The document describes plans for exhibits at several different museums or attractions focused on history.
It discusses using personal stories and first-person perspectives to engage visitors in the history, rather than just presenting facts. Stories will be told through a variety of media like images, objects, audio, and interactions to create immersive experiences.
The goal is to move away from passive presentations of information towards experiences that appeal to visitors' curiosity and emotions, by showing many sides of the historical topics in an entertaining way.
The document summarizes the findings of dendrochronological analysis of timber used in fortification structures along Gammel Strand in Copenhagen across different time periods. It identifies the tree species used, including oak, pine and spruce, and traces the geographic origin of the timber, such as Sweden, Poland/Germany, and Norway. The analysis provides insights into the import of timber through time for Copenhagen's fortifications and the use of local versus exotic wood sources.
This document establishes minimum standards for constructing load-bearing and non-load bearing straw bale structures. It defines terms and specifies requirements for bale materials, foundations, wall construction, openings, and load-bearing vs. non-load bearing walls. Bales must meet specifications for shape, moisture content, density and ties. Load-bearing walls have additional requirements for anchoring, load limitations, and stack orientation.
This document discusses the spiritual and cosmological roots of biodynamic agriculture according to Rudolf Steiner. It describes how biodynamic farmers view the farm as a living organism and take into account cosmic forces and spiritual beings. The key principles of biodynamic agriculture include using special preparations to harmonize farm relations with the earth, viewing the farm as a unified organism, and considering the farm's individuality and diversity. Farmers develop a connection with nature and care for the land as both an economic and cultural activity.
The document describes plans for exhibits at several different museums or attractions focused on history.
It discusses using personal stories and first-person perspectives to engage visitors in the history, rather than just presenting facts. Stories will be told through a variety of media like images, objects, audio, and interactions to create immersive experiences.
The goal is to move away from passive presentations of information towards experiences that appeal to visitors' curiosity and emotions, by showing many sides of the historical topics in an entertaining way.
The document summarizes the findings of dendrochronological analysis of timber used in fortification structures along Gammel Strand in Copenhagen across different time periods. It identifies the tree species used, including oak, pine and spruce, and traces the geographic origin of the timber, such as Sweden, Poland/Germany, and Norway. The analysis provides insights into the import of timber through time for Copenhagen's fortifications and the use of local versus exotic wood sources.
This document establishes minimum standards for constructing load-bearing and non-load bearing straw bale structures. It defines terms and specifies requirements for bale materials, foundations, wall construction, openings, and load-bearing vs. non-load bearing walls. Bales must meet specifications for shape, moisture content, density and ties. Load-bearing walls have additional requirements for anchoring, load limitations, and stack orientation.
This document discusses the spiritual and cosmological roots of biodynamic agriculture according to Rudolf Steiner. It describes how biodynamic farmers view the farm as a living organism and take into account cosmic forces and spiritual beings. The key principles of biodynamic agriculture include using special preparations to harmonize farm relations with the earth, viewing the farm as a unified organism, and considering the farm's individuality and diversity. Farmers develop a connection with nature and care for the land as both an economic and cultural activity.
The document discusses how a music magazine product challenges conventions of real magazines. It provides examples of both conforming to and challenging conventions on the cover, contents page, and article pages through design elements like placement of images, text, and mastheads. The document concludes that by challenging conventions, the layout and feel of each page was improved, creating a better final product.
This document discusses several energy efficient methods for saving money including switching to fluorescent light bulbs, turning off lights when not in use, unplugging devices when not in use, installing solar panels or wind power, using energy star appliances, planting trees for shade, installing glazed windows, and upgrading water heaters. Fluorescent light bulbs use less energy and last longer than incandescent bulbs. Turning off lights and unplugging devices helps conserve fossil fuels and reduces air pollution and global warming. Solar panels and wind power can generate energy and save money over time.
This document discusses the benefits of collaborations between museums and schools for learning. It provides background on the shifting ecology of learning and increased focus on relevance, accessibility, and co-creation in museums. Collaborations can support students' cognitive development and skills while helping museums reach new audiences and reflect on societal issues. The outcomes described are improved student knowledge, self-esteem, and school presence as well as benefits to teachers, schools, and society overall through alternative learning platforms and experiences that complement classroom curriculum. The document concludes with recommendations for successful collaborations, including securing administrative support, focusing on processes and outcomes, involving teachers, and leveraging the unique aspects of museums as learning environments.
National Museums Liverpool is a national museum founded in 1851 and established in 1986 as the only national museum outside of London. It serves as the museum service for Liverpool and Merseyside, the region's largest cultural organization with an international remit. The museum's mission is to be the world's leading example of an inclusive museum service. Its education vision is to provide creative and inspiring cultural education through activities and resources to assist with lifelong learning and cultural awareness. Some of its education programs include Suitcase of Stories, Big Art for Little Artists, Postcode, and Legacies of Transatlantic Slavery.
