This document discusses research being done to create a short film aimed at a teenage audience. It analyzes similar films to understand conventions and audience preferences. A questionnaire finds that the target audience likes action/adventure films with feel-good factors and important soundtracks. Research of films like Adulthood and Shank show their use of moral panic themes around youth and gangs. In contrast, the film Anuvahood takes a more lighthearted, comedic approach to these themes.
As a film director, I have always been awestruck by the magic of animation. Animation, a medium once considered solely for the amusement of children, has undergone a significant transformation over the years. Its evolution from a rudimentary form of entertainment to a sophisticated form of storytelling has stirred my creativity and expanded my vision, offering limitless possibilities in the realm of cinematic storytelling.
Maximizing Your Streaming Experience with XCIPTV- Tips for 2024.pdfXtreame HDTV
In today’s digital age, streaming services have become an integral part of our entertainment lives. Among the myriad of options available, XCIPTV stands out as a premier choice for those seeking seamless, high-quality streaming. This comprehensive guide will delve into the features, benefits, and user experience of XCIPTV, illustrating why it is a top contender in the IPTV industry.
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Meet Crazyjamjam - A TikTok Sensation | Blog EternalBlog Eternal
Crazyjamjam, the TikTok star everyone's talking about! Uncover her secrets to success, viral trends, and more in this exclusive feature on Blog Eternal.
Source: https://blogeternal.com/celebrity/crazyjamjam-leaks/
Skeem Saam in June 2024 available on ForumIsaac More
Monday, June 3, 2024 - Episode 241: Sergeant Rathebe nabs a top scammer in Turfloop. Meikie is furious at her uncle's reaction to the truth about Ntswaki.
Tuesday, June 4, 2024 - Episode 242: Babeile uncovers the truth behind Rathebe’s latest actions. Leeto's announcement shocks his employees, and Ntswaki’s ordeal haunts her family.
Wednesday, June 5, 2024 - Episode 243: Rathebe blocks Babeile from investigating further. Melita warns Eunice to stay clear of Mr. Kgomo.
Thursday, June 6, 2024 - Episode 244: Tbose surrenders to the police while an intruder meddles in his affairs. Rathebe's secret mission faces a setback.
Friday, June 7, 2024 - Episode 245: Rathebe’s antics reach Kganyago. Tbose dodges a bullet, but a nightmare looms. Mr. Kgomo accuses Melita of witchcraft.
Monday, June 10, 2024 - Episode 246: Ntswaki struggles on her first day back at school. Babeile is stunned by Rathebe’s romance with Bullet Mabuza.
Tuesday, June 11, 2024 - Episode 247: An unexpected turn halts Rathebe’s investigation. The press discovers Mr. Kgomo’s affair with a young employee.
Wednesday, June 12, 2024 - Episode 248: Rathebe chases a criminal, resorting to gunfire. Turf High is rife with tension and transfer threats.
Thursday, June 13, 2024 - Episode 249: Rathebe traps Kganyago. John warns Toby to stop harassing Ntswaki.
Friday, June 14, 2024 - Episode 250: Babeile is cleared to investigate Rathebe. Melita gains Mr. Kgomo’s trust, and Jacobeth devises a financial solution.
Monday, June 17, 2024 - Episode 251: Rathebe feels the pressure as Babeile closes in. Mr. Kgomo and Eunice clash. Jacobeth risks her safety in pursuit of Kganyago.
Tuesday, June 18, 2024 - Episode 252: Bullet Mabuza retaliates against Jacobeth. Pitsi inadvertently reveals his parents’ plans. Nkosi is shocked by Khwezi’s decision on LJ’s future.
Wednesday, June 19, 2024 - Episode 253: Jacobeth is ensnared in deceit. Evelyn is stressed over Toby’s case, and Letetswe reveals shocking academic results.
