Literary Analysis Of Samuel Taylor Coleridge

Literary Analysis Of Samuel Taylor Coleridge
Dan Paulos Mr. Kaplan English IV 10 November 2014 Literary Analysis of Samuel Taylor
Coleridge Samuel Taylor Coleridge was an influential British philosopher, critic, and writer of the
early eighteenth century. He was a prominent member of a literary group known as the "Lake
Poets," which included renowned writers like William Wordsworth and Robert Southey. His
writings and philosophy greatly contributed to the formation and construction of modern thought.
He possessed an extensive, creative imagination, and developed his own imagination theories in his
writings. However, his personal life was absorbed with various family problems, and he experienced
much solitary anguish. This resulted in depression for Coleridge, and he often based his stories and
poems on themes of dejection, sadness, and melancholy. But he was neither a nihilist nor a pessimist
by any stretch. He believed in the healing powers of love, and had hope for recovery. His writings
were described as being versatile, and scholars have found a great variety of themes, styles, and
techniques in his literature (McKusick par. 1–3). Coleridge was a firm believer that there is a
connection between madness and moral evil. He felt that in the midst of some horror, people may
tend to think that God has left them, and then they would blame their mental disease on demons. He
expressed this message through the protagonist he created in his longest poem "The Rime of the
Ancient Mariner." The Mariner experiences this exact
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What Is The Theme Of Amoretti
Edmund Spenser's Amoretti, first published in 1595, is a sonnet cycle, which describes the poet's
love for, courtship of, and eventual marriage to Elizabeth Boyle. The series of sonnet are unique in
that they do not end with love being unrequited, but rather with the resolution of the poet's love in
marriage. However despite the ultimately happy outcome of Spenser's courtship, in many of his
sonnets he describes the agony of love–longing and the anguish of harboring an unreturned
affection. In Sonnet 54, Spenser compares the courtship of his beloved to various types of theatre
performance, describing himself as an actor and the object of his affections as a spectator. The poet
accentuates this analogy of courtship as theatre through the poem's ... Show more content on
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The poem is organized into three quatrains with an interlocked rhyme scheme and a final rhyming
couplet. The first two quatrains portray the poet as an actor in love, while the third quatrain is
concerned with the callous response of the beloved spectator, and the final couplet marks a shift
from description to judgment with the poet concluding that the woman who he loves must be made
of stone to be so unfeeling. The sonnet is written in iambic pentameter, this style of meter furthering
associations with the theater and theatrical performance to the minds of readers familiar with the
well–known English plays of this period by Christopher Marlowe and William Shakespeare written
primarily iambic pentameter. Furthermore throughout the poem, the unstressed/stressed pattern
seems to further dramatize the speakers words, especially in the last quatrain in which the important
words relating to action and reaction are consistently stressed, such as "merth", "rues" "when"
(twice), "laugh" (twice), "mocks" and "cry." Spenser's use of iambic pentameter also invites
comparison to the work of Patrarch, the father of the sonnet who used iambic pentameter for his
poems. Spenser's sonnet 54 returns to many

Essay On Petrarrchan Sonnet
Originally an Italian import, sonnet has become the most popular, almost the regular figure in
English. It originated in Sicily in the 13th Century with Giacomo da Lentino (1188–1240), a lawyer.
The poetic traditions of the Provençal region of France apparently influenced him, but he wrote his
poems in the Sicilian dialect. Some authorities credit another Italian, Guittone d'Arezzo (1230–
1294), with originating the sonnet. The English word "sonnet" comes from the Italian word
"sonetto," meaning "little song." Some early sonnets were set to music, with accompaniment
provided by a lute.The sonnet is the emphatic statement of a dramatized self, that appeals to an
imagined listener ... Show more content on Helpwriting.net ...
He enlarged the function of the sonnet to political and moral criticism and this has been followed by
later poets. Finally the sonnet came to be used for any subject which a short, concentrated lyric
would afford to evolve. Hence, we have Wordsworth's 'Composed Upon Westminister Bridge',
Keat's 'On First Looking into Chapman's Homer', Shelley's 'England in 1819', Elizabeth Barrett
Browning's 'Sonnets from the Portuguese' and so many memorable sonnets by so many famous
poets. Longfellow, Jones Very, G. H. Boker, and E. A. Robinson are generally appreciated for
writing some of the best sonnets in America. William Ellery Leonard, Elinor Wylie, Edna St.
Vincent Millay, and W. H. Auden have done distinguished work in the sonnet and the sonnet
sequence in this century.Already, the sonnet form has taken a unique position in the literary field.
But the question inevitably comes is that why has it proved so popular? Perhaps ,though minute in
extent, it has immense elasticity: it can have room for story elements; it can stage a brief dramatic
scene; it can present a series of philosophical reflections; it can survey a vast variety of reflections,
understandings and moods within a tightly organized

The Lake Isle Of Innisfree
The poems "The Lake Isle of Innisfree" by William Butler Yeats and "To Autumn" by John Keats
have some similarities as well as some differences. Both authors talk about the sounds like water,
animals, birds, and insects. Also, they talk about the scenery, for instance, sunset over the lake and
trees full of fruits. But one author talks about moving a place far from city and the other talks about
how one season is different from the others. The language in these poems is soothing because the
poets wrote their poems in a way in which a reader could picture it and imagine the sounds, both the
poems have imagery. The different interpretations of the poets' language influences on how the
poem is understood by the reader. Both authors talks about the peaceful sounds of nature and
captivating views of landscape but they have different settings. In the poem "The Lake Isle of
Innisfree," Yeats talks about moving to an island, Innisfree, far from the city life because it is
peaceful there. He does not like the environment in the city because it is too noisy. In the poem,
Yeats write: I hear lake water lapping with low sounds by the shore; While I stand on the roadway,
or on the pavements grey, I hear it in the deep heart's core. (10–13) He can hear the sound of the
water in his heart and misses Innisfree. There, he wants to live alone in a cabin made out of natural
materials and grow his own food instead of buying it. Yeats also states,

Criticism Of John Donne
MLove's sweet nipples and voluptuous bust! Aphrodisia fruit to quell my lust! Had I the temerity
and the conceit to compose a sonnet in the style of John Donne –– using circles and spheres as
tropes –– such are metaphors I might use to construct my "strong lines". And with Donne–like
boldness I might even entitle my work: "Areolas of Love". On the other hand, if I attempted the
same task along Petrarchan lines, I'd meter out a couple of stanzas dedicated to a radiant but
distance Laura with sapphire eyes, a head of gold diaphanous hair, encircled by halos of blue
butterflies and, for good measure, I might throw in a merry–go–round of unicorns.
Such stereotypes are often found in discussions of the poetry of John Donne and his philosophy of
sex and love especially when contrasted to Petrarchan sonneteers. But, as with most stereotypes, the
underlying assumptions may be too facile. In fundamental ways, John Donne can be seen not as a
rebuke of the Petrarchan tradition but rather as an extenuation of this form of literature when it took
a literary turn "sharp north" and wound up in the drawing rooms of England ("The Good Morrow",
20).
Indeed, even biographically, Donne and Petrarch had much in common. Both were well–educated,
well–rounded and well–travelled – born to families with aristocratic ties; each a "universal" man
(uomo universale) baptized in the "universal" church. Additionally, both men read the law (i.e.
learned to argue at an early age); and both served in

