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CONCH
May 2015
iii
āĻ‡āĻ•āĻŋāĻ° āĻŽāĻŋāĻ•āĻŋā§œ āĻĢāĻ¨ā§āĻĻāĻŋ āĻĢāĻŋāĻ•āĻŋāĻ°, āĻ•āĻ˛īŋŊā§‹ robbed āĻāĻ‡ āĻŦā§‡āĻ˛āĻž
āĻ¤īŋŊā§‹ āĻĢāĻŋāĻ° āĻ—ā§āĻ°ā§, Let us āĻļā§āĻ°ā§ “āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨ - āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨â€ āĻ–ā§‡āĻ˛āĻž!
āĻ•īŋŊā§‹āĻāĻ•āĻ° āĻ•īŋŊā§‹āĻāĻ•āĻ° sick cock -āĻāĻ°āĻž āĻĄāĻŋāĻŽ āĻĒāĻšāĻž āĻĒāĻš āĻ¤āĻž āĻĻāĻŋāĻ¨
āĻĢāĻŋāĻ°āĻŋāĻĄāĻŽāĻĄāĻŽā§ āĻŦā§œ āĻ•āĻŽ āĻ•āĻŽ, āĻ•ā§ āĻāĻ•ā§œā§‡ āĻŦāĻžāĻāĻšāĻžāĻ° āĻ¸ā§āĻŦāĻžāĻĻ in.
Arnab Maity
1
PREFACE
		 The inception of a magazine like CONCH was not a product of some
stellar idea by one of the team members. Neither was it a case of waking up
one fine morning and deciding to publish a magazine over the morning cup of
tea. So what exactly compelled a bunch of university students to come together
and put in a collective effort and bring CONCH into existence? Passion.
It is the age of the virtual media and somewhere down the line, this has
subverted the significance of print media for the younger generations. There
is no denying the fact that ours is the era of the smartphone, which has made
it possible to carry the whole world in our pockets. E-newspapers, e-magazines
and e-books are the new cool, as the youth lingo goes. But then again, this is
not a tirade against this change. CONCH supports and encourages this change.
After all, change is a positive sign of growth. The idea that brought CONCH into
existence is based on change; change that can be heralded through the power of
the pen. CONCH aims to become the voice of the masses. The people behind this
enterprise were in search of a forum to give their opinions voices. The social
media and the virtual zone did not suffice and in the journey of this search,
CONCH was conceived in and born out of their minds.
		 “Conch”, a word with a Sanskrit origin, is what a large sea-snail’s
shell is called. The word was chosen to represent this magazine after copious
amounts of deliberation amongst the team members. So, why was “conch” chosen?
A little digging into the background of the word and what it means brought to
the fore some metaphorical parallels to the idea with which the magazine was
being conceptualized. The conch has spires in its internal structure. When blown
upon, the air reverberates between them, gets amplified and the sound thus
produced, is bold and demands to be heard. Literature gives instances where
the conch is symptomatic of democracy and power for its possessor. These
references underlined the primary purpose of CONCH- to make opinions heard
loud and clear, and to give its participants a powerful platform of expression.
		 CONCH focuses on streaming the creative forces of the individuals to
make a mark. Therefore, the readers will find that CONCH is not a monolingual
magazine, rendering it more powerful than any other magazine. CONCH also
encourages people to express themselves through art forms other than creative
writing as well. CONCH embraces diversity, coupling it with a versatility of
expression. With these words, the entire family of CONCH welcomes its readers
on board the journey of thoughts!
~ Nikita Sinha
2
Contents
Are you free?
Rit Chattopadhyay and Mayukh Biswas
The obsolete I
Debanjan Chatterjee
The Long Paragraph on a Short Page by a
Bricoleur, on the Notion of Freedom
Dibyajit Mukherjee
Blinded Vandalism
Pritthwish Das
Freedom needs Literature or Vice Versa
Payel Halder
āĻ†āĻŦāĻŋāĻ°ā§‡āĻ° āĻ°āĻ‚
āĻ¤ā§ƒāĻˇāĻŋāĻ¤āĻž āĻŦāĻ¸ā§
A Place Insane
Navin Pandey
Freedom of the soul from the body
Paulomi Dasgupta
Where do we draw the line?
Medhasree Talapatra
To My Love
Arjun Prasad Singh
āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨āĻ¤āĻž - āĻŽāĻžāĻ¨ā§‡ āĻ•āĻŋ?
āĻ…āĻ°āĻŋāĻ¤āĻŋ āĻ¨āĻžāĻĨ
Intestate
Arjun Prasad Singh
Dawn of 15th August, 1947
Ariti Nath
The Whistleblower
Jatin Mehta
āĻ‰ā§œā§‡ āĻ¯āĻžāĻŦīŋŊā§‹
āĻ°īŋŊā§ŒāĻĻā§āĻ°āĻĻā§€āĻĒā§āĻ¤ āĻŦāĻŋāĻļā§āĻŦāĻžāĻ¸
āĻĸāĻŋāĻšā§â€ŒāĻ•ā§āĻ¯āĻžāĻāĻ“
āĻ†āĻ°ā§āĻ¯ā§āĻ¯āĻ‹āĻˇāĻŋ āĻĒāĻžāĻ˛
āĻŦāĻŋāĻ•āĻ˛ā§āĻĒ āĻ¯īŋŊā§ŒāĻ¨āĻ¤āĻž āĻ“ āĻ­āĻžāĻ°āĻ¤āĻŦāĻ°ā§āĻˇ
āĻ¸īŋŊā§ŒāĻŽā§āĻ¯āĻļā§āĻ°ā§€ āĻ˜īŋŊā§‹āĻˇ
āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨āĻ¤āĻž
āĻ…āĻ¨āĻŋāĻ¨ā§āĻĻāĻŋāĻ¤āĻž āĻĻā§‡
āĻ†āĻŽāĻžāĻ° āĻĒāĻŋā§ŸāĻžāĻ¨īŋŊā§‹......
āĻŽāĻŖāĻŋāĻ•ā§ āĻ¨ā§āĻ¤āĻ˛āĻž āĻĻāĻžāĻļāĻ—ā§āĻĒā§āĻ¤
Pumpkin song
Debanjan Chatterjee
I
Arpan Roy
ā¤‰ā¤° ā¤œā¤žā¤¨āĨ‡ ā¤ĻāĨ‹, ā¤šā¤Ž ā¤šā¤žā¤°āĨ‡ ā¤¨ā¤šāĨ€ā¤ ā¤šāĨˆā¤
ā¤Ēā¤žā¤¯ā¤˛ ā¤šā¤žā¤˛āĨā¤Ļā¤žā¤°
Freedom- an illusion or reality?
Ritwika Das
Freedom- A Choice?
Suchandra Banerjee
āĻ–īŋŊā§‹āĻāĻœ
āĻĒāĻŋāĻ™ā§āĻ•āĻŋ āĻŦā§ˆāĻĻā§āĻ¯
The Writer
Mayukh Biswas
Freedom
Paulomi Dasgupta
Faces of freedom
Rit Chattopadhyay
Confinement
Paulomi Dasgupta
Until the battle’s won
Soubhik Biswas
āĻ§āĻ°ā§āĻŽ āĻŽā§āĻ•ā§āĻ¤ āĻ¨āĻžāĻ°ā§€āĻ° āĻĒāĻ•ā§āĻˇā§‡ āĻ¨āĻž āĻŦāĻŋāĻĒāĻ•ā§āĻˇā§‡?
āĻ¸ā§āĻšāĻ¨ā§āĻĻā§āĻ°āĻž āĻŦā§āĻ¯āĻžāĻ¨āĻžāĻ°ā§āĻœā§€
NOUS SOMMES LA MATIN NOUVEAU
Dibyajit Mukherjee
4 33
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36
11
38
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43
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19 43
20 44
21 45
22 47
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3
āĻ¸ā§‚āĻ°ā§āĻ¯ā§‡āĻ° āĻ°īŋŊā§ŒāĻĻā§āĻ°ā§‡ āĻ­āĻ°āĻž āĻ…āĻ¨ā§āĻ§āĻ•āĻžāĻ° āĻŸāĻžāĻ¨ā§‡āĻ˛ āĻĻāĻŋā§Ÿā§‡ āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨āĻ¤āĻžāĻ° āĻĻāĻŋāĻ•ā§‡ āĻšāĻžāĻāĻŸāĻ¤ā§‡ āĻļā§āĻ°ā§ āĻ•āĻ°āĻ˛ā§‡ āĻĒā§‡āĻ°īŋŊā§‹āĻ¤ā§‡ āĻšāĻŦā§‡ āĻ¸āĻ­ā§āĻ¯āĻ¤āĻžāĻ° āĻĒā§āĻ°āĻ¤āĻŋāĻŸāĻŋ āĻ¸āĻŋāĻā§œā§€āĨ¤
āĻāĻĨā§‡āĻ¨ā§āĻ¸ā§‡ āĻ°āĻžāĻˇā§āĻŸā§āĻ°ā§‡āĻ° āĻ¨āĻŋāĻĒā§€ā§œāĻ¨ā§‡āĻ° āĻŦāĻŋāĻ°ā§āĻĻā§āĻ§ā§‡ āĻ•āĻ°āĻž āĻ¸āĻ•ā§āĻ°ā§‡āĻ¤āĻŋāĻ¸ā§‡āĻ° āĻ¨āĻŋāĻƒāĻļāĻŦā§āĻĻ āĻ†āĻ°ā§āĻ¤āĻ¨āĻžāĻĻ āĻĨā§‡āĻ•ā§‡ āĻ‡āĻ‰āĻ°īŋŊā§‹āĻĒāĻŋā§ŸāĻžāĻ¨āĻĻā§‡āĻ° āĻŽāĻļāĻžāĻ˛ā§‡ āĻœāĻ˛āĻž āĻ¨ā§‡āĻŸāĻŋāĻ­
āĻ†āĻŽā§‡āĻ°āĻŋāĻ•āĻžāĻ¨āĻĻā§‡āĻ° āĻ­āĻŋāĻŸā§‡āĻ—ā§āĻ˛īŋŊā§‹ āĻ¯ā§‡āĻ¨ āĻœā§āĻŦāĻ˛ āĻœā§āĻŦāĻ˛ āĻ•āĻ°ā§‡ āĻ“āĻ ā§‡ āĻšīŋŊā§‹āĻ–ā§‡āĻ° āĻ¸āĻŽāĻ•ā§āĻˇā§‡āĨ¤ āĻ•āĻ˛āĻ•āĻžāĻ¤āĻžāĻ° āĻ°āĻžāĻ¸ā§āĻ¤āĻžāĻ° āĻ°ā§āĻĻā§āĻ§āĻļā§āĻŦāĻžāĻ¸ āĻ¸ā§āĻ˛ā§‹āĻ—āĻžāĻ¨ā§‡āĻ°, “āĻšāĻžāĻŽ āĻ•īŋŊā§‹
āĻ•ā§‡ā§ŸāĻž āĻšāĻžāĻšāĻŋā§Ÿā§‡ ? āĻ†āĻœāĻžāĻĻāĻŋ” āĻ° āĻĒāĻžāĻļā§‡ āĻĻā§‡āĻ–āĻ¤ā§‡ āĻĒāĻžāĻ‡, āĻ‡āĻ°āĻŽ āĻšāĻžāĻ¨ā§ āĻļāĻ°ā§āĻŽāĻŋāĻ˛āĻžāĻ° āĻ…āĻ¨āĻļāĻ¨-āĻ°āĻ¤ āĻ˛ā§œāĻžāĻ‡āĨ¤ āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨āĻ¤āĻžāĻ° āĻ¸āĻ‚āĻœā§āĻžāĻž, āĻšā§‡āĻšāĻžāĻ°āĻž,
āĻ˛ā§œāĻžāĻ‡ āĻ¸āĻŦāĻ‡ āĻ¸ā§āĻĨāĻžāĻ¨ āĻ•āĻžāĻ˛ āĻĒāĻžāĻ¤ā§āĻ° āĻ…āĻ¨ā§āĻ¯āĻžā§Ÿā§€ āĻ¯ā§āĻ—ā§‡ āĻ¯ā§āĻ—ā§‡ āĻŦāĻĻāĻ˛ā§‡āĻ›ā§‡, āĻ•āĻžāĻ°īŋŊā§‹ āĻŦāĻž āĻāĻ°ā§‡āĻ›ā§‡ āĻ°āĻ•ā§āĻ¤ , āĻ•ā§‡āĻ‰ āĻŦāĻž āĻŦāĻ°āĻŖ āĻ•āĻ°ā§‡āĻ›ā§‡ āĻŽā§ƒāĻ¤ā§āĻ¯ā§āĻ•ā§‡
āĻ•āĻŋāĻ¨ā§āĻ¤ā§ āĻŽāĻžāĻ¨āĻŦ āĻ¸āĻ­ā§āĻ¯āĻ¤āĻžāĻ° āĻ†āĻ°āĻ“ āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨ āĻšāĻ“ā§ŸāĻžāĻ° āĻ˛ā§‡āĻ˛āĻŋāĻšāĻžāĻ¨ āĻ˛īŋŊā§‹āĻ­ā§‡ āĻ­āĻžāĻāĻŸāĻž āĻĒā§œā§‡āĻ¨āĻŋ āĻāĻ•āĻŸā§ āĻ“āĨ¤ āĻšā§ŸāĻ¤ āĻ¸āĻ­ā§āĻ¯āĻ¤āĻžāĻ° āĻ¸ā§āĻ¤āĻ° , āĻ¸āĻžāĻŽāĻžāĻœāĻŋāĻ•
āĻ°ā§€āĻ¤āĻŋ āĻ¨ā§€āĻ¤āĻŋ āĻ āĻŋāĻ• āĻ•āĻ°ā§‡ āĻĻā§‡ā§Ÿ āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨āĻ¤āĻžāĻ° āĻ¸ā§€āĻŽāĻžāĻ°ā§‡āĻ–āĻžāĻ•ā§‡, āĻ†āĻ° āĻ¯ā§āĻ—ā§‡ āĻ¯ā§āĻ—ā§‡ āĻāĻ• āĻŦāĻŋāĻĒā§āĻ˛āĻŦā§‡āĻ° āĻā§œ āĻ¤āĻ›āĻ¨āĻ› āĻ•āĻ°ā§‡ āĻĻāĻŋā§Ÿā§‡ āĻ¯āĻžā§Ÿ āĻĒā§āĻ°āĻ¨īŋŊā§‹
āĻ¸āĻ‚āĻœā§āĻžāĻžāĻ•ā§‡, āĻ¤ā§ˆāĻ°āĻŋ āĻšā§Ÿ āĻ¨āĻ¤ā§āĻ¨ āĻ…āĻ°ā§āĻĨ, āĻŽāĻžāĻ¨āĻŦāĻœāĻžāĻ¤āĻŋ āĻšāĻ˛āĻ¤ā§‡ āĻļā§āĻ°ā§ āĻ•āĻ°ā§‡ āĻāĻ• āĻ¨āĻ¤ā§āĻ¨ āĻĻāĻŋāĻ—āĻ¨ā§āĻ¤ā§‡āĻ° āĻĻāĻŋāĻ•ā§‡āĨ¤ āĻ•āĻŋāĻ¨ā§āĻ¤ā§ āĻŽāĻžāĻ¨āĻŦ āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨āĻ¤āĻž āĻ¯ā§‡āĻ¨
āĻāĻ• āĻ…āĻ¨ā§āĻ¤āĻŦāĻŋāĻšā§€āĻ¨ “āĻĒāĻ°āĻžāĻ§ā§€āĻ¨ā§‡â€ āĻ†āĻŦāĻĻā§āĻ§ ,āĻĒā§āĻ°āĻ•ā§ƒ āĻ¤āĻŋāĻ° āĻ•āĻžāĻ›ā§‡ āĻšāĻžāĻ° āĻŽā§‡āĻ¨ā§‡āĻ›ā§‡ Homo Sapiens, āĻšāĻžāĻ° āĻŽā§‡āĻ¨ā§‡āĻ›ā§‡ āĻŽāĻšāĻžāĻŦāĻŋāĻļā§āĻŦā§‡āĻ° āĻ¸ā§‡āĻ‡ āĻ¸āĻŦ
āĻ…āĻœāĻžāĻ¨āĻž āĻ—ā§āĻ˛īŋŊā§‹āĻ¤ā§‡ āĻ¯āĻž āĻŽāĻžāĻ¨āĻŦ āĻ¸āĻ­ā§āĻ¯āĻ¤āĻžāĻ° āĻ…āĻ¨ā§‡āĻ• āĻŠāĻ°ā§āĻ§ā§āĻŦā§‡, āĻšāĻžāĻ° āĻŽā§‡āĻ¨ā§‡āĻ›ā§‡ āĻāĻ‡ āĻ¸āĻšāĻ¸ā§āĻ° āĻŦā§āĻ°āĻšā§āĻŽāĻžāĻŖā§āĻĄā§‡ āĻ¨āĻŋāĻœā§‡āĻ° āĻŦā§āĻ¯āĻ•ā§āĻ¤āĻŋ āĻ•ā§‡āĻ¨ā§āĻĻā§āĻ°āĻŋāĻ• āĻāĻ•āĻžāĻ•ā§€āĻ¤ā§āĻŦā§‡āĻ°
āĻ•āĻžāĻ›ā§‡āĨ¤ āĻšāĻžāĻ° āĻŽā§‡āĻ¨ā§‡āĻ›ā§‡ āĻāĻ•ā§‡ āĻ…āĻĒāĻ°ā§‡āĻ°ā§‡ āĻ§āĻ°ā§āĻŽ , āĻ…āĻ°ā§āĻĨ ,āĻŦāĻ°ā§āĻŖ, āĻœāĻžāĻ¤āĻŋ, āĻ˛āĻŋāĻ™ā§āĻ—, āĻ­āĻžāĻˇāĻžāĻ° āĻŦā§ˆāĻˇāĻŽā§āĻ¯ā§‡āĻ° āĻ•āĻžāĻ›ā§‡ ,āĻšāĻžāĻ° āĻŽā§‡āĻ¨ā§‡āĻ›ā§‡ āĻāĻ•ā§‡ āĻ…āĻĒāĻ°āĻ•ā§‡
āĻĒāĻ°āĻžāĻ§ā§€āĻ¨ āĻ•āĻ°āĻžāĻ° āĻŦāĻžāĻ¸āĻ¨āĻžāĻ° āĻ•āĻžāĻ›ā§‡āĨ¤
“āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨āĻ¤āĻž āĻ•ā§‡āĻ‰ āĻĻā§‡ā§Ÿ āĻ¨āĻž āĻ›āĻŋāĻ¨āĻŋā§Ÿā§‡ āĻ¨āĻŋāĻ¤ā§‡ āĻšā§Ÿ “ āĻšā§ŸāĻ¤īŋŊā§‹
“āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨āĻ¤āĻžâ€ āĻ›āĻŋāĻ¨āĻŋā§Ÿā§‡ āĻ¨ā§‡āĻŦā§‡ āĻ†āĻ—āĻžāĻŽā§€ āĻĻāĻŋāĻ¨ā§‡āĻ° āĻĒā§āĻ°āĻ¤āĻŋāĻŸāĻŋ āĻŽāĻžāĻ¨ā§āĻˇ
āĻ•āĻŋāĻ¨ā§āĻ¤ā§ āĻŽāĻ¤āĻžāĻĻāĻ°ā§āĻļā§‡āĻ° āĻ°āĻžāĻ‡āĻĢā§‡āĻ˛ āĻ°ā§‡āĻ–ā§‡ āĻŦāĻ˛āĻŦīŋŊā§‹ ,āĻ¤āĻž āĻ¯ā§‡āĻ¨ āĻ•āĻžāĻ°īŋŊā§‹āĻ°
āĻĒāĻ°āĻžāĻ§ā§€āĻ¨āĻ¤āĻžāĻ° āĻŦāĻĻāĻ˛ā§‡ āĻ¨āĻž āĻšā§ŸāĨ¤
āĻ˛ā§‡āĻ–āĻž: āĻĒā§ƒāĻĨā§āĻŦā§€āĻļ āĻĻāĻžāĻ¸ , āĻ›āĻŦāĻŋ: āĻĒā§‚āĻœāĻž āĻŦāĻŋāĻļā§āĻŦāĻžāĻ¸
“ āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨āĻ¤āĻž āĻ•ā§‡āĻ‰ āĻĻā§‡ā§Ÿ āĻ¨āĻž āĻ›āĻŋāĻ¨āĻŋā§Ÿā§‡ āĻ¨āĻŋāĻ¤ā§‡ āĻšā§Ÿ ”
4
â€ĸ	 Athens (399 B.C.) - Socrates was silenced to death for
his ideas and preaching against the views of the State.