The document discusses how a music magazine product challenges conventions of real magazines. It provides examples of both conforming to and challenging conventions on the cover, contents page, and article pages through design elements like placement of images, text, and mastheads. The document concludes that by challenging conventions, the layout and feel of each page was improved, creating a better final product.
This document discusses several energy efficient methods for saving money including switching to fluorescent light bulbs, turning off lights when not in use, unplugging devices when not in use, installing solar panels or wind power, using energy star appliances, planting trees for shade, installing glazed windows, and upgrading water heaters. Fluorescent light bulbs use less energy and last longer than incandescent bulbs. Turning off lights and unplugging devices helps conserve fossil fuels and reduces air pollution and global warming. Solar panels and wind power can generate energy and save money over time.
This document discusses the benefits of collaborations between museums and schools for learning. It provides background on the shifting ecology of learning and increased focus on relevance, accessibility, and co-creation in museums. Collaborations can support students' cognitive development and skills while helping museums reach new audiences and reflect on societal issues. The outcomes described are improved student knowledge, self-esteem, and school presence as well as benefits to teachers, schools, and society overall through alternative learning platforms and experiences that complement classroom curriculum. The document concludes with recommendations for successful collaborations, including securing administrative support, focusing on processes and outcomes, involving teachers, and leveraging the unique aspects of museums as learning environments.
National Museums Liverpool is a national museum founded in 1851 and established in 1986 as the only national museum outside of London. It serves as the museum service for Liverpool and Merseyside, the region's largest cultural organization with an international remit. The museum's mission is to be the world's leading example of an inclusive museum service. Its education vision is to provide creative and inspiring cultural education through activities and resources to assist with lifelong learning and cultural awareness. Some of its education programs include Suitcase of Stories, Big Art for Little Artists, Postcode, and Legacies of Transatlantic Slavery.
This document discusses the degradation of plastics over time. It examines research on the breakdown of various plastic materials, such as polyethylene bottles and polystyrene cups, when exposed to different environmental conditions like weather, sediment, and heat over periods of 2 years. The research found that plastic type and environment significantly impact degradation rates, with thermal aging causing faster breakdown than weather or water exposure. Most plastics showed chemical changes within 24 months, with polyurethane breaking down most quickly. Cigarette butts were also examined and found to degrade into paper and acetic acid. Understanding plastic degradation can help address the global pollution problem.
This document discusses sustainable transport and packaging materials for artworks. It summarizes the risks involved in transporting cultural heritage like vibration, climate changes, theft and accidents. It outlines preventative measures like planning, confidentiality, gloves, experienced handlers, adequate packaging, labeling, fastening, couriers, supervision and equipment to control temperature and humidity. It also notes the dilemma between requirements for transporting art versus sustainable solutions. Different transport methods like trucks, planes, ships and trains are discussed in terms of sustainability. Finally, it provides examples of sustainable packaging and transport approaches like reusable crates, flexible packaging systems and virtual couriering.
1. The document provides guidance on practicing integrated pest management (IPM) in a calm and reasonable manner. It advises focusing IPM efforts on key areas like sanitation, exclusion of pests, and monitoring, rather than trying to inspect and treat everything.
2. Effective monitoring of pest populations involves using traps, record keeping, and identifying problem areas. Traps should be placed strategically and checked regularly.
3. Proper inspection is the foundation of any IPM program. Inspections should be routine and involve looking for pests, signs of pests, and conditions that could attract pests. Focus inspection on vulnerable areas and artifacts.
110_ChristinaSørensen og TeoGeer_Danmarks mest bæredygtige museum.pdf
71 camilla schjerning_fornemmelser for byen
1. Fornemmelser for byen: følelseshistoriske
perspektiver på Odenses identiteter og
byrum
Camilla Schjerning,
Museumsinspektør
2.
3. Forestillede geografier og sociale identiteter i
Odenses byrum 1536-2016
• Sted og identitet
• Mentale faktorer for transformationer
og centralitet
• Praksis og performance
Deltagere
Per Seesko
Sissel Bjerrum
Finansieret af Kulturministeriets
Forskningsudvalg
5. ”Adskilligt som en huer by er
berømt af:
…
Fyens {miød/Eble/Grød
Nyborre stads møer
Odensee {Kniffue/Adel
Bovense Rosiner : gule rødder/trycke
Lammekiødet af faddit
Kerteminde. Got øl og skiden kvinder
…
(Holger Jacobæus: Rejsebog (1671-1692). Udg. efter
originalhaandskriftet af Vilhelm Maar, København 1910)
6. Lille København
”her var saadan en Mængde Adel, at man
kunde føde Svin med dem, og disse
spøgede med Pengene”
Hver anden Dag spiller man Comoedie (..)
