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ARTS OF RENAISSANCE PERIOD
Preparedby: Daniel M.Alcazarin
ScienceT
eacherI
T
alanganIntegratedNational HighSchool
RENAISSANCE PERIOD (1400-1600)
• Renaissance-was theperiodof economicprogress.Theperiodstirred enthusiasm
for studyof ancient philosophy andartisticvalues.
• Italian Renaissancebeganin thelate 14thcentury.It wasaneraofgreat artistic
andintellectual achievementwith thebirth of secularart.
• Renaissanceart wascharacterizedbyaccurate anatomy, scientific perspective,
anddeeper landscape.
• Renaissancepainters depictedreal-life figures andtheir sculpture andbalance.
FAMOUS RENAISSANCE ARTWORKS
AND ARTIST AND THEIR SCULPTURE
MICHELANGELO DI LODOVICO BUONARROTI SIMONI(1475-1564)
MichelangelowasanItaliansculptor,
painter, architect, andpoet. Hewas
consideredthegreatest livingartist inhis
lifetime, andever sincethenhewas
consideredasoneofthegreatestartists of
all time.Anumber of hisworksin
paintings,sculpture,andarchitecturerank
amongthefamousinexistence.
PIETA
• Pieta, is theportrayalof pain that hadalways beenconnected with theidea of redemptionas
represent bytheseated Madonnaholding Christ’s bodyin herarms.
• Michelangeloconvinceshimselfandhisspectatorsofthedivinequalityandthesignificanceofthese
figures bymeansof earthly andperfectbeauty,butofcourse, thesearehuman standards.
DAVID
DAVID
• It isa 5.17-metre(17.0ft) marblestatueofa standingmalenude.The statue
representstheBiblical heroDavid,afavouredsubject in theart of Florence.Originally
commissionedasoneof aseriesof statuesof prophets tobepositionedalongthe
roofline oftheeastendof Florence Cathedral, thestatuewasplacedinstead in apublic
square,outsidethePalazzoVecchio,theseatofcivic governmentin Florence, in the
Piazza della Signoria whereit wasunveiledonSeptember8th, 1504.
BACCHUS(1496-1497)
Isamarblesculpture.Thestatueis
somewhat over-sizedanddepictsBacchus
theRomangodof wine,inareelingpose
suggestiveof drunkenness.
Bacchusisdepictedwithrollingeyes. Sitting
behindhimis afaun,whoeatsthebunchof
grapesslippingout of Bacchus'sleft hand.
Withits swollenbreastandabdomen,both
theslendernessof ayoungmanandthe
fleshinessandroundnessof womanare
portrayed.
DYINGSLAVE-IN
• DyingSlaveseemsto besinkingintoadeepsleep.Farfromdying,thefigure in
Michelangelo’sDyingSlaveseemsto beabandoninghimselftotheeffects ofanintoxicant.
Little resistanceis shownin thesilkycontoursof thearchedback,extendedleftarms,and
relaxedabdomen.
• Michelangelovisualizedthefiguresasimprisonedin thehugeblocksof marble,andonlyby
carefully removingtheexcessstonecouldhefree them.Intheircreation,andin their final
impact,thetwoslavesmaysymbolizedthesoul’sstruggleagainstthebondsof temptationand
sin.
DYINGSLAVE-IN
DAWN
Dawn istheonlyfemalenude Michelangelo
ever sculpted.Ayouthfullysmooth, yet powerful
bodyturnstowards theobserver. Hefeatures
arebynomeansserene: thedarkeyesare
deepset intheir shadowy sickest. Shewearsa
turbanandabandaroundher chest inthestyle
of slaves’garments.
DUSK
• In the spirit of an allegory of time, the deceased were coupled with figures
representing the times of the day whose gender was determined by Italian
grammar, The thoughtful figures of Dusk and Dawn are endowed with soft
outlines as they gracefully adorn the edge of the sarcophagus.
DUSK AND DAWN
LEONARDODI SER PIERODA VINCI (1452-1519)
• Leonardo Da Vinci-was a painter,
architect, scientist, and mathematician. He
was popularized in present times through
the novel and movie, “Da Vinci Code.”
• He is known as the ultimate “Renaissance
man” because of his intellect, interest,
talent, and his expression of humanist and
classical values.