â€ĸ	 Spain (1492-1502) - Spanish Emperor Ferdinand forced
the entire Jewish and Muslim population to convert into
Catholicism or else be expelled.
â€ĸ	 Italy (1633-1642) - Galileo Galilei was kept under house
arrest because of his scientific views were dissimilar to
the views of the Church.
â€ĸ	 Vancouver, Canada(1914) - A Japanese ship, Komagata
Maru, was travelling to Vancouver, Canada, carrying 376
passengers from Punjab, British India. 352 of them were
not allowed to land in Canada, and was forced to return
to India, due to various exclusion laws in both Canada
and the United States designed to keep out immigrants
of only Asian origin.
â€ĸ	 Germany (1930’s and 40’s) - In Nazi Germany Jews
killed in gas chambers and were brutally burnt alive in
large numbers.
â€ĸ	 Iran(1989) - A Muslim religious leader  Ayatollah
Khomeini  issued a  religious edict  condemning
author  Salman Rushdie  to death for the publication
of The Satanic Verses.
Freedoom
Are you free?
Rit Chattopadhyay and Mayukh Biswas
Do you think you are free? Or are you not? Oh, got you! You are partially free! In any case, no
matter where on the freedom-scale you belong or the quality and extent of freedom you enjoy,
have you ever thought why we use this seven-letter word to signify an ecstatic state of liberated
and emancipated existence? My friend, when we use this word we are actually in debt to a series of
linguistic inflections, some of that is even untraceable. The collective wisdom of all the dictionaries
in this world, suggest something like this: the power or right to behave or act in a way or a number
of ways that a person may desire.
Then, can we say, that the right to do whatever we want, whenever we want and wherever we want,
is freedom?
The word “freedom” can be broken into “free” and “–dom” (very predictable!). The suffix “–dom” is
derived from Old English “-dom” meaning “state, condition, authority and jurisdiction”; having origin
in Proto-Germanic “-*domaz”, meaning
“to place, to set”. The word “free” has a
distinct Germanic origin, its literal modern
day translation being “freiheit”. The word
is actually more closely derived from the
German word “friede” (originally “firth”,
which means “peace”).
My humble apologies for such boring
sentences, but do not take off your eyes
just yet! Here comes the interesting part-
it is believed that the archaic term “firth”
was applied to signify the time of peace
between two Germanic clans when their
blood feud was held at bay by the God
“Freda” or “Frita”. Thus, even when we look
at the word from etymological perspective,
we conclude that freedom gives peace; or
put it in a better way, freedom is peace;
peace is freedom; or are they twins?
The Constitution of India contains the right
to freedom, given  in articles 19, 20, 21,
21A and 22, with the view of guaranteeing
individual rights that were considered
vital by the framers of the constitution. It
is a cluster of four main laws. The right
to freedom in Article 19 guarantees six
freedoms one of them being the Freedom
of Speech and Expression. However, at certain given conditions, the State can impose reasonable
restrictions in the interests of the sovereignty and integrity of India, the security of the State, friendly
relations with foreign States, public order, “decency, or morality” or in relation to contempt of court,
defamation, or incitement to an offence.
Now, the question that arises is, which and what are we to consider decent or moral and vice-versa?
Is peeing in public decent? Is kissing in public moral?
5
Thus, even when we look at the word from etymological perspective, we conclude that freedom
gives peace; or put it in a better way, freedom is peace; peace is freedom; or are they twins?
Do we all have a common source of peace?
Do we all find freedom in doing the same thing?
If not, then?
The obsolete I
Debanjan Chatterjee
What holds sway and what puts forth are complimentary constructs in an era of economic
development that closely mark the terms pre-modern,modern and henceforth. Chronology of
compartmentalisation will suffer,as each trend has its own inter-disciplinary nature. I know
you won’t get me and neither do I. Just take for instance,certain wealthy countries who
have created a distinct psychological
and physical environment that has
significantly affected the way the human
mind perceives and builds reality. You
are curious,so do I. Pop in at times. How
exactly is the post-modern freedom?
How exactly do you know of itsnature?
Is it essentially economic? Yes. It is
economic unbounded by the instituions
of state,country and international
structure. This freedom denies a body
of law makers , my choice determines
my post-modern condition.The paradox
lies elsewhere,in the realisation that
inequality in human society is the product
of human will and this brooding trend
license “independence”,not just “freedom”
independent of the human will. If you ask
me close,freedom in today world inspite
of having its origin in the gross economic
progress exists outside the usual socio-
political constructs. More curious,ain’t so?I
am here to sprout tension. The tension
has begun sprouting outward from an
obsolete ‘below’, preventing the human
mind from performing its usual lazy habit
of mediocrity and demands expansion of
intellectual realms. Explode the past? Or
shall we dismiss long narratives of history that had dominated Indian philosophical and spiritual
thought? The condition is in a state of ceaseless becoming.And we?Inherently unstable. Now,as
often perceived this instability is not however destructive. The post-modern instability is the
condition’s greatest strength. The framework is inexplicably yes and it is this indefinability that
lends suppport to the condition. So,where do we lead? Do we ever lead? We just perceive the
senses,all of them;our physical becomes one with our psyche with a manufacturing ‘then.’ And
you burst into laughter. like I did once. Freedom is a difference,uniquely material surrounded
by materials.You aren’t disrespectful, nor was Sharapova. Its time. You better plug some
mouths.
â€ĸ	 Jammu & Kashmir, India(1985-95) - Kashmiri
Pandits were threatened to death by the Jihadists.
They were almost forced to leave their homeland in
large numbers in the 90’s.
â€ĸ	 Uttar Pradesh, India(1992) - On December 6, 1992,
a large crowd of Hindu karsevaks(volunteers) entirely
destroyed the 16th-century Babri mosque in Ayodhya,
Uttar Pradesh, India .
â€ĸ	 Bangladesh (1994) - Bangladeshi muslims  issued
a religious decree calling for the death of poet and
author  Taslima Nasrin  because she raised women’s
rights issues in her novel Lajja.
â€ĸ	 Jammu & Kashmir, India( 2013)- In February 2013,
A fatwa was released by a mufti against a girl band,
claiming that “music is not good for society”, and
“All bad things happening in the Indian society are
because of music.”
â€ĸ	 Tamil Nadu, India (2015) - Perumal Murugan
explores the tyranny of caste and pathologies ofa
particular community in tearing the couple apart and
destroying their marriage in his novel, Madhubhagan.
The people of the particular community protested
against Murugan and humiliated him.
Strangled
6
The Long Paragraph on a Short Page by a
Bricoleur, on the Notion of Freedom
Dibyajit Mukherjee
“I think where I am not, so I am where I think not” ~ Lacan
		The idea of freedom can be linked to this Lacanian deconstruction of the Descartean
philosophy of “Cogito Ergo Sum” (I think therefore I am). Freedom is an idea. The expressions of
it vary largely. One system’s freedom can be said to be an(other) system’s shackles. No, I am not
referring to Charlie Chaplin’s famous quote from The Great Dictator where the barber disguised as
Hinckle (Hitler) says “Dictators free themselves but enslave the people”. What I am trying to say, is
that freedom as a concept is structured like an idea but its expressions are always already embedded
in political ideology. The best example of this can be found in a forgotten Hollywood classic named
They Live by director John Carpenter in 1988. It tells the story of John Nada (nada in Spanish means
“nothing”, a pure subject devoid of all substantial content), a homeless worker in Los Angeles who
while roaming around the city enters into an abandoned church and finds there a strange box full of
sunglasses and when he puts one of them on walking along the L.A.streets, he discovers something
weird. These glasses function like a “critique of ideology” glasses. They allow you to see the real
message beneath all the posters and advertisements bombarding us all the time. For example he sees
an advertisement board where an agency is asking him to “come and enjoy the Carribean” to carry the
connotation “Marry and reproduce”. Now lets come to the point. Today’s fashion is to say that we live
in a post-ideological society but I believe that it is today’s society that is more and more interpellated,
that is addressed by social authority not as subjects who should do their duty but subjects of pleasures
where we are told- “Be yourself”, “Live a satisfying and happy life”, “Enjoy”, “Chill”, “Do not think
so much”. When we too put our glasses on we will be seeing this dictatorship in what we call
democracy. Our apparent freedom is actually dictatorship which has been normalised systematically
by coercive institutions of the state mainly branched into the ideological state apparatus (schools,
Universities etc) and Repressive State Apparatus ( police, military etc). According to our common
sense we think that ideology is something blurring and confusing our straight view (or simple view).
Ideology is not simply imposed on ourselves but it is our spontaneous or free relationship to our
social world, how we perceive its meaning. We enjoy our ideology. To step out of ideology it hurts
and is a painful experience which is rendered brilliantly in another scene of the film where John
Nada the protagonist forces his best friend to wear those glasses. It may appear irrational as to why
they are fighting over these glasses and why does this “best friend” refuse to wear these glasses and
does it very violently. This is because he is afraid to come out of the lie that he has chosen to accept
and live with and that truth can be painful and shatter many of our illusions. This is the paradox
that we have to accept. We must accept the extreme violence of liberation and we must be forced
to be free. If we trust our spontaneity of well-being then we might never become free. Freedom
hurts. Therefore what is freedom today? In order to be actually free, that is to do what one wants,
one certainly would like to have the state and other forces taking care of things with one’s choice
but even when one is unaware about them. On the other hand are we aware when we freely choose
or choices are pre-determined? This is why the last revelations by Wiki-Leaks is so important. They
are about TISA(Trade in Services Agreement), a mega important trade agreement about the free flow
of finances and informations which is something that will pre-determine the contours of economy
for decades to come and not only are the negotiations secret but we learn that even the agreement
itself, if it will be accepted will remain secret for around five years. The most dangerous form of non-
freedom is freedom which is not even perceived but then there is another form of freedom which
has a disastrous impact and has a dangerous implication. For example we are bombarded by messages
which are politically correct (Do not be a racist, smoking is injurious, do not rape a woman, be careful
what you eat, discipline yourself etc etc). It is here that the people are more and more the dictated
message’s other. Here racism prevails, smoking prevails, raping prevails and every other thing prevails
which is not “supposed” to. Here freedom assumes it’s more terrifying structure. This is where to
7
use Conrad’s words in The Secret Sharer we become strangers to our own selves. We are living in a
society which has been conditioned to accept this explosion of false-freedom. True freedom means
looking into and questioning the pre-suppositions of everything that is given to us by our hegemonic
ideology, including the freedom to question the nature of “freedom” itself. True freedom is the power
to understand the economic conditions which is responsible for the misery the lives of the majority
and then have the ability to go against it. I would like to end by choosing the lines of student-turned
Revolutionary Ernesto Che Guevara to define the message of true freedom:
		 Like everyone, I wanted to succeed. I dreamed of becoming a famous medical research
scientist; I dreamed of working indefatigably to discover something which would be used to help
humanity, but which signified a personal triumph for me. I was, as we all are, a child of my
environment. After graduation, due to special circumstances and perhaps also to my character, I
began to travel throughout America, and I became acquainted with all of it. Except for Haiti and
Santo Domingo, I have visited, to some extent, all the other Latin American countries. Because of the
circumstances in which I traveled, first as a student and later as a doctor, I came into close contact
with poverty, hunger and disease; with the inability to treat a child because of lack of money; with
the stupefaction provoked by the continual hunger and punishment, to the point that a father can
accept the loss of a son as an unimportant accident, as occurs often in the downtrodden classes of
our American homeland. And I began to realize at that time that there were things that were almost
as important to me as becoming a famous or making a significant contribution to medical science: I
wanted to help those people.
