The document analyzes the budget and box office performance of the first Saw film from 2004. Saw had a budget of $1.2 million and grossed $55.2 million domestically and $103.1 million worldwide, showing it was very profitable despite its low budget.
The author tried to attract their audience with eye-catching design elements for their magazine, but realized they may have distracted from each other. The color scheme and layout did not resemble a magazine in the intended genre. In retrospect, familiarizing themselves with examples of magazines in that genre would have provided better ideas than designing independently. The article layout needs improvement to look more professional as the text lines were improperly measured. Overall, the author recognizes more research on magazine design conventions is needed to strengthen the layout and professional appearance of the magazine.
The Hangover (2009) was produced by Warner Bros. and distributed by 20th Century Fox. It had a budget of $35 million and grossed over $44 million in its opening weekend in the US. The film was directed by Todd Phillips and starred Bradley Cooper, Ed Helms, Zaxh Galifianakis, Justin Bartha, and Ken Jeong. Merchandise was produced to further promote the popular film.
The Inbetweeners Movie (2011) was produced by Bwark Productions, Film4, and Young Films. It had a budget of £3.5 million and grossed over £41 million total. The film starred the main cast from the television series: Simon
This document appears to be about screenshots taken by an individual named Bradly Galloway. However, the document contains no further details and only lists the name "Bradly Galloway" and the word "Screenshots" with no other context or information provided. In just two words and a name, this document does not provide enough information to generate a meaningful summary.
This electronic portfolio contains 20 of Demi Wrenn's top photographs. The photographs showcase some of Demi's best work and are part of her collection. In 3 sentences or less, this document summarizes Demi Wrenn's portfolio of 20 selected photographs.
Este poema trata sobre el dolor y la confusión de una ruptura amorosa. El hablante le pregunta a su ex pareja por qué se alejó y se fue con otro, expresando tristeza, soledad y dificultad para aceptar la nueva realidad sin ella. Plantea preguntas sobre quién la besó y acompaña ahora, y expresa el deseo de escuchar explicaciones directamente de sus labios para poder comprender y seguir adelante.
The author tried to attract their audience with eye-catching design elements for their magazine, but realized they may have distracted from each other. The color scheme and layout did not resemble a magazine in the intended genre. In retrospect, familiarizing themselves with examples of magazines in that genre would have provided better ideas than designing independently. The article layout needs improvement to look more professional as the text lines were improperly measured. Overall, the author recognizes more research on magazine design conventions is needed to strengthen the layout and professional appearance of the magazine.
The Hangover (2009) was produced by Warner Bros. and distributed by 20th Century Fox. It had a budget of $35 million and grossed over $44 million in its opening weekend in the US. The film was directed by Todd Phillips and starred Bradley Cooper, Ed Helms, Zaxh Galifianakis, Justin Bartha, and Ken Jeong. Merchandise was produced to further promote the popular film.
The Inbetweeners Movie (2011) was produced by Bwark Productions, Film4, and Young Films. It had a budget of £3.5 million and grossed over £41 million total. The film starred the main cast from the television series: Simon
This document appears to be about screenshots taken by an individual named Bradly Galloway. However, the document contains no further details and only lists the name "Bradly Galloway" and the word "Screenshots" with no other context or information provided. In just two words and a name, this document does not provide enough information to generate a meaningful summary.
This electronic portfolio contains 20 of Demi Wrenn's top photographs. The photographs showcase some of Demi's best work and are part of her collection. In 3 sentences or less, this document summarizes Demi Wrenn's portfolio of 20 selected photographs.
Este poema trata sobre el dolor y la confusión de una ruptura amorosa. El hablante le pregunta a su ex pareja por qué se alejó y se fue con otro, expresando tristeza, soledad y dificultad para aceptar la nueva realidad sin ella. Plantea preguntas sobre quién la besó y acompaña ahora, y expresa el deseo de escuchar explicaciones directamente de sus labios para poder comprender y seguir adelante.
The document provides analyses of three perfume trailers:
1) The Dior Addict trailer features bright lighting and colors, an uplifting song, and depicts the model dancing and receiving attention as she wears the perfume in St. Tropez.
2) The Christina Aguilera fragrance trailer uses bright lighting to create a positive vibe. It features Christina endorsing the perfume and implying the scent is so beautiful you don't need clothes.
3) Details are provided about the visual elements, audio, narrative, and textual components of each trailer to convey their messaging in promoting the fragrances.
The document discusses common stereotypes of women, including the "dumb blonde" who is unintelligent and meant to be attractive, women as mothers who do everything for their children, women as sexual objects who are flirty and meant for a man's pleasure, women as office workers who are intelligent and motivated, and "old ladies" who are either caring or rude and stubborn. It also mentions stereotypes of "WAGs" or wives/girlfriends of athletes as being stubborn and relying on their husbands.