TheLastSupperisa late15th-centurymuralpaintingby Leonardo da Vinci
in therefectory of theConventof SantaMaria delle Grazie,Milan. It is oneof
theworld's most famouspaintings.
THE LAST SUPPER
(the most reproduced religious painting of all time)
MONALISA
• The Mona Lisaisa half-lengthportrait
of awomanbytheItalianartist
LeonardodaVinci, whichhasbeen
acclaimedas"thebest known, themost
visited, themost writtenabout, the
most sungabout, themost parodied
workof art intheworld
(the most famous and most parodied portrait)
THE VIRTRUVIAN MAR
TheVitruvianMarisapenandinkdrawingdoneonpaper
with awashover metal-point accompaniedbyhandwritten
notes.In the drawing, twomalefigures aresuperimposed
uponeachother.Thefigures are shownwith armsandlegs
extended indifferingdegrees ofextension.One figure
showsthelegsslightly apartandthearmsextendedstraight
out fromtheshoulders. Theother figureshowsthelegs
moderatelyspreadandthearms extendedpartwayabove
theshoulders. Inbothfigures, theheadandtorsoare
completelysuperimposed.Themalefiguresareinscribed
withinacircle andasquare,showingthegeometric
proportionof thehumanbody
.
THE ADORATION OF THE MAGI
FromtheMattheanVulgateLatin sectionAMagisAdoraturis thenametraditionallygivento
thesubjectin theNativityif Jesusin artin whichthethreeMagi,representedaskings,
especiallyin theWest,havingfoundJesusbyfollowingstar,laybeforehimgifts of gold,
frankincense,andmyrrh,andworshiphim.Onenteringthehouse,theysawthechildwith
Maryhismother;andtheykneltdownandpaidhimhomage.
VIRGIN OF THE ROCKS
VIRGIN OF THE ROCKS
IsthenameusedfortwopaintingsbyLeonardodaVinci,ofthesame subject,
andof acompositionwhich is identical exceptfor severalsignificantdetails.The
versiongenerally consideredthe prime version,that is theearlier of thetwo,
hangsinTheLouvrein Paris andtheotherin theNational Gallery,London.The
paintings arebothnearly 2metres(over 6feet)highandarepaintedin oils.
Both paintings show the Madonna and Child Jesus with the infant John
the Baptist and an angel, in a rocky setting which gives the paintings
their usual name.
RAFFAELLO SANZIO DA URBINO
Raphael wasanItalianpainter and
architect of theHighRenaissancePeriod.
Hisworkswasadmired for itsclarityof
formsandeaseof compositionandfor its
visualachievementofinterpretingthe
DivineandincorporatingChristian
doctrines.
URBINO(Raphael) (1483-1520)
THE SISTINE MADONNA
TheMadonnaholdsherchild asshefloatson
aswirlingcarpet of clouds, sheisflankedby
St.Sixtus andSt. Barbara.Atthefort of the
paintingaretwoangels(cherubs) whogazein
wistfull contemplation.Therehasbeenlots of
speculationabout thesadness, or even
petrifiedexpressionsonthefaceof theVirgin
andtheinfant Jesus.
THE SCHOOL OF ATHENS
ReferstoafamousfrescopaintedbyRaphaelin
theApostolicPalaceinVaticanCity. Thefresco
waspaintedbetween 1510 and1511 andisone
of four frescoespaintedbyRaphael intherooms
nowknownasthe“Stanzedi Raffaello”.Schoolof
Athenswasthesecondfrescocompletedinthe
roomanddepictsRaphael’sinterpretationof
philosophyasabranchof knowledge. Showinga
gatheringof Greekphilosophersengagedin
variousactivities,thefrescoisconsideredaprime
exampleof HighRenaissanceart andconsidered
Raphael'smasterpiece.
THE TRANSFIGURATION
Thetransfiguration of Jesusis anevent
reportedintheNewT
estament whenJesus
is transfiguredandbecomesradiant in glory
uponamountain.
It wasRaphael’slast paintingonwhichhe
workedonuptohisdeath.
WasanearlyRenaissancesculptorfromFlorence.
