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The Matrix: Sequence Storyboard
Type of shot: Overhead
Editing: Cuts in/ Cuts out
Sound: Up-tempo chase music and sound of footsteps
Camera Movement: None
Type of shot: MS, straight on
Editing: Cuts in/ Cuts out
Sound: Up-tempo chase music and sound of footsteps and
gun
Camera Movement: None
Type of shot: MS, straight on
Editing: Cuts in/ Cuts out
Sound: Up-tempo chase music and sound of footsteps and
gun
Camera Movement: None
Type of shot: MS, straight on
Editing: Cuts in/ Cuts out
Sound: Up-tempo chase music and sound of footsteps and
gun
Camera Movement: None
Type of shot: MS, straight on
Editing: Cuts in/ Cuts out
Sound: Up-tempo chase music and sound of footsteps
Camera Movement: Backwards
Type of shot: Overhead, LS
Editing: Cuts in/ Cuts out
Sound: Up-tempo chase music
Camera Movement: Pan right
Type of shot: MS, straight on
Editing: Cuts in/ Cuts out
Sound: Up-tempo chase music and sound of footsteps and
landing
Camera Movement: Right, in time with character
Type of shot: MS, straight on
Editing: Cuts in/ Cuts out
Sound: Up-tempo chase music and sound of footsteps
Camera Movement: None
Type of shot: LS, straight on
Editing: Cuts in/ Cuts out
Sound: Up-tempo chase music and sound of footsteps
Camera Movement: None
Type of shot: MS, straight on
Editing: Cuts in/ Cuts out
Sound: Up-tempo chase music and sound of footsteps
Dialogue: ‘That’s impossible’
Camera Movement: Zooms in
Type of shot: LS, straight on
Editing: Cuts in/ Cuts out
Sound: Up-tempo chase music and sound of footsteps and
landing
Camera Movement: None
Soundtrack:
Throughout the film, a combination of sound effects, music,
dialogue and voiceover (e.g.: a phone call or an off-screen
character) are used. During this section of the film, the
soundtrack is extremely effective as it uses a music track with
beats similar to that of heartbeats and/or footsteps- this builds
tension and grips the viewer. The simple sentence of the police
officer (‘That’s impossible’) adds to the special effects and
expresses what the viewer is thinking. It also dramatises the
special effects by showing that that was not normal for the
world and enforces that these two characters are beyond the
norm.

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Matrix

  • 1. The Matrix: Sequence Storyboard Type of shot: Overhead Editing: Cuts in/ Cuts out Sound: Up-tempo chase music and sound of footsteps Camera Movement: None Type of shot: MS, straight on Editing: Cuts in/ Cuts out Sound: Up-tempo chase music and sound of footsteps and gun Camera Movement: None
  • 2. Type of shot: MS, straight on Editing: Cuts in/ Cuts out Sound: Up-tempo chase music and sound of footsteps and gun Camera Movement: None Type of shot: MS, straight on Editing: Cuts in/ Cuts out Sound: Up-tempo chase music and sound of footsteps and gun Camera Movement: None
  • 3. Type of shot: MS, straight on Editing: Cuts in/ Cuts out Sound: Up-tempo chase music and sound of footsteps Camera Movement: Backwards Type of shot: Overhead, LS Editing: Cuts in/ Cuts out Sound: Up-tempo chase music Camera Movement: Pan right
  • 4. Type of shot: MS, straight on Editing: Cuts in/ Cuts out Sound: Up-tempo chase music and sound of footsteps and landing Camera Movement: Right, in time with character Type of shot: MS, straight on Editing: Cuts in/ Cuts out Sound: Up-tempo chase music and sound of footsteps Camera Movement: None
  • 5. Type of shot: LS, straight on Editing: Cuts in/ Cuts out Sound: Up-tempo chase music and sound of footsteps Camera Movement: None Type of shot: MS, straight on Editing: Cuts in/ Cuts out Sound: Up-tempo chase music and sound of footsteps Dialogue: ‘That’s impossible’ Camera Movement: Zooms in
  • 6. Type of shot: LS, straight on Editing: Cuts in/ Cuts out Sound: Up-tempo chase music and sound of footsteps and landing Camera Movement: None Soundtrack: Throughout the film, a combination of sound effects, music, dialogue and voiceover (e.g.: a phone call or an off-screen character) are used. During this section of the film, the soundtrack is extremely effective as it uses a music track with beats similar to that of heartbeats and/or footsteps- this builds tension and grips the viewer. The simple sentence of the police officer (‘That’s impossible’) adds to the special effects and expresses what the viewer is thinking. It also dramatises the special effects by showing that that was not normal for the world and enforces that these two characters are beyond the norm.