Ahsan Asghar - Portfolio

Ahsan Asghar
P h o t o g r a p h y & A r t
P o r t f o l i o
AHSANASGHAR.COM
2 0 1 9

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AHSANASGHAR
About
B.23 October 1993, Ahsan Asghar is a Pakistani
Lahore based Artist graduated in Visual Arts
(Photography & Film) from Beaconhouse National
University.
His work revolves around visuals and imagination.
AHSANASGHAR.COM

3
AHSANASGHAR
WelcomeWelcome & Thank you for taking out time to look into my work.
It took me 10 years to reach here.
Please take a deep breath, forget what you were doing or
feeling. Have a visual treat.
AHSANASGHAR.COM

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AHSANASGHAR
Contents
Introduction1-5
Editorial Shoot6-19
People & Product20-23
Events24-26
Wedding27-35
Fine Art Photography36-45
Art Works46-49
Clients40-44
Team45-48
Thank you49-54

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AHSANASGHAR
1 . A r t D i r e c t i o n
2 . D O P
3 . C r e a t i v e A s s i s t a n c e
4 . S e t D e s i g n
5 . Pa i n t i n g
6 . S c u l p t u r e
Services
1 . F a s h i o n
2 . Po r t r a i t
3 . C o r p o r a t e
4 . We d d i n g
5 . A r c h i t e c t u r e
6 . F i n e A r t
Photography
A H S A N A S G H A R . C O M
1 . S h o r t F i l m
2 . D i g i t a l C a m p a i g n s
3 . D o c u m e n t a r y
4 . E v e n t
Filmmaking
Services

6
AHSANASGHAR
Galleries
1 . EDITO RIA L
2 . CO MMERCIA L
3 . PO RTRA IT
4 . PRO DUCT
5 . WEDDIN G
6 . F IN E A RT PHO TO GRA PHY
7 . A RT WO RKS
8 . PUB L ICATIO N S

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THEBEGINING
Wi th s eei ng. N o t lo o ki ng.
It begins
AHSANASGHAR.COM
Who ’s tryi ng to s ee beyo nd.
A Modernist

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FASHIONEDITORIAL
So m eo ne’s m i nd
You’re about to visit

FASHION|EDITORAL
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AHSANASGHAR
Ph o t o g r a p h y / D i r e c t i o n
E d i t i n g : A h s a n A s g h a r
M o d e l : Wa q a r Z u l f i q a r
M o d e l 2 n d : J a v a d H u s s a i n
C l i e n t : Pa u s e . c o
P R O J E C T D E TA I L S

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FASHIONEDITORIAL
“Poetry is when an emotion has found its thought
and the thought has found words.”
VISITAHSANASGHAR.COM

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FASHIONEDITORIAL
Hold fast to dreams, for if
dreams die, life is a
broken-winged bird that
cannot fly.
“

13
CAPELLATEMPLATE
“The advantage of a bad
memory is that one enjoys
several times the same good
things for the first time.”
T h i s s h o o t t o o k p l a c e i n
a l e a t h e r f a c t o r y. I w a s
t r y i n g t o t r a n s l a t e s m e l l
i n t o p h o t o g r a p h s .
Pr o j e c t D e t a i l s

14
FASHIONEDITORIAL
M o d e l : Wa q a r Z u l f i q a r
M o d e l 2 n d : J a v a d H u s s a i n
C l i e n t : Pa u s e . c o
Pr o j e c t D e t a i l s
LIFE IS WHAT
HAPPENS TO
YOU WHILE
YOU'RE BUSY
MAKING OTHER
PLANS.