Heisknownfor hisworkinbas-relief, aformof
shallowrelief sculpture. Hestudiedclassical
sculpture, andusedthistodevelopafully
Renaissancestyleinsculpture, whoseperiodsin
Rome.Heworkedinstone, bronze, wood,clay
,
stuccoandwax, andhadseveral assistants, with
fourperhapsbeingatypicalnumber.Thoughhis
best-knownworksweremostlystatuesintheround,
hedevelopedanew
, veryshallow
, typeof bas-
relief forsmallworks,andagooddealofhisoutput
waslarger architectural reliefs.
DONATO DI NICCOLO DI BETTO BARDI
(Donatello) (1386-1466)
DAVIDSTATUE
• Davidisthetitleof twostatuesof
thebiblical heroDavidbythe
ItalianearlyRenaissance sculptor
Donatello. Theyconsist of anearly
workinmarbleof aclothed figure
(1408-09), andafar more
famousbronzefigurethat isnude
between itshelmet andboots, and
datestothe1430s or later. Both
arenowinthe MuseoNazionale
del Bargello inFlorence.
STATUE OF ST.GEORGE
• Donatello carvedhis statueof St. Georgefor theguild
of armorersandswordmakersinFlorence. Likethe
statueof St.Mark, thestatueof St.Georgewas
destined for theguild’s niche inthebuilding
of Orsanmichele. Because theguild wasof average
size, it couldonly affordastatueof marble, rather than
of bronze.
• St.Georgewasthepatronsaint of thearmorer’sguild
andwasknownasamilitary figure, onewhowaswell-
knownintheByzantineEast, but whowasalsoknown
bytheCrusaders whobattledMuslimforcesintheHoly
Land.
EQUESTRIAN MONUMENT OF GATTAMELATA
IsasculpturebyItalianearlyRenaissance
artist Donatello,datingfrom1453locatedin
thePiazzadelSantoin Padua,Italy,today.It
portraystheRenaissancecondottiero
Erasmo daNarni, knownas"Gattamelata",
who servedmostlyundertheRepublicof
Venice, whichruled Paduaat thetime.
PROPHETHABACUC
• LoZuccone isamarblestatuethat depicts the
Biblical prophet Habakkuk. It wasacommissioned
workfor theDuomoinFlorence andwas
completedbetween 1423-1425.
ThenameZuccone originatedfromthelongand
angular shapeof thefigure's headandtranslates
inItalianas"pumpkin."Thespectacularly life-like
statueisfraught withtension andcladinthe
flowing robesthat aretypical of most of
Donatello's prophets. His faceis tilted slightly
downwhichgives thefigureahumbleexpression
uponhisgaunt face.
THE FEAST OF HEROD
• The Feast of Herod is a bronze relief
sculpture created by Donatello circa 1427.
It appears on the baptistry of the Siena
Cathedral in Italy. It is one of Donatello's
earliest relief sculptures, and his first
bronze relief.
• The Feast of Herod is a bronze panel (60
by 60 centimeters) made by Donatello
around 1427. Donatello tells the story of
John the Baptist's death in the sculpture.
It shows John the Baptist's head getting
served to King Herod by his assassin.
THANK YOU 
DEPARTMENT OF EDUCATION
REGION IV – A CALABARZON
DIVISION OF LAGUNA
DISTRICT OF NAGCARLAN-RIZAL
TALANGAN INTEGRATED
NATIONAL HIGH SCHOOL
Talangan, Nagcarlan, Laguna
Daniel M. Alcazarin
MAPEH/ Science TeacherI
For more inquiries, kindly message me in any of
my social media accts and follow me  :
FB acct: “Daniel Alcazarin”
IG acct. “@
danielalcazarin”
Twitter acct: “@
DanielAlcazarin”
 Let me know if you downloaded this presentation so I’ll be
more encouraged to upload more. Thank you!
REVIEW
DEPARTMENT OF EDUCATION
REGION IV – A CALABARZON
DIVISION OF LAGUNA
DISTRICT OF NAGCARLAN-RIZAL
TALANGAN INTEGRATED
NATIONAL HIGH SCHOOL
Talangan, Nagcarlan, Laguna
Daniel M. Alcazarin
MAPEH/ Science TeacherI
For more inquiries, kindly message me in any of
my social media accts and follow me  :
FB acct: “Daniel Alcazarin”
IG acct. “@
danielalcazarin”
Twitter acct: “@
DanielAlcazarin”
 Let me know if you downloaded this presentation so I’ll be
more encouraged to upload more. Thank you!