8
Blinded Vandalism
Pritthwish Das
Expression and Blinded Vandals
		 The names, the profiles which disturb the day dreaming of every days civilized life
and forces us towards the origin of “Logic” which develops into a “doubt” and “doubt” which evolves
itself into an unanswerable question “why?” .Even after Knowledge has poured its riches into human
mind and science bared sustenance of rationality, 21st century still observes the barbarous bloodshed
and horrendous institutionalized oppression in a state of”order” and global village of “democracy”.
As a microscopic organism of the entire creation I identify this as not only an unjust distribution
of polished reasoning among God’s unfortunate images but as an incurable and costumed plague of
intolerance which hypnotizes mankind in preposterous commotion.
		 The last century has been predominantly commanded by havoc scientific inventions
and its commoditized implementations in the market; the two massive world wars in the name
of nationalized madness and painted heroism causing millions of unnatural human aspirations;
experiments with bloody revolutions for a new dawn which never arrived and ascendancy of globalized
economy to sum up the entire game of aspirations by a certain class. The prolific achievement of
man in the last century seems to be its tedious quest for equality among” men and men” ,“men and
women” and “men, women and other genders” with its counter journey of vice-versa and human
progression in understanding all the civilizations which was in its way to become “one”.
		 But unfortunately the present scenario makes us express our concerns and drags us back
to the history of racial absoluteness in Fascist Italy or Nazi Germany. As the martyrs against spiritual
blindness Dabholkar, Abhijit Roy, Humayun Azad are victimized in the open roads, as Hussains, Nasrins
and Murugans are either forced to leave their respective nations for insecurity or “die” in their fields and
as the most effective tool of civilization (expression) has been obstructed with “law”(Documentaries like
“India’s Daughters”) or by hooliganism (Charlie Hebdo) . Are these the right paths?? question remains.
From the Pages of History
		 Civilization took its course and with time bounded human species more and more
into boundaries of a set of laws. The Greeks were perhaps one of the first to attain a conscience
which still influences the modern world. But interestingly the history of the hindrance of “freedom
to express” began its course from this era itself when Socrates was murdered through poisoning
by the city state of Athens as he was preaching a set of ideals which were different from the
traditional form. Being part of ancient history it is controversial and disparate among views but it
remains as the earliest example. Galileo Galilee was imprisoned and punished through state law as
he questioned the canonized faith and presented a “truth” which later carves human history with
new dimensions. Galilee expressed his own view about the earth revolving round the sun which was
monstrous sin to the church hence imprisonment. We turn these pages as unnecessary portions of
4th standard history but surprisingly this question has travelled time to haunt us at present.
9
Art, Literature and intolerance in recent past
		 Spiritualism was arguably born in India and philosophy of extremely progressive society
as well as utterly regressive kind existed here side by side for thousands of years. And perhaps that is
the reason why charvaka exists with Shankara’s Brahma in the country. But in last 20-30 years the things
have been different with the rise of right wing hooliganism in almost all the countries of the subcontinent.
		 The story begins with Dr M.F Hussain whose stature as a world class painter is
unquestionable and whose heroics in the art form re-established Indian iconography throughout the
world. Hussain was highly influenced by ancient Indian epics of Ramayana and Mahabharata and
presented the characters through Indian style of scriptures from the early days of his career. In
1996 when the entire country is under the dark days of rising right wing fundamentalism , he was
deliberately targeted by a particular political group because his work. They raised questions against
Hussain’s presentation of Hindu goddesses which were mostly nude . Hussain was forced to leave
India and he spent rest of his life in London and Doha till his death. Salman Rushdie, another great
author of Indian origin was bashed with death threats from around the world and Iranian Islamic
head Khomeni even declared the cost of his head. Rushdie’s fourth novel The Satanic Verses was
highly controversial because of the perspective through which he countered Islamic scriptureso .
Several of Rushdie’s visits are either postponed or cancelled because of alarming protests by several
Islamic groups in India. Taslima Nasrin , a well known Bengali writer became one of such victims in
Bangladesh. Nasrin questioned Sharia law and called for the revision of Quran as she found the Islamic
scriptures unfit for women in the modern society. She openly wrote her mind in her works like
“Lajja” and hence was threatened to death by a right wing group. Later few hundred demonstrators
called her “an apostate” who was planted by other “imperial forces” to “vilify Islam” according to
them. After 2 months of hiding in 1994 she was forced to leave Bangladesh.
Perumal Murugan
The beginning of 2015 in Social media awoke with a shocking statement from a Tamil author.
				 “Perumal Murugan the writer is dead”
		 Murugan a famous tamil writer and teacher came under the scanner of
controversies when his novel “Madhurobhagan” was translated into English as “One Part Women”.
Murugan explores the tyranny of caste and pathologies in a community in South India in the
novel. He presented the oppression of women in that particular community through traditional
norms and beliefs. Soon after its translation triggered immense protests by the community
to which the author himself is a part of the author was forced to hang up his creative pen.
		 In a civilized society every citizen has a right to express their view whether in favour
or against the present notion of the society. It is meaningless to ban somebody or use violence against
him/her to restrict the new ideas which augments the society. It is a question why these hooligans who
threaten Hussain does not protest against the nude carvings of Ajanta Elora and other Hindu temples.
Are they in favour of demolishing ancient Hindu scriptures in order to “purify” Indian culture? or lack
of knowledge and intellect are the causes of such violent reactions. If Rushdie is even responsible for
presenting his views against Islamic scriptures should he not be allowed to present his own perspective.
Today the swords of the fundumentalists are mightier than Rushdie’s pen and yes it is unfortunate.
Are the death threats on Nasrin justifiable in the answer to her opposition to the doctrines, question
remains. And to speak of the incident of Murugan, who was clinical in pointing out the backwardness
of his own community was forced into silence is an absolute example of conventional oppression.
Martyrs of Humanity
		 Over the last few years intolerance has been in its epitome both in India
and around the world. The names like Narendra Dabholkar , Humayun Azad and very
recently Abhijit Ray and Charlie Hebdo still torment us. All of these bright personalities
pledged their war against superstitious beliefs and unscientific doctrines which are the
foundations of oppression to a particular class , gender or individual freedom as a whole.
		 Narendra Dabholkar became a social activist in 1980’s and involved himself in the
movements like Baba Adhav’s “One Village-one well Agitation”. Later he focused on the obliteration
10
of superstition and rights of the Dalits. Dabholkar’s activism against superstition and black magic
is evident in various parts of Maharashtra and he strongly pressed on anti superstition and black
magic bill which was passed by Maharashtra Legislative Assembly, a day after his death. Dabholkar
who neglected various death threats were ultimately assassinated in 2013 in public. Both Azad and
Roy are almost Bangladeshi counterparts of Dabholkar. Roy who became popular through his active
blogging against religious irrationality was recently murdered while he was returning from a Book
fair in Dhaka. Roy’s independent voice against religious extremism in Bangladesh made a mark among
Bangladeshi youth who got out of their homes in protest of such a barbaric homicide.
Charlie Hebdo
		 Another incident which shook the world off was the attack in the office of a French
Satirical Magazine “Charle Hebdo”. About twelve of the staffs were shot dead in Paris by two terrorists
who allegedly claimed themselves to be “the saviours of Islam”. Charlie Hebdo is one of the leading
magazines in French which was famous for its satiric cartoons, jokes and ironic tone. Perhaps
their light hearted jokes which entertained people in their breakfast tables made the hooligans too
impulsive to heat up their guns. A huge rally of thousands of Frenchmen came out in the streets of
Paris in support and the phrase “Je Suis Charlie”(I am Charlie) became highly popular in socal media.
		 The matter of the fact is the religious extremism is on its rise and it
should be taken care of by people who believe themselves to be civilized and not animal
skinned. Death threats and murders have become so prominent in the cases of religious
intolerance that the establishment should rebuild their ideas in countering them.
In the name of Law
		 We, Indians declare our pride as citizens of our nation(by supporting
Indian Cricket Team) and satisfaction towards the constitution but raise our eye brows
towards the system. We complain very often “the system is of rotten roots”. But I don’t
agree as the system is still powerful enough to limit adults to watch something or to read
something. As we are fools enough to decide on our choice , the establishment decides on it.
		 The recent ban on AIB roast, a show which presented entertainment through
nonsense jokes uplifted quite a few questions on the role of government in banning media
stuff. Are we not educated or grown ups to decide for ourselves. More recently a documentary
on the infamous Delhi rape case is also outlawed in the name of the nation’s pride. The
discussion about the documentary in the parliament was quite interesting to watch as more
people stood in favour of the prohibition of the video instead of analyzing the raw facts of the
country’s situation which is in absolute favour of patriarchy and quite unfit for women to live.
		 It is not comprehendible to me that in the world’s largest democracy where the
citizens have the right to choose the entire government are unfortunately not literate enough to stick
into their own choice of things and the establishment’s interference becomes “necessity”.
11
Freedom needs Literature or Vice Versa
Payel Halder
		 As a native of India being a student of literature(CU)”Freedom and Literature” seemed surreal
to us in the recent past. However, literature itself always relates to freedom,either by creating or writing.
		 Literature is a wonderful medium which conveys, maintains and appreciates freedom
between writers and readers. Compared to other forms of art, it is the most modest, relying on words only. The
way it connects people - writers and readers or readers and readers - is through freedom.whereas in a movie,
viewers simply follow one scene after another. For example, while watching Gone With the Wind, viewers
experience Clark Gable as Rhett Butler and Vivien Leigh as Scarlett O’Hara. But while reading the novel by
Margaret Mitchell, readers can imagine anyone as Rhett Butler or Scarlett O’Hara. The simple sentence “The
Sun rises” can be imagined differently by different readers, but a movie scene of a sunrise can only be the same
for every viewer. That is why literature is a truly free art form for both writers and readers.
		 However, publishing is not always related to freedom. In india we had the Press Scrutiny
Board from many decades. This censorship board prohibited the publication of some literary works. In the
early 1980s, it took from one to two years to get permission to publish a novel. Even with permission, there
would be much editing. Sometimes writers decided not to publish because of immense and nonsensical
editing by the censorship board.
		 For periodicals at that time, we didn’t need to submit manuscripts before printing, but we
did need to submit the print copy before distribution. In the early 1990s, the censorship board would ask
for the removal of paragraphs or whole short stories or articles from printed periodicals before they were
distributed. So we would put black or silver ink over the paragraphs, or glue facing pages together, or rip
out some pages. In the early 2000s, the censorship board asked us to submit before printing any form of
literature or books, including advertisement pages. Then there were no more ugly magazine pages: all forced
editing was completed before printing. Just before the censorship board abolished its process in mid-2012,
a weekly current affairs journal would be submitted three times before it was printed and one time before it
was distributed. That is why it was impossible to have regional papers in places far from the office of the Press
Scrutiny Board and where people from ethnic minorities live. For this reason, media or literature in ethnic
languages was almost impossible to establish. This process prohibited not only the freedom of the press but
also pluralism in the press.
		 Investors and owners didn’t want editors who were willing to test tolerance or censorship, or
take the costly and time-consuming risk of reprinting manuscripts. Some editors refrained from accepting
any work which might be censored heavily. As no definitive rules were set out by the censorship board, it was
sometimes hard to predict what might be censored or not. And since all publication houses need a licence to
operate, there were risks in publishing some works: the termination of a licence, going to trial under restricted
printing law, being put in prison. Eventually writers were forced to give up the freedom to think and write as
they wished.		
Arnab Maity
12
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āĻ•āĻ˛ā§‡āĻœ, āĻĒā§œāĻžāĻļā§āĻ¨āĻž, āĻŦāĻ¨ā§āĻ§ā§ āĻŦāĻžāĻ¨ā§āĻ§āĻŦ āĻ†āĻ° āĻŽāĻž āĻŦāĻžāĻŦāĻž āĻ•ā§‡ āĻ˜āĻŋāĻ°ā§‡ āĻ—ā§œā§‡ āĻ“āĻ āĻž āĻ†āĻŽāĻžāĻ° āĻĒā§ƒāĻĨāĻŋāĻŦā§€āĻ¤ā§‡ āĻ¯ā§‡āĻ¨ āĻšāĻ āĻžā§ŽāĻ‡ āĻ°āĻ‚ āĻ˛āĻžāĻ—ā§‡ āĻ†āĻŦāĻŋāĻ°ā§‡āĻ°āĨ¤ āĻ¸ā§‡āĻ‡ āĻ†āĻŦāĻŋāĻ°
āĻ­āĻžāĻ˛īŋŊā§‹āĻŦāĻžāĻ¸āĻžāĻ° āĻ†āĻŦāĻŋāĻ°āĨ¤
āĻ†āĻŽāĻžāĻ° āĻ†āĻŦāĻŋāĻ°āĨ¤
āĻ†āĻšā§āĻ›āĻž āĻ­āĻžāĻ˛īŋŊā§‹āĻŦāĻžāĻ¸āĻžāĻ° āĻ•āĻŋ āĻ—āĻ¨ā§āĻ§ āĻĨāĻžāĻ•ā§‡? āĻ¨āĻž āĻ•āĻŋ āĻļā§āĻ§ā§āĻ‡ āĻ†āĻŽāĻžāĻ° āĻŽāĻ¨ā§‡āĻ° āĻ­ā§ āĻ˛?