Jeg tog tiltakke med Parterret, skiøndt jeg
tror jeg changeerer Plads eller gaaer
hellere engang sieldnere, thi det hører til
den galante Levemaade at gaae paa
første Plads, Prisen er kun 1 Mk. Meere,
og saa er man i Selskab med lutter
Kammerjunkere, Baroner og undertiden en
smuk Pige, da man ofte i Parterret maa
tage tiltakke med Gaardskarle og
Haandsværksmænd med skrækkelig store
Parykker”
Hans Hansen, 1795
”I Odense holdt sig
Aristokratie og Demokratie
længst!” sagde Vilhelm
leende, ”endnu i min
Barndom, naar Adelen og
de Borgerlige, ved Kongens
Fødselsfest mødtes paa
Raadstueballet, dandsede vi
hver for sig.””
H.C. Andersen, ”O.T.”
7. Følelsen af historie
Kommer man fra denne Side ind i Odense,
forkynder den sig strax som en gammel By. Blandt
en Mængde ældgamle Huse seer man kun faa,
som ere nye og i moderne Smag, Brolægningen er i
Særdeleshed i denne Ende af Byen meget slet,
Gaderne ujævne og krogede, Men dette og mange
flere Alderdomspræg giorde mig Odins gamle Stad
end mere interessant; og jeg lagde snart Mærke til,
at her endnu for en Oldgransker kunde være et
temmelig rigt Udbytte
Molbech 1813
8. Med fremmede øjne
Oh for the meadow of Menved! Its eight square
miles of haycocks! Stuffy oppressive Funen! We
may grow used to it, but at present we despise her
“prettiness” from our hearts’ core. At last comes
Odense – not a bad town, with long streets and fine
churches. A canal alone connects it with the fiorde.
Despicable place! A city-capital, too, of a Danish
island – and no water save a murmuring brook! No
historic interest can ever make up for such a
disappointment, so the sooner we are off from the
clean but noisiest of all noisy post-houses the
better!
Marryat 1859
11. Aarhus, det er trods dets tusindaars Ælde en By fra
i Gaar, der er ingen Historie sket i den, det Historie
og dets Storhed ligger ude i Fremtiden (..) Odense
er derimod en By med en gammel og berømmelig
Historie, dér peger saa meget tilbage, baade Huse
og Institutioner. (…) Odense er Slægternes By frem
nogen i Danmark (…) Det giver Byens Liv et egent
fornemt Patricierpræg. Aarhus er et ungt self-made
Samfund, Odense et gammelt, støttet paa Arv og
Tradition. Der er i Aarhus mere Kraft mere Liv,
mere Foretagsomhed, i Odense mere Form, større
Finhed, mere Kultur”.
Clausen, 1900
12. Det nye teater vakte vor kolossale
fryd. Det var bygget i den
fremherskende Odense-stil af
arkitekt Niels Jacobsen. Alt i den
lignende vort borgerskab:
Elskværdigt, urbant, solidt, lyst.
Jens Kruuse, 1966
13. ”Ved et Fremmedbesøg i Aarhus vil Gæsterne ufejlbarligt i
første Række faa fremhævet Havnen som Byens Stolthed. I
Odense vil Gæsterne lige saa sikkert møde Læseforeningen.”
Fyens Stiftstidende, 1913
14.
15.
16. ”Derfor har Odense ogsaa stadig – trods alle Forandringer og
Nydannelser – et eget hyggeligt og kultiveret Præg. Den har formaaet
at skyde Ham uden at gaa ud af sit gode Skind. Nutidens Odense er
paa en Gang præget af Provinsbyens venlige Hygge og af Storbyens
energiske Fremdrift. Den Rejsende, der fra Toget gaar ud gennem
Hovedbanegaardens Vestibule, bliver ikke modtaget af høje Huse med
skrigende Forretningsreklamer. Hans Blik fanges straks af en venlig,
smilende Park med brede Plæner og aarhundredgamle Træer. Det er
Kongens Have, der ligger aaben og indbydende – paa samme Tid et
smukt Minde om svundne Dage og et Stilfuldt og Moderne Anlæg. Men
Odense er ikke blot en hyggelig Provinsby, den er ogsaa en efter
danske Forhold moderne Storby, hvor man har lært at regne med den
store Tabel.”
Odense og omegn, 1920
17. Ønsker man at opleve byens pulsslag, travlhed og fremdrift, skal
man lægge sin vej om ad havnen, godsbanegård og pakhuse
(1920)
”Borgernes stolthed og kilden til den moderne bys opkomst”
(1928)
”Det Syn, man endnu for 30 Aar siden saa
til daglig, et Træskib, der bevægede sig op
ad Kanalen fra Fjorden mod Byen, trukket
af Folk eller Heste (…) dette Billede hører
nu Fortiden til. Nu gaar Dampere som
stikker 18-20 Fod, for Fuld Damp ind
gennem Kanalen til Odense Havn. Nat
som dag kan Beboerne langs Kanalen og
Folk længere inde i Landet høre, naar en
Damper gaar ind til eller ud fra Odense; de
karakteristiske hæse Dampskibsbrøl lyder
ud over Landskabet