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With the rate of unemployment towering high in the country, lack of business and managerial skills or knowledge as well as fear of the unknown have crippled youths from venturing into private businesses that could have encouraged self-employment. This paper focuses on tackling unemployment through vocational/entrepreneurship education as the way to get out of joblessness. It is in the light of this that this paper examined the role and contributions of vocational/technical education to employment generation Awka town, Anambra State, Nigeria. It is obvious from the paper that youths found great value in skills acquisition believing that the fight against poverty cannot be won by just receiving money from rich people every day or every month, rather take from them wealth-job creating skills through vocational education for self-sustenance because anybody who wants to be rich and productive rather than being fed and dependent must start his/her own business. At the end, the paper recommended among others that training and re-training vocational/entrepreneurial skills for youths especially those that have dropped-out-of formal employment or education be facilitated to banish hunger and poverty in the society.
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Tackling Poverty in Nigeria, by growing Art-based SMEs
ikennaaghanya
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2º CALIGRAFIAgggggggggggggggggggggggggggggggggggggg.doc
2º CALIGRAFIAgggggggggggggggggggggggggggggggggggggg.doc
josegrimaldo17
It is about the various cultural heritage of Kerala, particularly about the Art forms of Kerala
ART FORMS OF KERALA: TRADITIONAL AND OTHERS
ART FORMS OF KERALA: TRADITIONAL AND OTHERS
Sandhya J.Nair
For centuries, Africa has been home to a multitude of societies with different cultural landscapes, social structures, and strongly defined aesthetic ideals. In the absence of the written word, Africa’s legacy consists of a vast mélange of complex symbols, patterns, and signs. These aesthetically abstract configurations and unique characters replaced linguistic symbols commonly used for recording the history of remarkable events, the deeds of great kings, celebrations, births and deaths, and extraordinary occurrences. Mary Nooter Robert in Inscribing Identity: The Body, suggests “symbols that replaced letters or characters represent the sounds of a language, a logographic system in which a single character represents a word” (Robert 2007:57). Therefore, Africa has contributed to the world a rich tradition of typography; from ancient Egyptian hieroglyphs, to rock inscriptions found throughout the Sahara Desert, as well as rock paintings and drawings in the Tassili Plateau of the Atlas Mountains in the Fezzan). In fact, the rich diversity of esoteric symbols throughout Africa has inspired both craftsmen and artists for centuries. They have refashioned the antiquated and unique into contemporary forms, which now appear etched on pottery, cast on bronze and precious metals, carved on wood, woven into textiles, stitched on cloth, or inscribed on the human body.
THE SYNERGY BETWEEN TRADITIONAL “ULI” BODY PAINTING SYMBOLS AND DIGITAL ART.
THE SYNERGY BETWEEN TRADITIONAL “ULI” BODY PAINTING SYMBOLS AND DIGITAL ART.
ikennaaghanya
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Tackling Poverty in Nigeria, by growing Art-based SMEs
Tackling Poverty in Nigeria, by growing Art-based SMEs
2º CALIGRAFIAgggggggggggggggggggggggggggggggggggggg.doc
2º CALIGRAFIAgggggggggggggggggggggggggggggggggggggg.doc
ART FORMS OF KERALA: TRADITIONAL AND OTHERS
ART FORMS OF KERALA: TRADITIONAL AND OTHERS
THE SYNERGY BETWEEN TRADITIONAL “ULI” BODY PAINTING SYMBOLS AND DIGITAL ART.
THE SYNERGY BETWEEN TRADITIONAL “ULI” BODY PAINTING SYMBOLS AND DIGITAL ART.
Tadeusz makowski
1.
Emilia Jońca Karolina Dąbrowska Julia
Kłosowicz TADEUSZ MAKOWSKI
2.
• He was
born on 29 January 1882 in Oświęcim. • He died on 1 November 1932 in Paris. • He was a polish painter. • He usually paint carnivals and children. • He had a son Kacper.
3.
PAINTINGS
4.
„BACK FROM SCHOOL”
5.
„THE SHOEMAKER”
6.
„WINTER”
7.
„VITA BREVIS, ARS
LONGA” This painting we’re going to work on.
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