Telematic Space: Alex Haw gives a Lecture at the Central School of Speech and Drama about a number of atmos studios projects.

2. alex haw
: atmos

15. A kind of unique language halfway
between gesture and thought
(Antonin Artaud: Theatre of Cruelty)

42. The simple combination of two or three
details of a material kind yields a perfectly
finished representation of another kind
psychological.
(Sergei Eisenstein: Film Form)

43. How might the whole world
become a stage?

49. bringing distant spaces together
through networked media
and control systems

73. COTS Dust
GOALS:
• Create a network of sensors
• Explore system design issues
• Provide a platform to test Dust components
• Use off the shelf components

74. 2D beam scanning
AR coated dome
lens
Steering Mirror
laser
CMOS ASIC

75. Dust Delivery
• Floaters
• Autorotators
– solar cells
• Rockets
– thermopiles
MOTE
• MAVs

76. the potential for theatre to be
produced, performed and experienced in
real-time across the globe

82. How may physical, architectural
or theatrical spaces be connected
and interact
via media?

94. Can performers in different locations
share a single space?

146. What is the status of the performer
on the video screen?

157. How does narrative work when spread
out over geographical distance?

244. What is the relation of performer
to audience in a distributed space?

297. How limited is the compound space
generated by telematics
in terms of occupation, use
and performance?

315. How might telematic links
be brought within the reach of individual
artists/people across the world?

324. telematic

325. telepresence

326. teleabsence

327. teleabsence

328. teleabsence

329. teleabsence

331. alex haw
: atmos