The document discusses several classic horror films from 1960 to 2008 and analyzes them through Burton's theory of narrative paradigms. It finds that Burton's theory is evidenced by the films' use of simplistic yet twisted settings, consistent themes of survival/death and unknown/known, and reliance on stock characters and situations. The films establish vulnerability through isolated areas and outsider killers, while exploring binary oppositions and having events disrupt groups, enabling death. Burton's paradigms are thus seen as methodologically applied over the long history of the horror genre.