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Passion and Photography
Owner Profile




                                        Meet Hermann Kopf



                                                                 than my friends,” he said. “And that’s how I got
                                                                 interested in photography.” What began in his
                                                                 teens with a passion for wildlife and a simple
                                                                 camera has led Kopf on an exploratory journey
                                                                 around the world.
                                                                    Two destinations in particular have made last-
                                                                 ing impressions on Kopf—Masai Mara in Kenya
                                                                 and Katmai, Alaska. The opportunity to capture
                                                                 the stunning abundance of wildlife in Kenya oc-
                                                                 curs every year when wildebeests and close
                                                                 to a million zebras migrate across the plains
                                                                 from the Serengeti into Kenya and Masai Mara.
                                                                 “Basically, they are following the green grass,”
                                                                 Kopf said. “And along with the abundance of
                                                                 wildebeests and the zebras come the lions, the
                                                                 leopards and, of course, the cheetahs to the
                                                                 plains. Those are the ones that prey on that
                                                                 type of animal. It’s incredible, really.” In Kenya,
                                                                 Kopf also had the opportunity to observe and
                                                                 photograph the birth of a gazelle from begin-
                                                                 ning to end. “It was unbelievable. Those are
                                                                 the kinds of experiences that stay with you for
                                                                 the rest of your life.”
                                                                    Kopf uses a high-end, 16.4-megapixel Can-
                                                                 on D1S Mark 2 digital camera to capture the




     A
                                                                 stately beauty of the animals up close and per-
                                                                 sonal. Although he uses a zoom lens, patience,
           by Sharleen Nelson Bolkan                             and an ability to gain the trust of the animal,
                                                                 is essential. “Basically, you go there and you
           An intrinsic appreciation of the natural world        sit for some time. It could be a half hour or 45
           around him came to Hermann Kopf at an early           minutes, until the animal gets to like you (or)
           age: “I did a lot of hiking in Austria,” he said.     gets familiar with you, and feels that you are
           “There were big mountain goats up on top of           no longer a threat to him,” he said.
           the rocks in the upper elevations and that’s             Danger is always a factor around wild animals.
           what triggered my interest in wildlife.” Howev-       Kopf admits to a few close calls, but said they
           er, his aptitude at capturing the wildlife he loved   were primarily due to human error—something
           on film came more by accident than by design.          that caused the animal to react in a more ag-
           According to Kopf, his mother ordered a rudi-         gressive way that it normally would. “I believe
           mentary camera from a mail-order house, but           that wildlife is not out there to kill you, but they
           she wasn’t pleased with it when it arrived. Kopf      will defend themselves,” he said. Kopf’s 14-
           took the discarded camera and began shooting          year-old son often accompanies him on trips,
           pictures of the wildlife he encountered while         but he avoids taking him on hikes where there
           hiking. “My pictures came out so much better          might be wild bears or mountain lions.
