SlideShare a Scribd company logo
1 of 5
Download to read offline
c.annalisamilleracademic + student work
I n t e r v e n t i o n
Latin:
intervenire inter (between) + venire (to come)
1: to come in or between by way of hindrance or modification
2. to make a conscious decision to change something and make it
better
As landscape architects we read, write, erase, rewrite and change,
compose and improvise, highlight and diminish certain features within
a landscape. We decide which story to tell and how it is told. Upon
arriving at a site, certain features draw us in, evoke our curiosity and
leave certain impressions upon us. Throughout the design process,
one’s intuition, research and subsequent visits inform the project and
initiate a series of dialogues amongst the designer and the site’s vari-
ous elements.
A C T I V I T Y
S I T E : : W A A C
WAAC was built between 1905-1909, opening as a school in 1909.
Today it is still a school and its address is the same, 1001 Prince
Street. Everyday it is in the same place. Everyday it looks essen-
tially the same. It is a fixed element in the landscape while a series of
forces act upon it.
It endures.
Upon close inspection one can observe the maturity of the bricks,
imagine the history the wooden planks would tell and find within the
building, a unique place to insert and deposit one’s own fragments.
It endures as the rain changes the brick color to a deeper hue, and
the wind smoothes the surface of materials and meanders through
its hallways. The sun watches over WAAC, gradually shifting, cast-
ing shadows that morph and stretch and change the building’s mood
throughout the day and the various seasons. Each year new students
enter its doors for the first time, adapt to the current vibe being emit-
ted and in return, contribute to its collective energy. WAAC is ani-
mated by the people.
It is a fixed element in the landscape, yet it evolves absorbing the
forces, patterns and flows that act upon it.
TASK: elemental intervention at WAAC.
In the first project you took a new look at WAAC and documented
what you saw. You made discoveries about spaces that worked and
those that didn’t, idiosyncrasies within its structure and moments of
celebration. You learned about the human body and beautiful propor-
tion. In the second part you explored one of the four classic elements
and derived four, connected but independent, interpretations of that
element. Your next task is to make an intervention on a portion of
the site that needs improvement. You will do so by, incorporating into
the landscape, the findings you made about your chosen element and
highlight and/or uniquely narrate some aspect of that element.
P O I N T O N E
identify a location for your design
Indentify a place that relates to your element. Investigate the chosen
site, its uses, its peculiarities and how your element interacts with it.
Choosing the site that needs the most improvement might not be the
best one for your element.
P O I N T T W O
the design
Implement a design that fulfills the following:
the site
-
face.
P O I N T T H R E E
translation into a drawing
Translate your ideas into a proposed design for WAAC. To explain
your concept, your representation should include, but is not limited to,
one plan, one section and one additional image of your choice.
piece of paper. Drawings are to be expressive, draw in graphite, dem-
onstrate knowledge of lineweight hierarchy and incorporate drafting
conventions. *Remember that the interior rooms of a building inter-
act with the exterior rooms or landscape.
P O I N T F O U R
present your concept
Students will present their work to their classmates and professors.
intervention
c.annalisamilleracademic + student work intervention: fire
c.annalisamilleracademic + student work intervention: air
c.annalisamilleracademic + student work intervention: water
c.annalisamilleracademic + student work intervention: earth

More Related Content

Similar to portfolio_foundation studio_3

portfolio_foundation studio_1
portfolio_foundation studio_1portfolio_foundation studio_1
portfolio_foundation studio_1annalisa aldana
 
Leonie smith portfolio
Leonie smith portfolio  Leonie smith portfolio
Leonie smith portfolio leonieannsmith
 
Lucie Barnes Portfolio
Lucie Barnes PortfolioLucie Barnes Portfolio
Lucie Barnes PortfolioLucieBarnes1
 
NCL ARC 2013 Yearbook
NCL ARC 2013 YearbookNCL ARC 2013 Yearbook
NCL ARC 2013 YearbookMyles Walker
 
Y7 draw printmaking 2021
Y7 draw printmaking 2021Y7 draw printmaking 2021
Y7 draw printmaking 2021JulietteWegdam1
 
How To Write An Art Critique Essay. how to write an art analysis essay
How To Write An Art Critique Essay. how to write an art analysis essayHow To Write An Art Critique Essay. how to write an art analysis essay
How To Write An Art Critique Essay. how to write an art analysis essayJennifer Castro
 
arch213_02_15fa_p1_davist
arch213_02_15fa_p1_davistarch213_02_15fa_p1_davist
arch213_02_15fa_p1_davistTyler Davis
 