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EDITORIALPHOTOGRAPHY
A h s a n a s g h a r . c o m
“After silence, that which
comes nearest to
expressing the
inexpressible is music.”
“
- Aldous Huxley
x

16
“We are the music makers,
and we are the dreamers of
dreams.”
M o d e l : A l i A z m a t
C l i e n t : Pe p s i Pa k i s t a n
PRO J ECT DETA IL S

17
A h s a n a s g h a r . c o m
“Woman must not accept;
she must challenge.”
“
M o d e l : M e h w i s h H a y a t
C l i e n t : T h i n k E p i c
PRO J ECT DETA IL S

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FASHIONEDITORIAL
Music is to the soul what
words are to the mind.
“
”
M o d e l : A s i m A z h a r
C l i e n t : T h i n k E p i c
PRO J ECT DETA IL S

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FASHIONEDITORIAL

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FINEARTSPHOTOGRAPHY
Ph o t o g r a p h y : A h s a n A s g h a r
Ty p e : F i n e A r t s | E d i t o r i a l
PRO J ECT DETA IL S
AHSANASGHAR.COM

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FASHIONEDITORIAL

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TREVELPHOTOGRAPHY
AHSANASGHAR.COM
Ty p e : Po r t r a i t | S t o r y
Pe o p l e : M e h a r N a w a z F a i z a n R a z a | G h a z a n f a r
P R O J E C T I N F O

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Let’s Fly Or Stay
M o d e l : S a h e e f a J a b b a r K h a t a k
C l i e n t : Ta a n k a y
PRO J ECT DETA IL S

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A story i s about to begi n.
HOLD ON!
M o d e l : I s m a t J a v a d & Z a k i
C l i e n t : Q a n d e e l D e s i g n s

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CELEBRITIES2010-2019
People I’ve worked with.
J ugga n Ka zi m
A c t r e s s | H o s t
A li A zm a t
M u s i c i a n
F a ha d Mus ta fa
A c t o r | Pr o d u c e r
A hm a d A li B utt
M u s i c i a n | H o s t
Sa ra h Kha n
A c t r e s s
A li Rehm a n Kha n
A c t o r
Em m a d Irfa ni
A c t o r | M o d e l
Ha reem F a ro o q
A c t r e s s | Pr o d u c e r
Mi ka a l Zulfi qa r
A c t o r | M o d e l
Da nya l Za fa r
M u s i c i a n
A s fa r Hus s a i n
M u s i c i a n
Ki nza Ra zza q
A c t r e s s

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PRODUCTSHOOT A piece of jewelry is often a piece of art. But it
only becomes valuable when emotions are added
to it!
AHSANASGHAR.COM
Ty p e : Pr o d u c t
C l i e n t : F i z - Z a h r a

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TREVELPHOTOGRAPHY
AHSANASGHAR.COM
Ty p e : Po r t r a i t | S t o r y
Pe o p l e : M e h a r N a w a z F a i z a n R a z a | G h a z a n f a r
P R O J E C T I N F O

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PORTRAITPHOTOGRAPHY
I'm a visual thinker, not a language-based
thinker. My brain is like Google Images.
AHSANASGHAR.COM
Ty p e : Po r t r a i t / S t o r y
C l i e n t : N a b e e l H u s s a i n

P O R T R A I
T
/ 29
Ty p e : Po r t r a i t
C l i e n t : J B N J AW S
PRO J ECT DETA IL S

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TANERYMAN
So li s by Mo unta i n Dew
PARTY ANIMALS

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EVENTPHOTOGRAPHY
Mo unta i n Dew threw o ne o f
the bi gges t EDM pa rti es In
L a ho re, Pa ki s ta n i n 2 0 1 8 .
B ri ngi ng the wo rld c la s s
m us i c i a ns i n a c o untry full o f
pa rty a ni m a ls .
SOLIS
Ty p e : S o l i s | M u s i c F e s t i v a l
D J s : F M D V | B u r a k Ye t e r
C l i e n t : M o u n t a i n D e w | J B N J AW S

S h a f q a t a m a n a t a l i
M i k a a l z u l f i q a r
J u g g a n k a z i m
I m m a d i r f a n i
H a r e e m f a r o o q
A l i r e h m a n k h a n
A s f a r h u s s a i n
A l i j o s h
C E L E B R I T I E S :
SAAZ-E-HAQ KI AWAAZ HAIN HUM
BULAND-O-BALA PARWAZ HIAN HUM
SANATA NAHIN, TUFAN HAIN HUM
MERI JAAN, PAKISTAN HAIN HUM
- A H S A N A S G H A R
“
D i r e c t i o n : A h s a n A s g h a r
Wr i t i n g : A h s a n A s g h a r & S a h a r Aw a n
Ty p e : D i g i t a l C a m p a i g n
Re l e a s e : 1 4 t h A u g u s t S p e c i a l
C l i e n t : E P I C ( C r e a t i v e A g e n c y )