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artsofrenaissanceperiod-190812155540.pptx

  • 1. ARTS OF RENAISSANCE PERIOD Preparedby: Daniel M.Alcazarin ScienceT eacherI T alanganIntegratedNational HighSchool
  • 2. RENAISSANCE PERIOD (1400-1600) • Renaissance-was theperiodof economicprogress.Theperiodstirred enthusiasm for studyof ancient philosophy andartisticvalues. • Italian Renaissancebeganin thelate 14thcentury.It wasaneraofgreat artistic andintellectual achievementwith thebirth of secularart. • Renaissanceart wascharacterizedbyaccurate anatomy, scientific perspective, anddeeper landscape. • Renaissancepainters depictedreal-life figures andtheir sculpture andbalance.
  • 3. FAMOUS RENAISSANCE ARTWORKS AND ARTIST AND THEIR SCULPTURE
  • 4. MICHELANGELO DI LODOVICO BUONARROTI SIMONI(1475-1564) MichelangelowasanItaliansculptor, painter, architect, andpoet. Hewas consideredthegreatest livingartist inhis lifetime, andever sincethenhewas consideredasoneofthegreatestartists of all time.Anumber of hisworksin paintings,sculpture,andarchitecturerank amongthefamousinexistence.
  • 5. PIETA • Pieta, is theportrayalof pain that hadalways beenconnected with theidea of redemptionas represent bytheseated Madonnaholding Christ’s bodyin herarms. • Michelangeloconvinceshimselfandhisspectatorsofthedivinequalityandthesignificanceofthese figures bymeansof earthly andperfectbeauty,butofcourse, thesearehuman standards.
  • 7. DAVID • It isa 5.17-metre(17.0ft) marblestatueofa standingmalenude.The statue representstheBiblical heroDavid,afavouredsubject in theart of Florence.Originally commissionedasoneof aseriesof statuesof prophets tobepositionedalongthe roofline oftheeastendof Florence Cathedral, thestatuewasplacedinstead in apublic square,outsidethePalazzoVecchio,theseatofcivic governmentin Florence, in the Piazza della Signoria whereit wasunveiledonSeptember8th, 1504.
  • 8. BACCHUS(1496-1497) Isamarblesculpture.Thestatueis somewhat over-sizedanddepictsBacchus theRomangodof wine,inareelingpose suggestiveof drunkenness. Bacchusisdepictedwithrollingeyes. Sitting behindhimis afaun,whoeatsthebunchof grapesslippingout of Bacchus'sleft hand. Withits swollenbreastandabdomen,both theslendernessof ayoungmanandthe fleshinessandroundnessof womanare portrayed.
  • 9. DYINGSLAVE-IN • DyingSlaveseemsto besinkingintoadeepsleep.Farfromdying,thefigure in Michelangelo’sDyingSlaveseemsto beabandoninghimselftotheeffects ofanintoxicant. Little resistanceis shownin thesilkycontoursof thearchedback,extendedleftarms,and relaxedabdomen. • Michelangelovisualizedthefiguresasimprisonedin thehugeblocksof marble,andonlyby carefully removingtheexcessstonecouldhefree them.Intheircreation,andin their final impact,thetwoslavesmaysymbolizedthesoul’sstruggleagainstthebondsof temptationand sin.
  • 11. DAWN Dawn istheonlyfemalenude Michelangelo ever sculpted.Ayouthfullysmooth, yet powerful bodyturnstowards theobserver. Hefeatures arebynomeansserene: thedarkeyesare deepset intheir shadowy sickest. Shewearsa turbanandabandaroundher chest inthestyle of slaves’garments.
  • 12. DUSK • In the spirit of an allegory of time, the deceased were coupled with figures representing the times of the day whose gender was determined by Italian grammar, The thoughtful figures of Dusk and Dawn are endowed with soft outlines as they gracefully adorn the edge of the sarcophagus.
  • 14. LEONARDODI SER PIERODA VINCI (1452-1519) • Leonardo Da Vinci-was a painter, architect, scientist, and mathematician. He was popularized in present times through the novel and movie, “Da Vinci Code.” • He is known as the ultimate “Renaissance man” because of his intellect, interest, talent, and his expression of humanist and classical values.