Arch231_02_15fa_a6_leet
Arch231_02_15fa_a6_leetArch231_02_15fa_a6_leet
Arch231_02_15fa_a6_leetThomas Lee
 
Y1 s1 b2_taking measure_brief
Y1 s1 b2_taking measure_briefY1 s1 b2_taking measure_brief
Y1 s1 b2_taking measure_briefKarl Barrett
 
Matthew Hoffman Portfolio
Matthew Hoffman PortfolioMatthew Hoffman Portfolio
Matthew Hoffman Portfoliomdh264
 
Josefina Samvelyan Work Samples
Josefina Samvelyan Work Samples Josefina Samvelyan Work Samples
Josefina Samvelyan Work Samples JOSEPHINE SAMVELYAN
 
Whitelock.L.D_MArch_Semester1_Portfolio
Whitelock.L.D_MArch_Semester1_PortfolioWhitelock.L.D_MArch_Semester1_Portfolio
Whitelock.L.D_MArch_Semester1_PortfolioLee Daniel Whitelock
 
Sabina Berend's Design Portfolio
Sabina Berend's Design PortfolioSabina Berend's Design Portfolio
Sabina Berend's Design Portfolioberendsabina
 
COT3ArtsPakistanTruckArt3rdquarterr.pptx
COT3ArtsPakistanTruckArt3rdquarterr.pptxCOT3ArtsPakistanTruckArt3rdquarterr.pptx
COT3ArtsPakistanTruckArt3rdquarterr.pptxlenyenriquez001
 

Similar to portfolio_foundation studio_3 (20)

portfolio_foundation studio_1
portfolio_foundation studio_1portfolio_foundation studio_1
portfolio_foundation studio_1
 
Leonie smith portfolio
Leonie smith portfolio  Leonie smith portfolio
Leonie smith portfolio
 
Lucie Barnes Portfolio
Lucie Barnes PortfolioLucie Barnes Portfolio
Lucie Barnes Portfolio
 
Work sample
Work sampleWork sample
Work sample
 
NadiaIngrid_Portfolio_email2016
NadiaIngrid_Portfolio_email2016NadiaIngrid_Portfolio_email2016
NadiaIngrid_Portfolio_email2016
 
NCL ARC 2013 Yearbook
NCL ARC 2013 YearbookNCL ARC 2013 Yearbook
NCL ARC 2013 Yearbook
 
Heathers-Portfolio-2015
Heathers-Portfolio-2015Heathers-Portfolio-2015
Heathers-Portfolio-2015
 
Element of Arts Module
Element of Arts Module Element of Arts Module
Element of Arts Module
 
Andy m
Andy mAndy m
Andy m
 
Y7 draw printmaking 2021
Y7 draw printmaking 2021Y7 draw printmaking 2021
Y7 draw printmaking 2021
 
How To Write An Art Critique Essay. how to write an art analysis essay
How To Write An Art Critique Essay. how to write an art analysis essayHow To Write An Art Critique Essay. how to write an art analysis essay
How To Write An Art Critique Essay. how to write an art analysis essay
 
arch213_02_15fa_p1_davist
arch213_02_15fa_p1_davistarch213_02_15fa_p1_davist
arch213_02_15fa_p1_davist
 
Arch231_02_15fa_a6_leet
Arch231_02_15fa_a6_leetArch231_02_15fa_a6_leet
Arch231_02_15fa_a6_leet
 
Y1 s1 b2_taking measure_brief
Y1 s1 b2_taking measure_briefY1 s1 b2_taking measure_brief
Y1 s1 b2_taking measure_brief
 
Matthew Hoffman Portfolio
Matthew Hoffman PortfolioMatthew Hoffman Portfolio
Matthew Hoffman Portfolio
 
NewTerritoriesTRP_PK_EDITED
NewTerritoriesTRP_PK_EDITEDNewTerritoriesTRP_PK_EDITED
NewTerritoriesTRP_PK_EDITED
 
Josefina Samvelyan Work Samples
Josefina Samvelyan Work Samples Josefina Samvelyan Work Samples
Josefina Samvelyan Work Samples
 
Whitelock.L.D_MArch_Semester1_Portfolio
Whitelock.L.D_MArch_Semester1_PortfolioWhitelock.L.D_MArch_Semester1_Portfolio
Whitelock.L.D_MArch_Semester1_Portfolio
 
Sabina Berend's Design Portfolio
Sabina Berend's Design PortfolioSabina Berend's Design Portfolio
Sabina Berend's Design Portfolio
 