āĻ†āĻŦāĻŋāĻ° āĻāĻ¸ā§‡āĻ›āĻŋāĻ˛ āĻ†āĻŽāĻžāĻ° āĻœā§€āĻŦāĻ¨ā§‡ āĻīŋŊā§‹ā§œīŋŊā§‹ āĻšāĻžāĻ“ā§ŸāĻžāĻ° āĻŽāĻ¤ āĻ¯āĻžāĻ° āĻ¸āĻžāĻĨā§‡ āĻ¨āĻŋāĻœā§‡āĻ•ā§‡ āĻ­āĻžāĻ¸āĻŋā§Ÿā§‡ āĻĻāĻŋāĻ¤ā§‡ āĻāĻ• āĻŽā§āĻšā§‚āĻ°ā§āĻ¤ā§‡āĻ° āĻ¸āĻ™ā§āĻ•ā§‹āĻš āĻ“ āĻ†āĻŽāĻŋ āĻŦīŋŊā§‹āĻ§
āĻ•āĻ°āĻŋāĻ¨āĻŋāĨ¤ āĻ•āĻŋ āĻ›āĻŋāĻ˛ āĻ“āĻ° āĻ¸ā§‡āĻ‡ āĻ…āĻĒā§‚āĻ°ā§āĻŦ āĻ¸ā§āĻ¨ā§āĻĻāĻ° āĻĻā§â€™āĻŸīŋŊā§‹ āĻ­ā§‡āĻœāĻž āĻ•āĻžāĻ˛īŋŊā§‹ āĻšīŋŊā§‹āĻ–ā§‡āĻ° āĻšāĻžāĻšāĻ¨āĻŋāĻ¤ā§‡ āĻ¯āĻž āĻĻā§‡āĻ–ā§‡ āĻ†āĻŽāĻŋ āĻ¨āĻŋāĻœā§‡āĻ° āĻ¸āĻŦāĻŸā§ āĻ•ā§ āĻ­ā§ āĻ˛ā§‡ āĻ¯ā§‡āĻ¤ā§‡ āĻŦāĻžāĻ§ā§āĻ¯
āĻšāĻ˛āĻžāĻŽ āĻ†āĻ° āĻŽāĻ¨ā§‡ āĻŽāĻ¨ā§‡ āĻ¨āĻŋāĻœā§‡āĻ° āĻ…āĻ¸ā§āĻ¤āĻŋāĻ¤ā§āĻŦāĻ•ā§‡ āĻŽāĻŋāĻļāĻŋā§Ÿā§‡ āĻĻāĻŋāĻ˛āĻžāĻŽ āĻ“āĻ° āĻ­āĻžāĻ˛āĻŦāĻžāĻ¸āĻžāĻ° āĻ¸āĻžāĻĨā§‡? āĻĒā§āĻ°āĻĨāĻŽ āĻĻāĻŋāĻ¨ā§‡āĻ° āĻ¸ā§‡āĻ‡ āĻŦā§ƒāĻˇā§āĻŸāĻŋ āĻ­ā§‡āĻœāĻž āĻ¸āĻ¨ā§āĻ§ā§āĻ¯āĻžāĻŸā§ āĻ•ā§ āĻ° āĻ—āĻ¨ā§āĻ§ āĻ¯ā§‡āĻ¨
āĻ†āĻŽāĻžāĻ° āĻ­āĻžāĻ˛īŋŊā§‹āĻŦāĻžāĻ¸āĻžāĻ° āĻ˜ā§āĻ°āĻžāĻŖ āĻšā§Ÿā§‡ āĻ‰āĻ āĻ˛āĨ¤
āĻ…āĻ°ā§āĻ•ā§āĻŸāĻ•ā§‡ āĻ¸ā§‡āĻĻāĻŋāĻ¨ āĻŽāĻ¨ā§‡ āĻŽāĻ¨ā§‡ āĻ…āĻ¸āĻ‚āĻ–ā§āĻ¯ āĻ§āĻ¨ā§āĻ¯āĻŦāĻžāĻĻ āĻœāĻžāĻ¨āĻŋā§Ÿā§‡ āĻ¨āĻŋāĻœā§‡āĻ•ā§‡ āĻ­ā§ āĻ˛ā§‡ āĻšā§Ÿā§‡ āĻ‰āĻ āĻ˛āĻžāĻŽ āĻ†āĻŦāĻŋāĻ°ā§‡āĻ° āĻ­āĻžāĻ˛īŋŊā§‹āĻŦāĻžāĻ¸āĻžāĻ° āĻ°āĻ‚āĨ¤
āĻāĻ‡ āĻ•āĻ˛āĻ•āĻžāĻ¤āĻž āĻ¸ā§‡āĻĻāĻŋāĻ¨ āĻĨā§‡āĻ•ā§‡ āĻšā§Ÿā§‡ āĻ‰āĻ āĻ˛ āĻ­āĻžāĻ˛īŋŊā§‹āĻŦāĻžāĻ¸āĻžāĻ° āĻļāĻšāĻ°, āĻ•āĻžāĻ›ā§‡ āĻ†āĻ¸āĻžāĻ° āĻļāĻšāĻ°āĨ¤ āĻ¯ā§‡āĻ–āĻžāĻ¨ā§‡ āĻŦāĻ¸āĻ¨ā§āĻ¤ āĻāĻ•āĻŽāĻžāĻ¤ā§āĻ° āĻ‹āĻ¤ā§ āĨ¤ āĻ¯ā§‡āĻ–āĻžāĻ¨ā§‡ āĻ¸āĻ¨ā§āĻ§ā§āĻ¯āĻž āĻŽāĻžāĻ¨ā§‡
āĻ—āĻ™ā§āĻ—āĻžāĻ° āĻŦā§āĻ•ā§‡ āĻ¨āĻŋāĻ­ā§‡ āĻ†āĻ¸āĻž āĻ†āĻ˛īŋŊā§‹āĻ¤ā§‡ āĻāĻ•ā§‡ āĻ…āĻĒāĻ°āĻ•ā§‡ āĻ­āĻžāĻ˛āĻŦāĻžāĻ¸āĻž āĻœāĻžāĻ¨āĻžāĻ¨īŋŊā§‹ āĻļā§āĻ§ā§ āĻ…āĻĒāĻ˛āĻ• āĻĻā§ƒāĻˇā§āĻŸāĻŋāĻ¤ā§‡ āĻšā§‡ā§Ÿā§‡, āĻ¯ā§‡āĻ–āĻžāĻ¨ā§‡ āĻ°āĻžāĻ¤ā§āĻ°āĻŋ āĻŽāĻžāĻ¨ā§‡ āĻļā§āĻ§ā§āĻ‡ āĻ¨āĻŋāĻ­ā§ƒ āĻ¤ā§‡
āĻ—āĻ­ā§€āĻ° āĻšāĻ¤ā§‡ āĻĨāĻžāĻ•āĻž āĻĒā§āĻ°ā§‡āĻŽ, āĻ†āĻ° āĻ¸āĻ•āĻžāĻ˛ā§‡āĻ° āĻŽāĻžāĻ¨ā§‡ āĻšā§Ÿā§‡ āĻ‰āĻ āĻ˛ āĻ†āĻ°ā§‡āĻ•āĻŸāĻž āĻ¨āĻ¤ā§ āĻ¨ āĻĻāĻŋāĻ¨ā§‡ āĻĻā§āĻœāĻ¨ā§‡āĻ° āĻĻā§āĻœāĻ¨āĻ•ā§‡ āĻ¨āĻ¤ā§ āĻ¨ āĻ­āĻžāĻŦā§‡ āĻ–ā§āĻāĻœā§‡ āĻĒāĻžāĻ“ā§ŸāĻžāĻ° āĻ†āĻ¸āĻžāĨ¤
āĻ†āĻŦāĻŋāĻ° āĻ†āĻŽāĻžāĻ•ā§‡ āĻœā§œāĻŋā§Ÿā§‡ āĻ¨āĻŋāĻ˛īŋŊā§‹ āĻ¤āĻžāĻ° āĻĒā§āĻ°āĻ¤āĻŋ āĻĻāĻŽ āĻŦāĻ¨ā§āĻ§ āĻšā§Ÿā§‡ āĻ¯āĻžāĻ“ā§ŸāĻž āĻ­āĻžāĻ˛īŋŊā§‹āĻŦāĻžāĻ¸āĻžāĻ¤ā§‡, āĻ¯ā§‡ āĻ­āĻžāĻ˛īŋŊā§‹āĻŦāĻžāĻ¸āĻž āĻļā§āĻ§ā§āĻ‡ āĻŦā§‡āĻāĻšā§‡ āĻĨāĻžāĻ•āĻžāĻ° āĻœāĻ¨ā§āĻ¯ āĻœāĻ¨ā§āĻŽāĻžā§Ÿ, āĻ¯ā§‡
āĻ­āĻžāĻ˛īŋŊā§‹āĻŦāĻžāĻ¸āĻž āĻ¤ā§ˆāĻ°āĻŋ āĻ•āĻ°ā§‡ āĻ¨ā§‡ā§Ÿ āĻ¨āĻŋāĻœā§‡āĻ° āĻāĻ•āĻŸāĻž āĻĨāĻžāĻ•āĻžāĻ° āĻļāĻšāĻ°; āĻ¯ā§‡āĻ–āĻžāĻ¨ā§‡ āĻ¸āĻŦ āĻ°āĻ™ā§āĻ—āĻŋāĻ¨, āĻ¯ā§‡āĻŸāĻž āĻ¸āĻŦ āĻĒā§‡ā§Ÿā§‡āĻ›āĻŋāĻ° āĻļāĻšāĻ°āĨ¤
āĻ•āĻŋāĻ¨ā§āĻ¤ā§ āĻœā§€āĻŦāĻ¨ āĻ¯ā§‡ āĻāĻ¤ āĻ°āĻ™āĻŋāĻ¨ āĻ¨ā§Ÿ!
āĻļā§āĻ§ā§ āĻ­āĻžāĻ˛īŋŊā§‹āĻŦāĻžāĻ¸āĻž āĻŽāĻžāĻ¨ā§āĻˇā§‡āĻ° āĻšīŋŊā§‹āĻ–ā§‡ āĻ¤ā§ āĻ˛ā§‡ āĻĻā§‡ā§Ÿ āĻāĻ• āĻ°āĻ™āĻŋāĻ¨ āĻšāĻļāĻŽāĻž āĻ¯āĻž āĻ–āĻ¸ā§‡ āĻĒā§œāĻ˛ā§‡ āĻ†āĻ° āĻāĻ‡ āĻĒā§ƒāĻĨāĻŋāĻŦā§€āĻ•ā§‡ āĻ°āĻ™āĻŋāĻ¨ āĻŽāĻ¨ā§‡ āĻšā§ŸāĻ¨āĻžāĨ¤
āĻ¤āĻ–āĻ¨ āĻ•āĻ˛āĻ•āĻžāĻ¤āĻž āĻšā§Ÿā§‡ āĻ“āĻ ā§‡ āĻ¸ā§‡āĻ‡ āĻšāĻŋāĻ°āĻžāĻšāĻ°āĻŋāĻ¤āĻ“ āĻļā§€āĻ¤ā§‡āĻ° āĻļāĻšāĻ° āĻ¯ā§‡āĻ–āĻžāĻ¨ā§‡ āĻŦāĻ¸āĻ¨ā§āĻ¤ āĻ†āĻ¸ā§‡āĻ¨āĻž, āĻ¯ā§‡āĻ–āĻžāĻ¨ā§‡ āĻ—āĻ™ā§āĻ—āĻžāĻ° āĻŦā§āĻ•ā§‡ āĻ­ā§‡āĻ¸ā§‡ āĻĨāĻžāĻ•āĻž āĻ¨īŋŊā§ŒāĻ•īŋŊā§‹āĻĻā§‡āĻ°
āĻŽāĻ§ā§āĻ¯ā§‡ āĻ•īŋŊā§‹āĻ¨āĻ“ āĻ—āĻ˛ā§āĻĒ āĻœāĻ¨ā§āĻŽ āĻ¨ā§‡ā§Ÿ āĻ¨āĻž, āĻ¯ā§‡āĻ–āĻžāĻ¨ā§‡ āĻ¸āĻ•āĻžāĻ˛ āĻ†āĻ° āĻ°āĻžāĻ¤ āĻšā§Ÿā§‡ āĻ“āĻ ā§‡ āĻ…āĻĢā§ āĻ°āĻ¨ā§āĻ¤ āĻ“ āĻĻā§āĻ°ā§āĻŦāĻŋāĻˇāĻšāĨ¤
āĻ āĻŋāĻ• āĻ¸ā§‡āĻ‡āĻ­āĻžāĻŦā§‡āĻ‡ āĻāĻ• āĻŦāĻ›āĻ° āĻ§āĻ°ā§‡ āĻ—ā§œā§‡ āĻ¤īŋŊā§‹āĻ˛āĻž āĻ†āĻŽāĻžāĻĻā§‡āĻ° āĻ¸ā§‡āĻ‡ āĻ¸ā§āĻŦāĻĒā§āĻ¨ āĻ°āĻžāĻœā§āĻ¯ āĻ†āĻœ āĻ•ā§‡āĻŦāĻ˛ āĻŽāĻžāĻ¤ā§āĻ° āĻ†āĻŽāĻžāĻ° āĻ­āĻžāĻŦāĻ¨āĻžāĻ° āĻĻā§‡āĻļ; āĻ¯ā§‡āĻ–āĻžāĻ¨ āĻĨā§‡āĻ•ā§‡
āĻ†āĻ° āĻ•ā§‡āĻ‰ āĻ†āĻŽāĻžāĻ° āĻ¨āĻžāĻŽ āĻ§āĻ°ā§‡ āĻĄāĻžāĻ•ā§‡āĻ¨āĻž, āĻ¯ā§‡āĻ–āĻžāĻ¨ā§‡ āĻ†āĻ° āĻ•ā§‡āĻ‰ āĻ†āĻŽāĻžāĻ° āĻ…āĻĒā§‡āĻ•ā§āĻˇāĻž āĻ•āĻ°ā§‡ āĻĨāĻžāĻ•ā§‡āĻ¨āĻžāĨ¤ āĻ¸ā§‡āĻ‡ āĻ…āĻĒā§‚āĻ°ā§āĻŦ āĻ¸ā§āĻ¨ā§āĻĻāĻ° āĻĻā§â€™āĻŸīŋŊā§‹ āĻšīŋŊā§‹āĻ–ā§‡ āĻ˛ā§‡āĻ—ā§‡
āĻĨāĻžāĻ•āĻž āĻšāĻžāĻ¸āĻŋ āĻ†āĻœāĻ“ āĻŽāĻžāĻā§‡ āĻŽāĻžāĻā§‡ āĻ†āĻŽāĻžāĻ° āĻŽāĻ§ā§āĻ¯ā§‡ āĻļāĻŋāĻšāĻ°āĻŖ āĻœāĻžāĻ—āĻŋā§Ÿā§‡ āĻ¯āĻžā§Ÿ, āĻ•āĻŋāĻ¨ā§āĻ¤ā§ āĻ¸ā§‡āĻ‡ āĻ¸ā§āĻ¨ā§āĻĻāĻ° āĻšīŋŊā§‹āĻ–ā§‡āĻ° āĻ…āĻ§āĻŋāĻ•āĻžāĻ°ā§€āĻ•ā§‡ āĻ†āĻ° āĻĒāĻžāĻļā§‡ āĻ–ā§āĻāĻœā§‡ āĻĒāĻžāĻ‡
āĻ¨āĻž āĻ†āĻŽāĻžāĻ°āĨ¤
āĻ•ā§‡āĻ¨ āĻ¯ā§‡ āĻāĻ•āĻŸāĻž āĻŽāĻžāĻ¨ā§āĻˇ āĻ†āĻ°ā§‡āĻ•āĻŸāĻž āĻŽāĻžāĻ¨ā§āĻˇ āĻ•ā§‡ āĻ­ā§ āĻ˛ āĻŦā§āĻā§‡ āĻĻā§‚āĻ°ā§‡ āĻ¸āĻ°ā§‡ āĻ¯āĻžā§Ÿ! āĻ•ā§‡āĻ¨ āĻ¯ā§‡ āĻ¸ā§‡ āĻĒāĻžā§ŸāĻ¨āĻž āĻ­āĻžāĻ˛īŋŊā§‹āĻŦāĻžāĻ¸āĻžāĻ° āĻ—āĻ¨ā§āĻ§, āĻ•ā§‡āĻ¨ āĻ¯ā§‡ āĻ¸ā§‡ āĻŦīŋŊā§‹āĻā§‡
āĻ¨āĻž āĻ¯ā§‡ āĻ¸ā§‡ āĻ“āĻĒāĻ° āĻ†āĻ°ā§‡āĻ•āĻœāĻ¨ā§‡āĻ° āĻ­āĻžāĻ˛īŋŊā§‹āĻŦāĻžāĻ¸āĻžāĻ° āĻļāĻšāĻ°; āĻ¤āĻž āĻ†āĻœāĻ“ āĻ†āĻŽāĻžāĻ° āĻ•āĻžāĻ›ā§‡ āĻ°āĻšāĻ¸ā§āĻ¯!
āĻ†āĻŦāĻŋāĻ°ā§‡āĻ° āĻ­āĻžāĻ˛īŋŊā§‹āĻŦāĻžāĻ¸āĻžāĻ° āĻ°āĻ‚ āĻ†āĻœāĻ“ āĻ†āĻŽāĻžā§Ÿ āĻ°āĻžāĻ™āĻŋā§Ÿā§‡ āĻ°ā§‡āĻ–ā§‡āĻ›ā§‡ āĻ•āĻŋāĻ¨ā§āĻ¤ā§ āĻ•ā§‡āĻ¨ āĻ¯ā§‡ āĻ†āĻŽāĻŋ āĻĒāĻžāĻ°āĻ˛āĻžāĻŽ āĻ¨āĻž āĻ“āĻ•ā§‡ āĻŦīŋŊā§‹āĻāĻžāĻ¤ā§‡ āĻ¯ā§‡ āĻ“āĻ° āĻ…āĻ¨ā§āĻĒāĻ¸ā§āĻĨāĻŋāĻ¤āĻŋāĻ¤ā§‡
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13
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14
A Place Insane
Navin Pandey
A stroll down the lane
Took me to a place insane
Silence, eerie, almost demonic
Darkness, as dark as it gets
There in the dark distance long
A flickering light, the Darkness pets
As I walk, a slight sound of a song
And then some steps synchronic
But all seem in a slumber
Caught one, asked her name
Laughed hysterical “no names, just number”
Someone’s foul threw us outside the game”
And out of that silence, a yelp
A heart rending groan, a roar
Perhaps a cry for help
I ran in, and shouts more and more
Saw one, and the next second
In her hand.
A feverish lump of flesh soft
A part of her own self
A part killed long, long ago
When they stabbed her, with manliness
Hides it, almost strangling the embrace
“Won’t let it to light” she says
“ ‘It’ might grow someday into a ‘he’
A raping sadist ‘he’ ”
										 ~ NVN
15
Freedom of the soul from the body
Paulomi Dasgupta
		 When a baby is born into this world it greets life with its tears. Through its’ crying
it expresses its disappointment of being born into the confinement of the body. And thus we are
forever imprisoned in a body in which we struggle to express ourselves. All of us create boxes for
ourselves based on our predetermined ideas and beliefs. We are all expanding beings and when we
set restrictions and limitations on ourselves we suffocate and fade.