Does the Brutal Truth in Sonnet 130 and a Beautiful Young...
Does the brutal truth in Shakespeare's 'Sonnet 130' and Swift's 'A beautiful Young Nymph going to
bed', take away from the beauty of the two poems.
Beauty and aesthetics can be defined as "Nothing more nor less, than sensitivity to the sublime and
the beautiful and an aversion to the ordinary and ugly", this means that beauty can be absolutely
anything which is beautiful as long as it is not ugly or ordinary, this may seem harsh, much like the
poems by William Shakespeare and Jonathan Swift. In both poems; 'Sonnet 130' by William
Shakespeare and 'A beautiful young nymph going to bed' by Jonathan Swift, aesthetic beauty is
explored in a brutal and honest light. Shakespeare's 'Sonnet 130' tells the story of a man describing
his mistress ... Show more content on Helpwriting.net ...
It may seem romantic of Shakespeare to have kept his lover a secret, but we must remain aware that
he did have a wife at home in Stratford upon Avon. The possible occupation of Shakespeare's 'Dark
Lady' gives a contextual link to Swift's poem; 'A Beautiful Young Nymph Going to Bed', as the role
of prostitution is explored in this poem and there are suggestions that this was the role of the Dark
Lady.
The purpose of satire is to show what is bad or weak about something or someone through humour
and exaggeration. Jonathan Swift is known as 'The Godfather of Satire', Swift himself defined satire
as; "satire is a sort of glass, wherein beholders do generally discover everybody's faces but their
own'. Here, Swift explains how everyone who reads his satire will see how he is mocking everyone
else, apart from themselves. The use of satire gives 'A beautiful young nymph going to bed'
complexity when looking at the meaning, similarly to Sonnet 130, making it eligible for the canon
of English Literature, as one of the requirements to be eligible is that the work has "...complexity...".
Swift published 'A beautiful young nymph going to bed' in 1734, the poem is satirical, and it satirise
women's artificiality; "Takes off her artificial hair" and their use of the male gaze. He wrote the
poem in the 18th century, when around 63,000 prostitutes were working in London, a terrible time,
as prostitutes became more popular and more common, sexually transmitted

The Sonnet And Early Modern Literature
The beginning of the 1500's became an important time for the sonnet and early modern literature.
Thomas Wyatt and Henry Howard were the first to introduce the form to England by translating the
sonnets of the overtly influential Italian poet Petrarch, giving a firm foundation for many others
including that of William Shakespeare to expand and contrast. Consisting of fourteen lines, the
sonnet follows a specific rhyme scheme and rhythm. Although seemingly compact, the sonnet is
used by many to express both the thought and emotion of the poet, from this it is evident that
although superficially short in structure, the poet is still able to elaborate to an extent that touches
the reader making it sincere to the reader at first, however as we ... Show more content on
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In many ways the sonnet was as much about the cleverness of the poet as it was about his devotion
to his beloved." From this we can see that the formal cleverness does attract the reader as well as its
elaboration, with this being said the sincerity of the sonnet remains a constant theme in the sonnets.
During Shakespeare's sonnets he makes the sincerity of the sonnets known through his use of
illusion, particularly during sonnet 130 where he expresses a somewhat blunt honesty, this honesty
presents the notion of sincerity in Shakespeare's sonnets, however as we explore them further the
insincerity surrounding the sonnets becomes increasingly more evident. Sonnet 130 is used to shock
the audiences with a surprisingly honest outlook in regards to his love as a way of expressing his
view that her inner beauty is more important to him than any of her bodily features. It could be
possible to argue that perhaps Shakespeare's sonnets are sincere and as an alternative it is Petrarch's
sonnets that remain insincere as a result of the unrealistic expectation and the blindness the narrator
feels when referring to the physical attributes of Laura. Shakespeare is simply demonstrating
realism as he speaks of a real woman and not of a flawless unrealistic woman made from the
creation of convention at the time. Therefore, reality remains greatly significant when we think
about perfection, nothing is perfect in this world but rather we are faced with the concept

The Tempest By William Shakespeare Essay
The Tempest is equipped with an elaborate sound track, in which episodes of violent, discordant,
and chaotic noise are set against the harmonious songs and instrumental music performed by Ariel
and his consort of spirits. It is not, of course, that this play entirely eschews spectacle, but The
Tempest begins with a scene of storm and shipwreck that might appear calculated to vie with the
scenic extravagance of masque. The storm called for in the opening stage direction one for which
there are very few precedents in the canon can easily seem to be ushering in a display of spectacular
theatricality; however, in a printed text that is unusually punctilious in its attentiveness to stage
effects, what is particularly striking about the wording is its emphasis upon the aural a tempestuous
noise of thunder and lightning heard. In stark contrast of visual magnificence that preface for
example this direction imagines a storm primarily in acoustic terms so that even lightning is
something to be heard rather than seen. It is true that we have no means of knowing for certain to
what extent the stage directions in the Folio were scripted by the dramatist himself; it seems likely
that in their present form they were supplied. I'll break my staff, Bury it certain fathoms in the earth,
And deeper than did ever plummet sound I'll drown my book. (Ll. 54–57) The sheer familiarity of
these lines, combined with their apparent simplicity, easily disguises the complex allusiveness of
their verbal

Edmund Spenser Research Paper
Edmund Spenser was born into a relatively poor family in East Smithfield, London, England in
1552 (there remains a degree of ambiguity to the exact date of his birth). This information is
acquired from sonnet lx. in the Amoretti where he speaks of having lived 41 years, as of 1595.
Although he was related to an affluent and noble Midlands family of Spencer, his own immediate
family was not particularly wealthy. There also remains some ambiguity to the specificities of
Spenser's childhood, though it is known that he was entered as a "poor boy" in the Merchant
Taylor's grammar school, where he studied primarily Latin, with specks of Hebrew, Greek, and
music thrown in sporadically. Edmund Spenser began his illustrious writing career as early as 16, as
there are poems of his found in a miscellany, by the name of Theatre for Worldlings, that are
accredited to being ... Show more content on Helpwriting.net ...
This expansive knowledge of the traditional forms and themes of lyrical and narrative poetry offered
sufficient foundations for the formulation of his own highly original compositions. Without the
study of the Roman epic poet Virgil's Aeneid, the 15th century Ludovico Ariosto's Orlando furioso,
and, later, Torquato Tasso's Gerusalemme liberate, Spenser would not of been able to create his
heroic, or epic, poem The Faerie Queene. Without Virgil's Bucolics, and the later tradition of
pastoral poetry in Italy and France, Spenser would not have came up with and written the The
Shepheardes Calender. Lastly, without the Latin, Italian, and French examples of the highly
traditional marriage ode and the sonnet and canzone forms of Petrarch and succeeding sonneteers,
Spenser could not have written his most notable lyric, Epithalamion, and its accompanying sonnets,