Disney uses synergy by releasing multiple products related to its movies, such as theme parks, television channels, merchandise, and more. It owns popular franchises like Pixar and theme parks in Florida, California, and Paris. The most visited Disney theme park is located in Orlando, with four main parks and other locations. Within the parks, characters from Disney films come to life through costumed performers and rides. While expensive, families are willing to pay for the memorable experience. Disney also has three television channels that feature popular shows.
This document provides case studies and basic information on four films: Fish Tank, Ill Manors, The Hangover, and Skyfall. It includes sections on the director, year, genre, synopsis, age rating, target audience, cast, distributors, production companies, box office figures, budgets, and technological convergence elements for each film. It also discusses issues different audiences may have with each film and how hardware and content were proliferated for institutions and audiences.
This document provides terminology related to analyzing representations in media. It defines key concepts like how representations can adhere to or subvert stereotypes, and confirm or challenge dominant ideologies. It also lists terminology for analyzing sounds, camera techniques, editing styles, and mise-en-scene elements and how they can be used to represent characters in certain ways and establish power dynamics.
This document outlines various elements that can be included in visual storytelling to convey meaning and information, such as setting, costumes, makeup, props, lighting, body language, decor, and facial expressions. It discusses how each element can be used to represent historical periods or genres, indicate changes in a character's narrative, express gender or age, set mood and atmosphere, and reinforce the overall story being told. The document provides examples of how these elements are commonly used in different types of visual media like film, television, and theater.
This document outlines various elements that can be used to convey meaning and tell a story through visual media, including location/setting, costume, makeup, props, lighting, body language, decor, and facial expressions. It discusses how each element can be used to represent historical periods or genres, indicate characteristics about characters like age, gender, and psychological state, and contribute to the overall narrative, mood, and atmosphere of a scene.
The document provides case studies and information about several films: Fish Tank, Ill Manors, The Hangover, and Skyfall. It includes details about directors, casts, budgets, box office figures, production and distribution companies, technological convergence aspects, and issues with national and local audiences. Cross-media promotion strategies and the impact of media ownership models (from independent to large conglomerates) on film production are also examined.
This document provides information about the production, distribution, and release of the movie The Inbetweeners. It discusses the main production company (Bwark Productions), as well as the distributors involved in distributing the movie globally. It also provides details about the movie's box office performance, release dates around the world, cast, and some of the other companies involved in production.
The document discusses various potential photo shoots to capture different elements of society. It proposes photographing a model dressed as both a homeless person and in a suit to represent poverty. It also suggests photographing two models, one wearing a head scarf and one not, to represent diversity within cultures. Finally, it discusses photographing stereotypes, including youth stereotypes, as well as shoots representing fashion, technology, weight diversity, and beauty.
The document traces the history and evolution of the horror genre from its origins in Gothic literature in the late 1700s through early films in the 1890s and 1900s to modern psychological horrors of the 1990s and 2000s. It notes key authors and films that helped establish conventions like haunted houses and castles as settings during nighttime. Universal Pictures played a major role in popularizing horror films in the 1930s with films like Dracula and Frankenstein.
Demathon Pictures is producing a film called "Clown" which will require audio recording at the Latton Bush Centre in Harlow, Essex on December 19th, 2013. The document provides four consent forms for individuals to sign, allowing their audio to be recorded and used in the film and future Demathon Pictures productions. It also provides two audio permission forms to use royalty-free music tracks in the film.
Ill Manors is a 2012 British crime drama film directed by Ben Drew, known as Plan B. It follows the lives of four drug dealers, one user, and two prostitutes in London. The film had a budget of $100,000 and grossed $714,441 in the UK, turning a profit of $200,000. It was distributed in the UK by Revolver Entertainment and starred Riz Ahmed and Ed Skrein. Plan B both directed the film and produced its soundtrack, which reached #1 on the UK charts and helped promote the movie.
The document discusses initial ideas for a horror film opening sequence by analyzing openings from Scream, Saw, and Jeepers Creepers. The author chose the horror genre because there are many existing openings to learn from and it allows for creative planning and filming. Specifically, the author likes how Scream uses a scream sound effect during its title, Saw films the floor with blood and equipment before revealing its title, and Jeepers Creepers provides credits in a horror-appropriate font with ominous music and foreshadowing dialogue.