Photographing wild animals may seem risky,           life, but life in general. “I thank the Almighty
but Kopf faced an even greater danger—cancer.          everyday that I’m here,” he said. “Obviously,
Two and a half years ago, he was diagnosed             your outlook on life changes completely. What-
with lymphoma. After undergoing six months             ever was important doesn’t seem as important
of chemo treatments, he was referred to the            anymore.” In November, an exhibition of Kopf’s
UCSD Cancer Center in San Diego for stem cell          wild landscapes opened at the CJ Gallery in San
treatment. The aggressive treatment involves           Diego. A portion of the proceeds from the event
the harvesting of new cells to replace the can-        went to UCSD Cancer Center to further cancer
cerous cells. During the harvesting process,           research and treatment.
Kopf was hooked to a machine for three days               Healthy and cancer free, he will soon embark
for eight hours at a time. “All of the old cells die   on another adventure. This time the destina-
off and the new cells take place, which is a mir-      tion is Bosque del Apache, New Mexico, where
acle,” he said. He recalls waking up later and         some 40,000 snow geese spend the winter.
thinking, “Wow, I’m still here. I feel so good.”       At sunrise, the geese coordinate their takeoff
  The experience provided Kopf with not only           within seconds of one another. “It’s quite spec-
a renewed appreciation and passion for wild-           tacular,” he said. “It’s noisy and they darken the
sky, hopefully against a beautiful sunrise.” In
addition to the snow geese, Kopf will be photo-
graphing the 15,000 Sandhill cranes that spend
the night on the safety of the marshes. “They
fly out at sunrise to the fields to feed and then
return at sunset again,” he said. “Their takeoff,
of course, is different from the snow geese be-      Marathon coach.”
cause they go off in small groups rather than           Kopf equips his coach with his photography
in one unit, so their takeoff can take anywhere      gear, as well as a computer and printer. He also
from an hour to an hour and a half.”                 uses the coach to travel to Montana and Wyo-
   In addition to traveling, he is working on a      ming every year—in the spring to observe and
children’s book based on his experience photo-       photograph the newborns in the wild, and in
graphing a cheetah family in Kenya. Kopf joined      the fall for the breeding season and fall col-
a film crew from the BBC and observed a chee-         ors. “One of my dreams is to take the coach to
tah mother and her two cubs. “We experienced         Alaska all the way up to Homer, which is about
a hunt where the cheetah mama caught a baby          three hours south of Anchorage, and spend the
gazelle and she didn’t harm it; she just caught      summer there.”
it. And she apparently released it so her cubs          Although travel and photography play a sig-
could learn how to catch her,” he said. “Training    nificant role in his life, both are secondary to
went on for about an hour. They would never          Kopf’s true passion. “I don’t particular like tak-
hurt the little gazelle, the gazelle was just ex-    ing the pictures as much because of the pho-
hausted. She couldn’t walk anymore and she           tography end of it,” he said. “It’s because of the
couldn’t stand up. But those cheetahs would          passion that I have for nature. I love to be out
never hurt her. And obviously for that little ga-    in nature, preferably by myself or with a friend
zelle it was a horrible experience. We felt very     or two that share the same interest.”
sorry for her, but we were able to get some             Fortunately, the rest of us can appreciate
incredible photographs.”                             the splendor of nature and its majestic wildlife
   Kopf enjoys traveling within the United States,   through Hermann Kopf’s extraordinary photo-
as well. On a trip through Oregon a few years        graphs.
ago, he made a stop at Marathon’s headquar-             Beginning in February, Kopf’s wildlife photog-
ters in Coburg. After talking with salesman Rod      raphy went on permanent display at the Art-
Johnston, Kopf purchased a Marathon coach.           works ETC Gallery in La Mesa, California. For
“We used to own a competitor’s coach until we        more information, visit the gallery’s website at
met with Rod. We talked with him about odds          www.artworksfineart.com. If you run across
and ends, and that’s how we got exposed to           Hermann on the road or at a rally in the future,
Marathon. Rod has been a great friend to us          sit down and visit with him about two of his
ever since. Because of that little coincidence of    passions—wildlife and photography. •
stopping in at Marathon, we ended up buying a