		 Through every condition in life Man is consciously or unconsciously seeking for
freedom. Each of us have a voice within ourselves that wants to speak up. This voice can be given
many names such as the soul,the higher self, the inner being etc.
		 Is it really possible to let our soul be free when we live a human life? We have to truly
believe in ourselves ,in our inner strength to let it happen .
		 Each and every one of us have our inner voice , and the ones who are courageous
enough to express this inner voice can only meet the light that lies within us. We have to connect
with our inner light and through the power of that connection live a purposeful and fulfilling life.
		 The body holds on to the soul and the soul holds onto the body. The soul holds onto
the body to in order to accomplish its purpose and the body holds onto the soul because when
the soul leaves it will return into nothing. The soul will be liberated only when it disregards its
materialistic confinements and unites with the will of the Universe becomes one with the will of God.
		 Ultimate freedom of the soul is gained by concentration,meditation,by contemplation
and realization. In the freedom of the soul lies the purpose of life.
Koyel Sana
16
Where do we draw the line?
Medhasree Talapatra
			 William Blake famously wrote: “without contraries there is no progression”.
The Indian television industry took it seriously. A bit too seriously! In 1955 when the Hindu Marriage
Act was passed, it clearly annihilated all doubts regarding a burning question- we are an extremely
tolerant society, we do of course believe in fraternizing , however we do not condone polygamy. A
man must only have one wife (just one, but where’s the fun in that?). If he wished to marry a second
time he must divorce the first one (Divorce?? That is just way way formal, legal and hence boring!
We are Indians we don’t care about formality, unless of course you know it’s a rape case, then we’d
sit and ponder over the pros and cons, the dos and don’ts, the right and wrong for months!) 	
		 In 90% of the television shows or soap operas as they are called, that is
broadcasted on the Indian television there is the prevalence of multiple marriages simultaneously.
The story line too is a no-brainer. A man is forced to marry beneath his stature, while his heart
pines for another. Then circumstantially he also ends up marrying the woman he originally loved!
Time consumes them in umpteen tests and the good wife emerges victorious while the original love
is cast in the role of the bad woman vandalising domestic bliss! How many of us did not grow up
with our television sets projecting the plight of these “good women” who despite being insulted and
verbally brutalized in every step of their life cling to their husband’s feet waiting to prove their
worth by perpetually being patient even when the husband happily made love to the other woman
in her bedroom? The cliche is of Indian television has assumed a leviathan stature so much so that
no matter what the premise promises, we are almost always sure what to expect!
Now the debate regarding the dichotomy of a woman’s role has been around
ever since man learned to farm: she could be two things: an angel or a whore. “The angel in the
house” or “the mad woman in the attic”. The good or the bad. But who decides the parameters of
good and bad? Who decides what constitutes the angel or the whore? Do women decide? Or does
patriarchy decide. So if patriarchy is happy playing God- the totalitarian, authoritarian dictator, then
what role do women actually carve out for herself? The fashion world also predominated my men
design the rules and regulations regarding the definition of “sexy”, “feminine” and “stylish”. From
Salvatore Ferragamo’s wage heels to Christian Louboutin’s red soled shoes to our very own Sabyasachi
Mukherjee’s bedecked maharani blouse, it is always men who decide what’s best for women! The
lingerie to bring out perfectly the silhouette of each attire, to marsala being the pantone colour of
the year- men decide it most of the time. Of course we live in a male centric society and those are
the norms and should be followed. So now janus of hypocrisy raises its head: it is men who formulate
these fool proof of formulae of fashion- promote short skirts, and very conveniently it is men again
who portray the good wife to be always clad in a saree with the pallu on her head, while the modern
girl daring to be clad in a pair of denims is happily typecast as a whore- the bad woman! So what
if she is a virgin, has zero sexual experience – her clothes speak volumes. It’s easy to castigate her.
Standing in 2015 of course this view raises eyebrows among the masses, but television the mightiest of
the media happily showcases these distinctions without actually anticipating let alone comprehending
its lethal effects. Simply typecasting women based on their attire and deliberately villainising the
modern woman not only sets back the nation a few notches but blatanly depicts the diabolical duality
of men who want their girlfriends to dress as they wish and to barricade their wives within the veil of
tradition. Of course transgression is being made but that is merely the equivalent of a drop of water
in a dreary desert and hope seems feeble regarding the changing mindset of the Indian Television
Fraternity which often forgets its accountability to its audience.
Now of course it is not only in the media that patriarchy tends to crucify
women, it is in every facade of life. But that is a very definite truth. A significant absolute in a world
replete with relatives; as can be satisfactorily judged by the ever-growing number of rapes in the
country. After the barbaric 2012 Delhi gang rape, an insurmountable tumultuous wave of protest
forced the world to sit up and take notice of a nation that faced the multifarious atrocities deployed
by the authorities to pray rather demand justice for the brutalised girl. She died. Her rapists were
condemned to death, the biggest proprietor of inhuman brutality being underage was sentenced
to two years’ imprisonment (he’d be out by this year and then lord save us) and not only did the
17
scenario not change but it has become more frightening day by day. So now the question remains:
where do we draw the line?
The answer to the malevolent question: “why do men rape?” has been
sought after forever. Some of the most obvious answers are of course: to assert their manhood, to
teach the girl a lesson and show her her rightful place, to thwart a woman’s progression, to reduce
her to nothing but a vagina. Post wars thousands of women of the defeated nation would be packed
off to rape camps to experience unutterable barbarous torture for the simple reason that the easiest
way to demolish the strength and break the backbone of a nation is to inflict pain and shame on its
women. Even now when women equate man in all intellectual and social fields her sexuality poses
a serious threat to her existence. Patriarchy fears a sexually liberated women and would probably
traverse miles to subvert her! So are women, standing in 2015 still shackled in chains or has been
liberated? Can any country in the world boast of having actually achieved gender equality which are
actually just basic human rights? Simone de Beauvoir wrote: “for women there is no other way out
than to work for her liberation”, further stating, “ a myth invented by men to confine women to their
oppressed state. For women it is not a question of asserting themselves as women, but of becoming
full length human beings.” “one is not born but rather becomes a woman.”
However what is interesting to note is that in the fight to constantly
equate themselves with men, neutralize gender power-games and being thwarted at every stage by
the fragile ego of a dominant number of men, and being manipulated to scream and shout for her
rights deviating from the path of peaceful protest the term ‘feminism’ has been pulled back quite
a few notches even being delineated as something profusely negative, loathsome so much so that a
substantial number of women tend not to associate themselves with the term. But unlike patriarchy
which is perpetually instigating and propagating newer ways to thwart equality and liberation, thus
being content with subverting or even stamping on women’s rights, while maintaining that “men
will be men” with an uncanny pride while knowingly delimiting men as monolithic, unchanging and
incapable- possessing animal instincts and heavily loaded with testosterone which prevents them from
preventing themselves from indulging in harassment and assault. Feminism however holds that men
are indeed capable- much much more capable than just being a primordial bag of ever-burning ‘id’
objectifying women as a vessel to satiate its incurable lust.
Recently Vogue initiated a campaign against rape, violence and abuse entitled
‘start with the boys’ where in a two minute short film it graphically portrays a plethora of parents
chiding their male child to not cry for the simple reason that they are boys thus unconsciously
thrusting them towards a life of suppressed emotion, always scolding : “boys don’t cry”. The film
poignantly ends with the slogan: “ since childhood we teach them boys don’t cry, perhaps it would
be better to teach them boys don’t makes others cry”. Is it not high time that we take a step back
to analyze where we stand and how far we actually possess the potential to go? Merely being vocal
about issues does not solve any problem. The change needs to begin from the beginning. From the
very root of the society that conditions and engineers men and women to blend seamlessly into the
roles designed for them without actually questioning why is the tears of men considered signs of
weakness and a woman who decides to travel alone can be questioned on her chastity. The problems
are umpteen and the solutions seemed to be veiled in a mysterious cocoon that needs to be broken.
Pandora’s box needs a key to be opened that maybe holds the solutions. But utopia is and will always
be out of reach and in order to commence the change we need to be the change. As Emma Watson
concluded in her speech for the U.N ‘He for She’ campaign : “if not me then who? If not now then
when?”
18
To My Love
Arjun Prasad Singh
I give you the exuberance of seasons Fair,
Dear love, which is all I could wish to give you
I cannot be brilliantly luminous as Phoebus;
Nor can I be as coquettish as Diana,
I humbly present my fidelity to you through the cannon of my amorous passion
Whilst I ponder over the ineptitude I possess to be someone great,
To be a man who is not stained by imperfection,
How irksome! But upon the comforting glance of your visage,
I am ever happy to cast it away, as we are all perfectly imperfect!
In the sea of our love, storms may arise and intimidate the intimacy of our passion,
Despair may inundate the Hopeful; it may beckon to a hasty
And imperfect inference on the gentility of our love,
My love, the road of passion was never innocuous
Such storms should intensify the paroxysm of our Love
And hold it steadfast than ever,
And as we grow in love with Time,
Let us not stop keep falling in love with each other
Over and over again,
So that the opulence of our Love will be with us,
Till our last sigh; our last whisper!
Koyel Sana
19
āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨āĻ¤āĻž - āĻŽāĻžāĻ¨ā§‡ āĻ•āĻŋ?
āĻ…āĻ°āĻŋāĻ¤āĻŋ āĻ¨āĻžāĻĨ
		
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āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨āĻ¤āĻž āĻĒāĻžāĻ“ā§ŸāĻž āĻ¯āĻžā§Ÿ? āĻ•āĻĨāĻžā§Ÿ āĻŦāĻ˛ā§‡ ‘āĻŦāĻžāĻ•-āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨āĻ¤āĻžâ€˜, āĻ…āĻĨāĻš āĻšāĻžāĻ°āĻĒāĻžāĻļā§‡ āĻ¤āĻžāĻ•āĻžāĻ˛ā§‡ āĻĻā§‡āĻ–āĻž āĻ¯āĻžā§Ÿ āĻ…āĻ¨ā§‡āĻ• āĻ¸āĻ¤ā§āĻ¯āĻŋ āĻ•āĻĨāĻž (āĻ¯āĻž āĻ…āĻ¨ā§āĻ¯ā§‡āĻ° āĻ•ā§āĻˇāĻ¤āĻŋ
āĻ•āĻ°ā§‡ āĻ¨āĻž) āĻ¯āĻž āĻ—ā§āĻ°āĻšāĻŖ āĻ•āĻ°āĻžāĻ° āĻ¸āĻžāĻšāĻ¸ āĻāĻ–āĻ¨āĻ“ āĻ†āĻŽāĻžāĻĻā§‡āĻ° āĻ¸āĻŽāĻžāĻœ āĻ…āĻ°ā§āĻœāĻ¨ āĻ•āĻ°ā§‡ āĻ¨āĻŋāĨ¤ āĻ­ā§€āĻˇā§āĻŽā§‡āĻ° ‘āĻ‡āĻšā§āĻ›āĻžāĻŽā§ƒāĻ¤ā§āĻ¯ā§â€™ āĻ¸āĻŽāĻžāĻœāĻŦāĻ¨ā§āĻĻāĻŋāĻ¤, āĻ•āĻŋāĻ¨ā§āĻ¤ā§ āĻāĻ–āĻžāĻ¨āĻ•āĻžāĻ°
āĻ¸āĻŽāĻžāĻœā§‡ āĻ†āĻ¤ā§āĻŽāĻšāĻ¤ā§āĻ¯āĻžâ€™āĻ° āĻ…āĻĒāĻ° āĻ¨āĻžāĻŽ āĻĒāĻžāĻ˛āĻŋā§Ÿā§‡ āĻ¯āĻžāĻ“ā§ŸāĻžāĨ¤ āĻŽā§ƒāĻ¤ā§āĻ¯ā§āĻ° āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨āĻ¤āĻž āĻ¤īŋŊā§‹ āĻ…āĻ¨ā§‡āĻ• āĻĻā§‚āĻ°ā§‡āĻ° āĻ•āĻĨāĻž, āĻ¨āĻŋāĻœā§‡āĻ° āĻ‡āĻšā§āĻ›ā§‡āĻŽāĻ¤ āĻŦā§‡āĻāĻšā§‡ āĻĨāĻžāĻ•āĻžāĻ°
āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨āĻ¤āĻžāĻ“ āĻ•āĻŋ āĻ†āĻ›ā§‡? āĻĻā§āĻŸāĻŋ āĻ­āĻŋāĻ¨ā§āĻ¨āĻ§āĻ°ā§āĻŽā§€ , āĻ­āĻŋāĻ¨ā§āĻ¨-āĻ¸āĻŽā§āĻĒā§āĻ°āĻĻāĻžā§Ÿ-āĻāĻ° āĻ›ā§‡āĻ˛ā§‡āĻŽā§‡ā§Ÿā§‡ āĻŦāĻŋā§Ÿā§‡ āĻ•āĻ°ā§‡ āĻœā§€āĻŦāĻ¨āĻ¯āĻžāĻĒāĻ¨ āĻ•āĻ°āĻ¤ā§‡ āĻšāĻžāĻ‡āĻ˛ā§‡ āĻ¤āĻžāĻĻā§‡āĻ° āĻ“āĻĒāĻ°
āĻ¨ā§‡āĻŽā§‡ āĻ†āĻ¸ā§‡ āĻŽā§ƒāĻ¤ā§āĻ¯ā§āĻ° āĻĒāĻ°īŋŊā§‹ā§ŸāĻžāĻ¨āĻžāĨ¤ āĻ•ā§‡ āĻšāĻŋāĻ¸ā§‡āĻŦ āĻ°āĻžāĻ–ā§‡ āĻĒā§āĻ°āĻ¤āĻŋ āĻ°āĻžāĻ¤ āĻ•āĻ¤ āĻ°āĻŋāĻœāĻ“ā§ŸāĻžāĻ¨ā§āĻ° āĻŦāĻ˛āĻŋ āĻšāĻšā§āĻ›ā§‡? ‘āĻ‰āĻ¨āĻŋāĻļā§‡ āĻāĻĒā§āĻ°āĻŋāĻ˛â€™ āĻŦāĻž ‘āĻšāĻŋāĻ¤ā§āĻ°āĻžāĻ™ā§āĻ—āĻĻāĻžâ€™ āĻ•āĻ¤
āĻ­āĻžāĻ˛ āĻ›āĻŦāĻŋ āĻšāĻ˛, āĻ¤āĻžāĻ° āĻĨā§‡āĻ•ā§‡āĻ“ āĻŦā§œ āĻ†āĻ˛īŋŊā§‹āĻšāĻ¨āĻžāĻ° āĻŦāĻŋāĻˇā§Ÿ āĻ‹āĻ¤ā§ āĻĒāĻ°ā§āĻŖ āĻ˜īŋŊā§‹āĻˇ āĻ•āĻŋ āĻĒīŋŊā§‹āĻļāĻžāĻ• āĻĒāĻ°āĻ˛ā§‡āĻ¨, āĻ‰āĻ¨āĻŋ āĻ˛āĻŋāĻ™ā§āĻ— āĻĒāĻ°āĻŋāĻŦāĻ°ā§āĻ¤āĻ¨ āĻ•āĻ°āĻ˛ā§‡āĻ¨ āĻ•āĻŋ
āĻ¨āĻž - āĻ¸āĻžāĻŽāĻžāĻ¨ā§āĻ¯ āĻŦā§āĻ¯āĻ•ā§āĻ¤āĻŋ āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨āĻ¤āĻžāĻ“ āĻ•āĻŋ āĻ¸āĻŽāĻžāĻœ āĻĻā§‡ā§Ÿ āĻ†āĻŽāĻžāĻĻā§‡āĻ°?