COT3ArtsPakistanTruckArt3rdquarterr.pptx
COT3ArtsPakistanTruckArt3rdquarterr.pptxCOT3ArtsPakistanTruckArt3rdquarterr.pptx
COT3ArtsPakistanTruckArt3rdquarterr.pptx
 

More from annalisa aldana

More from annalisa aldana (12)

alas toddler cooperative 2015
alas toddler cooperative 2015alas toddler cooperative 2015
alas toddler cooperative 2015
 
travel two
travel twotravel two
travel two
 
travel one
travel onetravel one
travel one
 
specialty
specialtyspecialty
specialty
 
family and children
family and childrenfamily and children
family and children
 
first year of life
first year of lifefirst year of life
first year of life
 
maternity newborn
maternity newbornmaternity newborn
maternity newborn
 
personal exploration
personal explorationpersonal exploration
personal exploration
 
mla portfolio_thesis
mla portfolio_thesismla portfolio_thesis
mla portfolio_thesis
 
phd dissertation drawing
 phd dissertation drawing  phd dissertation drawing
phd dissertation drawing
 
portfolio_design mneme
 portfolio_design mneme portfolio_design mneme
portfolio_design mneme
 
portfolio_foundation studio_4
portfolio_foundation studio_4portfolio_foundation studio_4
portfolio_foundation studio_4
 

portfolio_foundation studio_3

  • 1. c.annalisamilleracademic + student work I n t e r v e n t i o n Latin: intervenire inter (between) + venire (to come) 1: to come in or between by way of hindrance or modification 2. to make a conscious decision to change something and make it better As landscape architects we read, write, erase, rewrite and change, compose and improvise, highlight and diminish certain features within a landscape. We decide which story to tell and how it is told. Upon arriving at a site, certain features draw us in, evoke our curiosity and leave certain impressions upon us. Throughout the design process, one’s intuition, research and subsequent visits inform the project and initiate a series of dialogues amongst the designer and the site’s vari- ous elements. A C T I V I T Y S I T E : : W A A C WAAC was built between 1905-1909, opening as a school in 1909. Today it is still a school and its address is the same, 1001 Prince Street. Everyday it is in the same place. Everyday it looks essen- tially the same. It is a fixed element in the landscape while a series of forces act upon it. It endures. Upon close inspection one can observe the maturity of the bricks, imagine the history the wooden planks would tell and find within the building, a unique place to insert and deposit one’s own fragments. It endures as the rain changes the brick color to a deeper hue, and the wind smoothes the surface of materials and meanders through its hallways. The sun watches over WAAC, gradually shifting, cast- ing shadows that morph and stretch and change the building’s mood throughout the day and the various seasons. Each year new students enter its doors for the first time, adapt to the current vibe being emit- ted and in return, contribute to its collective energy. WAAC is ani- mated by the people. It is a fixed element in the landscape, yet it evolves absorbing the forces, patterns and flows that act upon it. TASK: elemental intervention at WAAC. In the first project you took a new look at WAAC and documented what you saw. You made discoveries about spaces that worked and those that didn’t, idiosyncrasies within its structure and moments of celebration. You learned about the human body and beautiful propor- tion. In the second part you explored one of the four classic elements and derived four, connected but independent, interpretations of that element. Your next task is to make an intervention on a portion of the site that needs improvement. You will do so by, incorporating into the landscape, the findings you made about your chosen element and highlight and/or uniquely narrate some aspect of that element. P O I N T O N E identify a location for your design Indentify a place that relates to your element. Investigate the chosen site, its uses, its peculiarities and how your element interacts with it. Choosing the site that needs the most improvement might not be the best one for your element. P O I N T T W O the design Implement a design that fulfills the following: the site - face. P O I N T T H R E E translation into a drawing Translate your ideas into a proposed design for WAAC. To explain your concept, your representation should include, but is not limited to, one plan, one section and one additional image of your choice. piece of paper. Drawings are to be expressive, draw in graphite, dem- onstrate knowledge of lineweight hierarchy and incorporate drafting conventions. *Remember that the interior rooms of a building inter- act with the exterior rooms or landscape. P O I N T F O U R present your concept Students will present their work to their classmates and professors. intervention
  • 2. c.annalisamilleracademic + student work intervention: fire
  • 3. c.annalisamilleracademic + student work intervention: air
  • 4. c.annalisamilleracademic + student work intervention: water
  • 5. c.annalisamilleracademic + student work intervention: earth