Thursday, June 20, 2024 - Episode 254: Elizabeth learns Jacobeth is in Mpumalanga. Kganyago's past is exposed, and Lehasa discovers his son is in KZN.
Friday, June 21, 2024 - Episode 255: Elizabeth confirms Jacobeth’s dubious activities in Mpumalanga. Rathebe lies about her relationship with Bullet, and Jacobeth faces theft accusations.
Monday, June 24, 2024 - Episode 256: Rathebe spies on Kganyago. Lehasa plans to retrieve his son from KZN, fearing what awaits.
Tuesday, June 25, 2024 - Episode 257: MaNtuli fears for Kwaito’s safety in Mpumalanga. Mr. Kgomo and Melita reconcile.
Wednesday, June 26, 2024 - Episode 258: Kganyago makes a bold escape. Elizabeth receives a shocking message from Kwaito. Mrs. Khoza defends her husband against scam accusations.
Thursday, June 27, 2024 - Episode 259: Babeile's skillful arrest changes the game. Tbose and Kwaito face a hostage crisis.
Friday, June 28, 2024 - Episode 260: Two women face the reality of being scammed. Turf is rocked by breaking
Panchayat Season 3 - Official Trailer.pdfSuleman Rana
The dearest series "Panchayat" is set to make a victorious return with its third season, and the fervor is discernible. The authority trailer, delivered on May 28, guarantees one more enamoring venture through the country heartland of India.
Jitendra Kumar keeps on sparkling as Abhishek Tripathi, the city-reared engineer who ends up functioning as the secretary of the Panchayat office in the curious town of Phulera. His nuanced depiction of a young fellow exploring the difficulties of country life while endeavoring to adjust to his new environmental factors has earned far and wide recognition.
Neena Gupta and Raghubir Yadav return as Manju Devi and Brij Bhushan Dubey, separately. Their dynamic science and immaculate acting rejuvenate the hardships of town administration. Gupta's depiction of the town Pradhan with an ever-evolving outlook, matched with Yadav's carefully prepared exhibition, adds profundity and credibility to the story.
New Difficulties and Experiences
The trailer indicates new difficulties anticipating the characters, as Abhishek keeps on wrestling with his part in the town and his yearnings for a superior future. The series has reliably offset humor with social editorial, and Season 3 looks ready to dig much more profound into the intricacies of rustic organization and self-awareness.
Watchers can hope to see a greater amount of the enchanting and particular residents who have become fan top picks. Their connections and the one of a kind cut of-life situations give a reviving and interesting portrayal of provincial India, featuring the two its appeal and its difficulties.
A Mix of Humor and Heart
One of the signs of "Panchayat" is its capacity to mix humor with sincere narrating. The trailer features minutes that guarantee to convey giggles, as well as scenes that pull at the heartstrings. This equilibrium has been a critical calculate the show's prosperity, resounding with crowds across different socioeconomics.
Creation Greatness
The creation quality remaining parts first rate, with the beautiful setting of Phulera town filling in as a scenery that upgrades the narrating. The meticulousness in portraying provincial life, joined with sharp composition and solid exhibitions, guarantees that "Panchayat" keeps on hanging out in the packed web series scene.
Expectation and Delivery
As the delivery date draws near, expectation for "Panchayat" Season 3 is at a record-breaking high. The authority trailer has previously created critical buzz, with fans enthusiastically anticipating the continuation of Abhishek Tripathi's excursion and the new undertakings that lie ahead in Phulera.
All in all, the authority trailer for "Panchayat" Season 3 recommends that watchers are in for another drawing in and engaging ride. Yet again with its charming characters, convincing story, and ideal mix of humor and show, the new season is set to enamor crowds. Write in your schedules and prepare to get back to the endearing universe of "Panchayat."
In the vast landscape of cinema, stories have been told, retold, and reimagined in countless ways. At the heart of this narrative evolution lies the concept of a "remake". A successful remake allows us to revisit cherished tales through a fresh lens, often reflecting a different era's perspective or harnessing the power of advanced technology. Yet, the question remains, what makes a remake successful? Today, we will delve deeper into this subject, identifying the key ingredients that contribute to the success of a remake.
