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Chahd                                   Pour Cello 1/3
                                                                                                  Composition: Guizani Taher


                                     
                                                               
                                                                
         6
        8                        
                                                               
                                                                  
                                                                     
           Taksim               
       
                                                                      

                                                                                    
                               
                                                                                      
4


                                                                             
                                                                                                           
                                                                                                              
 
                                                                                                                  

                             
                                  
7


             
                                                              
                                                                                                          
                                                                                                              
                                                                                                                 
                                                                                                                  

                                                                             
                                                                                              
                                                                            
                                                                                                       
                                                                                   
                                   
10

                                                                                                       
                  
                                                                                       

          
           
                                               
                                                               
                                                                   
13

                          
                                  
                                           
                                               
                                                    
                          
 
                                                                           

        
                                         
                                                             
17



  
    
             
                              
 
                                                                                       
                                                                                        
                                                                                            

                                                
                                                
                              
                                        
                                        
22

                      
                        
        Solo                                                         Tutti
                  
                                  
                                                   5
                           
                       

                   
          
                      
                                                      
                                                                               
                                                                            
                                                                                     
30

                                                                                                                               
 
                                                                                                           
                                           
                                     
                            
                             
                                                     
                                                                                            
34

                                                                                          
 
              £               £                                                              

    
     
           
                
                   
                     
                                  
                                      
37



                                    
                   

                                                     
                                         
                                                 
40

                                  
                        
                         Solo
                                     
                                           
                                  9
 
                                                    


                                                          Chahd 1/3                         Transcription: El Guedri .A
Pour Cello 2/3

                                                
                                                                                                        
                                               
52
                         

          Tutti
                                                                                                        

                              
                                             
                                                                                                                    
                                                                          
56

  
 
                                                                                                                                 

                                        
                                        Arret Rythme
                         
                                                                                                                                   4
59

    
 4                                                         
                                                                                                         
                                                                                                                            
                                                                                                                                           
                                                                                                                                            
                                                                                                                                      ¥
                                                                                                                    
                                                                                                            
    4                                                                                                              
63



  4                                                       
                                                                   Solo
                                                                                         
     Reprise rythme                                2
 
                       
                                                              
                                                                    
                                                                                                                                         
                                                                                                                                  
                                                                                                                                  
       
                                                    
                                                          
                                                                                     
                                                                                                         
                                                                                                                               
69

                                              
                           
                                                                                                            
                                                                       Tutti
                                                                       
                                                        
                                     
                                  
                                                                                         
                                                                                                              
                                                                                          
73

                                                                                        
    
     
                   ¦                                                              

       
                            
                               
                                                        
76

                                                                                      
                                                                               
                                   
 
  
                                                                           

                              
                             
                                 
                                
80

                                                       
                                                                                     
                                                                 
                                                                                
                                                                         Solo
       
                                                 

             
84

           
                       
                         
 
                               
                                 
                                 
                                      

                              
                                             
91

                
                                             Tutti
          
 
                                                                         
                                                           
                
                                       
                                                                
                                                                                   
95

                         
  
                                         
                                                               
                                                                                             


                                                                    Chahd 2/3                              Transcription: El Guedri .A
Pour Cello 3/3

     
              
                        
99

                 
 
                                         



           
101

                  
                        
    

103


                
              
                


105


                
              
                



                                  
107

     
          
                                   
                                            
                        

                                             

109



    
        
                       
                       
 
                                       
                                         


                                                                         
                                                                     
111

                                                      
                   
     
       
            
 
                        
                                                             ¦                 
                   

    
    
    
     
113
                          Fine
          
                 
 


                                             Chahd 3/3                 Transcription: El Guedri .A

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21 chahd

  • 1. Chahd Pour Cello 1/3 Composition: Guizani Taher                  6 8                      Taksim                                                                                 4                                                                                    7                                                                                                    10                                                                  13                                                                      17                                                     22      Solo Tutti       5                                                                                                                 30                                                                               34          £ £                                    37                                       40                 Solo      9         Chahd 1/3 Transcription: El Guedri .A
  • 2. Pour Cello 2/3                                                                                            52   Tutti                                                                                                              56                                                                         Arret Rythme       4 59    4                                    ¥                            4            63   4          Solo          Reprise rythme 2                                                 69             Tutti                                                      73                 ¦                                         76                                                                         80                                 Solo                   84                                                              91       Tutti                                                                         95                  Chahd 2/3 Transcription: El Guedri .A
  • 3. Pour Cello 3/3                         99                  101                103                                105                                                 107                                   109                                                         111                                           ¦         113 Fine       Chahd 3/3 Transcription: El Guedri .A