This document summarizes and compares two films, Fish Tank and The Hangover, in terms of their target audiences. Fish Tank, a British drama about a teenage girl, was aimed specifically at British audiences who would relate to the locations and language. In contrast, The Hangover, a comedy about a bachelor party in Las Vegas, featured famous American actors and locations that made it appealing to global audiences, while still adjusting the offensive language to suit different markets. Both films' marketing and the issues they raised demonstrate how content is tailored for specific national or local audiences.
The document discusses initial ideas for a horror film opening sequence by analyzing openings from Scream, Saw, and Jeepers Creepers. The author chose the horror genre because there are many existing openings to learn from and it allows for creative planning and filming. Specifically, the author likes how Scream uses a scream sound effect during its title, Saw films the floor with blood and equipment before revealing its title, and Jeepers Creepers provides credits in a horror-appropriate font with ominous music and foreshadowing dialogue.
This call sheet provides details for the film "Clown" including the directors, producers, cast members and their characters. It lists the call time, expected filming time and overall time needed for each role. It notes that everyone must arrive on time so they can shoot all scenes and that the Clown must be in costume with a mask for their role.
Lionsgate was chosen to distribute the film "Clown" for several reasons. Lionsgate is a large, successful independent film and television distribution company. It focuses on distributing films that target young adults, similar to the demographic targeted by "Clown". The conventions of Lionsgate's films, such as the colors, lighting and credits, are also very similar to those of "Clown". Distributing the film with a well-known company like Lionsgate could increase the chances of success and future opportunities. Lionsgate also allows for large advertising opportunities to increase profits.
Lionsgate was chosen to distribute the film "Clown" for several reasons. Lionsgate is a large, successful independent film studio and television distributor that targets young adult demographics with films like The Hunger Games and Now You See Me. The filmmaker felt Lionsgate was a good fit because "Clown" also aimed its story and marketing at young adults. Distributing with a well-known company like Lionsgate could increase the chances of the film's success and lead to future opportunities. Lionsgate also allows for large advertising opportunities to increase profits.
The document provides analyses of three perfume trailers:
1) The Dior Addict trailer features bright lighting and colors, an uplifting song, and depicts the model dancing and receiving attention as she wears the perfume in St. Tropez.
2) The Christina Aguilera fragrance trailer uses bright lighting to create a positive vibe. It features Christina endorsing the perfume and implying the scent is so beautiful you don't need clothes.
3) Details are provided about the visual elements, audio, narrative, and textual components of each trailer to convey their messaging in promoting the fragrances.
The document discusses common stereotypes of women, including the "dumb blonde" who is unintelligent and meant to be attractive, women as mothers who do everything for their children, women as sexual objects who are flirty and meant for a man's pleasure, women as office workers who are intelligent and motivated, and "old ladies" who are either caring or rude and stubborn. It also mentions stereotypes of "WAGs" or wives/girlfriends of athletes as being stubborn and relying on their husbands.
Disney uses synergy by releasing multiple products related to its movies, such as theme parks, television channels, merchandise, and more. It owns popular franchises like Pixar and theme parks in Florida, California, and Paris. The most visited Disney theme park is located in Orlando, with four main parks and other locations. Within the parks, characters from Disney films come to life through costumed performers and rides. While expensive, families are willing to pay for the memorable experience. Disney also has three television channels that feature popular shows.
This document provides case studies and basic information on four films: Fish Tank, Ill Manors, The Hangover, and Skyfall. It includes sections on the director, year, genre, synopsis, age rating, target audience, cast, distributors, production companies, box office figures, budgets, and technological convergence elements for each film. It also discusses issues different audiences may have with each film and how hardware and content were proliferated for institutions and audiences.
This document provides terminology related to analyzing representations in media. It defines key concepts like how representations can adhere to or subvert stereotypes, and confirm or challenge dominant ideologies. It also lists terminology for analyzing sounds, camera techniques, editing styles, and mise-en-scene elements and how they can be used to represent characters in certain ways and establish power dynamics.
This document outlines various elements that can be included in visual storytelling to convey meaning and information, such as setting, costumes, makeup, props, lighting, body language, decor, and facial expressions. It discusses how each element can be used to represent historical periods or genres, indicate changes in a character's narrative, express gender or age, set mood and atmosphere, and reinforce the overall story being told. The document provides examples of how these elements are commonly used in different types of visual media like film, television, and theater.
This document outlines various elements that can be used to convey meaning and tell a story through visual media, including location/setting, costume, makeup, props, lighting, body language, decor, and facial expressions. It discusses how each element can be used to represent historical periods or genres, indicate characteristics about characters like age, gender, and psychological state, and contribute to the overall narrative, mood, and atmosphere of a scene.
The document provides case studies and information about several films: Fish Tank, Ill Manors, The Hangover, and Skyfall. It includes details about directors, casts, budgets, box office figures, production and distribution companies, technological convergence aspects, and issues with national and local audiences. Cross-media promotion strategies and the impact of media ownership models (from independent to large conglomerates) on film production are also examined.