Elizabeth Barrett Browning Essay
Elizabeth Barrett Browning was born on March 6, 1806, in Coxhoe Hall, Durham, England. She
was the eldest of eleven children born of Edward and Mary Moulton–Barrett (DISCovering
Authors). Her father was a "possessive and autocratic man loved by his children even though he
rigidly controlled their lives" (Encyclopedia of World Biography). Although he forbid his daughters
to marry, he always managed to encourage their scholarly pursuits (DISCovering Authors). Her
mother, Mary Graham–Clarke, was a prosperous woman who earned their wealth from a sugar
plantation in Jamaica (EXPLORING Poetry). When Elizabeth was "three years old, the family
moved to Hope End in Herefordshire,, and she spent the next twenty–three years of her life in this ...
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Furthermore on July 11, 1840 her favorite brother and constant companion, Edward drowned.
Elizabeth considered this event the greatest sorrow in her life and refused to speak of the loss even
with those closest to her (EXPLORING Poetry). For the next five years she remained in her room
and saw no one but her family and a couple close friends (Encyclopedia of World Biography). This
tragedy sent her into a depression the worsened her condition (DISCovering Authors). In 1832 the
Barrett's were forced to auction their large country estate due to financial incomes losses at their
Jamaican sugar plantations and occupy a temporary residence in the south of England
(EXPLORING Poetry). Six years later the family settled permanently at 50 Wimpole Street in
London (Encyclopedia of World Biography). In 1833, Barrett published her first volume of poetry,
Promethus Bound: Translated from the Greek of Aeschylus, and Miscellaneous Poems
anonymously, which went nearly unnoticed by the public (EXPLORING Poetry) (Encyclopedia of
World Biography). Discouraged, Elizabeth received influence from Hugh Stuart Boyd, a blind,
middle–aged scholar. He directed Barrett to prolong her studies in classical Greek literature. As a
result of Boyd's guidance, she published her first major work in 1838, The Seraphim and Other
Poems. It was given "long and mainly favorable reviews in the leading journals" (Hayter). It
received critical praise and subsequently acknowledged her as one of

William Shakespeare Research Paper
William Shakespeare was a renowned playwright and sonneteer, who's writing displayed vast
knowledge, wisdom, and creativity. Shakespeare wrote a grand total of 37 plays and 154 sonnets,
the number alone bringing into question whether or not the Stratford–upon–Avon man could have
truly created these works. There are vast volumes of theories regarding the true authorship of
Shakespeare's many works. However, most of these theories are circumstantial and fail to prove that
anyone other than Shakespeare wrote Shakespeare. The Droeshout Portrait of William Shakespeare,
by Martin Droeshout. 1623.
"A person who, in the controversy over who wrote the Shakespeare canon, holds that it was likely
written by someone other than William Shakespeare of ... Show more content on Helpwriting.net ...
This book contained many phrases and vocabulary shared many comparisons with that of William
Shakespeare. However, many claim that it was written by none other than Sir Francis Bacon. Anti–
Stratfordian's use this as the strongest piece of evidence when defending their theory.
However, there are many issues regarding this theory. Sir Francis Bacon's life is more fully
documented and detailed than William Shakespeare, including his deep involvement in politics and
successful positions as both an attorney general and lord chancellor under King James ("Francis
Bacon – Biography"). How he managed to have such a heavily invested political life and be the sole
author of the 37 plays and 154 sonnets is highly improbable.
"Furthermore, the claim that Bacon authored Shakespeare's poetry suffers from the fact that Bacon's
poetry is abrupt and stilted..." ("Bacon, Marlow, & Stanley Authorship Arguments"). It is also
important to note that although some of Shakespeare's poems "...feature Rosicrucian themes... this
does not mean Sir Francis wrote them; only that he was in a position to write about Rosicrucian
themes" ("Bacon, Marlow, & Stanley Authorship

Similarities Between Wordsworth And Yeats
Comparative Essay on Wordsworth and Yeats
In "Down by the Salley Gardens" by William Butler Yeats and "She Dwelt Among the Untrodden
ways" by William Wordsworth, the poets use a theme of love while applying imagery consistently
throughout the poems. Additionally, Yeats uses repetition to show the passing of time through
metaphors while Wordsworth comparatively portrays his inner thoughts. Since they are giving their
emotions, Yeats applies similes comparing his love for the beauty of nature whilst Wordsworth is
commemorating his love, despite her disappearing from his life. "She Dwelt Among the Untrodden
Ways" by Wordsworth expresses his emotion towards her as she lives her life only to die isolated.
"Down by the Salley Gardens" by Yeats has ... Show more content on Helpwriting.net ...
Repetition is utilized to reflect Yeats' inner opinion on how he rushed to the relationship. Ultimately
resulting in her leaving him. The use of repetition is dominant throughout as the phrases" little
snow–white feet"(2) to "her snow–white hands", "my love and I did meet"(1) in contrast with "my
love and I did stand" showing repetition while also showing imagery of something snow–white.
This is important because of how the poem has a parallel structure. Past events have already
happened and cannot be changed thus he is reflecting how he regrets not listening to her. As
mentioned before, another point of repetition is "take love easy" with "take life easy" which could
be interpreted as her message to the narrator about learning to relax and slow down. This is
supported by how he is reflecting back to when he was still "young and foolish"(8) thinking about
how his life was wasted and not realizing that he is not living life to the fullest, relating back to a
theme of regret. However, for Wordsworth, he utilizes metaphors to discuss his feelings.
Wordsworth uses a metaphor of being "Half hidden from the eye!"(6) to visualize the obscurity of
the woman. This can be interpreted as a contrast with the line above, mentioning the "violet"(5)
standing out, while the eye has a connotation of omnipotent power and vision,

How Does Shakespeare Present The Theme Of Isolation
heme of Isolation through their use of form, structure and language and show how The Outsider has
illuminated this.
Julian Barnes' postmodern, Booker prize award winning novel 'The Sense of an Ending' (2011),
William Shakespeare's 'Sonnets'(1609) and Albert Camus' 'The Outsider(1942) all present the
central theme of the isolation that, given circumstance, any individual can be subjected to. Barnes
presents this theme of isolation through the retrospective voice of Barnes' first person narrator Tony
Webster, who by the conclusion of the novel has managed to agitate and isolate himself from those
who he once knew well. Similarly, Shakespeare's sonnet series demonstrates a gripping narrative of
a love triangle; an intimate tale of the fair youth ... Show more content on Helpwriting.net ...
When she ends up ends up copulating with Tony soon after their breakup, she may have meant for it
to be one last attempt to express her love for Tony, but Tony interpreted this action as some form of
manipulation from Veronica. The ambiguousness of the pronoun "it" connotes that there could be
more that there be more for Barnes' creation, Tony Webster, to get than the concluding part of the
novel. Perhaps Tony fails to comprehend the increased social status of women in 2011. It could be
argued that Tony has become accustomed to the idea of the 1960s woman, which is suggested by his
brief affair with Annie which reflects the sexual revolution of the 1960s in which women were seen
as sexual objects rather than the independent gender which they are today. The dwelling of his past,
of the 60s, has led to the deterioration of his relationships with the other women in the novel as in
2011 women have gained much more independence since the 1960s. Margaret, the woman who
Tony married, stood by his side at first but abruptly left him "on his own now" after she noted his
obsession for Adrian. This could explain why the latter part of the novel focuses on the aftermath of
Adrian's' suicide, an event which occurred when Tony was in his 20s as Tony's obsession