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āĻ†āĻŽāĻŋ āĻ¤īŋŊā§‹ āĻĻā§‡āĻ–āĻŋ āĻ¤āĻžāĻ°āĻžāĻ“ āĻ¸āĻŽāĻžāĻœā§‡āĻ° āĻ…āĻ¨ā§āĻ—ā§āĻ˛āĻŋāĻ˛ā§‡āĻšāĻ¨ā§‡ āĻĒāĻ°āĻžāĻ§ā§€āĻ¨āĨ¤ āĻāĻ•āĻŸāĻŋ āĻŽā§‡ā§Ÿā§‡ āĻšāĻžāĻ•āĻ°āĻŋ āĻ¨āĻž āĻĒā§‡āĻ˛ā§‡āĻ“ āĻŦāĻŋā§Ÿā§‡ āĻ•āĻ°ā§‡ āĻ¸ā§‡āĻŸā§‡āĻ˛ā§āĻĄā§â€ŒāĻšāĻ¤ā§‡ āĻĒāĻžāĻ°ā§‡,
āĻ•āĻŋāĻ¨ā§āĻ¤ā§ āĻŦā§‡āĻ•āĻžāĻ° āĻ›ā§‡āĻ˛ā§‡āĻĻā§‡āĻ° āĻ¤īŋŊā§‹ āĻ¸āĻŽāĻžāĻœā§‡ āĻŽāĻžāĻĨāĻž āĻ‰āĻāĻšā§ āĻ•āĻ°ā§‡ āĻĻāĻžāĻā§œāĻžāĻ¨īŋŊā§‹āĻ° āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨āĻ¤āĻž āĻ¨ā§‡āĻ‡āĨ¤
āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨āĻ¤āĻž āĻŽāĻžāĻ¨ā§‡ āĻ•āĻŋ? āĻŽāĻžāĻĒ āĻ•āĻ°āĻŦā§‡āĻ¨, āĻ­āĻžāĻ°āĻ¤āĻŦāĻ°ā§āĻˇā§‡āĻ° āĻŽāĻ¤īŋŊā§‹ āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨ āĻ°āĻžāĻˇā§āĻŸā§āĻ°ā§‡āĻ° āĻ¨āĻžāĻ—āĻ°āĻŋāĻ• āĻšā§Ÿā§‡āĻ“ āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨āĻ¤āĻž āĻ†āĻŽāĻžāĻ° āĻ•āĻžāĻ›ā§‡ ā§§ā§ĢāĻ‡ āĻ…āĻ—āĻžāĻ¸ā§āĻŸā§‡āĻ°
āĻĒāĻ¤āĻžāĻ•āĻž āĻ‰āĻ¤ā§āĻ¤ā§‹āĻ˛āĻ¨ āĻ›āĻžā§œāĻž āĻ†āĻ° āĻ•āĻŋāĻ›ā§āĻ‡ āĻ¨ā§ŸāĨ¤
Arnab Maity
20
Intestate
Arjun Prasad Singh
For me, where I think the road ends, it begins afresh
Not like Prometheus’ energy of rising against the normative;
I feebly lift up my unwilling flesh
To the ever willing Soul
The matinee show in life’s theatre, no more
Attracts the juvenility of the Innocent youth
It seldom evades the reconciliation with the past
My past is passed, but not without rational contemplation
Of the Future
I doubt in the fact that I might not get what I seek,
I seek for Happiness; I might not receive a Divine Interpolation
In the novel of my life,
For it is not a bestseller
Beauty fades, gratitude erodes, and time has its own acerbic way of answering,
The temperance of human incurrence;
My doubts will have their answers,
My actions would not be able to countermand those answers
Nothing in this life is as sweet as acceptance;
Time makes us wait; what can we do life other than to wait?
I’ll have to wait as Time weighs my actions,
Then I suppose we all have to begin our Lives’ journey afresh.
21
Dawn of 15th August, 1947
Ariti Nath
Dooms with a scream-
“Freedom! Freedom! Freedom!”
The street beggar wakes up,sneering,
“What is that?”
The little girl, who was thrown for being a girl, exclaims
“What is that?”
The prostitute, walking alone on the empty pavements, wonders
“What is that?”
The father whose son is dead in cellular jail, thinks
“What is that?”
The joker after the night show was resting in the tent.
Listens the scream,
Comes out of his tent,
Laughs out loudly and says,
“SO you think you are free?
Really?”
He continues,
“The Sun is not free- always burns to give light.
The Moon is not free-always shines by the Sun.”
Soumav Mondal
22
The Whistleblower
Jatin Mehta
Do you want to live in a world where everything you say, do, talk to, every expression of creativity
or love or friendship is recorded? All our data, on YouTube, Facebook, Google, Twitter, Gmail, Skype
is under the surveillance of the National Security Agency (NSA). In the disclosure of NSA’s illegal
surveillance, Edward Snowden, former NSA techie, shook the world out of a sweet slumber, plunging
it in ice-cold water of the realization that human thoughts are naked, open to be examined like rats in
laboratories. However, why and how did the NSA manage to pull off such a stunt? How did Snowden
single-handedly tear down the drape to expose the bare truth?
WHY.
The 9/11 tragedy served as a colossal blow to the
USA’s intelligence agencies driving all - from the
President down to the security heads at the CIA and
NSA - into a frenzy. Within 72 hours of the attack,
the agencies were pumped up with power outside
the legal boundaries. This was done in the form
of a new operation named ‘Mission Creep’. Earlier,
every international call from the US to known
terrorist phone numbers was to be reported by the
NSA to the FBI. In Mission Creep, this extrapolated
to a more aggressive approach where all calls from
the US to Afghanistan were being traced. The NSA
had also been experimenting with mapping of
connections to monitor who contacts who within
the United States thereby forming a ‘social graph’.
This had to be abandoned due to the constraints
posed by the Justice Department’s policy where
such mapping was deemed appropriate only on
non-American citizens. Thus, began the NSA’s
rampant violation of laws and in due course, they
became more and more power hungry.
For this purpose, George Tenet-CIA director,
Michael Hayden - the director of the NSA and George W Bush, could approach the Congress to loosen
up the constitution’s grip around surveillance laws. Seething with the loss of the twin towers, the
Congress would have been more than ready to bring about the required amendments to the Foreign
Intelligence Surveillance Act (FISA) of 1978. However, any FISA amendment would attract a public
debate that could compromise the secrecy of the intelligence methods. Thus, a back door was created
in the form of a project called STELLAR WIND that involved surveillance of telephone and internet
communications (emails). Signed and authorized by President Bush on 4th October, 2001, the program
would stay unheard by the US legislators until January 2007.
HOW.
Unlike the Soviet Union or China, the US government does not have access to the information on
the internet. Since the inception of the STELLAR WIND, major telecom companies and internet service
providers had been supportive of the program and hence NSA was provided with humongous volumes
of data by the tech giants like Verizon. They were paid in millions by Washington in return of the
favor. The British secret agencies were also involved by the US. During the course of a decade, NSA
became extremely powerful with the aid of intelligence alliance with Britain, Australia, Canada and
23
New Zealand (together known as the Five Eyes). They had access to fibre-optic cables, telephone
metadata and servers of Google and Hotmail. According to Snowden, the spies maintained were so
powerful that they could track and target practically anybody, including the President.
Another leaked secret mission called PRISM,
speaks of a program where Silicon Valley
giants shared the data with the agencies. The
slides show the dates when the companies
apparently signed up for the program, first
one being Microsoft (11 Sep 2007), six years
after 9/11. This was followed by Yahoo(2008),
Google(2009), Facebook(2009), YouTube(2010),
Skype (2011) and lastly by Apple in 2012. The
companies, however, denied any such ties and
expressed their ‘outrage’ over the breach in
their data centers by the government.
THE SNOWDEN MAGIC.
At 24, while working in the Geneva headquarters of the CIA, he realized that the way his government
functioned was pulling apart the civil rights of his fellow citizens piece by piece. With Obama
becoming the president, he waited for him to reverse the civil liberties abuses of the Bush era as per
his election campaigns, but was disappointed to see further expansion of several abusive investigative
programmes. When he was was recruited to a more powerful position in the NSA after his stint in
CIA, it was then he came across thousands of documents of blatant spying on all the internet traffic
that went throught the US along with the rest of the members of the Five Eyes. Being one of the
1000 NSA system administrators, he had the authority to open a file without leaving a trace. It’s also
believed that he persuaded other users to entrust him with their login details. He used pen drives
to download the confidential files. Pen drives are forbidden for most of the staff but he could sneak
them in arguing he needed to use a backup while repairing corrupt profiles. He used to login from
his Hawaii headquarters to the servers located six time zones away when most of the staff had gone
to sleep. Also, he used his IT genius to ensure that no trace was left of him after crawling through
the systems. He was what is called in the IT industry, a ghost user. After several weeks, he applies
for a leave citing health issues and on 20th May 2013, he vanished. He securely delivered the data to
his carefully chosen set of journalists from the Guardian, and what followed was the most spectacular
security leaks in the history of mankind.
IMPACT ON US.
Spying by the government is acceptable as long as they stay within the constitutional limits written
for the protection of our own rights. Imagine a world where one supreme authority has the power to
monitor all opinions ever voiced upon and all the thoughts you ever let your mind escape through
speech or writing. Anything you express now could be recorded and used against you after 10 years.
Via this methodology, hundreds of people are being held captive in Guantanamo Bay, a US military
dumping ground, years without a trial with no proven connection whatsoever with any terrorist
organization. This is just the beginning. Enter a world where every move of yours is under strict
surveillance by a supreme authority and thus is capable of crushing any and every seed of potential
revolt that could be a threat to the supreme power. This is the Big Brother, watching you. As per
William Binney, former intelligence official, your entire life can be put together via different domains
and shown over time. The concentration of immense power to a single agency, when spanned about
several other countries could lead to the rise of a modern day tyrant riding the most lethal beast in
today’s era, information. Should we not be alarmed?
24
Even if a wall is impeding your way, your will is enough to crack it and assert your
freedom. Spread your branches and flourish,
carving your own way yourself.
Ritwika Das
25
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āĻ†āĻŽāĻŋ āĻ‰ā§œāĻŦīŋŊā§‹
āĻ‰ā§œā§‡ āĻ¯āĻžāĻŦīŋŊā§‹ āĨĨ
āĻ›āĻŦāĻŋ: āĻ…āĻ°ā§āĻ˜ā§āĻ¯ āĻ¤āĻ°āĻĢāĻĻāĻžāĻ°
26
āĻĸāĻŋāĻšā§â€ŒāĻ•ā§āĻ¯āĻžāĻāĻ“
āĻ†āĻ°ā§āĻ¯ā§āĻ¯āĻ‹āĻˇāĻŋ āĻĒāĻžāĻ˛
āĻŽāĻžāĻāĻ°āĻžāĻ¤, āĻŦāĻŋāĻˇāĻĻāĻžāĻāĻ¤ – āĻ†āĻŦā§‡āĻ—āĻŸāĻž pure-āĻ‡,
āĻ¤ā§āĻŽāĻŋ āĻŦāĻ˛īŋŊā§‹ āĻĒā§āĻ°ā§‡āĻŽ, āĻ†āĻŽāĻŋ Big Bang Theory!
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āĻ†āĻŽāĻŋ āĻāĻ•āĻŸāĻŋ āĻĒāĻžāĻ—āĻ˛ (āĻ•āĻžāĻŽā§œāĻžāĻ‡āĻ¨āĻž āĻ¯āĻĻāĻŋāĻ“)- āĻāĻ•āĻŸāĻŋ āĻ–āĻžāĻāĻŸāĻŋ ISI āĻ›āĻžāĻĒ āĻ¯ā§āĻ•ā§āĻ¤ āĻ‰āĻ¨-madāĨ¤
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āĻāĻ—īŋŊā§‹āĻ‡ āĻ¤āĻžāĻšāĻ˛ā§‡-
āĻŦāĻžāĻŦāĻž āĻļāĻ– āĻ•āĻ°ā§‡ āĻ¨āĻžāĻŽ āĻ°ā§‡āĻ–ā§‡āĻ›āĻŋāĻ˛ āĻ†āĻ°ā§āĻ¯ā§āĻ¯ (‘āĻ¯â€™-āĻĢāĻ˛āĻžāĻŸāĻž Birth Certificate āĻāĻ° āĻ›āĻžāĻĒāĻžāĻ° āĻ­ā§ āĻ˛āĻ“ āĻšāĻ¤ā§‡ āĻĒāĻžāĻ°ā§‡)āĨ¤
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āĻĒā§āĻ°āĻŽāĻžāĻŖ āĻ•āĻ°ā§‡ āĻĻāĻŋā§Ÿā§‡āĻ›āĻŋāĻ˛āĻžāĻŽāĨ¤
“Pen Fight āĻ–ā§‡āĻ˛ā§‡ āĻ†āĻŦāĻžāĻ° penāĻ—ā§āĻ˛īŋŊā§‹āĻ•ā§‡āĻ‡ āĻŽāĻžāĻŸāĻŋ āĻĨā§‡āĻ•ā§‡ āĻ•ā§ ā§œāĻŋā§Ÿā§‡ āĻ¨āĻŽīŋŊā§‹āĻƒ āĻ•āĻ°āĻžāĻ° āĻŽāĻžāĻ¨ā§‡āĻŸāĻž āĻ•āĻŋ āĻāĻ•āĻŸā§ āĻŦā§āĻāĻŋā§Ÿā§‡ āĻĻāĻŋāĻŦāĻŋ?”
āĻ¤āĻ–āĻ¨ āĻ•ā§āĻ˛āĻžāĻ¸ V; āĻŦāĻ¨ā§āĻ§ā§āĻ°āĻž āĻŦāĻ˛ā§‡āĻ›āĻŋāĻ˛- “āĻĒāĻžāĻ—āĻ˛â€āĨ¤
Belt āĻāĻ° buckles āĻ†āĻŸāĻ•āĻžāĻ¤ā§‡ āĻ…āĻ¸ā§āĻŦāĻ¸ā§āĻ¤āĻŋ āĻšāĻ“ā§ŸāĻžāĻ¤ā§‡ āĻšāĻžāĻ¤ āĻ¤ā§āĻ˛ā§‡āĻ›āĻŋāĻ˛āĻžāĻŽāĨ¤ Mam ( “ ’ ” āĻ†āĻ° āĻĻā§āĻŦāĻŋāĻ¤ā§€ā§Ÿ ‘a’ āĻŸāĻžāĻ° āĻ•āĻĨāĻž
āĻ¤āĻ–āĻ¨ āĻœāĻžāĻ¨āĻ¤āĻžāĻŽ āĻ¨āĻž) āĻœāĻŋāĻœā§āĻžā§‡āĻ¸ āĻ•āĻ°ā§‡āĻ›āĻŋāĻ˛ā§‡āĻ¨-
“āĻ•āĻŋ āĻšā§Ÿā§‡āĻ›ā§‡ ? ”
“āĻšāĻŋāĻ¸āĻŋ āĻĒā§‡ā§Ÿā§‡āĻ›ā§‡â€ āĻŦāĻ˛āĻžāĻ¤ā§‡ āĻ¸āĻŦāĻžāĻ‡ āĻšā§‡āĻ¸ā§‡āĻ›āĻŋāĻ˛āĨ¤ āĻ•āĻžāĻ¨ āĻ§āĻ°ā§‡ āĻĻāĻžāĻā§œ āĻ•āĻ°āĻžāĻ¤ā§‡ āĻ•āĻ°āĻžāĻ¤ā§‡ Mam āĻŦāĻ˛ā§‡āĻ›āĻŋāĻ˛ā§‡āĻ¨-
“āĻ…āĻ¸āĻ­ā§āĻ¯ āĻ•īŋŊā§‹āĻĨāĻžāĻ•āĻžāĻ° āĨ¤ Toilet āĻĒā§‡ā§Ÿā§‡āĻ›ā§‡ āĻŦāĻ˛āĻ¤ā§‡ āĻšā§Ÿ- āĻāĻŸāĻžāĻ“ āĻœāĻžāĻ¨īŋŊā§‹ āĻ¨āĻž?”