Tom Selleck Net Worth: A Comprehensive Analysisgreendigital
Over several decades, Tom Selleck, a name synonymous with charisma. From his iconic role as Thomas Magnum in the television series "Magnum, P.I." to his enduring presence in "Blue Bloods," Selleck has captivated audiences with his versatility and charm. As a result, "Tom Selleck net worth" has become a topic of great interest among fans. and financial enthusiasts alike. This article delves deep into Tom Selleck's wealth, exploring his career, assets, endorsements. and business ventures that contribute to his impressive economic standing.
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Early Life and Career Beginnings
The Foundation of Tom Selleck's Wealth
Born on January 29, 1945, in Detroit, Michigan, Tom Selleck grew up in Sherman Oaks, California. His journey towards building a large net worth began with humble origins. , Selleck pursued a business administration degree at the University of Southern California (USC) on a basketball scholarship. But, his interest shifted towards acting. leading him to study at the Hills Playhouse under Milton Katselas.
Minor roles in television and films marked Selleck's early career. He appeared in commercials and took on small parts in T.V. series such as "The Dating Game" and "Lancer." These initial steps, although modest. laid the groundwork for his future success and the growth of Tom Selleck net worth. Breakthrough with "Magnum, P.I."
The Role that Defined Tom Selleck's Career
Tom Selleck's breakthrough came with the role of Thomas Magnum in the CBS television series "Magnum, P.I." (1980-1988). This role made him a household name and boosted his net worth. The series' popularity resulted in Selleck earning large salaries. leading to financial stability and increased recognition in Hollywood.
"Magnum P.I." garnered high ratings and critical acclaim during its run. Selleck's portrayal of the charming and resourceful private investigator resonated with audiences. making him one of the most beloved television actors of the 1980s. The success of "Magnum P.I." played a pivotal role in shaping Tom Selleck net worth, establishing him as a major star.
Film Career and Diversification
Expanding Tom Selleck's Financial Portfolio
While "Magnum, P.I." was a cornerstone of Selleck's career, he did not limit himself to television. He ventured into films, further enhancing Tom Selleck net worth. His filmography includes notable movies such as "Three Men and a Baby" (1987). which became the highest-grossing film of the year, and its sequel, "Three Men and a Little Lady" (1990). These box office successes contributed to his wealth.
Selleck's versatility allowed him to transition between genres. from comedies like "Mr. Baseball" (1992) to westerns such as "Quigley Down Under" (1990). This diversification showcased his acting range. and provided many income streams, reinforcing Tom Selleck net worth.
Television Resurgence with "Blue Bloods"
Sustaining Wealth through Consistent Success
In 2010, Tom Selleck began starring as Frank Reagan i
Are the X-Men Marvel or DC An In-Depth Exploration.pdfXtreame HDTV
The world of comic books is vast and filled with iconic characters, gripping storylines, and legendary rivalries. Among the most famous groups of superheroes are the X-Men. Created in the early 1960s, the X-Men have become a cultural phenomenon, featuring in comics, animated series, and blockbuster movies. A common question among newcomers to the comic book world is: Are the X-Men Marvel or DC? This article delves into the history, creators, and significant moments of the X-Men to provide a comprehensive answer.
From Slave to Scourge: The Existential Choice of Django Unchained. The Philos...Rodney Thomas Jr
#SSAPhilosophy #DjangoUnchained #DjangoFreeman #ExistentialPhilosophy #Freedom #Identity #Justice #Courage #Rebellion #Transformation
Welcome to SSA Philosophy, your ultimate destination for diving deep into the profound philosophies of iconic characters from video games, movies, and TV shows. In this episode, we explore the powerful journey and existential philosophy of Django Freeman from Quentin Tarantino’s masterful film, "Django Unchained," in our video titled, "From Slave to Scourge: The Existential Choice of Django Unchained. The Philosophy of Django Freeman!"
