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THINKING ABOUT YOUR MASTERʼS PHOTOS, LIST SOME CONSIDERATIONS ABOUT...
SUBJECT MATTER:
THEMES / CONCEPTS:
LIGHTING:
COMPOSITION:
SUMMARIZE THE ABOVE INTO AN OBJECTIVE FOR YOURSELF THIS ROLL, HERE:
You must include three 8x10 prints with test strips, along with this rubric.
PRESENTATION:
Print has an even
white border and is
trimmed neatly.
Print contains no
“non-image” areas
(example: black lines
due to negative being
crooked.)
Print is free from
scratches, smudges,
fingerprint marks, or
discolorations.
DESIGN:
Print shows strong
consideration of:
• composition
• distance from
subject
• focus
• contrast
• lighting, and
• choice of subject
matter
STUDIO SKILLS:
I made a test strip for each
print, then used it to identify
the best exposure for the
print.
Each print is exposed
properly, showing a range
of values from the darkest
blacks to the lightest
whites, with greys in
between.
I demonstrated the proper
use of darkroom chemistry
and processes when
making my prints.
OBJECTIVE:
I designed objectives
for myself inspired by
the work of my Master
Photographer.
I worked to achieve
these objectives in a
roll of film, and printed
and turned in the 3
images I felt were
strongest.
TOTAL:
/25 /25 /25 /25 /100
/25 /25 /25 /25 /100
Masters of Photography
Name: ""
"
Class:
THE SELF-DESIGNED RUBRIC
MastersofPhotographyPrintCriteriaSelf-AssessmentTeacherAssessment
1. Who is your Master Photographer?
2. Why did you choose this person?
3. Explain what you feel your Master Photographer was trying to do both formally (compositionally) and
conceptually (the meaning of idea behind the photos).
4. How are your photographs recognizable as being inspired by your Master Photographer?
(Composition, subject matter, lighting, point of view, etc.) Be as specific as possible!
5. What specifically do you feel works well in your prints? Justify and explain why you feel your print
“works” in that way, and how it helps the overall concept and composition. (i.e. contrast, values,
composition, concept, presentation, etc.)
6. What do you feel could have been improved upon? (i.e. contrast, values, composition, concept,
presentation, etc.) How do you think you could have accomplished this?
7. What other photographic knowledge from earlier assignments did you use here?

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06 masters rubric 2013

  • 1. THINKING ABOUT YOUR MASTERʼS PHOTOS, LIST SOME CONSIDERATIONS ABOUT... SUBJECT MATTER: THEMES / CONCEPTS: LIGHTING: COMPOSITION: SUMMARIZE THE ABOVE INTO AN OBJECTIVE FOR YOURSELF THIS ROLL, HERE: You must include three 8x10 prints with test strips, along with this rubric. PRESENTATION: Print has an even white border and is trimmed neatly. Print contains no “non-image” areas (example: black lines due to negative being crooked.) Print is free from scratches, smudges, fingerprint marks, or discolorations. DESIGN: Print shows strong consideration of: • composition • distance from subject • focus • contrast • lighting, and • choice of subject matter STUDIO SKILLS: I made a test strip for each print, then used it to identify the best exposure for the print. Each print is exposed properly, showing a range of values from the darkest blacks to the lightest whites, with greys in between. I demonstrated the proper use of darkroom chemistry and processes when making my prints. OBJECTIVE: I designed objectives for myself inspired by the work of my Master Photographer. I worked to achieve these objectives in a roll of film, and printed and turned in the 3 images I felt were strongest. TOTAL: /25 /25 /25 /25 /100 /25 /25 /25 /25 /100 Masters of Photography Name: "" " Class: THE SELF-DESIGNED RUBRIC MastersofPhotographyPrintCriteriaSelf-AssessmentTeacherAssessment
  • 2. 1. Who is your Master Photographer? 2. Why did you choose this person? 3. Explain what you feel your Master Photographer was trying to do both formally (compositionally) and conceptually (the meaning of idea behind the photos). 4. How are your photographs recognizable as being inspired by your Master Photographer? (Composition, subject matter, lighting, point of view, etc.) Be as specific as possible! 5. What specifically do you feel works well in your prints? Justify and explain why you feel your print “works” in that way, and how it helps the overall concept and composition. (i.e. contrast, values, composition, concept, presentation, etc.) 6. What do you feel could have been improved upon? (i.e. contrast, values, composition, concept, presentation, etc.) How do you think you could have accomplished this? 7. What other photographic knowledge from earlier assignments did you use here?