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Luke Holland
lukeholland@live.com.au
Age Range: 25 – 35
Height: 177 cm
Eye Colour: Blue
Hair Colour: Brown
FILM
Mail Box Lead Dir. Samantha Zinner
YOLO Batch Dir. Robert Carne
Objects in Mirror are Closer Lead Dir. Quentin Curzon
Cherry on Top Lead Dir. Quentin Curzon
Tomorrow Starts Tonight Warren Dir. Darren Philips
Funny Writers Lead Dir. Stephen Shamoes
THEATRE
Evita Che Dir. Carl Olsen
AIDA Actor Dir. Gale Edwards
Ice Cream Lance Dir. Kate Gaul
Hot Fudge Collin Dir. Kate Gaul
Faust Valentine, Frosch Dir. Herman Pertorius
Virtual Reality Lefty Dir. Nicholas O’Regan
As You Like It Oliver, William Dir. Katherine Poulsen
The Government Inspector Judge Dir. Kylie Bonaccorso
Cavalleria Rusticana Turiddu Dir. Herman Pretorius
How to Succeed J. Pierpont Finch Dir. Patty Macville
Songs for a New World Lead Dir. Avigail Herman
TELEVISION
Deadly Women Actor Dir. John Mavety
CUT Actor Dir. Lisa Robinson
Out of The Blue Actor Dir. Scott Harford
The Cut Actor Dir. Mandy Smith
COMMERCIAL
Riverside Theatre, Parramatta Lead Dir. Jonathan Llewellyn
Vizio Smart Cast Lead Outcast Casting
SKILLS
Basketball, baseball, golf, soccer, guitar, horse riding, skateboarding.
Parkour, dance, stage combat, sword fighting.
Driver; manual & auto, motorcycle.
Accents; RP, Cockney British, Irish, standard American, New Yorker, Boston.
TRAINING
National Institute of Dramatic Arts (NIDA)
Diploma of Musical Theatre
Singing/Dance training; contemporary, tap, jazz, ballet, yoga, scene study (with songs), musical theatre history, musical master
class, acting technique, voice.
Avigail Herman, Samantha Chester, Geoffery Castles, Katie Kermond, Nigel Ubrihien, Stephen Colyer, Wayne Scott Kermond,
Darren Gilshenan, Lyn Pierse
The Acting Corps LA
Boot Camp 1 & 2:
Acting corps repetition technique, scene study, cold reading, actor’s instrument, on camera technique, business of show business
Eugene Buica, Sage Howard, Sydney Walsh, Jen Mcpherson, Tyler Sieple
Wesley Institute Sydney
Bachelor of Dramatic Art (Performance):
Acting technique (Chekhov, Stanislavski, Meisner), voice, movement, Shakespeare, introduction to production, theatre history,
contemporary arts, drama pedagogy.
Kate Gaul, Fiona Press, Genevieve Mooy, Herman Pretorious, Katherine Poulsen, Jo Kenny, Antony Grgas, Kylie Bonaccorso,
Guy Harding, Robert Carne

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Luke Holland's acting resume and training

  • 1. Luke Holland lukeholland@live.com.au Age Range: 25 – 35 Height: 177 cm Eye Colour: Blue Hair Colour: Brown FILM Mail Box Lead Dir. Samantha Zinner YOLO Batch Dir. Robert Carne Objects in Mirror are Closer Lead Dir. Quentin Curzon Cherry on Top Lead Dir. Quentin Curzon Tomorrow Starts Tonight Warren Dir. Darren Philips Funny Writers Lead Dir. Stephen Shamoes THEATRE Evita Che Dir. Carl Olsen AIDA Actor Dir. Gale Edwards Ice Cream Lance Dir. Kate Gaul Hot Fudge Collin Dir. Kate Gaul Faust Valentine, Frosch Dir. Herman Pertorius Virtual Reality Lefty Dir. Nicholas O’Regan As You Like It Oliver, William Dir. Katherine Poulsen The Government Inspector Judge Dir. Kylie Bonaccorso Cavalleria Rusticana Turiddu Dir. Herman Pretorius How to Succeed J. Pierpont Finch Dir. Patty Macville Songs for a New World Lead Dir. Avigail Herman TELEVISION Deadly Women Actor Dir. John Mavety CUT Actor Dir. Lisa Robinson Out of The Blue Actor Dir. Scott Harford The Cut Actor Dir. Mandy Smith COMMERCIAL Riverside Theatre, Parramatta Lead Dir. Jonathan Llewellyn Vizio Smart Cast Lead Outcast Casting SKILLS Basketball, baseball, golf, soccer, guitar, horse riding, skateboarding. Parkour, dance, stage combat, sword fighting. Driver; manual & auto, motorcycle. Accents; RP, Cockney British, Irish, standard American, New Yorker, Boston. TRAINING National Institute of Dramatic Arts (NIDA) Diploma of Musical Theatre Singing/Dance training; contemporary, tap, jazz, ballet, yoga, scene study (with songs), musical theatre history, musical master class, acting technique, voice. Avigail Herman, Samantha Chester, Geoffery Castles, Katie Kermond, Nigel Ubrihien, Stephen Colyer, Wayne Scott Kermond, Darren Gilshenan, Lyn Pierse The Acting Corps LA Boot Camp 1 & 2: Acting corps repetition technique, scene study, cold reading, actor’s instrument, on camera technique, business of show business Eugene Buica, Sage Howard, Sydney Walsh, Jen Mcpherson, Tyler Sieple Wesley Institute Sydney Bachelor of Dramatic Art (Performance): Acting technique (Chekhov, Stanislavski, Meisner), voice, movement, Shakespeare, introduction to production, theatre history, contemporary arts, drama pedagogy. Kate Gaul, Fiona Press, Genevieve Mooy, Herman Pretorious, Katherine Poulsen, Jo Kenny, Antony Grgas, Kylie Bonaccorso, Guy Harding, Robert Carne