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WEDDINGPHOTOGRAPHY
Projects
I T R E AT T H I S C AT E G O R Y W H I L E
K E E P I N G I N M I N D T H E I D E A O F
L O V E .
Ph o t o g r a p h y | F i l m
EDITO RIA L WEDDIN G

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WEDDINGPHOTOGRAPHY
WE ALL HAVE TWO LIVES.
THE SECOND ONE
STARTS WHEN WE
REALIZE WE ONLY HAVE
ONE.
“
- To m H i d d l e s t o n
Ty p e : We d d i n g E d i t o r i a l
C l i e n t : A l i X e e s h a n

36
WEDDINGPHOTOGRAPHY
“You know you're in love when you can't fall
asleep because reality is finally better than your
dreams.”
Ph o t o g r a p h y | D i r e c t i o n
E d i t : A h s a n A s g h a r
L o c a t i o n : L a h o r e , Pa k i s t a n
M E M O RY O F A L I F E T I M E

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DESTINATIONWEDDING
A ll they wa nted wa s to ha ve a
pho to gra ph whi c h c o uld reflec t a
new begi nni ng. A pa i nti ng m a de o f
li ght a nd lo ve.
STORY
C o u p l e : Z a k i & N i d a
Ty p e : D e s t i n a t i o n We d d i n g S h o o t
L o c a t i o n : S h i n k i a r i , Pa k i s t a n
2 0 1 8
L O VE O F L IGHT

W E D D I N G
C o u p l e : B a b a r & H i n a
Ty p e : E d i t o r i a l We d d i n g
2 0 1 7
Deta i ls

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WEDDINGEDITORIAL
B a ber & hi s wi fe wa nted to ha ve a
s ho o t whi c h c o uld rem i nd them o f
thei r chi ldhood. A nd how they
ha ve gro wn to gether. So m ethi ng
c la s s i c wi th a blend o f na ture.
Story
C o u p l e : B a b a r & H i n a
2 0 1 7
Go lden L i ght & a ll whi te

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WEDDINGEDITORIAL
Ty p e : We d d i n g E d i t o r i a l
2 0 1 7
R E D & W H I T E
“YOU GIVE BUT LITTLE WHEN YOU GIVE OF YOUR
POSSESSIONS.IT IS WHEN YOU GIVE OF YOURSELF
THAT YOU TRULY GIVE.”
-K A H L I L G I B R A N , T H E P R O P H E T
AHSANASGHAR.COM

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WEDDINGCOVERAGE
AHSANASGHAR.COM
Ty p e : C a n d i d M o m e n t s
C A N D I D M O M E N T

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FINEARTPHOTOGRAPHY
Fine Arts
What makes photography a
s tra nge i nventi o n i s tha t
i ts pri m a ry ra w m a teri a ls
a re li ght a nd ti m e.
2 0 1 0 - 2 0 1 9
PHO TO GRA PHY | A RT WO RKS

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FINEARTPHOTOGRAPHY
Ti t l e : F i n a l l y S p e a k i n g
L o c a t i o n : G h i z a r, G i l g i t , Pa k i s t a n
2 0 1 8
D E TA I L S
“The timeless in you is aware of
life's timelessness. And knows that
yesterday is but today's memory and
tomorrow is today's dream.”
- K h a l i l G i b r a n , T h e P r o p h e t

Ph o t o g r a p h y & E d i t : A h s a n A s g h a r
Ty p e : F i n e A r t s | D o c u m e n t a r y
L o c a t i o n : J i v a n i , B a l u c h i s t a n , Pa k i s t a n
2 0 1 9
S I N G E R S O F T H E S E A

45
FINEARTPHOTOGRAPHY
Whi le wo rki ng o n a
s eri es “ o bjec ts &
m em o ri es ” I fo und thi s
pla c e nea r o ld L a ho re
whi ch was closed for
m o re tha n 1 0 0 yea r. A
hea ven fo r hi s to ri a n
a nd trea t fo r a n a rti s t.
Story
Ty p e : F i n e A r t | D o c u m e n t a r y
2 0 1 7
100 Years into past