Elizabethan Era
The Elizabethan Age is the time period associated with the reign of Queen Elizabeth I (1558–1603)
and is often considered to be a golden age in English history. It was an age considered to be the
height of the English Renaissance, and saw the full flowering of English literature and English
poetry. In Elizabethan theater, William Shakespeare, among others, composed and staged plays in a
variety of settings that broke away from England's past style of plays. It was an age of expansion
and exploration abroad, while at home the Protestant Reformation was established and successfully
defended against the Catholic powers of the Continent. The Elizabethan Age is viewed so highly
because of the contrasts with the periods before and after. It was ... Show more content on
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There followed several long years of breathless suspense; then in 1588 the Armada sailed and was
utterly overwhelmed in one of the most complete disasters of the world's history. Thereupon the
released energy of England broke out exultantly into still more impetuous achievement in almost
every line of activity. The great literary period is taken by common consent to begin with the
publication of Spenser's 'Shepherd's Calendar' in 1579, and to end in some sense at the death of
Elizabeth in 1603, though in the drama, at least, it really continues many years longer. Several
general characteristics of Elizabethan literature and writers should be indicated at the outset. 1. The
period has the great variety of almost unlimited creative force; it includes works of many kinds in
both verse and prose, and ranges in spirit from the loftiest Platonic idealism or the most delightful
romance to the level of very repulsive realism. 2. It was mainly dominated, however, by the spirit of
romance. 3. It was full also of the spirit of dramatic action, as befitted an age whose restless
enterprise was eagerly extending itself to every quarter of the globe. 4. In style it often exhibits

Empathic Imagery In Keats And Wordsworth
The figure of Wordsworth in an arrogant standing posture must have become a fixture in Keats's
mind. In the "Camelion Poet" letter written about eight months after "On Edmund Kean,"
Wordsworth once again appears in a standing posture: in what has become a staple of a formula of
Wordsworth criticism, namely "the Wordsworthian or egotistical sublime," Keats gives the
definition of a thing per se and stands alone.(387) In "Edmund Kean," Keats mentions Wordsworth
by name with the immediate follow–up of from all his comrades he stands alone and his standing
alone–ness is seen more in the light of the arrogance of one who is totally self–absorbed. Also in
Keats's choice of words there is cunning, even playful, tone of mockery. Keats makes an allusion ...
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In the "Chamber of Maiden–Thought" letter of May 3, 1818, Keats still looks upon Wordsworth as
the measure against which to measure other modern poets, which even includes Milton. Yet the
same letter also shows that he is ready to pit himself against Wordsworth. His branching out in
thought makes him consider Wordsworth "whether or no he has an extended vision or a
circumscribed grandeur whether he is an eagle in his nest or on the wing" (124). Then he goes to
launch his famous reflection on life as a "Mansion of Many Apartment"; and at the end of it he
writes how it "shows you how tall I stand by the giant," which is Wordsworth

Structure, Theme and Convention in Sir Philip Sidney's...
Structure, Theme and Convention in Sir Philip Sidney's Sonnet Sequence
The sixteenth century was a time of scientific, historical, archaeological, religious and artistic
exploration. More attention was being allotted to probing into the depths of the human psyche and it
was up to the artists and poets rather than the priests and scholars to examine and mirror these
internal landscapes. The 'little world of man' [1] was reflected through various artistic forms, one of
which was the sonnet, which was conventionally used for dedications, moral epigrams and the like.
Traditionally most sonnets dealt with the theme of romantic love and in general the sonneteer dealt
with the over–riding concern of the self and the other, the latter of ... Show more content on
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Incidentally, although not a realistic autobiography, Stella is modelled on Penelope Devereux, who
was supposed to marry Sidney but was then forced to marry Lord Rich, and 'phil' in 'Astrophil' is
indeed an abbreviation of Sidney's first name, 'Philip'. After finding out about Penelope's marriage,
fate had it that Sidney started to truly have feelings for her although by this time it was too late.
Astrophil's actions seem to be forgiven by some critics because he is after all driven by love. In fact
Sidney's depiction of the male protagonist is one which makes some critics and readers empathize
with him during his lamentations and praise of Stella. This may be because it is thought that
Sidney's aim was to show readers how a man can let his emotions get the better of him, thereby
leading him into eventual despair. It is through Astrophil's mistakes and negative example that
Sidney is able to inculcate morality. This is also another typical quality of sonneteers, who aim to
morally instruct through their art.
Beneath the witty surface of Astrophil's lamentations, Thomas P. Roche seems to feel that 'Sidney is
using Astrophil's journey from hope to despair as a fictional device for the analysis of human desire
in Christian terms.' [2] Consequently Roche points out that in witnessing Astrophil's despair the
readers' reaction is supposed to make them conscious of his limitations from a

A Comparison Between William Wordsworth's Upon Westminster...
A Comparison Between William Wordsworth's Upon Westminster Bridge and William Blake's
London
The English Romantic period spanned between 1789 and 1824. This period was not so–called until
the mid 19th century when readers began to see six different poets as part of the same movement.
These poets were William Blake, William Wordsworth, Samuel Taylor Coleridge, Lord Byron,
Percy Shelly and John Keats.
Some aspects of Romantic poetry were; there was an increasing interest in nature; there was an
increased interest in landscape and scenery; human moods were connected to the moods of nature.
Although the six poets cohered to create the English Romantic movement they were all extremely
different with ... Show more content on Helpwriting.net ...
In Upon Westminster Bridge, Wordsworth uses the format of a Petrarchan sonnet whereas in
London, William Blake uses the format of long hymnal measure.
It is clear that this poem is a sonnet because it has fourteen lines and ten syllables in each line. In
Upon Westminster Bridge the rhyme scheme is abbaabba cdcdcd and is split up into an octave and
then a sestet and this means that is a Petrarchan sonnet. If you take a closer look at the poem you
will notice that the octave and the sestet are simply two whole sentences. This helps to maintain the
flowing rhythm of the poem and better defines the difference between the octave and sestet. In this
form the subject is projected and developed in the octave and then the sestet must release the tension
which has been built up. The point at which I think the tension is released is in the final two lines.
"Dear God! The very houses seem asleep;
And all that mighty heart is lying still!"
Wordsworth added this final couplet in order to get the epigrammatic effect which is characteristic
of the Shakespearean sonnet which is a sonnet that contains three quatrains and a couplet.
In London, long hymnal measure is used. It has a rhyme scheme of abab which helps to maintain a
steady rhythm and pace throughout the poem.
Upon Westminster Bridge tries to give an image of the scene whereas

An Analysis of Shakespeare's Sonnet 73 Essay example
An Analysis of Shakespeare's Sonnet 73
Sonnet 73 by William Shakespeare is widely read and studied. But what is Shakespeare trying to
say? Though it seems there will not be a simple answer, for a better understanding of Shakespeare's
Sonnet 73, this essay offers an explication of the sonnet from The Norton Anthology of English
Literature:
That time of year thou mayst in me behold
When yellow leaves, or none, or few, do hang
Upon those boughs which shake against the cold,
Bare ruined choirs, where late the sweet birds sang.
In me thou seest the twilight of such day
As after sunset fadeth in the west; ... Show more content on Helpwriting.net ...
Since its introduction in the 1530s, nearly every major British and American poet has made use of
the form" (Sonnet xxi). In Versification, James McAuley defines that the sonnet is, "In the strict
sense, a fourteen–line poem usually in iambic pentameters. The Italian or petrachan type, consists of
an octet, usually rhymed cdecde or in some permutation of these. The English sonnet type consists
of three quatrains plus a concluding couplet, rhymed variously, the Shakespearian form being abab
cdcd efef gg. In sixteenth– and seventeenth–century use, the term was also loosely applied to any
lyric poem, especially a love–poem, as in [John] Donne's (1572–1631) Songs and Sonnets" (82).
The sonnet, however, is not simply a fourteen–line poem having a prescribed rhyme scheme.
Certainly most sonnets are fourteen–line poems, and most sonneteers do confine themselves to
prescribed rhyme patterns (Bender and Squier xxii).
The theme, in Sonnet 73, is the poet's aging. Each quatrain develops an image of lateness, of
approaching extinction – of a season, of a day, and of a fire, but they also apply to a life (Abrams et
al. 867). The poet compares his age to three images through the quatrains: autumn, the dying of the
year (first quatrain); the dying of the fire (third quatrain). The first line draws a picture of himself,

