on the front cover and contents page to establish a house style reminding readers of the brand and genre. The front cover font will be sans serif while the magazine text will use serif to seem more professional despite potentially informal content.
This document assesses potential risks from a photo shoot and assigns risk levels. It identifies risks such as overheating lights, tripping over wires, equipment falling over, and backdrops falling down that could harm crew. Controls already in place include extra lights, wires along room sides, stable equipment, and extra backdrops. Further actions like turning lights off between photos, making wires obvious, clearing areas around equipment, and checking backdrop stability are required to reduce risks rated as high or moderate.
The document lists various clothing items and props needed including black ripped jeans, a record/vinyl, an oversized jumper, and bright shoes which are already available. Tape is the only item listed that needs to be obtained, which can be purchased from HMV.
The document provides details for a location shoot at QE Sixth form in Darlington. The location has no reported access, sound, or lighting issues and permission is not needed for the shoot. It lists the contact name and email for Ethan Lucey and confirms the location at Vane Terrace in Darlington is suitable for the shoot.
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The document discusses the use of hardware and software in the production of a music video. It describes using an iPhone to capture behind-the-scenes footage and timelapses, a Canon camera for stills, and a tripod for steady shots. An iMac was used for research, planning, and editing. Photoshop was used to design album artwork and a digipak, and Final Cut Pro was used to edit video footage. Online tools like Blogger, Wix, Prezi, and Google Docs were utilized for planning, sharing work, and collaborating as a team. While some skills with the technologies were developed, the document reflects that there is still room for growth in fully utilizing the capabilities of Phot
The combination of products for the band Neon Waves is effective due to the consistent style and theme across all elements. A minimalist design with a focus on the colors black, white, and neon pink creates a recognizable brand identity. This color scheme and style carries through the digipak, website, and music video. Research on other artists like The 1975 and Ed Sheeran showed the importance of maintaining a consistent look and feel across all promotional materials to effectively promote the band and their music.
This document summarizes feedback received on three indie music products: costumes for a live performance, a digipak for an album, and a music video. The costumes and digipak received many positive comments about suiting the genre and having good design. The video also received praise but some criticism around technical issues like drums being out of sync. The feedback will help the creators improve products to better meet audience needs and expectations within the indie genre.
The document provides an updated narrative for a music video to better align with the song lyrics. The new narrative simplifies the initial idea so they can focus on quality details and shots specifically linking to lyrics. It involves scenes of the protagonist calling but hanging up, looking at a clock showing a time difference, packing bags to disappear for days, walking while looking at a watch, and ignoring a phone call.
The document provides updates on a music video, digipak, and website based on received feedback. The music video storyline has been completely changed. The digipak design has been revised to a 6 panel format that allows for a barcode while keeping consistent yet varied artwork. Feedback led to rethinking the website design to make it more detailed and interesting, including moving the navigation bar to the top of the page.
Through researching other bands' logos, the band decided to design their own logo to represent themselves. They brainstormed logo ideas and created initial designs in Photoshop. Their favorite logo incorporated the band's name and a wave, but it did not fit well on their website. So they designed a final logo with the band's name in a wave-style text within a colored background to represent their "Neon Waves" identity and sound professionally on their website.
The document discusses and compares several potential song choices for a student band to perform in a music video project. It analyzes songs by Nirvana, MGMT, and The Killers based on the band's abilities and the suitability of the song's narrative, instrumentation, and popularity. Ultimately, the document decides on "Seven" by Catfish and the Bottlemen, as the lyrics and genre fit well and there is no existing official music video for the song.
This document provides location information for filming at a summer house located at 26 Church Street Bishop Middleham. Permission has already been obtained from the owner, Oliver Bullen, to film there. The summer house is suitable for the shoot due to fitting the genre convention and having ample space. There are no anticipated access, sound, or lighting issues at the private garden location.
This document analyzes and summarizes three music videos. For the first video, "Itch" by Nothing But Thieves, the summary notes that the video has a narrative style with random moments from the protagonist's day and maintains interest through unpredictable elements. It targets a niche audience. The second video, "PARKING LOT" by VANT, is performance-based, showing a rowdy crowd at the band's show. It cuts very quickly between shots. The third video, "Hook, Line & Sinker" by Royal Blood, is a live performance with no narrative. It focuses on illustrating the instruments and changing camera techniques and lighting to match the energy of the song.
This document provides visual representations for three music genres: indie rock, indie rock, and indie pop. For indie rock, the images show band members in suits performing on a stage with instruments like drums and guitars, representing a typical live indie rock performance. For indie rock, the images depict laid back musicians playing guitars on a rooftop or in a studio, reinforcing a casual attitude. For indie pop, the settings include a road and woodland area, and the musicians have casual styles and body language, connecting the genre to indie while also incorporating classic pop elements like bright colors and diamond shapes.
The music video uses 2-3 locations including two hallways and another place under sheets. There are no costume changes. The video relies on camera movement and lighting effects rather than narrative elements to keep it engaging.
The document discusses font and color choices for an indie magazine. It will use orange, white, and green - known as "earth colors" commonly seen in indie magazines. These three colors will be used consistently on the front cover and contents page to establish a house style reminding readers of the brand and genre. The front cover font will be sans serif while the magazine text will use serif to seem more professional despite potentially informal content.
This document assesses potential risks from a photo shoot and assigns risk levels. It identifies risks such as overheating lights, tripping over wires, equipment falling over, and backdrops falling down that could harm crew. Controls already in place include extra lights, wires along room sides, stable equipment, and extra backdrops. Further actions like turning lights off between photos, making wires obvious, clearing areas around equipment, and checking backdrop stability are required to reduce risks rated as high or moderate.
The document lists various clothing items and props needed including black ripped jeans, a record/vinyl, an oversized jumper, and bright shoes which are already available. Tape is the only item listed that needs to be obtained, which can be purchased from HMV.
The document provides details for a location shoot at QE Sixth form in Darlington. The location has no reported access, sound, or lighting issues and permission is not needed for the shoot. It lists the contact name and email for Ethan Lucey and confirms the location at Vane Terrace in Darlington is suitable for the shoot.
Heart Touching Romantic Love Shayari In English with ImagesShort Good Quotes
Explore our beautiful collection of Romantic Love Shayari in English to express your love. These heartfelt shayaris are perfect for sharing with your loved one. Get the best words to show your love and care.
The cherry: beauty, softness, its heart-shaped plastic has inspired artists since Antiquity. Cherries and strawberries were considered the fruits of paradise and thus represented the souls of men.
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