46
FINEARTSPHOTOGRAPHY
L o c a t i o n : S o u t h , N o r t h Pa k i s t a n
PRO J ECT DETA IL S
AHSANASGHAR.COM

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FINEARTPHOTOGRAPHY
“I am constantly trying to
communicate something
incommunicable, to explain
something inexplicable.”
L o c a t i o n : G w a d a r, Pa k i s t a n
2 0 1 9
MY UP IS YO UR DO WN

48
FINEARTPHOTOGRAPHY TO THE S EEKERS OF PLACELES S PLACE.
S O U T H P A K I S T A N | 2 0 1 9

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FINEARTSPHOTOGRAPHY
One day I had a look at the sole of my father.
I saw cracks and, in those crack, I saw all the
struggle he did to make the ends meet. To
fulfill his children's desire. And then I saw
my mother's feet, the cracks were even bigger.
And with this sight life opened another
chapter.
“
- Ahs a n As gha r
C a t e g o r y : F i n e A r t s | D o c u m e n t a r y
E x h i b i t i o n : L a h o r e , K a r a c h i
S i z e : 2 1 x 3 0 I n c h e s
2 0 1 7
FAMILY PORTRAIT

The i dea o f thi s pro jec t wa s to wo rk o n m em o ry a nd s uffo c ati o n
o f the tra ns genders . The a bno rm a l beha vi o r o f the s o c i ety a nd
go vernm ent to wa rds them ha s pus hed thi s c o m m uni ty to c o m e
to gether i n a wa y m uc h di fferent tha n the res t to s urvi ve wi tho ut
a c lea r i denti fi c a ti on o f thei r s elf. Thi s a bi li ty o f hum a ns to c a ll
o n m em o ri es a nd us e them a s a wea po n o f s urvi va l a nd s trength i s
a to pi c I ha ve to uc hed upo n.
- A h s a n A s g h a r / A l i z e h H a s s a n R i z v i
TREANSGENDERS & PAKISTAN
C a t e g o r y : F i n e A r t s | D o c u m e n t a r y
Wo r k s h o p : N a t G e o x G o e t h e I n s t i t u t e
E x h i b i t i o n : L a h o r e , I s l a m a b a d , K a r a c h i , G e r m a n y
L o c a t i o n : O l d L a h o r e , P u n j a b , Pa k i s t a n
P u b l i c a t i o n : E x p r e s s Tr i b u n e & G o e t h e
2 0 1 7
MEMORABILIA (Series)
x

51
FINEARTPHOTOGRAPHY
L A H O R E , PA K I S TA N
MY SOUL IS GLITCHING
x
P h o t o g r a p h : A h s a n A s g h a r
2 0 1 7

52
Corner
“ Th e s e ph o to s cu lptu re s are mad e in th e me mo ry o f a s pace , with a
f e e ling o f d is place me nt, d is place me nt o f o bje cts and o bje cts like
e mo tio ns .”
- A H S A N A S G H A R
C a t e g o r y : Ph o t o S c u l p t u r e ( 2 0 1 8 )
M e d i u m : Pr i n t | A c r y l i c | M D F | Wo o d
S i z e : Va r i a b l e – D i s p l a y : L a h o r e , K a r a c h i
BELOVED CORNER
DESCRIPTION:

THE THINKER WITHOUT A
PARADOX IS LIKE A LOVER
WITHOUT FEELING.
“
M i x e d M e d i a
C a t e g o r y : F i n e A r t s
S i z e : 1 0 0 x 6 0 I n c h e s
2 0 1 8
THEY NEVER LEFT, THEY NEVER ARIVED

54
FINEARTPHOTOGRAPHY
WA R A N D CO N TEMPL ATIO N
4AM TALKS

C a t e g o r y : F i n e A r t s
2 0 1 6 - 1 8
THE SEARCH
T h e s e r i e s i s b a s e d o n t h e j o u r n e y o f s e l f -
d i s c o v e r y. A s s o o n a s y o u i n t e l l e c t u a l i z e
s o m e t h i n g , I t i s n o l o n g e r w h a t y o u s a w o r f e l t .
T h e w h i m s i c a l n a t u r e o f " m e a n i n g & c h a n g e "
m a d e m e p r o d u c e t h i s s e r i e s .
Description
55
FINEARTPHOTOGRAPHY