"in me," and in a certain time, "That time of year," of his life (surely, he is old now). We can see that
the

Not True Love in William Shakespeare's Romeo and Juliet Essay
Shakespeare's Romeo and Juliet – popularly considered by many to be the quintessential love story
of all time – is a play that we are all familiar with in one way or another. Whether it be through the
plethora of portrayals, adaptations and performances that exist or through your own reading of the
play, chances are you have been acquainted with this tale of "tragic love" at some point in your life.
Through this universal familiarity an odd occurrence can be noted, one of almost canonical
reverence for the themes commonly believed to be central to the plot. The most widely believed
theme of Romeo and Juliet is that of the ideal love unable to exist under the harsh social and
political strains of this world. Out of this idea emerge two ... Show more content on Helpwriting.net
...
However, he is the one who seems to have the faulty reasoning and who relies on fancy words to
convey his otherwise weak emotions. It is the attention he receives that causes me to scrutinize him
with a keener eye; after all, we must hold those we revere most highly accountable for their actions .
. .
From the moment we first hear about Romeo, it is in the context of his suffering at the hands of
love. Romeo's father, Montague, perplexed by his son's behavior states that, "Many a morning hath
he there been seen, / With tears augmenting the fresh morning's dew, / Adding to clouds more clouds
with his deep sighs" (1.1.124–26). While this may be the first time we encounter Romeo's
melancholy humour, it certainly isn't the last. In fact, one of the primary sources of our infatuation
with Romeo rests in our sympathy for him. From the very start this poor boy is plagued by
affections for girls that fate, it seems, will not let him be with. At first, it's Rosaline, a girl who has
"sworn that she will still live chaste" (1.1.210), a vow that sets Romeo reeling and complaining
because "from love's weak childish bow she lives unharmed" (1.1.204). His depression over
Rosaline is enough to draw the attention of his father, Montague, who has observed that Romeo
shuts himself up in his room all day in order to wallow in the darkness. These are the actions of
someone who is undeniably quite

Comparing Shakespeare's 'Shall I Compare Thee to a...
Poetry Comparison There are certain themes and ideas which appear over and over again in
literature, no matter what the genre or form. Poems which were written centuries apart can echo
similar ideas about life and humanity. Love is one such theme which presents itself repeatedly as
seen in the poetry of William Shakespeare and that of Robert Burns. Each poem, though written
more than two hundred years apart, explains what it feels like for the poet to feel love for the
singular object of their affection. The poem "Shall I Compare Thee to a Summer's Day" by
Shakespeare and Burns' "A Red, Red Rose" share common images and themes with the intention of
instilling in the reader the impression of their love and in explaining the depth of their emotion for
the beloved as well as the respective poets ideas about the very nature of love and how it can be
both passionately fulfilling and devastating. William Shakespeare's 18 Sonnet, more popularly
known as the "Shall I Compare Thee" sonnet, is about a lover who is speaking to his beloved. Most
sonnets serve this same function; to profess love from the sonneteer to some individual whom he
loves. In these poems, the lover always uses the most amazing adjectives to describe the woman, or
sometimes the man, that he loves. The poet describes every component of his beloved, such as her
hair and her lips and her eyes. Although not a sonnet, Robert Burns' poem has the same function; it
is a love poem from the unnamed narrator to the

Theme Of Sonnet 130 And Crazy Jane Talks With The Bishop
There are many things in this world that we choose to partake in for our own personal pleasures. A
sense of harmless, humorous rebellion lied within the heart of profound writers in more historical
times of literature who made it their preference to take the more parodical route towards their
audience. In Sonnet 130 by William Shakespeare and Crazy Jane Talks with the Bishop by William
Butler Yeats, it is evident that both well astounding poets chose to venture into delivering a less
cliche message to their audience whilst providing a story that matches a true form of reality. A
theme of delivering the truth is well embedded into the stanzas of the two different poems and can
be overlooked if not carefully analyzed. Although Shakespeare did a phenomenal job of portraying
the beauty of an imperfect woman instead of the cliche ways of a common love sequence, it is more
important to divulge into a fascinating confrontation within Crazy Jane Talks with the Bishop. In the
poem, a glimpse of the conversation between the Bishop and a woman, whose appearance called for
the Bishop's unwelcomed input, is illustrated within the lines of the stanzas. The bishop went to tell
the woman that her appearance made her appear that she lived in " some foul sty." Hence the bishop
judging her, the woman was led to defend herself against the strikes against her character. She began
to expose the truth to the Bishop by explaining that "fair needs foul", and that the way that she
chooses to

Compare How the Theme of Love Is Presented in a Selection...
Compare how the theme of love is presented in a selection of pre–1914 poetry The theme of love is
a universal, timeless issue that has always been discussed and forever will be. People are searching
for the true meaning of love and how it is different from person to person and from race to race.
Everyone is amazed by how love can make people experience so many emotions and how love can
bring sadness and happiness and confusion. 'La Belle Dame Sans Merci' By John Keats and
'Porphyria's Lover' by Robert Browning for example both share the common theme of love, both
lovers had to depart their loved ones whether due to societal pressures or due to the fact that the
lover is from a different world. However the idea of women having power ... Show more content on
Helpwriting.net ...
Lilies are often associated with death in Western culture, so the "lily" on the knight's forehead
doesn't bode well for him, so the speaker is employing a metaphor when he says that he "see a lily
on thy brow." Besides the association with death, lilies are pale white, so a slightly less morbid
reading of this line would be that the knight isn't dying, but is just sickly pale. Another flower that is
mentioned in the poem is roses. Roses are often associated with love in Western culture (hence all
the advertisements around Valentine's Day), but the knight's "rose" is "fading" and "withering."
Sounds like a pretty clear metaphor for the end of a romantic relationship. But like the lily, the rose
describes the knight's complexion. The rose is "fading" from the knight's "cheeks." So the rose
metaphor is doing double duty – it's describing both his "fading" love affair, and his increasingly
pale complexion. In 'Porphyria's Lover' the speaker compares Porphyria's closed eyes to a closed
flower "bud" with a "bee" inside. Is he afraid of getting stung by her eyes when she opens them
again? Or is it a sexual metaphor, since bees, after all, pollinate flowers? Also the poet here uses
alliteration (the repeated "b" sounds) that connects the "bud" and the "bee." The speaker also uses
synecdoche by making Porphyria's "blue eyes" represent the whole woman

William Shakespeare 's The Elizabethan Era
William Shakespeare, possibly the greatest writer in English language, had different views about the
world than most writers. Shakespeare completely disagreed with the Elizabethan society he lived in
and with the concept of time. He found his society's views unproductive and incorrect and he
believed that time should not be a part of life, since it causes too much harm. His work showed how
he viewed the concept of love and friendship and how someone cannot live his or her life properly
without loving someone and being loved in return. Shakespeare's worldview and the society he
resided in become illuminated throughout his work, especially in his sonnets. His work reflects the
importance of love and friendship as well as his disagreement with time and the Elizabethan Era's
views. William Shakespeare lived his life and wrote his works during the Elizabethan Era. His
writing in his sonnets often differed with the Elizabethan worldview. For example, the Elizabethan
society believed in a strong hierarchal system. However, Shakespeare often wrote about a strong
female. "And yet, by heaven, I think my love as rare/ As any She belied with false compare"
(Shakespeare, Sonnet 130). Shakespeare believed that a female can be just as strong, sometimes
even stronger, than a male. His rejection of feminine qualities continue to intrigue today's writers.
"Shakespeare's insistence through his speaker in Sonnet 130 to have a real, flesh and blood mistress
rather than an ideal goddess is