From Slave to Scourge: The Existential Choice of Django Unchained – The Philosophy of Django Freeman!
Join me as we delve into the existential philosophy of Django Freeman, uncovering the profound lessons and timeless wisdom his character offers. Through his story, we find inspiration in the power of choice, the quest for justice, and the courage to defy oppression. Django Freeman’s philosophy is a testament to the human spirit’s unyielding drive for freedom and justice.
Don’t forget to like, comment, and subscribe to SSA Philosophy for more in-depth explorations of the philosophies behind your favorite characters. Hit the notification bell to stay updated on our latest videos. Let’s discover the principles that shape these icons and the profound lessons they offer.
Django Freeman’s story is one of the most compelling narratives of transformation and empowerment in cinema. A former slave turned relentless bounty hunter, Django’s journey is not just a physical liberation but an existential quest for identity, justice, and retribution. This video delves into the core philosophical elements that define Django’s character and the profound choices he makes throughout his journey.
Link to video: https://youtu.be/GszqrXk38qk
Scandal! Teasers June 2024 on etv Forum.co.zaIsaac More
Monday, 3 June 2024
Episode 47
A friend is compelled to expose a manipulative scheme to prevent another from making a grave mistake. In a frantic bid to save Jojo, Phakamile agrees to a meeting that unbeknownst to her, will seal her fate.
Tuesday, 4 June 2024
Episode 48
A mother, with her son's best interests at heart, finds him unready to heed her advice. Motshabi finds herself in an unmanageable situation, sinking fast like in quicksand.
Wednesday, 5 June 2024
Episode 49
A woman fabricates a diabolical lie to cover up an indiscretion. Overwhelmed by guilt, she makes a spontaneous confession that could be devastating to another heart.
Thursday, 6 June 2024
Episode 50
Linda unwittingly discloses damning information. Nhlamulo and Vuvu try to guide their friend towards the right decision.
Friday, 7 June 2024
Episode 51
Jojo's life continues to spiral out of control. Dintle weaves a web of lies to conceal that she is not as successful as everyone believes.
Monday, 10 June 2024
Episode 52
A heated confrontation between lovers leads to a devastating admission of guilt. Dintle's desperation takes a new turn, leaving her with dwindling options.
Tuesday, 11 June 2024
Episode 53
Unable to resort to violence, Taps issues a verbal threat, leaving Mdala unsettled. A sister must explain her life choices to regain her brother's trust.
Wednesday, 12 June 2024
Episode 54
Winnie makes a very troubling discovery. Taps follows through on his threat, leaving a woman reeling. Layla, oblivious to the truth, offers an incentive.
Thursday, 13 June 2024
Episode 55
A nosy relative arrives just in time to thwart a man's fatal decision. Dintle manipulates Khanyi to tug at Mo's heartstrings and get what she wants.
Friday, 14 June 2024
Episode 56
Tlhogi is shocked by Mdala's reaction following the revelation of their indiscretion. Jojo is in disbelief when the punishment for his crime is revealed.
Monday, 17 June 2024
Episode 57
A woman reprimands another to stay in her lane, leading to a damning revelation. A man decides to leave his broken life behind.
Tuesday, 18 June 2024
Episode 58
Nhlamulo learns that due to his actions, his worst fears have come true. Caiphus' extravagant promises to suppliers get him into trouble with Ndu.
Wednesday, 19 June 2024
Episode 59
A woman manages to kill two birds with one stone. Business doom looms over Chillax. A sobering incident makes a woman realize how far she's fallen.
Thursday, 20 June 2024
Episode 60
Taps' offer to help Nhlamulo comes with hidden motives. Caiphus' new ideas for Chillax have MaHilda excited. A blast from the past recognizes Dintle, not for her newfound fame.