Mam āĻāĻ° āĻ•āĻĨāĻžāĻŸāĻž āĻ­āĻžāĻ°ā§€ āĻŽāĻ¨ā§‡ āĻ§āĻ°ā§‡āĻ›āĻŋāĻ˛āĨ¤ āĻŦāĻžā§œāĻŋāĻ¤ā§‡ āĻāĻ¸ā§‡ āĻ–ā§āĻŦ āĻ–āĻŋāĻĻā§‡ āĻĒāĻžāĻ“ā§ŸāĻžāĻ¤ā§‡ āĻŽāĻž āĻ•ā§‡ āĻŦāĻ˛ā§‡āĻ›āĻŋāĻ˛āĻžāĻŽ –
“āĻŽāĻž, kitchen āĻĒā§‡ā§Ÿā§‡āĻ›ā§‡â€āĨ¤
āĻ–āĻžāĻ“ā§ŸāĻž āĻšā§Ÿā§‡ āĻ¯āĻžāĻ“ā§ŸāĻžāĻ° āĻĒāĻ° āĻšāĻžāĻ‡ āĻ¤ā§āĻ˛āĻ¤ā§‡ āĻ¤ā§āĻ˛āĻ¤ā§‡ āĻ¯āĻ–āĻ¨, “bedroom āĻĒāĻžāĻšā§āĻ›ā§‡â€ āĻŦāĻ˛āĻŋ, āĻŽāĻž āĻŦāĻžāĻŦāĻžāĻ° āĻĻāĻŋāĻ•ā§‡ āĻ¸āĻ¨ā§āĻĻā§‡āĻšāĻœāĻ¨āĻ•
āĻ­ā§āĻ°ā§āĻ•ā§ āĻŸāĻŋ āĻ¨āĻŋāĻ•ā§āĻˇā§‡āĻĒ āĻ•āĻ°ā§‡ āĻœāĻŋāĻœā§āĻžā§‡āĻ¸ āĻ•āĻ°ā§‡āĻ›āĻŋāĻ˛- “āĻ“āĻ° āĻŽāĻžāĻĨāĻžā§Ÿ āĻ›āĻŋāĻŸ āĻ†āĻ›ā§‡, āĻ¤āĻžāĻ‡ āĻ¨āĻž ?”
āĻāĻ•āĻŦāĻžāĻ°, class X-āĻ āĻĒā§œāĻ¤ā§‡, āĻŦāĻ‡āĻŽā§‡āĻ˛āĻž āĻšāĻ¤ā§āĻŦāĻ°ā§‡ āĻāĻ• āĻ­āĻĻā§āĻ°āĻŽāĻšāĻŋāĻ˛āĻžāĻ•ā§‡ āĻŽāĻžāĻāĻ°āĻžāĻ¸ā§āĻ¤āĻžā§Ÿ āĻĻāĻžāĻā§œāĻŋā§Ÿā§‡ pout āĻ•āĻ°ā§‡ selfie āĻ¤ā§āĻ˛āĻ¤ā§‡
āĻĻā§‡āĻ–ā§‡, āĻŦā§āĻāĻ¤ā§‡ āĻ¨āĻž āĻĒā§‡āĻ°ā§‡, āĻ¤āĻžāĻ•ā§‡ āĻœāĻŋāĻœā§āĻžā§‡āĻ¸ āĻ•āĻ°ā§‡āĻ›āĻŋāĻ˛āĻžāĻŽ,
“āĻŦāĻžāĻĻāĻžāĻŽ āĻ­āĻžāĻœāĻž āĻ–ā§‡āĻ¤ā§‡ āĻ—āĻŋā§Ÿā§‡ āĻ īŋŊā§‹āĻāĻŸā§‡ āĻ•āĻžāĻŽā§œ āĻĒā§œāĻ˛ āĻŦā§āĻāĻŋ? āĻ†ā§ŸāĻ¨āĻž āĻ˛āĻžāĻ—āĻŦā§‡ ?”
āĻ‰āĻ¨āĻŋ āĻŽāĻ˛āĻŽā§‡āĻ° āĻ–īŋŊā§‹āĻāĻœ āĻ•āĻ°āĻŦā§‡āĻ¨ āĻ­ā§‡āĻŦā§‡āĻ›āĻŋāĻ˛āĻžāĻŽ, āĻ•āĻŋāĻ¨ā§āĻ¤ā§ āĻ†āĻŽāĻžāĻ° āĻĒā§āĻ°āĻļā§āĻ¨ āĻļā§āĻ¨ā§‡ āĻ•ā§‡āĻ¨ āĻ¯ā§‡ āĻ‰āĻ¨āĻŋ āĻ‰āĻ¤ā§āĻ¤ā§‡āĻœāĻŋāĻ¤ āĻ•āĻŖā§āĻ ā§‡ “āĻĢāĻžāĻāĻ• āĻĢāĻžāĻāĻ•
āĻĢāĻžāĻāĻ•â€ āĻŦāĻ˛ā§‡ āĻ‰āĻ āĻ˛ā§‡āĻ¨ āĻāĻŦāĻ‚ āĻ¤āĻžā§œāĻžāĻšā§ā§œīŋŊā§‹ āĻ¤ā§‡ āĻ¤āĻŋāĻ¨āĻŦāĻžāĻ°āĻ‡ āĻšāĻ¨ā§āĻĻā§āĻ°āĻŦāĻŋāĻ¨ā§āĻĻā§āĻŸāĻž miss āĻ•āĻ°ā§‡ āĻ—ā§‡āĻ˛ā§‡āĻ¨, āĻ¤āĻž āĻ āĻŋāĻ• āĻ āĻžāĻ“āĻ° āĻ•āĻ°āĻ¤ā§‡
āĻĒāĻžāĻ°āĻŋāĻ¨āĻŋāĨ¤
Class XI āĻšāĻ¤ā§‡ āĻ¨āĻž āĻšāĻ¤ā§‡ āĻ†āĻŽāĻžāĻ° āĻ¸ā§āĻ•ā§āĻ˛ā§‡āĻ° āĻĄāĻžāĻ•āĻ¨āĻžāĻŽāĻ‡ āĻšā§Ÿā§‡ āĻ—āĻŋā§Ÿā§‡āĻ›āĻŋāĻ˛ P.C.āĨ¤ ‘P’ āĻ…āĻ°ā§āĻĨāĻžā§Ž āĻĒāĻžāĻ—āĻ˛āĻž āĻ†āĻ° ‘C’ āĻŸāĻžâ€Ļ āĻ¨āĻžāĻš,
āĻ“āĻŸāĻž āĻŦāĻ°āĻ‚ āĻ†āĻœ āĻĨāĻžāĻ•āĨ¤
āĻ¤īŋŊā§‹, āĻ†āĻŽāĻŋ-āĻ‡ āĻ¸ā§‡āĻ‡ āĻĒāĻžāĻ—āĻ˛;
Last bench-āĻ āĻŦāĻ¸ā§‡ table āĻŦāĻžāĻœāĻŋā§Ÿā§‡ āĻĻāĻŋāĻ¨ āĻ•āĻžāĻŸāĻŋā§Ÿā§‡āĻ“ āĻĒāĻžāĻļ āĻ•āĻ°ā§‡āĻ›āĻŋ,
āĻŦāĻŋā§Ÿā§‡āĻŦāĻžā§œāĻŋāĻ¤ā§‡ āĻ—āĻŋā§Ÿā§‡āĻ“ Rice āĻ¨āĻž āĻšā§‡ā§Ÿā§‡ āĻ­āĻžāĻ¤ āĻšā§‡ā§Ÿā§‡āĻ›āĻŋ (āĻāĻŦāĻ‚ āĻ¤āĻž āĻīŋŊā§‹āĻ˛ āĻĻāĻŋā§Ÿā§‡ āĻŽā§‡āĻ–ā§‡ āĻ–ā§‡ā§Ÿā§‡āĻ›āĻŋ),
āĻŸā§āĻ¯āĻžāĻ•ā§āĻ¸āĻŋāĻ“ā§ŸāĻžāĻ˛āĻžāĻ•ā§‡ “āĻ•ā§ āĻ•ā§ āĻ°â€ āĻ¸āĻŽā§āĻŦā§‹āĻ§āĻ¨ āĻ•āĻ°ā§‡āĻ“ āĻĒāĻžā§œāĻžāĻ° āĻ¨ā§‡ā§œāĻŋāĻĻā§‡āĻ° āĻ˛ā§‡ā§œīŋŊā§‹ āĻŦāĻŋāĻ¸ā§āĻ•ā§āĻŸ āĻ–āĻžāĻ‡ā§Ÿā§‡āĻ›āĻŋ āĻāĻŦāĻ‚ āĻ¨āĻŋāĻœā§‡āĻ“ āĻ­ā§‡āĻ™ā§āĻ—ā§‡ āĻ–ā§‡ā§Ÿā§‡āĻ›āĻŋ
,
Rohit Shetty-āĻ° āĻ›āĻŦāĻŋ āĻ‰āĻĒāĻ­īŋŊā§‹āĻ— āĻ•āĻ°ā§‡āĻ“ āĻĒāĻĨā§‡āĻ° āĻĒāĻžāĻāĻšāĻžāĻ˛āĻŋ āĻĒā§œā§‡ āĻšīŋŊā§‹āĻ– āĻĨā§‡āĻ•ā§‡ āĻœāĻ˛ āĻ“ āĻ¨āĻžāĻ• āĻĨā§‡āĻ•ā§‡ semi āĻœāĻ˛
āĻĢā§‡āĻ˛ā§‡āĻ›āĻŋ ,
Quest āĻĨā§‡āĻ•ā§‡ āĻĒāĻ°āĻŋāĻ§āĻžāĻ¨ āĻ•āĻŋāĻ¨āĻ¤ā§‡ āĻ…āĻ•ā§āĻˇā§āĻ¯āĻŽ āĻšā§Ÿā§‡āĻ“ Freshers-āĻ āĻšāĻžāĻœāĻŋāĻ°āĻž āĻĻāĻŋā§Ÿā§‡ āĻ—ā§‡āĻ›āĻŋ,
27
FacebookāĻ āĻ¨āĻž āĻĨā§‡āĻ•ā§‡āĻ“ āĻ†āĻŽāĻžāĻ° āĻĒā§āĻ°āĻŋā§Ÿ āĻŦāĻ¨ā§āĻ§ā§āĻĻā§‡āĻ° āĻŽāĻ¨ āĻĨā§‡āĻ•ā§‡ āĻĒāĻ›āĻ¨ā§āĻĻ- āĻĨā§ā§œāĻŋ- like āĻ•āĻ°ā§‡āĻ›āĻŋ,
āĻ—āĻžāĻāĻœāĻž āĻ¨āĻž āĻŸā§‡āĻ¨ā§‡āĻ“ āĻ•āĻŦāĻŋāĻ¤āĻž āĻ˛ā§‡āĻ–āĻžāĻ° āĻšā§‡āĻˇā§āĻŸāĻž āĻ•āĻ°ā§‡āĻ›āĻŋ,
Metro āĻĨā§‡āĻ•ā§‡ āĻ¨ā§‡āĻŽā§‡ āĻ¨āĻŋāĻœā§‡āĻ•ā§‡ āĻ•ā§ ā§œāĻŋ āĻ¸ā§‡āĻ•ā§‡āĻ¨ā§āĻĄā§‡āĻ° āĻœāĻ¨ā§āĻ¯, Bhaag Milkha Bhaag modeāĻ āĻĒāĻ°āĻŋāĻŦāĻ°ā§āĻ¤āĻŋāĻ¤ āĻ¨āĻž āĻ•āĻ°ā§‡
āĻĢā§‡āĻ˛ā§‡āĻ“ āĻŽīŋŊā§‹āĻŸāĻžāĻŽā§āĻŸāĻŋ āĻ¸āĻŽā§Ÿ āĻŽāĻ¤ āĻŦāĻžā§œāĻŋ āĻĒā§ŒāĻāĻ›ā§‡ āĻ¯ā§‡āĻ¤ā§‡ āĻĒā§‡āĻ°ā§‡āĻ›āĻŋ,
āĻĒāĻ°āĻŋāĻšāĻŋāĻ¤ āĻ¨āĻ° āĻŦāĻž āĻ¨āĻžāĻ°ā§€, āĻĒāĻžāĻļā§‡āĻ° seatāĻ āĻ¯ā§‡-āĻ‡ āĻĨāĻžāĻ•, āĻ¸āĻŋāĻ¨ā§‡āĻŽāĻž āĻšāĻ˛ āĻ āĻŦāĻ¸ā§‡ āĻ¸āĻŋāĻ¨ā§‡āĻŽāĻžāĻŸāĻž-āĻ‡ āĻĻā§‡āĻ–ā§‡āĻ›āĻŋ,
āĻŦāĻŋāĻŦāĻžāĻšāĻŋāĻ¤ āĻĒā§āĻ°ā§āĻˇā§‡āĻ°āĻž āĻ¤āĻžāĻĻā§‡āĻ° āĻ…āĻ°ā§āĻ§āĻžāĻ™ā§āĻ—āĻŋāĻ¨ā§€āĻĻā§‡āĻ° āĻ†āĻ° I miss you āĻ¨āĻž āĻŦāĻ˛ā§‡ I Mrs. You āĻŦāĻ˛ā§‡ āĻĨāĻžāĻ•ā§‡āĻ¨ āĻ•āĻŋāĻ¨āĻž, āĻ­ā§‡āĻŦā§‡
āĻ°āĻžāĻ¤ āĻœā§‡āĻ—ā§‡ āĻ•āĻžāĻŸāĻŋā§Ÿā§‡āĻ›āĻŋ,
āĻŦāĻžāĻ™āĻžāĻ˛āĻŋ “āĻŦāĻ‰āĻ­āĻžāĻ¤ āĻ–ā§‡āĻ¤ā§‡ āĻ¯āĻžāĻšā§āĻ›āĻŋ” āĻŦāĻ˛āĻ¤ā§‡ āĻ˛āĻœā§āĻœāĻž āĻĒāĻžā§ŸāĻ¨āĻž, āĻ•āĻŋāĻ¨ā§āĻ¤ā§ āĻ¸ā§‡āĻ‡ āĻŦāĻ‰āĻ­āĻžāĻ¤ā§‡āĻ‡ āĻ—āĻŋā§Ÿā§‡ āĻ¨āĻŋāĻœā§‡āĻ° āĻ—ā§ƒāĻšāĻŋāĻŖā§€āĻ•ā§‡ “āĻ†āĻŽāĻžāĻ°
Mrs. .. āĻšā§‡āĻ āĻšā§‡āĻâ€ āĻŦāĻ˛ā§‡ āĻĒāĻ°āĻŋāĻšā§Ÿ āĻ•ā§‡āĻ¨ āĻĻā§‡āĻ¨, āĻ­ā§‡āĻŦā§‡ āĻŽāĻžāĻĨāĻž āĻšā§āĻ˛āĻ•ā§‡ āĻĒā§āĻ°āĻšā§āĻ° āĻ–ā§āĻ¸ā§āĻ•āĻŋ āĻ¸ā§āĻĨāĻžāĻ¨āĻšā§āĻ¯ā§āĻ¤ āĻ•āĻ°ā§‡āĻ›āĻŋ, (āĻ†āĻŽāĻžāĻ° āĻŦāĻŋāĻŦāĻžāĻšā§‡āĻ°
āĻĒāĻ° āĻ†āĻ° āĻŦāĻ‰āĻ­āĻžāĻ¤ āĻ¨ā§Ÿ, āĻ­āĻžāĻŦāĻ›āĻŋ “Mrs āĻ­āĻžāĻ¤â€ āĻĒāĻžāĻ˛āĻ¨ āĻ•āĻ°āĻŦ!)