My Mistress Eyes Are Nothing Like The Sun Literary Analysis
Often times women use the saying a man is hard to find and in some cases it is very true. We as
humans always want stuff handed to us without the hassle of putting in work. For instance, if
women had the ability to create the man of their dreams I'm sure they would leave something out
because they would be sure to list all of the wants before the needs. Per the dictionary powerful
means to have great effectiveness, as a speech, speaker, description, reason, etc. In Shakespeare's
poem, "My Mistress' Eyes Are Nothing Like the Sun", the speaker has power but likewise in
O'Connor's story, "A Good Man Is Hard to Find", the Misfit and the grandmother has a great power.
The Misfit possess the power to kill and make others kill. On the other hand, ... Show more content
on Helpwriting.net ...
The Misfit is a criminal who ran across the family after the crashed their car in the woods. The
Misfit lives by a moral code that involves murder and remorselessness, but he withal spends time
wondering about Jesus. Because he does not ken for sure whether Jesus authentically raised the
dead, he has opted for "meanness" as a way of giving his life designation. He does not optically
discern himself as a terrible person. Bailey's wife and the mother of John Wesley, June Star, and a
baby. The mother breaks her shoulder in the car crash and is eventually killed by the Misfit's
henchmen. His two henchmen kill the entire family, and the Misfit shoots the grandmother himself.
On the other hand, the grandmother has the gift of powerful persuasion. During the family's journey
to Florida, the grandmother suggests that they visit an old house she recollects, a conception that
leads to a car contingency and the murder of everyone in the group. Afore she is killed, the
grandmother recollects that the house is authentically in Tennessee, nowhere near where she
verbally expressed it was. She endeavors to reason with the Misfit but only enrages him. She
experiences a moment of grace right afore the Misfit shoots her. Bailey seems to dote his mother,
but her needling demeanor sometimes gets the best of him. He gives in to the grandmother's request
to visit the old

Romanticism In Sonnet 20
Love is a common and frequent topic in the works of Renaissance poets, who followed the
Petrarchan tradition of celebrating love to an unattainable beautiful mistress: up to William
Shakespeare, all male sonneteers were structuring their poems around the image of a fair wealthy
court lady. Shakespeare does not adapt his works to the established standard, but adjusts the very
standard to his own needs, or as Sasha Roberts puts it, the poet writes against tradition (172).
Basically, in his sonnets, William Shakespeare revolutionises the unwritten rules of the Petrarchan
ideal of sonnet writing by modifying the category of love objects. This essay will focus on three
major directions of this modification and will illustrate them on the basis of ... Show more content
So, the fair youth 'steals' also the most important traits from the classical image of the female
beloved in the Petrarchan tradition, embodying in such a way an ideal of a beloved and, naturally,
taking over the central position in the sonnets. This assumption of the utmost importance of the
image of the young man for Shakespeare's sonnet sequence resonates in Clarke's "Love, Beauty, and
Sexuality", where she mentions that in the sequence, "the primary love–object is the young man"
(197). As an embodied perfection placed in the centre of the collection of love poems, the image of
the fair youth cannot stay unequivocal: at least two literary critics mentioned in this essay have
different viewpoints on the issue of the uniqueness of this male beloved. For example, Douglas
Trevor argues that it is William Shakespeare who introduces the image into the sonnet tradition.
Contrastingly, Sasha Roberts counters this theory by claiming that "Shake–speares Sonnets was not
the first sonnet sequence to celebrate male beauty" (176). Taking into consideration both
approaches, it is quite legitimate to acknowledge if not the uniqueness but at least the rarity of the
unattainable male love object in the sonnet writing

Love in Lolita
Some critics read Vladimir Nabokov's Lolita as a story of Humbert's unrequited love for the title
character; others consider it a record of the rant–ings of a mad pedophile, with, as Humbert himself
admits, "a fancy prose style." Nabokov's innovative construction, in fact, highlights both of these
aspects as it reinforces and helps develop the novel's main theme: the relationship between art and
experience. By allowing Humbert to narrate the details of his life with Lolita, Nabokov illustrates
the difficulties inherent in an attempt to order experience through art. As he tries to project an ideal
vision of his relationship with Lolita, Humbert manipulates readers' responses to him in order to
gain sympathy and to effect a suspension of ... Show more content on Helpwriting.net ...
My Lohta had a way of raising her bent left knee at the ample and springy start of the service cycle
when there would develop and hang in the sun for a second a vital web of balance between toed
foot, pristine armpit, burnished arm and far back–flung racket, as she smiled up with gleaming teeth
at the small globe suspended so high in the zenith of the powerful and graceful cosmos she had
created for the express purpose of falling upon it with a clan resounding crack of her golden whip.
Humbert illustrates the depths of his feeling for her when he admits that in his assessment of their
life together, everything "gets mixed up with the exquisite stainless tenderness seeping through the
musk and the mud, through the dirt and the death, Oh God, oh God And what is most singular is that
she, this Lolita, my Lolita, has individualized the writer's ancient lust, so that above and over
everything there is Lolita."
The wit and humor Humbert invests in his artistic reconstruction of his past further gain readers'
sympathy and restrict their efforts to judge him. New Yorker contributor Donald Malcolm observes,
"an artful modulation of lyricism and jocularity quickly seduces the reader into something very like
willing complicity." The memoir contains several examples of Humbert's verbal brilliance and quick
wit, but the most inventive occurs at the end during his comic scene with Clare Quilty, presented as
Humbert's evil twin. In their death struggle, which

Love, And Platotic Aspects Of Love By William Shakespeare
During the English Renaissance, there was a bloom of literature, fueled by the advent of the printing
press and the patronage of the nobility. Beginning with Petrarch's popularization of the Italian form,
the sonnet became the English mainstay for portrayals of love. The progression of the Renaissance
saw the experience of love detailed in many different ways through form, allegory, allusion, and
metaphor. The fashioning of the love object in sonnets varies from writer to writer and progresses
from an outward, ethereal love to an inward love, rooted in reality as the centuries progressed.
Petrarchan love objects are larger than life–holy in nature, whilst anti–Petrarchan loves are human
and flawed. Poets of this time grappled with the Platonic conventions of love: What does love mean
on the grand scale? What constitutes the ideal experience? Is love a reflection of the holy, or is it a
reflection of our most base human qualities? Each poet crafted their image of the love object in
varying ways: Francesco Petrarch wrote an idol, Edmund Spenser wrote a genuine, yet ideal
woman, William Shakespeare catered to harsh realism, and Lady Mary Wroth wrote of a stormy,
imperfect lover.
Petrarch is the father of the sonnet and his fashioning of Laura in his vast sonnet cycle set the first
bar for portrayals of the beloved in English Renaissance literature. As a member of the clergy and a
stringent adherent to the church, Petrarch found his principles and devotion shaken when he beheld