This document provides information about the production, distribution, and release of the movie The Inbetweeners. It discusses the main production company (Bwark Productions), as well as the distributors involved in distributing the movie globally. It also provides details about the movie's box office performance, release dates around the world, cast, and some of the other companies involved in production.
The document discusses various potential photo shoots to capture different elements of society. It proposes photographing a model dressed as both a homeless person and in a suit to represent poverty. It also suggests photographing two models, one wearing a head scarf and one not, to represent diversity within cultures. Finally, it discusses photographing stereotypes, including youth stereotypes, as well as shoots representing fashion, technology, weight diversity, and beauty.
The document traces the history and evolution of the horror genre from its origins in Gothic literature in the late 1700s through early films in the 1890s and 1900s to modern psychological horrors of the 1990s and 2000s. It notes key authors and films that helped establish conventions like haunted houses and castles as settings during nighttime. Universal Pictures played a major role in popularizing horror films in the 1930s with films like Dracula and Frankenstein.
Demathon Pictures is producing a film called "Clown" which will require audio recording at the Latton Bush Centre in Harlow, Essex on December 19th, 2013. The document provides four consent forms for individuals to sign, allowing their audio to be recorded and used in the film and future Demathon Pictures productions. It also provides two audio permission forms to use royalty-free music tracks in the film.
Ill Manors is a 2012 British crime drama film directed by Ben Drew, known as Plan B. It follows the lives of four drug dealers, one user, and two prostitutes in London. The film had a budget of $100,000 and grossed $714,441 in the UK, turning a profit of $200,000. It was distributed in the UK by Revolver Entertainment and starred Riz Ahmed and Ed Skrein. Plan B both directed the film and produced its soundtrack, which reached #1 on the UK charts and helped promote the movie.
The document discusses initial ideas for a horror film opening sequence by analyzing openings from Scream, Saw, and Jeepers Creepers. The author chose the horror genre because there are many existing openings to learn from and it allows for creative planning and filming. Specifically, the author likes how Scream uses a scream sound effect during its title, Saw films the floor with blood and equipment before revealing its title, and Jeepers Creepers provides credits in a horror-appropriate font with ominous music and foreshadowing dialogue.
This document summarizes and compares two films, Fish Tank and The Hangover, in terms of their target audiences. Fish Tank, a British drama about a teenage girl, was aimed specifically at British audiences who would relate to the locations and language. In contrast, The Hangover, a comedy about a bachelor party in Las Vegas, featured famous American actors and locations that made it appealing to global audiences, while still adjusting the offensive language to suit different markets. Both films' marketing and the issues they raised demonstrate how content is tailored for specific national or local audiences.
The document discusses initial ideas for a horror film opening sequence by analyzing openings from Scream, Saw, and Jeepers Creepers. The author chose the horror genre because there are many existing openings to learn from and it allows for creative planning and filming. Specifically, the author likes how Scream uses a scream sound effect during its title, Saw films the floor with blood and equipment before revealing its title, and Jeepers Creepers provides credits in a horror-appropriate font with ominous music and foreshadowing dialogue.
This call sheet provides details for the film "Clown" including the directors, producers, cast members and their characters. It lists the call time, expected filming time and overall time needed for each role. It notes that everyone must arrive on time so they can shoot all scenes and that the Clown must be in costume with a mask for their role.
Lionsgate was chosen to distribute the film "Clown" for several reasons. Lionsgate is a large, successful independent film and television distribution company. It focuses on distributing films that target young adults, similar to the demographic targeted by "Clown". The conventions of Lionsgate's films, such as the colors, lighting and credits, are also very similar to those of "Clown". Distributing the film with a well-known company like Lionsgate could increase the chances of success and future opportunities. Lionsgate also allows for large advertising opportunities to increase profits.
Lionsgate was chosen to distribute the film "Clown" for several reasons. Lionsgate is a large, successful independent film studio and television distributor that targets young adult demographics with films like The Hunger Games and Now You See Me. The filmmaker felt Lionsgate was a good fit because "Clown" also aimed its story and marketing at young adults. Distributing with a well-known company like Lionsgate could increase the chances of the film's success and lead to future opportunities. Lionsgate also allows for large advertising opportunities to increase profits.
2. SAW
The graph shows that the first ever Saw
was budgeted at $1,200,00. Even though
I am just doing a codal analysis of just
the first saw film I think that it is good to
evaluate how the film and succeeded
and the comparison of the budgets.
The box office gross for SAW is
$55,185,045
The worldwide gross is $103.1