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2007 Spring Maratime Kopf

  • 1. Passion and Photography Owner Profile Meet Hermann Kopf than my friends,” he said. “And that’s how I got interested in photography.” What began in his teens with a passion for wildlife and a simple camera has led Kopf on an exploratory journey around the world. Two destinations in particular have made last- ing impressions on Kopf—Masai Mara in Kenya and Katmai, Alaska. The opportunity to capture the stunning abundance of wildlife in Kenya oc- curs every year when wildebeests and close to a million zebras migrate across the plains from the Serengeti into Kenya and Masai Mara. “Basically, they are following the green grass,” Kopf said. “And along with the abundance of wildebeests and the zebras come the lions, the leopards and, of course, the cheetahs to the plains. Those are the ones that prey on that type of animal. It’s incredible, really.” In Kenya, Kopf also had the opportunity to observe and photograph the birth of a gazelle from begin- ning to end. “It was unbelievable. Those are the kinds of experiences that stay with you for the rest of your life.” Kopf uses a high-end, 16.4-megapixel Can- on D1S Mark 2 digital camera to capture the A stately beauty of the animals up close and per- sonal. Although he uses a zoom lens, patience, by Sharleen Nelson Bolkan and an ability to gain the trust of the animal, is essential. “Basically, you go there and you An intrinsic appreciation of the natural world sit for some time. It could be a half hour or 45 around him came to Hermann Kopf at an early minutes, until the animal gets to like you (or) age: “I did a lot of hiking in Austria,” he said. gets familiar with you, and feels that you are “There were big mountain goats up on top of no longer a threat to him,” he said. the rocks in the upper elevations and that’s Danger is always a factor around wild animals. what triggered my interest in wildlife.” Howev- Kopf admits to a few close calls, but said they er, his aptitude at capturing the wildlife he loved were primarily due to human error—something on film came more by accident than by design. that caused the animal to react in a more ag- According to Kopf, his mother ordered a rudi- gressive way that it normally would. “I believe mentary camera from a mail-order house, but that wildlife is not out there to kill you, but they she wasn’t pleased with it when it arrived. Kopf will defend themselves,” he said. Kopf’s 14- took the discarded camera and began shooting year-old son often accompanies him on trips, pictures of the wildlife he encountered while but he avoids taking him on hikes where there hiking. “My pictures came out so much better might be wild bears or mountain lions.
  • 2. Photographing wild animals may seem risky, life, but life in general. “I thank the Almighty but Kopf faced an even greater danger—cancer. everyday that I’m here,” he said. “Obviously, Two and a half years ago, he was diagnosed your outlook on life changes completely. What- with lymphoma. After undergoing six months ever was important doesn’t seem as important of chemo treatments, he was referred to the anymore.” In November, an exhibition of Kopf’s UCSD Cancer Center in San Diego for stem cell wild landscapes opened at the CJ Gallery in San treatment. The aggressive treatment involves Diego. A portion of the proceeds from the event the harvesting of new cells to replace the can- went to UCSD Cancer Center to further cancer cerous cells. During the harvesting process, research and treatment. Kopf was hooked to a machine for three days Healthy and cancer free, he will soon embark for eight hours at a time. “All of the old cells die on another adventure. This time the destina- off and the new cells take place, which is a mir- tion is Bosque del Apache, New Mexico, where acle,” he said. He recalls waking up later and some 40,000 snow geese spend the winter. thinking, “Wow, I’m still here. I feel so good.” At sunrise, the geese coordinate their takeoff The experience provided Kopf with not only within seconds of one another. “It’s quite spec- a renewed appreciation and passion for wild- tacular,” he said. “It’s noisy and they darken the
  • 3. sky, hopefully against a beautiful sunrise.” In addition to the snow geese, Kopf will be photo- graphing the 15,000 Sandhill cranes that spend the night on the safety of the marshes. “They fly out at sunrise to the fields to feed and then return at sunset again,” he said. “Their takeoff, of course, is different from the snow geese be- Marathon coach.” cause they go off in small groups rather than Kopf equips his coach with his photography in one unit, so their takeoff can take anywhere gear, as well as a computer and printer. He also from an hour to an hour and a half.” uses the coach to travel to Montana and Wyo- In addition to traveling, he is working on a ming every year—in the spring to observe and children’s book based on his experience photo- photograph the newborns in the wild, and in graphing a cheetah family in Kenya. Kopf joined the fall for the breeding season and fall col- a film crew from the BBC and observed a chee- ors. “One of my dreams is to take the coach to tah mother and her two cubs. “We experienced Alaska all the way up to Homer, which is about a hunt where the cheetah mama caught a baby three hours south of Anchorage, and spend the gazelle and she didn’t harm it; she just caught summer there.” it. And she apparently released it so her cubs Although travel and photography play a sig- could learn how to catch her,” he said. “Training nificant role in his life, both are secondary to went on for about an hour. They would never Kopf’s true passion. “I don’t particular like tak- hurt the little gazelle, the gazelle was just ex- ing the pictures as much because of the pho- hausted. She couldn’t walk anymore and she tography end of it,” he said. “It’s because of the couldn’t stand up. But those cheetahs would passion that I have for nature. I love to be out never hurt her. And obviously for that little ga- in nature, preferably by myself or with a friend zelle it was a horrible experience. We felt very or two that share the same interest.” sorry for her, but we were able to get some Fortunately, the rest of us can appreciate incredible photographs.” the splendor of nature and its majestic wildlife Kopf enjoys traveling within the United States, through Hermann Kopf’s extraordinary photo- as well. On a trip through Oregon a few years graphs. ago, he made a stop at Marathon’s headquar- Beginning in February, Kopf’s wildlife photog- ters in Coburg. After talking with salesman Rod raphy went on permanent display at the Art- Johnston, Kopf purchased a Marathon coach. works ETC Gallery in La Mesa, California. For “We used to own a competitor’s coach until we more information, visit the gallery’s website at met with Rod. We talked with him about odds www.artworksfineart.com. If you run across and ends, and that’s how we got exposed to Hermann on the road or at a rally in the future, Marathon. Rod has been a great friend to us sit down and visit with him about two of his ever since. Because of that little coincidence of passions—wildlife and photography. • stopping in at Marathon, we ended up buying a