What Is The Similarities Between Yeats And Sailing To...
William B. Yeats', "Sailing to Byzantium" and John Keats's "Ode on a Grecian Urn" deal with the
themes of art, nature, and spirit. Each poem is rich in symbolism and imagery, which help the fabric
of the poems' mood of the setting. This specific idea puts light on the time of life inside of human
progress. Both poems are examples of art containing much imagination and romantic lyricism. The
works of W. B. Yeats and John Keats are interestingly comparable in style and idea. Both depend
intensely on symbolism. Yeats' "Sailing to Byzantium" is full of sensory imagery describing the
journey to an ideal place, just as Keats' "Ode to a Grecian Urn" is beautifully portraying the
significance of an ancient art on an urn. Both use metaphor to deal ... Show more content on
Helpwriting.net ...
In Yeats' lyric it is exemplified by, "my real shape from any normal thing,/But such a structure as
Grecian goldsmiths make/Of pounded gold and gold enameling". It appears to be exceptionally
shallow and odd for Yeats' speaker to craving to be a brilliant creation instead of human, however
looking further, it is not about the gold itself. It is about the speaker having the capacity to be a
statement of craftsmanship for all ages. The utilization of the interminability is for the benefit of
other people "to keep a sleepy Emperor alert; or set upon a brilliant limb to sing to masters and
women of Byzantium". One might say, craftsmanship is raised to the heavenly. It is raised to a
position of the perfect that can achieve individuals of all times and times. This is likewise seen on
the urn: "the reasonable youth channeling melodies underneath the trees, since he is of obscure spot
and obscure time, may be viewed as the craftsman artist or performer – of wherever and time".
Keats' speaker wonders about the force the Grecian urn holds. Albeit chilly and quiet the urn incites
thought and makes one marvel "thou, noiseless structure! dost tease us out of thought/As doth time
everlasting: Cold Pastoral!" These forces that unfading craftsmanships hold are what the beautiful
speakers need to accomplish. They need the ability to bring

Examples Of Romantic Love In Midsummer Night's Dream
Shakespeare celebrates romantic love but also satirizes it Phyllis Rackin claims that Shakespeare
celebrates romantic love but also satirizes it. In this essay, using the example of the comedy
"Midsummer Night's Dream", we will try to argue that the writer uses the notion of love as a
metaphor, in order to explore certain topics concerning human feelings. This play was written in
1595–1596, probably a little later than "Romeo and Juliet" and deals with the marriage of Theseus,
Duke of Athens and Hippolyta, the Amazon queen as well as all the surrounding events. The other
main characters of the play are Demetrius, Hermia, Lysanderand Helena, the four young Athenians,
Nick Bottom, one of the six laborers that prepare a play,Oberon, the king of ... Show more content
Their wedding is not a result of a love story, not even a misalliance. On the contrary, Theseus has
conquered Hippolyta in battle and forced her to submission. Nowhere in the play has Hippolyta
claimed that she loves him. In addition, the other couple of the older generation, Oberon and Titania,
is not governed by pure and innocent love. Oberon appears to be quite possessive and jealous of his
queen. He is so conceited that he desires to punish and humiliate Titania for disobeying
him.Nevertheless, it is not quite clear whether Oberon and Titania are married.Shakespeare, through
the magical world of fairies, suggests an alternativeutopian kind of

Sonnets 18 and 130: Defending and Defying the Petrarchan...
Sonnets 18 and 130: Defending and Defying the Petrarchan Convention During the Renaissance, it
was common for poets to employ Petrarchan conceit to praise their lovers. Applying this type of
metaphor, an author makes elaborate comparisons of his beloved to one or more very dissimilar
things. Such hyperbole was often used to idolize a mistress while lamenting her cruelty.
Shakespeare, in Sonnet 18, conforms somewhat to this custom of love poetry, but later breaks out of
the mold entirely, writing his clearly anti–Petrarchan work, Sonnet 130. In Sonnet 18, Shakespeare
employs a Petrarchan conceit to immortalize his beloved. He initiates the extended metaphor in the
first line of the sonnet by posing the rhetorical ... Show more content on Helpwriting.net ...
Although Shakespeare appears to be conforming, he still elevates his work above the exhausted
conventions of other Elizabethan sonneteers. Instead of objectifying his lover through trite
comparisons, he declares that she is too beautiful and pleasant to be compared even to a day of the
most enjoyable season of the year. While most consider the realm of nature to be eternal and that of
humans to be transitory, Shakespeare accentuates the death of a season and imbues his sweetheart
with everlasting life. He ingeniously inverts the scheme of things in order to grant his love perpetual
existence through his poetry. Unlike Sonnet 18, Shakespeare utterly abandons the poetic convention
of Petrarchan conceit in Sonnet 130. In this poem, Shakespeare denies his mistress all of the praises
Renaissance poets customarily attributed to their lovers. The first quatrain is filled exclusively with
the Shakespeare's seeming insults of his mistress. While Sir Thomas Wyatt authors a poem entitled
"Avising the Bright Beams of These Fair Eyes," in the first line of Sonnet 130, Shakespeare affirms
that his "mistress's eyes are nothing like the sun." John Wootton, in a poem published in England's
Helicon, boasts that his love has "lips like scarlet of the finest dye," but in Sonnet 130 , Shakespeare
is sure that his beloved's lips are not nearly quite as red as coral (11; 2). Michael Drayton, in his
poem, To His Coy Love, begs his lover, "Show me no more those snowy

Twenty-One Love Poems: Adrienne Rich And The Petrarchan...
Adrienne Rich and the Petrarchan Tradition Critics are divided on whether Adrienne Rich's
sequence "Twenty–One Love Poems," first published as a collection by the small women's publisher
Effie's press in 1976 and reprinted in the volume A Dream of a Common Language 1978, are
actually sonnets. Rich's friend Hayden Carruth calls them "sonnetlike love poems" but then self–
corrects: "No, call them true sonnets. For if they do not conform to the prescribed rules, they
certainly come from the same lyrical conception that made the sonnet in the first place, and it is long
past time to liberate the old term from its trammeling codes of technique" (81). Jane Hedley, on the
other hand, says that the poems are not sonnets, but points out that by using ... Show more content
Whereas sonnets in the Petrarchan and Shakespearean traditions delineate their arguments into
discrete rhetorical units through rhyme scheme and syntax, Rich breaks free of these constraints,
eschewing rhyme altogether and varying her sentence structure in the way that contributes to the
intimate, conversational tone of the poems. Some earlier traditional male poets used the sonnets not
just to praise loved ones, but to demonstrate their wit and linguistic skills: Sidney's Astrophel and
Stella series started a rage at court, and Keats composed "On the Grasshopper and the Cricket" for a
sonnet competition. As Hedley points out, the sonnet's "formal bias has to do with intricacy and
difficulty, which calls attention to itself as a virtuoso performance" (329). Instead of conforming to a
set of rules set forth by society and writing for others, Rich uses conversational diction and syntax,
which is appropriate to the intimacy she shares with her beloved. However, closer inspection reveals
a rhetorical structure that similar to a Petrarchan

The Concept Of Love : The Love Of True Love
Some of the most renowned sonneteers express their love for another person in terms of the
magnitude of that person's beauty, especially during the Elizabethan era. But, the most powerful
form of love is loving someone for who they are instead of what they look like. Loving someone for
love's sake allows love to last a lifetime because love is true and the truth does not change. This
differs from loving someone for physical features in which both the love of looks and the beauty
fade with time. While in the moment it may be charming to be characterized by eternal beauty, as
William Shakespeare does in Sonnet 18, being loved for the real feeling of being loved is more
lovely where true love does not fade like the love for physical features. The truth of true love is
evident in Elizabeth Barrett Browning's Sonnet 14 where she insinuates that the failure to love
someone for only love's sake reveals the love as being superficial. True love should be something
that is not only contained in human nature or characteristics but should be something beyond
humanity that is eternal. Elizabeth Barrett Browning's Sonnet 14 dismisses the love of physical
features that William Shakespeare's Sonnet 18 prides on in order to illustrate that true love is
unearthly, unchanging, and eternal. Shakespeare and Browning both use the concept of eternity in
their sonnets. Both sonnets use the concept of eternity to express the undying beauty of a person to
whom the speaker is speaking to in