Friday, 21 June 2024
Episode 61
Taps is hungry for revenge and finds a rope to hang Mdala with. Chillax's new job opportunity elicits mixed reactions from the public. Roommates' initial meeting starts off on the wrong foot.
Monday, 24 June 2024
Episode 62
Taps seizes new information and recruits someone on the inside. Mary's new job
From the Editor's Desk: 115th Father's day Celebration - When we see Father's day in Hindu context, Nanda Baba is the most vivid figure which comes to the mind. Nanda Baba who was the foster father of Lord Krishna is known to provide love, care and affection to Lord Krishna and Balarama along with his wife Yashoda; Letter’s to the Editor: Mother's Day - Mother is a precious life for their children. Mother is life breath for her children. Mother's lap is the world happiness whose debt can never be paid.
1. My aim is to create a 5-minute short film that will entertain and inspire. I will use contemporary themes and issues and thread them in to a film that will be aimed at a teenage audience onwards. My following research will analyse similar texts in order to help me create a conventional, yet original piece of text. After the research, my aim will be more concise and relevant. Research Planning Making of Film Evaluation
2. My research of the films that I have mentioned on my blog, show a common target audience of 16-26. Even going to the cinema and physically looking at the type of audiences in the screen has also convinced me of this age group. audience is the first area in which I will research. I aim for my film to be attractive to a late teenage audience, therefore 16-26. I wish to attract the social-network audience as not only is my audience a large consumer of social networking, the fact that web 2.0 is growing and growing means that it will be instrumental in the success of my film. Therefore, I will aim to attract as much as audience possibly in order for my film to be accessed through multiple platforms. My first task is to use a questionnaire and send it out to my target audience of 16-26. In order to attract my audience to this questionnaire, I will send it out in a message to facebook friends of that age group. I believe this will be seen as a more convenient way of gathering the information. The use of web 2.0 will help me connect directly to my audience.
3. A Questionnaire in what the audience of 16-26 year olds like to see in a film aimed at them. What is your favourite type of genre? Action/Adventure Romance Comedy Horror Thriller Sci-Fi What most attracts you to a film? The actors The production company The storyline The conventions (e.g- Action- guns, explosions etc. Horror- violence) The ideologies Do you tend to stick to films with formulas that you are more common with or more experimental? Tried and trusted formulas/ conventions Experimental and different films Both Do you prefer films that have a feel-good factor or films that make you think and question your own motives? Feel-good factor Films that question ideologies and conventions How important is a soundtrack/ music to a film for you? Highly important Important Semi- Important Not important Highly un-important
8. Finds the music used in a film ‘important’From my findings, I have found that my target audience does like an all round package when it comes to a film. By this I mean that the sound, narrative & theories behind a film, to name a few, are all considered important in a film. I will incorporate all of the above in to my film in order to reach out to my audience. Knowing this information from my audience will also let me get a preferred reading across. An example of this is using the fact that my audience prefers films with a feel-good factor to present my character as likeable and perhaps and underdog who comes good.
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10. The effect of camera angles and how they link in with the other concepts
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13. Are character representations intertwined with any theories, such as personal identity in the uses and gratification theory.
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15. Are audiences condensed in to certain social groups in order to be attracted to the film?
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17. What type of narrative is it? Does it have disruptions, such as flashbacks?