  • 15. TheLastSupperisa late15th-centurymuralpaintingby Leonardo da Vinci in therefectory of theConventof SantaMaria delle Grazie,Milan. It is oneof theworld's most famouspaintings. THE LAST SUPPER (the most reproduced religious painting of all time)
  • 16. MONALISA • The Mona Lisaisa half-lengthportrait of awomanbytheItalianartist LeonardodaVinci, whichhasbeen acclaimedas"thebest known, themost visited, themost writtenabout, the most sungabout, themost parodied workof art intheworld (the most famous and most parodied portrait)
  • 17. THE VIRTRUVIAN MAR TheVitruvianMarisapenandinkdrawingdoneonpaper with awashover metal-point accompaniedbyhandwritten notes.In the drawing, twomalefigures aresuperimposed uponeachother.Thefigures are shownwith armsandlegs extended indifferingdegrees ofextension.One figure showsthelegsslightly apartandthearmsextendedstraight out fromtheshoulders. Theother figureshowsthelegs moderatelyspreadandthearms extendedpartwayabove theshoulders. Inbothfigures, theheadandtorsoare completelysuperimposed.Themalefiguresareinscribed withinacircle andasquare,showingthegeometric proportionof thehumanbody .
  • 18. THE ADORATION OF THE MAGI FromtheMattheanVulgateLatin sectionAMagisAdoraturis thenametraditionallygivento thesubjectin theNativityif Jesusin artin whichthethreeMagi,representedaskings, especiallyin theWest,havingfoundJesusbyfollowingstar,laybeforehimgifts of gold, frankincense,andmyrrh,andworshiphim.Onenteringthehouse,theysawthechildwith Maryhismother;andtheykneltdownandpaidhimhomage.
  • 19. VIRGIN OF THE ROCKS
  • 20. VIRGIN OF THE ROCKS IsthenameusedfortwopaintingsbyLeonardodaVinci,ofthesame subject, andof acompositionwhich is identical exceptfor severalsignificantdetails.The versiongenerally consideredthe prime version,that is theearlier of thetwo, hangsinTheLouvrein Paris andtheotherin theNational Gallery,London.The paintings arebothnearly 2metres(over 6feet)highandarepaintedin oils. Both paintings show the Madonna and Child Jesus with the infant John the Baptist and an angel, in a rocky setting which gives the paintings their usual name.
  • 21. RAFFAELLO SANZIO DA URBINO Raphael wasanItalianpainter and architect of theHighRenaissancePeriod. Hisworkswasadmired for itsclarityof formsandeaseof compositionandfor its visualachievementofinterpretingthe DivineandincorporatingChristian doctrines. URBINO(Raphael) (1483-1520)
  • 22. THE SISTINE MADONNA TheMadonnaholdsherchild asshefloatson aswirlingcarpet of clouds, sheisflankedby St.Sixtus andSt. Barbara.Atthefort of the paintingaretwoangels(cherubs) whogazein wistfull contemplation.Therehasbeenlots of speculationabout thesadness, or even petrifiedexpressionsonthefaceof theVirgin andtheinfant Jesus.
  • 23. THE SCHOOL OF ATHENS ReferstoafamousfrescopaintedbyRaphaelin theApostolicPalaceinVaticanCity. Thefresco waspaintedbetween 1510 and1511 andisone of four frescoespaintedbyRaphael intherooms nowknownasthe“Stanzedi Raffaello”.Schoolof Athenswasthesecondfrescocompletedinthe roomanddepictsRaphael’sinterpretationof philosophyasabranchof knowledge. Showinga gatheringof Greekphilosophersengagedin variousactivities,thefrescoisconsideredaprime exampleof HighRenaissanceart andconsidered Raphael'smasterpiece.
  • 24. THE TRANSFIGURATION Thetransfiguration of Jesusis anevent reportedintheNewT estament whenJesus is transfiguredandbecomesradiant in glory uponamountain. It wasRaphael’slast paintingonwhichhe workedonuptohisdeath.
