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SAMIYA .Y. KAGDI
ROLL NO – 32
SEMESTER – 1(1ST YEAR)
PAPER NO – 4 (INDIAN WRITING IN
ENGLISH)
TOPIC OF PRESENTATION – THE
JOURNEY OF SATIPARTHA, AND ITS
REFLECTION IN (FAKEER OF
JUNGHEERA-HERNY LOUIS VIVIAN
DEROZIO)
SUBMISSION – DEPARTMENT OF ENGLISH
CONNECTION IN MYTH
(A VOLUNTARY ACT)
• Three mythological characters : sati, lord shiva and sati’s father.
• Conflict : sati(wife of lord shiva) vs. her father’s hatred and irreverance
towards shiva.
• As a result, gave birth to rebellious sati (She voluntarily gave up her
life)
• Belief in reccurence of birth.
• Her new incarnation as “parvati”.
• A point to notice : when sati gave up her life, she wasn’t widow.
HOW “SATIPARTHA” MOULDED INTO HINDU
ANCIENT CUSTOMS.
First worked as an
inspiration from myth.
Given an esemplastic effect
to believe in such rituals.
As a result practiced by
Indian people.
• Voluntary to force
Factors :
 Dependant women
 no role in society
exceptional from surviving
children
Forced to immolate herself
in her husband’s pyre.
HISTORICAL RECORDS OF COMMITTING
‘SATIPRATHA’
Appeared between {(320-550 CE) during the rule of Gupta
empire}
First recorded in Nepal {(464 CE)}.
Later on in ‘Madhya Pradesh’ in (510 CE).
TO BE CONTINUED..
Practice then spread to ‘Rajasthan’, where most number of
sati cases happened over the centuries.
• Rigorously practice by “kshatriya”.
• Brahmins (consider themselves to be by birth pious)
TO BE CONTINUED…
• Number of incidents of sati doubled mainly from 378-839 to 1815-1818.
• The practice was opposed by Christian evangelist called “Carey” and
hindu reformer such as “raja ram Mohan Roy”.
• Still we had some cases of “sati pratha” in late 20th century.
As a result we have “sati prevention act(1987)”.
WORKS AND FILMS ON SATI PRATHA
We have “Malik Muhammed Jaysi’s(padmavat)” in 1540.
‘fakeer of jungheera’ – “Henry Louis Vivian Derozio” (1828)
Before “Macaulay’s (minute) in 1835”.
Finally we have ‘padmavat‘- “sanjay leela bhansali”.
CONCERNING ‘FAKEER OF JUNGHEERA'
Where “Derozio“ has put forward the concept of ‘sati pratha’.
Nuleeni going to immolate herself in the funeral pyre, a group of chorus and a group
of “Brahmins” surrounding her, encouraging her to fling into the burning hell.
Fortunately “fakeer“ the protagonist of the “poem“ comes to her rescue and she is
eloped with him.
PADMAVAT
We have seen in this movie how after “Ratan singh’s” death, to rescue
herself “padmini“ is flinging herself into the burning hell. Which is
known as “Jauhar”.
CONCLUSION
We have seen many historical facts of how a history is establishing its
roots, but gradually as it comes to people’s realization, it can also be
rooted away as executed by our “Raja Ram Mohan Roy”.
WORKS CITATIONS:
PULUGURTHA, N. (N.D.). THE LITERARY ENCYCLOPEDIA.
HENRY DEROZIO .
ETYMOLOGY AND USAGE OF SATI. JAYASI, MALIK
MUHAMMED.
THANKYOU

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Reflecting Myth in Literature - The Journey of Sati Partha

  • 1. SAMIYA .Y. KAGDI ROLL NO – 32 SEMESTER – 1(1ST YEAR) PAPER NO – 4 (INDIAN WRITING IN ENGLISH) TOPIC OF PRESENTATION – THE JOURNEY OF SATIPARTHA, AND ITS REFLECTION IN (FAKEER OF JUNGHEERA-HERNY LOUIS VIVIAN DEROZIO) SUBMISSION – DEPARTMENT OF ENGLISH
  • 2. CONNECTION IN MYTH (A VOLUNTARY ACT) • Three mythological characters : sati, lord shiva and sati’s father. • Conflict : sati(wife of lord shiva) vs. her father’s hatred and irreverance towards shiva. • As a result, gave birth to rebellious sati (She voluntarily gave up her life) • Belief in reccurence of birth. • Her new incarnation as “parvati”. • A point to notice : when sati gave up her life, she wasn’t widow.
  • 3. HOW “SATIPARTHA” MOULDED INTO HINDU ANCIENT CUSTOMS. First worked as an inspiration from myth. Given an esemplastic effect to believe in such rituals. As a result practiced by Indian people. • Voluntary to force Factors :  Dependant women  no role in society exceptional from surviving children Forced to immolate herself in her husband’s pyre.
  • 4. HISTORICAL RECORDS OF COMMITTING ‘SATIPRATHA’ Appeared between {(320-550 CE) during the rule of Gupta empire} First recorded in Nepal {(464 CE)}. Later on in ‘Madhya Pradesh’ in (510 CE).
  • 5. TO BE CONTINUED.. Practice then spread to ‘Rajasthan’, where most number of sati cases happened over the centuries. • Rigorously practice by “kshatriya”. • Brahmins (consider themselves to be by birth pious)
  • 6. TO BE CONTINUED… • Number of incidents of sati doubled mainly from 378-839 to 1815-1818. • The practice was opposed by Christian evangelist called “Carey” and hindu reformer such as “raja ram Mohan Roy”. • Still we had some cases of “sati pratha” in late 20th century. As a result we have “sati prevention act(1987)”.
  • 7. WORKS AND FILMS ON SATI PRATHA We have “Malik Muhammed Jaysi’s(padmavat)” in 1540. ‘fakeer of jungheera’ – “Henry Louis Vivian Derozio” (1828) Before “Macaulay’s (minute) in 1835”. Finally we have ‘padmavat‘- “sanjay leela bhansali”.
  • 8. CONCERNING ‘FAKEER OF JUNGHEERA' Where “Derozio“ has put forward the concept of ‘sati pratha’. Nuleeni going to immolate herself in the funeral pyre, a group of chorus and a group of “Brahmins” surrounding her, encouraging her to fling into the burning hell. Fortunately “fakeer“ the protagonist of the “poem“ comes to her rescue and she is eloped with him.
  • 9. PADMAVAT We have seen in this movie how after “Ratan singh’s” death, to rescue herself “padmini“ is flinging herself into the burning hell. Which is known as “Jauhar”.
  • 10. CONCLUSION We have seen many historical facts of how a history is establishing its roots, but gradually as it comes to people’s realization, it can also be rooted away as executed by our “Raja Ram Mohan Roy”.
  • 11. WORKS CITATIONS: PULUGURTHA, N. (N.D.). THE LITERARY ENCYCLOPEDIA. HENRY DEROZIO . ETYMOLOGY AND USAGE OF SATI. JAYASI, MALIK MUHAMMED.