56
PUBLICATIONSTESTIMONIALS
Publications

57
PublicationMentions
- S u n d a y T i m e s
- D e j a v u M a g a z i n e
- A r t C h o w k
- E x p r e s s Tr i b u n e
- A l h a m r a 1 0 0 A r t i s t s
- L B F x B N U
Publications

58
AHSANASGHAR
Clients
My c us to m ers a re no t m y c o m peti tors . I
c o m pete fo r them , no t wi th them .
BECAUSE

59
AHSANSQUAD
N o ne o f us i s a s s m a rt
a s a ll o f us .
OF MAD MANS.
Za k
Pr o d u c t i o n M a n a g e r
S t r a t e g i s t
Ra bi ya Ayub
Ph o t o g r a p h e r
A r t D i r e c t o r
A hs a n A s gha r
V i s u a l i z e r | M a k e r
Usama A sghar
A b i t o f e v e r y t h i n g
A ruba A nwer
D e s i g n e r
A r t D i r e c t o r
A li zeh Hassan
C r e a t i v e A s s o c i a t e
Team

60
ABOUTME
AHSANASGHAR.COM
Ahsan Asghar
A r t i s t
I'm i nteres ted i n ex plo ri ng the rea li ty o f a n i m a ge
wi th res pec t to a c erta i n ti m e a nd s pa c e, whi c h
has led me to multi ple di recti ons.
P H O TO G R A P H Y
F I L M
C R E AT I V E
I N T E L L I G E N C E

61
CONTACTINFORMATION
Contact
Faacebook - Ahsan Asghar
Behance - Ahsan Asghar
Instagram - Ahsan Asghar
linkedin - Ahsan Asghar
ahsan_asghar@outlook.com
+92 3224479988
Lahore, Pakistan

62
NOTESDESCLAIMER
AHSANASGHAR.COM
DESCLAIME
R
Yo u a c kno wledge tha t c o ntent a va i la ble thro ugh the pres enta ti o n, i nc ludi ng, wi tho ut li m i ta ti o n,
c o ntent i n the fo rm o f tex t, gra phi c s , s o und, pho to gra phs , a nd vi deo s (co llectively, the
“In tellectu al Pro perty”) , i s pro tec ted by c o pyri ght la w, tra dem a rk la w, pa tent la w, a nd/ o r o ther
pro pri eta ry ri ghts a nd la ws . A ll pho to graphs di s pla yed o n thi s pres enta ti on a re the s o le pro perty o f
Ahsan Asghar . A ll o ther c o ntent o n thi s pres enta ti on i s o wned by A hs a n A s gha r. Ex c ept a s ex pres s ly
a utho ri zed by A hs a n A s gha r herei n, yo u a gree no t to c o py, m o di fy, s ell, a s s i gn, di s tri bute, li c ens e,
revers e engi neer, o r c rea te deri va ti ve wo rks ba s ed o n the pres enta ti o n o r a ny c o ntent (i nc ludi ng,
wi tho ut li m i ta ti o n, a ny s o ftwa re) a va i la ble thro ugh the pres enta ti on.
Yo u m a y no t do wnlo a d, tra ns m i t, repro duce, c o py, repri nt, m o di fy, rewri te, c rea te deri va ti ve wo rks
fro m , di s tri bute, publi c ly di s pla y, publi c ly perfo rm , li c ens e, tra ns fer o r s ell c o ntent retri eved fro m
the Pres enta ti on i n a ny wa y, fo r a ny publi c o r c o m m erc ia l us e o r pro vi de i t to a ny c o m m erci al
s o urc e, i nc ludi ng o ther webs i tes , rega rdles s o f whether o r no t yo u rec ei ve c o m pens ati on, wi tho ut
the ex pres s , pri o r wri tten perm i s s i o n o f Ahsan Asghar.
C o p y r i g h t © 2 0 1 9 A h s a n A s g h a r
A l l R i g h t s R e s e r v e d

Ahsan Asghar - Portfolio

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