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19. From watching the trailer, much can be derived from it. What appeared most obvious was the sense of ‘moral panic’. The trailer was heavily centred around violence & such iconography, such as guns and baseball bats reinforced this. There were also many signifiers such as ‘hoodies’ and joggers being worn by the majority of the characters. These all contributed to stereotypes and the representation of youths today. Youths were heavily represented and gave off a strong preferred reading of being violent, abusive, dangerous and a threat to society, thus creating this moral panic. This then can be related to modern society as the film used modern relevance in the sense that it uses stereotypes to emphasise the moral panic of abusive youths in Britains. From these macro findings, a micro-like formula can be constructed. Commonly associated Iconography + Signifiers + Modern Relevance + Stereotypes= Moral Panic This is no coincidence as the director would want to emphasise this moral panic as much as possible. The effects of this The audience are presented with this preferred reading and therefore a moral panic is created. Therefore this attracts not only a target audience but perhaps an audience of much older as the modern relevance may reflect society . However, during the trailer there is a hint of reform. By this I mean that the main character is seen as wanting to put right what is perhaps wrong. This then makes the film much more complex as first perceived, as it can perhaps enforce Behavioural change. Price explains that Behavioural change is meant to occur as a result of traumatic exposure to media input, which is exciting, or in this case, depressing and therefore demands an altering of the way people think. This theory of abusive and dangerous teens can be linked in with classic marxism as it has always been a topic that has been under the microscope. The 1996 film, Trainspotting, can be an example of this moral panic of dangerous youths. This can be an example of the mass media circulating ideas that keep them in power as the capitalist class exploit the lower class and with the mass media being ultimately run by the capitalist class, this explains why the idea of unruly youths has been a topic of many years. Ultimately, its the fact that there is a noticeable concern about youths today that helps the mass media exploit this, therefore making stereotypical characters appear normal.
21. The film, Shank, is extremely similar Adulthood. The film plays on this moral panic and propels it in to a huge, exaggerate state. This confirms and evens heightens what was explained before. Other things that are noticeable in Shank that will help me to create my own film is the genre. It is very similar to Adulthoods and I believe that the media language and narrative affect this. I have learnt that media language, genre, representation, audience and narrative all intertwine in to each other in order for all the concepts to be successful. An example of this is how the media language reflects the genre. This screen shot here shows the mise-en-scene as dark, grim and almost underground. The lighting does this by using weak lighting and grey colours. This appears to make the two black characters look vulnerable and defensive. This then makes the genre appear grimy, intense and dangerous. The media language here is similar of the one above. It emphasises the genre of action/adventure, but more importantly it emphasises the topics within the genre of gangs & violence. This medium/wide shot shows covered faces, all in dark, black colours. The lighting is low and dark and the fact that it is light outside and the characters are dark emphasises how dangerous this mise-en-scene appears.
22. The representations of youths are similar, that being violent, aggressive and affiliated with gang culture. The audience are presented with a moral panic and are asked to think about these behaviours. Both films use their own soundtracks of UK Grime music to emphasise the street-gang warfare. These are only half of what my questionnaire findings show. There is no sense of a ‘feel good factor’ in these two films, nor is there an obviously experimental approach that separates the two films or even separates the film from the common formula of these types of gritty, urban films. Therefore I have chosen to analyse the film Anuvahood, which is like a light-hearted version of Adulthood. The film is almost making a joke out of these gritty films, but more importantly, it is showing a light-hearted, more naturalistic view of youths today. http://youtu.be/PPsQBNxt-Y8
23. Although the film uses the same concepts of the previous two, such as gang culture and violence, Anuvahood puts on this unexpected twist by using it in a comical way. The media language fully emphasises this by fully contrasting the previous two films. The lighting of these three shots is a lot more brighter than that of Shanks. The greys are traded for pinks and it is always bright, a place where the audience wouldn’t be afraid of being. Although the second shot, being a slight low angle shot, would usually mean that the gang has authority and power, they have twisted this by using 5 comically looking characters as the gang, therefore breaking any types of formula or signifiers and using it for comical value. The film presents a ‘ feel good factor’ and perhaps a concept that has not yet been used in film. That being comical street culture and obviously acting differently in order to fit in to a certain social group.
