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Rhythms and Cycles AS Art Exam 2010
Assessment Objectives: AO1:   Develop  ideas through sustained and focused investigations informed by contextual and other sources, demonstrating analytical and critical understanding.  AO2: Experiment  with and select appropriate resources, media, materials, techniques and processes, reviewing and refining ideas as work develops AO3: Record  in visual and/or other forms ideas, observations and insights relevant to their intentions, demonstrating an ability to reflect on work and progress. AO4: Present  a personal, informed and meaningful response demonstrating critical understanding, realising intentions and, where appropriate, making connections between visual, oral or other elements .
starting points The following starting points are to start you thinking about your ideas. You may work from any one of the starting points, or you may develop a relevant starting point of your own that explores the theme โ€˜Rhythms and Cyclesโ€™.
[object Object],Bridget Riley M C Escher Damien Hirst
Andy Goldsworthy
Etchings by Chris Ofili
2. Human Lifecycles ,[object Object],[object Object],[object Object],[object Object],[object Object],Ron Mueck
Frida Kahlo
Daniel Lee
3. Atmospheric Conditions The dramatic shift in colours displayed between dawn and dusk brought about by atmospheric conditions and position of the sun has always inspired artists.  David   Prentice
Rhythms, patterns and distortions created by water.  Paintings by Lorraine Shemesh http://www.lorraineshemesh.com/
David Hockney
4. The Industrial Age In the early 20 th  century Incredible machines and the implementation of new materials, inspired many artists and resulted in an art movement called  Futurism .  Futurism  embraced speed and modern technology and rejected everything related to the past.
Pablo Picasso
Jean Tinguely
Recycling Pablo Picasso Bill Woodrow Tony Cragg
Recycling David Mach
5. Abstract Art Mondrian Miro Kandinsky Rothko Many abstract artists experiment with the visual energy and rhythms created by the juxtaposition of certain colours and forms.
Form and Colour Damien Hirst Chis Ofili Howard Hodgkin Howard Hodgkin, Damien Hirst and Chris Ofili explore the optical characteristics and possibilities offered by the dynamic use colour in their work.

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AS Art Exam 2010 Rhythms and Cycles

  • 1. Rhythms and Cycles AS Art Exam 2010
  • 2. Assessment Objectives: AO1: Develop ideas through sustained and focused investigations informed by contextual and other sources, demonstrating analytical and critical understanding. AO2: Experiment with and select appropriate resources, media, materials, techniques and processes, reviewing and refining ideas as work develops AO3: Record in visual and/or other forms ideas, observations and insights relevant to their intentions, demonstrating an ability to reflect on work and progress. AO4: Present a personal, informed and meaningful response demonstrating critical understanding, realising intentions and, where appropriate, making connections between visual, oral or other elements .
  • 3. starting points The following starting points are to start you thinking about your ideas. You may work from any one of the starting points, or you may develop a relevant starting point of your own that explores the theme โ€˜Rhythms and Cyclesโ€™.
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  • 10. 3. Atmospheric Conditions The dramatic shift in colours displayed between dawn and dusk brought about by atmospheric conditions and position of the sun has always inspired artists. David Prentice
  • 11. Rhythms, patterns and distortions created by water. Paintings by Lorraine Shemesh http://www.lorraineshemesh.com/
  • 13. 4. The Industrial Age In the early 20 th century Incredible machines and the implementation of new materials, inspired many artists and resulted in an art movement called Futurism . Futurism embraced speed and modern technology and rejected everything related to the past.
  • 16. Recycling Pablo Picasso Bill Woodrow Tony Cragg
  • 18. 5. Abstract Art Mondrian Miro Kandinsky Rothko Many abstract artists experiment with the visual energy and rhythms created by the juxtaposition of certain colours and forms.
  • 19. Form and Colour Damien Hirst Chis Ofili Howard Hodgkin Howard Hodgkin, Damien Hirst and Chris Ofili explore the optical characteristics and possibilities offered by the dynamic use colour in their work.