  • 25. WasanearlyRenaissancesculptorfromFlorence. Heisknownfor hisworkinbas-relief, aformof shallowrelief sculpture. Hestudiedclassical sculpture, andusedthistodevelopafully Renaissancestyleinsculpture, whoseperiodsin Rome.Heworkedinstone, bronze, wood,clay , stuccoandwax, andhadseveral assistants, with fourperhapsbeingatypicalnumber.Thoughhis best-knownworksweremostlystatuesintheround, hedevelopedanew , veryshallow , typeof bas- relief forsmallworks,andagooddealofhisoutput waslarger architectural reliefs. DONATO DI NICCOLO DI BETTO BARDI (Donatello) (1386-1466)
  • 26. DAVIDSTATUE • Davidisthetitleof twostatuesof thebiblical heroDavidbythe ItalianearlyRenaissance sculptor Donatello. Theyconsist of anearly workinmarbleof aclothed figure (1408-09), andafar more famousbronzefigurethat isnude between itshelmet andboots, and datestothe1430s or later. Both arenowinthe MuseoNazionale del Bargello inFlorence.
  • 27. STATUE OF ST.GEORGE • Donatello carvedhis statueof St. Georgefor theguild of armorersandswordmakersinFlorence. Likethe statueof St.Mark, thestatueof St.Georgewas destined for theguild’s niche inthebuilding of Orsanmichele. Because theguild wasof average size, it couldonly affordastatueof marble, rather than of bronze. • St.Georgewasthepatronsaint of thearmorer’sguild andwasknownasamilitary figure, onewhowaswell- knownintheByzantineEast, but whowasalsoknown bytheCrusaders whobattledMuslimforcesintheHoly Land.
  • 28. EQUESTRIAN MONUMENT OF GATTAMELATA IsasculpturebyItalianearlyRenaissance artist Donatello,datingfrom1453locatedin thePiazzadelSantoin Padua,Italy,today.It portraystheRenaissancecondottiero Erasmo daNarni, knownas"Gattamelata", who servedmostlyundertheRepublicof Venice, whichruled Paduaat thetime.
  • 29. PROPHETHABACUC • LoZuccone isamarblestatuethat depicts the Biblical prophet Habakkuk. It wasacommissioned workfor theDuomoinFlorence andwas completedbetween 1423-1425. ThenameZuccone originatedfromthelongand angular shapeof thefigure's headandtranslates inItalianas"pumpkin."Thespectacularly life-like statueisfraught withtension andcladinthe flowing robesthat aretypical of most of Donatello's prophets. His faceis tilted slightly downwhichgives thefigureahumbleexpression uponhisgaunt face.
  • 30. THE FEAST OF HEROD • The Feast of Herod is a bronze relief sculpture created by Donatello circa 1427. It appears on the baptistry of the Siena Cathedral in Italy. It is one of Donatello's earliest relief sculptures, and his first bronze relief. • The Feast of Herod is a bronze panel (60 by 60 centimeters) made by Donatello around 1427. Donatello tells the story of John the Baptist's death in the sculpture. It shows John the Baptist's head getting served to King Herod by his assassin.
  • 32. DEPARTMENT OF EDUCATION REGION IV – A CALABARZON DIVISION OF LAGUNA DISTRICT OF NAGCARLAN-RIZAL TALANGAN INTEGRATED NATIONAL HIGH SCHOOL Talangan, Nagcarlan, Laguna Daniel M. Alcazarin MAPEH/ Science TeacherI For more inquiries, kindly message me in any of my social media accts and follow me  : FB acct: “Daniel Alcazarin” IG acct. “@ danielalcazarin” Twitter acct: “@ DanielAlcazarin”  Let me know if you downloaded this presentation so I’ll be more encouraged to upload more. Thank you!
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  • 52. DEPARTMENT OF EDUCATION REGION IV – A CALABARZON DIVISION OF LAGUNA DISTRICT OF NAGCARLAN-RIZAL TALANGAN INTEGRATED NATIONAL HIGH SCHOOL Talangan, Nagcarlan, Laguna Daniel M. Alcazarin MAPEH/ Science TeacherI For more inquiries, kindly message me in any of my social media accts and follow me  : FB acct: “Daniel Alcazarin” IG acct. “@ danielalcazarin” Twitter acct: “@ DanielAlcazarin”  Let me know if you downloaded this presentation so I’ll be more encouraged to upload more. Thank you!