Elizabeth Browning Research Paper
Elizabeth Barrett Browning was born March 6th, 1806 in Durham, England, and passed June 29th,
1861 in Florence, Italy. Browning's death is likely caused by an incurable disorder that plagued all
three sisters in her family, except only lasted with her. Her everlasting suffrage since the age of
thirteen when the symptoms first developed explains why she asked her husband, Robert Browning,
whom she dedicated her poetry, to "neither love me for thine own dear pity's wiping my cheeks
dry". To continue, Elizabeth's father did not wish for any of his children to marry, which Elizabeth
was seemingly compliant with, being an invalid thirty–nine–year–old. Therefore, Elizabeth's father
and brothers were quick to disapprove when Robert arrived, deeming him an unreliable fortune
hunter. ... Show more content on Helpwriting.net ...
They stood by each other's side with "a sense of pleasant ease" until Elizabeth's death. In fact, even
after Elizabeth's death, Robert Browning remained a widower, instead of remarrying, and even kept
Elizabeth's ring on his watch chain, proving their love would go "on, through love's eternity".
During their time together, the couple had a son in 1849 when Elizabeth was already forty–three–
years–old; this was particularly unusual since the average woman during the Victorian Era had five
children, plus the life expectancy was 40! With Robert's avid support and encouragement, Browning
published her most renowned work in 1850, Sonnets from the Portuguese, chronicling their love
with poems such as Sonnet

Sonnet Analysis
Reclaiming the Sonnet:
Cummings and Millay's Contemporary Use of the Classical Poetic Form Fourteen lines, iambic
pentameter, rhyme scheme–– the classical form of the sonnet has been employed by poets since the
thirteenth century. Whether the Italian Petrarchan, the English Shakespearean or other variations on
the quatorzain, some of the most widely–read poets have risen to fame as sonneteers. Typically
sonnets address romantic love or lust, but occasionally poets will lyrically meditate on nature,
spirituality or other universal aspects of the human condition; however, modern poets have broken
from the traditional sonnet form and subject matter to put a contemporary twist on the popular
fourteen–line model. American poets E.E. Cummings ... Show more content on Helpwriting.net ...
The speaker personifies his nation, proclaiming with second–person pronouns, "i love you land of
the pilgrims' and so forth" and later stating, "thy sons acclaim your glorious name." The orator
muses over America's war efforts the way other poets might idolize a young fair maiden or exalt the
wonders of the natural world, the speechmaker inquires, "why talk of beauty," claiming, "what could
be more beautiful than these heroic happy dead who rushed like lions to the roaring slaughter."
Cummings points out the absurdity of extreme patriotism and the dangers accompanying glorified
militarism with a speaker who praises his nation's violent efforts with the romantic rhetoric of love
poetry.
In addition to the heightened romantic language of the love poem, occasionally sonneteers will also
utilize capitalization to convey a specific emotion regarding the poem's subject. For example, in his
popular 116th and 18th sonnets, respectively, Shakespeare plays with capitalization in several lines,
including "Love's not Time's fool" and "Nor shall Death brag." Capitalizing certain words that
encompass great meaning or emotion–– as Shakespeare indicates with "Time" and "Death"–– aids
poets in emphasizing the essential nature of said terms and their importance within the sonnet.
Cummings does not follow Shakespeare's practice

George Gascoigne
In 1573, George Gascoigne published "For That He Looked Not upon Her," a poem in which his
careful and methodical approach to the sonnet form is evident. Two years later, he published
"Certayne Notes of Instruction on Making of Verse," which only further served to cement his
reputation as meticulous and deliberate with his choice of language and form–every choice
Gascoigne makes is made with a purpose in mind. This is especially evident in "For That He
Looked Not upon Her," wherein Gascoigne utilizes both the intentionally–chosen sonnet form and
vivid imagery to develop his criticism of the classic sonnet in which the beloved's refusal of the
author only serves to make him more determined to pursue her. The sonnet form is typically one
chosen ... Show more content on Helpwriting.net ...
In Gascoigne's metaphor, a mouse that had escaped a trap is unlikely to return, even if given
motivation to return to the trap and try for the food again (5–8). The idea of an tiny, innocent
animal–representative of sonneteers–caught in a trap which represents their beloved's chronic
rejection, is designed to engender feelings of sadness and pity in readers. Likewise, in Gascoigne's
second metaphor, it is improbable that a fly that has been burned by a flame would approach any
flame thereafter (9–12), once again inspiring compassion in the reader for the sonneteers' emotional
pain. In more modern times, flies are seen as less unclean and disgusting creatures than they were in
the past, but in Gascoigne's day, that would not have been the case. The same holds true for mice–in
Gascoigne's day, mice were seen as pests to be rid of at all costs. No one would have sympathized
with a mouse. So Gascoigne's argument changes contextually; instead of creatures to be
sympathized with, the mouse and fly–and by extension the sonneteers–are simply nuisances to be
rid

Drayton's Sonnet 130 And The Petrarchan Sonnet
The Petrarchan (Italian) sonnet was a literary importation introduced by Sir Thomas Wyatt during
the 16th century English Renaissance (Sarker, 39). The Petrarchan sonnet follows an Italian rhyme
scheme. As Wyatt soon discovered, the rhyme schemes used in the Italian sonnet are difficult to find
when writing in English (Sarker, 40). Due to this discrepancy, adaptations of the Italian form led to
the development of the English or Shakespearean sonnet.
Despite structural alterations, the English sonnet upholds Petrarchan conventions of praise in which
the poet addresses the romantic object (Wilcke, Romantic lit. conventions). Within the Petrarchan
tradition, the blazon is a convention used to structure the poet's romantic praise of the beloved.
Within its origins, the French Heralid meaning of the term "blazon" means "coat of arms", or the
idea of a prominent display. The translation of the blazon into poetry uses literary devices such as
metaphors to endearingly catalogue and describe the beloved. It was from the blazon in which the
anti–blazon sonnet developed. The anti–blazon structure inverts both the typical blazon and
Petrarchan tradition by depicting the beloved in a seemingly unconventional way. William
Shakespeare's "Sonnet 130" and Michael Drayton's "Sonnet 8" are representations of the anti–
blazon in English literature. Sonnet 130 depicts Shakespeare's parody of traditional Petrarchan
descriptions of beauty through the anti–blazon. Drayton uses the anti–blazon to overturn the
Petrarchan convention of youthfulness.
Within the Petrarchan tradition, a poet would praise the beloved's superlative qualities using
elaborate descriptions of beauty such as "golden hair" or "starry eyes". Using the blazon, the
beloved's attributes would be depicted through metaphorical comparison or conceits, often to
elements of nature. Such comparisons demonstrate that the beloved's attributes are so sublime that
they elevate her to metaphysical proportions – she would seem divine and metaphysical. In "Sonnet
130", Shakespeare mocks common Petrarchan conceits and rejects describing his beloved using
conventional blazon imagery. Instead, Shakespeare portrays his lover in contrast to Petrarchan
images of beauty within

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