25. I have worked on an idea for my film. It centres around a character who is trying to pursue his career in music. He loves to write lyrics and record his own music. However, it all turns sour when he has no success in distributing his music. This turns him fed up and depressed. He then experiences some unfortunate events, leading him to question his identity. The equilibrium is finally restored at the end when a random character approaches him and asks him for one of his mixtape/cds. This then restores the equilibrium and produces a feel good factor. The music I will use will make a big impact on the film as it will form a soundtrack. I will use binary oppositions frequently, such as bright lighting for when the character is optimistic and happy and then low, dark lighting for when the character is depressed and down.
26. I have constructed a timeline of 11 scenes in chronological order. Within these scenes, I have noted the music that is playing in it, the actions of the scene and some brief camera angles. I have only written in note form just so it can show me every scene and how they flow in to each other. I can also begin planning on the transitions that I use. I have then created an actual timeline in bullet points. This timeline shows every shot that I will use. I have decided to write it as I believe it will be more worthwhile than drawing them out. Also, there are over 20 points and some of these have two or three shots within this. I do not think it would be practical to draw all of the shots out. A scanned version of this can be found on my blog.
27. Characters I chose Lewis as my main character because I am striving for the naturalistic look. I believe that by using Lewis and making him relaxed, he would just act naturally in which I believe would make the character believable and natural. I wanted the audience to confide in this character and perhaps seek personal identity as Lewis is a person who likes to put on different personas. This will work perfectly as I wanted my character to act like someone he wasn't all the way through. It would only be until the end of the film that he would notice that acting himself is the best way to be.
28. I chose Adam for the final scene because he restores the equilibrium. He is a naturally uplifting and an exciting person to be around and I hope to show this through the character that he acts. Also, I plan for him to act normal and natural in order to show Lewis that it’s fine to just be yourself. Adam’s character is pivotal to the film as he represents the light hearted approach of the film. He is the representation of being yourself and seeing the brighter side of things. I chose Tom to be the person who makes the break of the equilibrium reach its climax. I chose my characters to strike poses to reflect their characters. Although Tom plays a small part, he breaks Lewis down to the point of Lewis giving up on everything. Tom is arrogant and dismissive of Lewis because he represents the bad side of society; the side that tries to bring you down. These three characters all represent opposites but it’s the bright side of Tom and the dark side of Adam that makes Lewis realise who he is and thus creating a new equilibrium.
29. I’ve investigated different camera angles and how I’m going to utilise them in my production. I believe that the camera angles and the camera movements is pivotal to everything, from how my characters are perceived and represented to creating a successful mise-en-scene. I want my characters to be represented from a macro and micro level so that my audience can read in to the characters and begin to form opinions. I captured two shots that are hugely similar when testing out the camera angles. I tried to take a deep filled shot in picture A in order to create a lonely and isolated feel. With shot B, I took it at an angle and then captured the image as a low shot. I did this as I wanted the character to appear important & striking. I believe shot B is more of a successful shot as it captures the characters importance within the mise-en-scene as well as making the audience appear more closer to the character. It’s vital that my audience warm to Lewis and really form a bond with the character. Shot B fulfils this as as the audience, we are right up close to him whereas in A, Lewis is away from the audience and not fulfilling the purpose of the intended shot. Shot B Shot A
30. I find music extremely important to a production. As does the audience who answered my questionnaire. I wanted to get the same type of music that all Anuvahood & Shank used. Using original music was hard to come by and therefore I search over google and youtube for free audio beats. I came across several websites but it was perhaps a website in which a group named ‘The passion hi-fi’ struck my attention. The beats that they remixed, sampled and produced fitted the image I had of my production. I believe that the songs that I chose would fit my gritty genre. I believe that the music would contribute in the fact that it would help the narrative to flow and use it to dramatic effect such as using it as contrapuntal sound. My research took me to http://www.bbc.co.uk/filmnetwork/ where I came across a short film that followed a boy working overnight in a supermarket. I found this film very insightful as there was a lack of dialogue, hardly any. Instead, the film used diegtic sound to emphasise the loneliness of this boy. There was no soundtrack or music that played over this film. It created an extremely lonely and isolated feel. The sound of a trolley or a light switch became effective as it was the only sound that the audience heard meaning the only sound that the boy came in to contact with. This created a connection between audience and character because the short film solely focused on this one camera and what he did. I decided to use music to dictate my production as it would reflect such things as the boys isolation. However, I would use music to represent my characters feelings and perspectives as it will form a second layer for the audience to decompose. Ultimately, it well let the audience analyse the use of music from a micro level and what it represents about the character.
