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Poverty
Poverty
• The conditions of the poor are presented as unable
to be altered except by an individual getting out of
the slums and leaving everyone else there.
• There are few choices, slim chances and narrow
and vicious minds present in the film, this
contributes to the poverty.
• Poverty is shown in a negative way through the
narrative and technical features of the film.
In the beginning
• The scene where everyone is arriving is important
visually because they are all carrying their
belongings and filing in to the bare space. Rocket
even comments (in a voice over) on the number of
people coming in and the small space in which they
are to fill.
• This shows that people are being pushed into the
favela, like toys being crammed into a box. There
wont be enough room for them and since they all
came at once there wont be a steady incline in
population, they have been pushed in in groups by
the government. This isn’t their choice.
Beating the poverty
• The only way to become anything in that environment is
to go into the life of crime. Without the money from drug
trade and other crimes the poverty would be even harder
to survive in.
• There is also a message presented by the film that being
the ‘good guy’ doesnt get you anywhere in that
environment. Benny was well loved and he still managed
to get killed and Knockout Ned started out away from the
crime and eventually got dragged in and killed.
• The only one that goes against the criminal life and
survives is Rocket and even then he comes into contact
with those more sinister characters.
The 60’s
• In the beginning there are still ‘hoods’ however their
morals are better than the gangs in later years. They
steal for the good of the community, but as the times
change so do the ideologies.
• There is no longer a community in the later years.

• They have always been in poverty but once they lost
the sense of community it became even worse.
• This is shown in the golden tint on the 60s, it is a
brighter time in the timeline of the City of God. This
colour tint changes as the times progress and crime
progresses.
Social Behaviour and
escape.
• As a continuation of the idea of the lacking social
behaviour is the idea that the only social structure
present is the prevailing gangs alongside the police
cementing the war between the two and preventing
the aiding of those in poverty.
• Poverty in City of God is very much a factor that is
presented as the norm and a somewhat inescapable
one at that. As a result the film features a great deal
about these who wish to escape this life through
means like Lil Ze, or through simply leaving as
Benny tried to do with his girlfriend. The idea of
everybody having a need to belong somewhere.

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Poverty presentation

  • 2. Poverty • The conditions of the poor are presented as unable to be altered except by an individual getting out of the slums and leaving everyone else there. • There are few choices, slim chances and narrow and vicious minds present in the film, this contributes to the poverty. • Poverty is shown in a negative way through the narrative and technical features of the film.
  • 3. In the beginning • The scene where everyone is arriving is important visually because they are all carrying their belongings and filing in to the bare space. Rocket even comments (in a voice over) on the number of people coming in and the small space in which they are to fill. • This shows that people are being pushed into the favela, like toys being crammed into a box. There wont be enough room for them and since they all came at once there wont be a steady incline in population, they have been pushed in in groups by the government. This isn’t their choice.
  • 4. Beating the poverty • The only way to become anything in that environment is to go into the life of crime. Without the money from drug trade and other crimes the poverty would be even harder to survive in. • There is also a message presented by the film that being the ‘good guy’ doesnt get you anywhere in that environment. Benny was well loved and he still managed to get killed and Knockout Ned started out away from the crime and eventually got dragged in and killed. • The only one that goes against the criminal life and survives is Rocket and even then he comes into contact with those more sinister characters.
  • 5. The 60’s • In the beginning there are still ‘hoods’ however their morals are better than the gangs in later years. They steal for the good of the community, but as the times change so do the ideologies. • There is no longer a community in the later years. • They have always been in poverty but once they lost the sense of community it became even worse. • This is shown in the golden tint on the 60s, it is a brighter time in the timeline of the City of God. This colour tint changes as the times progress and crime progresses.
  • 6. Social Behaviour and escape. • As a continuation of the idea of the lacking social behaviour is the idea that the only social structure present is the prevailing gangs alongside the police cementing the war between the two and preventing the aiding of those in poverty. • Poverty in City of God is very much a factor that is presented as the norm and a somewhat inescapable one at that. As a result the film features a great deal about these who wish to escape this life through means like Lil Ze, or through simply leaving as Benny tried to do with his girlfriend. The idea of everybody having a need to belong somewhere.