32. I have chosen to create a film poster and film magazine review page for my ancillary task. I will begin to research both, using as much type of media as possible. I will begin with the film poster. I believe that the images used will be the most important aspect of the poster and therefore I will study the angles and of course, the mise-en-scene. I will also analyse the headings and use of slogans.
33. Slogan creates an enigma. Draws audience in. Eye-catching title. The font is large and the colour is very striking. The character in the middle of the ‘A’ hints at the genre as he is perhaps holding a knife. Giving off connotations of knife crime. This line mentions a very similar film. This makes the audience aware of what type of film to expect due to the director being the same. Multiple imagery of gangs and gang signifiers, such as hoodies and masks. Main character forming the majority of the centre of the poster. Facing the audience, showing the genre of action/adventure. Dark, grey colours suggest an eerie and dark setting/narrative. The character running, looking serious shows that the narrative is fast paced and intense, as although they are trying to escape, they are coming at the audience, meaning they are becoming closer to the audience, making their characters connect.
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35. Although The Football Factory is different from Shank as in its narrative is about football, I found that the gang aspect still shone through. I have learnt that a big, striking centre fold is required for the poster. It must be eye-catching, drawing the audiences eye to the centre and then the information around. A big title is required in order for the image to have significance. Slogans can create enigmas and hint at possible narratives or topics within the genre. Reviews could also be added to the poster as The Football Factory uses a star rating successfully.
42. RecognisabilityI believe I can fulfil most of these elements in my poster by using the tools that I have learnt from my analysing, such as a big striking image. I definitely want to create an enigma in my poster in order for the passer- by to spend some time with the poster and not want their eyes to move away from it.
43. I have research several film magazines, including empire, Total film & premiere. I have came across many styles but one of the most attractive and eye-catching reviews to me, from an audience perspective, was the Avatar review. Striking, colourful & eye-catching shots to instantly attract the reader. The ‘Avatar Facts’ box makes the reader read and look around the whole poster, thus taking it all in. The large images, that were spread over two pages are extremely eye-catching. The characters direct address to the audience is to blame for this. My eyes were instantly drawn to the main image and then to the title ‘Avatar’. I wish to create the same impression with my review.
44. I believe that the ‘7 elements of a great film poster’ can not only be applied to the film review itself but also intertwine in to the film poster. For example, ‘Style’ is said to be a consistent look throughout and therefore if the film poster and review share the same style, the film as a package will look consistent & professional. ‘Attention’ is also a key element that can be applied to both as the review and poster must shoot out at the audience in order to grab attention. The film poster and magazine review both show the main character looking deep and insightful. The same ‘style’ continues as the jungle/Avatar world is shown in both. The poster as a whole as a much more collected look about it as the reader is brought in to the world of Avatar through the imagery. The review does the opposite by using multiples images and texts to bombard the reader, making them spend a lot of time on that page, where as in contrast the poster has a much more simplistic look about it, yet it is still insightful enough to engage the passer-by, due to its iconography.
45. This Alice in Wonderland review contrasts the Avatars as its approach is much more different, bringing focus on the imagery, rather than the other factors such as the title. However, what is very similar is the big, striking image that takes up the majority of the spread. This eye-catching technique is one that I will utilise in my review as it is a successful approach as it draws the eyes to the centre-fold. The colours used also flow well together as the purples and reds create a ‘style’ that is associated with Alice in Wonderland.