LOLLYPOPāĻ°āĻž āĻ¯āĻĻāĻŋ āĻšāĻ āĻžā§Ž āĻšāĻžāĻ¸āĻ¤ā§‡ āĻļā§āĻ°ā§ āĻ•āĻ°ā§‡ āĻĻā§‡ā§Ÿā§‡, āĻ¤āĻžāĻšāĻ˛ā§‡ āĻ¤āĻžāĻ°āĻžāĻ“ āĻ¨āĻŋāĻœā§‡āĻĻā§‡āĻ° āĻ¨āĻžāĻŽā§‡āĻ° āĻĒā§āĻ°āĻĨāĻŽ āĻ¤āĻŋāĻ¨āĻŸā§‡ āĻ…āĻ•ā§āĻˇāĻ°
āĻ¸āĻ°āĻŦā§‡ āĻ‰āĻšā§āĻšāĻžāĻ°āĻŖ āĻ•āĻ°ā§‡ āĻ¨āĻŋāĻœā§‡āĻĻā§‡āĻ° āĻ‰āĻ˛ā§āĻ˛āĻžāĻ¸ āĻĒā§āĻ°āĻ•āĻžāĻļ āĻ•āĻ°āĻŦā§‡ āĻ•āĻŋāĻ¨āĻž, āĻāĻ‡ āĻĻā§āĻļā§āĻšāĻŋāĻ¨ā§āĻ¤āĻžā§Ÿ āĻ­ā§ āĻ—ā§‡ āĻ°āĻ•ā§āĻ¤āĻšāĻžāĻĒ āĻŦāĻžā§œāĻŋā§Ÿā§‡āĻ›āĻŋ,
āĻĻāĻžā§œāĻŋ āĻĨāĻžāĻ•āĻž āĻ“āĻ‡ āĻŦā§ŸāĻ¸ā§āĻ• āĻ­āĻĻā§āĻ°āĻ˛īŋŊā§‹āĻ•ā§‡āĻ° āĻ˛ā§‡āĻ–āĻž āĻ—āĻžāĻ¨āĻ—ā§āĻ˛īŋŊā§‹ Traffic jam āĻ āĻ†āĻŸāĻ•ā§‡ āĻ¨āĻž āĻĒā§œāĻž āĻ…āĻŦāĻ¸ā§āĻĨāĻžāĻ¤ā§‡āĻ“ āĻļā§āĻ¨ā§‡āĻ›āĻŋ āĻāĻŦāĻ‚
āĻ“āĻ¨āĻžāĻ° āĻ…āĻ¤ā§ƒāĻĒā§āĻ¤ āĻ†āĻ¤ā§āĻŽāĻžāĻ•ā§‡ āĻšā§āĻ°āĻŋ āĻ¯āĻžāĻ“ā§ŸāĻž āĻ¨īŋŊā§‹āĻŦā§‡āĻ˛āĻŸāĻžāĻ° āĻļīŋŊā§‹āĻ•ā§‡ āĻļāĻšāĻ°ā§‡āĻ° Signal-āĻ Signal-āĻ āĻ˜ā§āĻ°ā§‡ āĻŦā§‡ā§œāĻžāĻ¤ā§‡ āĻ¨āĻŋāĻˇā§‡āĻ§
āĻ•āĻ°ā§‡āĻ›āĻŋ,
āĻŦā§‡āĻ˛āĻ¤āĻ˛āĻž girls school-āĻāĻ°, āĻ•īŋŊā§‹āĻ¨īŋŊā§‹ āĻ›āĻžāĻ¤ā§āĻ°ā§€āĻ° āĻ¸āĻĻā§āĻ¯ āĻĒāĻŋāĻ¤ā§ƒ āĻŦāĻž āĻŽāĻžāĻ¤ā§ƒāĻšāĻžāĻ°āĻž āĻĒā§āĻ°ā§‡āĻŽāĻŋāĻ• āĻ¯āĻĻāĻŋ āĻšāĻ āĻžā§Ž āĻ¤āĻ˛āĻĒā§‡āĻŸā§‡ āĻ¸ā§‡āĻ‡
āĻĒā§āĻ°ā§‡āĻŽāĻŋāĻ•āĻžāĻ°āĻ‡ āĻ›īŋŊā§‹āĻā§œāĻž bouncer āĻ–ā§‡ā§Ÿā§‡ Retired hurt āĻšā§Ÿā§‡ āĻ¯āĻžā§Ÿ, āĻ¤āĻžāĻšāĻ˛ā§‡ “āĻ¨ā§āĻ¯āĻžā§œāĻž āĻŦā§‡āĻ˛āĻ¤āĻ˛āĻžā§Ÿ āĻ•ā§‡āĻ¨ āĻ—ā§‡āĻ˛?”- āĻāĻ‡
āĻĒā§āĻ°āĻļā§āĻ¨ā§‡āĻ° āĻ‰āĻ¤ā§āĻ¤āĻ° āĻŽāĻŋāĻ˛āĻŦā§‡ āĻ•āĻŋ?- āĻāĻ‡ āĻ†āĻļāĻ™ā§āĻ•āĻžā§Ÿ āĻšīŋŊā§‹āĻ–ā§‡ (āĻļā§āĻ§ā§) āĻ¸āĻ°āĻˇā§‡ āĻĻā§‡āĻ–ā§‡āĻ›āĻŋāĨ¤ (-fool āĻ¤īŋŊā§‹ āĻ†ā§ŸāĻ¨āĻžā§Ÿ āĻ°īŋŊā§‹āĻœ āĻĻā§‡āĻ–āĻŋ)
āĻšāĻžāĻ¤ā§‡āĻ° āĻ¨āĻžāĻ—āĻžāĻ˛ā§‡ āĻ…āĻ—āĻžāĻ§ space āĻĨāĻžāĻ•āĻžāĻ° āĻĢāĻ˛ā§‡ āĻ…āĻ¨ā§āĻ¤āĻ¤āĻƒ āĻĻā§āĻœāĻ¨ Astronaut āĻāĻ° āĻ­āĻžāĻ˛īŋŊā§‹āĻŦāĻžāĻ¸āĻžāĻ° āĻ¸āĻŽā§āĻĒāĻ°ā§āĻ• āĻšāĻŋāĻ°āĻ¸ā§āĻĨāĻžā§Ÿā§€ āĻšāĻŦā§‡
āĻ­ā§‡āĻŦā§‡ āĻĒā§āĻ˛āĻ•āĻŋāĻ¤ āĻŦīŋŊā§‹āĻ§ āĻ•āĻ°ā§‡āĻ›āĻŋ,
āĻŦā§‡āĻļāĻŋ plan āĻ–ā§‡āĻ˛ā§‡ āĻ•ā§€ āĻŦā§‡āĻāĻŸā§‡ āĻšāĻ“ā§ŸāĻž āĻ¯āĻžā§Ÿ? (āĻ•āĻŽ plan āĻ–ā§‡āĻ˛ā§‡ āĻ˛āĻŽā§āĻŦāĻž āĻšā§Ÿ āĻœāĻžāĻ¨āĻŋ) – āĻāĻ‡ āĻĒā§āĻ°āĻļā§āĻ¨āĻŸāĻŋ NutritionistāĻĻā§‡āĻ°
āĻ•āĻ°ā§‡ āĻ•āĻŋāĻ›ā§ āĻ¸ā§āĻŦāĻ°ā§āĻŖāĻžāĻ­ āĻ–āĻŋāĻ¸ā§āĻ¤āĻŋ- āĻ…āĻ˛āĻ™ā§āĻ•āĻžāĻ°ā§‡ āĻ¸ā§āĻ¸āĻœā§āĻœāĻŋāĻ¤ āĻšā§Ÿā§‡āĻ›āĻŋ,
āĻ¸āĻŋāĻ¨ā§‡āĻŽāĻž āĻļā§āĻ°ā§āĻ° āĻ āĻŋāĻ• āĻ†āĻ—ā§‡, āĻ¤āĻžāĻŽāĻžāĻ•āĻ¸ā§‡āĻŦāĻ¨ā§‡āĻ° āĻ•āĻžāĻ°āĻŖā§‡ āĻŽā§āĻ•ā§‡āĻļ-āĻāĻ° āĻšāĻžāĻ¸ā§āĻ¯āĻ•āĻ° āĻŽā§ƒāĻ¤ā§āĻ¯ā§
				 āĻ¨āĻžāĻ•āĻŋ
āĻ¸āĻŋāĻ¨ā§‡āĻŽāĻž āĻļā§‡āĻˇā§‡āĻ° āĻ āĻŋāĻ• āĻ†āĻ—ā§‡ āĻ¸āĻžāĻ¤āĻšāĻ˛ā§āĻ˛āĻŋāĻļāĻ¤āĻŽ attemptāĻāĻ° āĻ—ā§āĻ˛āĻŋāĻ¤ā§‡ āĻ˜āĻžā§Ÿā§‡āĻ˛ āĻšāĻ“ā§ŸāĻž āĻ¨āĻžā§ŸāĻ•ā§‡āĻ° āĻŽāĻ°ā§āĻŽāĻžāĻ¨ā§āĻ¤āĻŋāĻ• āĻŽā§ƒāĻ¤ā§āĻ¯ā§-
āĻ•īŋŊā§‹āĻ¨āĻŸāĻžā§Ÿ hamartia-āĻ° āĻĒāĻ°āĻŋāĻŽāĻžāĻŖ āĻŦā§‡āĻļāĻŋ āĻ­ā§‡āĻŦā§‡ loadsheddingāĻāĻ° āĻĻā§āĻĒā§āĻ°ā§‡ āĻŦāĻšā§ āĻŽāĻļāĻž āĻŽā§‡āĻ°ā§‡āĻ›āĻŋ,
āĻ¸āĻžāĻĻāĻž-āĻ•āĻžāĻ˛īŋŊā§‹-āĻŦāĻžāĻĻāĻžāĻŽāĻŋ-tan-āĻšā§āĻ¯āĻžāĻ¨-āĻ¤ā§āĻ¯āĻžāĻ¨ āĻ¨āĻŋāĻ°ā§āĻŦāĻŋāĻļā§‡āĻˇā§‡, āĻ•īŋŊā§‹āĻ¨āĻ“ āĻ¨ā§āĻ¯āĻžā§ŸāĻĒāĻ°āĻžā§ŸāĻŖāĻž āĻ“ āĻ¸ā§āĻ¨ā§‡āĻšāĻļā§€āĻ˛ āĻ¨āĻžāĻ°ā§€āĻ° āĻ¸āĻŽā§āĻŽā§āĻ–ā§€āĻ¨ āĻšāĻ˛ā§‡ āĻ¤āĻžāĻ•ā§‡āĻ‡
Fair & Lovely girl āĻŦāĻ˛ā§‡ āĻŽā§‡āĻ¨ā§‡ āĻ¨āĻŋāĻ¤ā§‡ āĻāĻ•āĻŸā§ āĻ“ āĻ•ā§ āĻŖā§āĻ āĻž āĻŦīŋŊā§‹āĻ§ āĻ•āĻ°āĻŦ āĻ¨āĻž āĻŦāĻ˛ā§‡ āĻ­ā§‡āĻŦā§‡ āĻ¨āĻŋā§Ÿā§‡āĻ›āĻŋ,
āĻŦāĻžāĻ¨ā§āĻ§āĻŦā§€ āĻ•ā§‡ ‘āĻ¸āĻžāĻ¨ā§€â€™ āĻ¸ā§āĻ˛āĻ­ āĻ“ āĻ¨āĻŋāĻœā§‡āĻ•ā§‡ ‘āĻšāĻžāĻ¨āĻŋ’ āĻ¸ā§āĻ˛āĻ­ āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨āĻ¤āĻž āĻĻāĻŋāĻ¤ā§‡ āĻ…āĻĒāĻžāĻ°āĻ— āĻšā§Ÿā§‡āĻ“ fluoroscent orange
āĻ˛ā§‡āĻĄāĻŋāĻ¸ āĻŦā§āĻ¯āĻžāĻ— āĻŸāĻž āĻ§āĻ°ā§‡, āĻ¸ā§‡āĻ‡ āĻ¸ā§āĻ˛āĻ­-āĻāĻ°āĻ‡ āĻŦāĻžāĻ‡āĻ°ā§‡ āĻ¨āĻŋāĻ°ā§āĻĻā§āĻŦāĻŋāĻ§āĻžā§Ÿ āĻĻāĻžāĻā§œāĻŋā§Ÿā§‡ āĻŽāĻžāĻ›āĻŋāĻ° āĻĄāĻžāĻ¨āĻžāĻ° āĻ°āĻ™ āĻŦīŋŊā§‹āĻāĻžāĻ° āĻšā§‡āĻˇā§āĻŸāĻž āĻ•āĻ°ā§‡āĻ›āĻŋ,
February āĻšīŋŊā§‹āĻĻā§āĻĻā§‹ (āĻ¸āĻ¨ā§āĻ§āĻŋāĻŦāĻŋāĻšā§āĻ›ā§‡āĻĻ āĻ…āĻ¨āĻžāĻŦāĻļā§āĻ¯āĻ•) āĻāĻ˛ā§‡ “āĻ†āĻŦīŋŊā§‹āĻ˛-āĻ¤āĻžāĻŦīŋŊā§‹āĻ˛â€āĻŸāĻž 108 āĻ¤āĻŽ āĻŦāĻžāĻ° revise āĻŽā§‡āĻ°ā§‡ āĻ•āĻžāĻŸāĻŋā§Ÿā§‡āĻ›āĻŋ,
āĻāĻŦāĻ‚ āĻ¸āĻžāĻ°āĻžāĻœā§€āĻŦāĻ¨ Cock āĻŽāĻžāĻ¨ā§‡ āĻŽīŋŊā§‹āĻ°āĻ— āĻāĻŦāĻ‚ Date āĻŽāĻžāĻ¨ā§‡ āĻ–ā§‡āĻœā§āĻ° āĻŦā§āĻā§‡ āĻāĻ¸ā§‡āĻ›āĻŋāĨ¤
āĻāĻ‡āĻ°ā§‚āĻĒ āĻĒā§āĻ°āĻšā§āĻ° āĻĒāĻžāĻ—āĻ˛āĻžāĻŽāĻŋ āĻ•āĻ°ā§‡āĻ“ āĻŦāĻŋāĻļā§āĻŦāĻžāĻ¸ āĻ•āĻ°ā§āĻ¨ āĻĻāĻžāĻĻāĻžāĻ­āĻžāĻ‡/āĻĻāĻŋāĻĻāĻŋāĻ­āĻžāĻ‡, āĻ•āĻžāĻ°īŋŊā§‹āĻ° āĻĒāĻļā§āĻšāĻžā§ŽāĻĻā§‡āĻļā§‡ āĻ¯āĻ¨ā§āĻ¤ā§āĻ°āĻŖāĻž āĻĻā§‡āĻ“ā§ŸāĻžāĻ° āĻ•īŋŊā§‹āĻ¨īŋŊā§‹
āĻĒā§āĻ°āĻ•āĻžāĻ° āĻ…āĻ­āĻŋāĻĒā§āĻ°āĻžā§Ÿ āĻ•ā§‡ āĻ•āĻ–āĻ¨āĻ“ āĻŦāĻžāĻ¸ā§āĻ¤āĻŦāĻžā§ŸāĻŋāĻ¤ āĻ•āĻ°āĻŋāĻ¨āĻŋāĨ¤ āĻ¸āĻŽāĻ¸ā§āĻ¤ Normal āĻ­āĻĻā§āĻ°āĻŽāĻšīŋŊā§‹āĻĻā§ŸāĻ—āĻŖā§‡āĻ° āĻ¨āĻŋāĻ•āĻŸ āĻ†āĻŽāĻžāĻ° āĻŦāĻŋāĻ¨ā§€āĻ¤
āĻ…āĻ¨ā§āĻ°īŋŊā§‹āĻ§, āĻĒāĻ°ā§‡āĻ° āĻŦāĻžāĻ° āĻ†āĻŽāĻžāĻ•ā§‡ āĻ¸āĻļāĻŦā§āĻĻā§‡ āĻšā§āĻŽā§āĻ• āĻĻāĻŋā§Ÿā§‡ āĻšāĻž āĻ–ā§‡āĻ¤ā§‡ āĻĻā§‡āĻ–āĻ˛ā§‡ āĻĻā§ŸāĻž āĻ•āĻ°ā§‡ āĻ…āĻŽāĻ¨ āĻ¨āĻŋāĻˇā§āĻ ā§ āĻ°āĻ­āĻžāĻŦā§‡ āĻ¤āĻžāĻ•āĻžāĻŦā§‡āĻ¨ āĻ¨āĻž;
āĻŦāĻŋāĻˇāĻŽ āĻ˛ā§‡āĻ—ā§‡ āĻ¯ā§‡āĻ¤ā§‡ āĻĒāĻžāĻ°ā§‡āĨ¤
āĻ•āĻ˛āĻ•āĻžāĻ¤āĻž āĻŦāĻŋāĻļā§āĻŦāĻŦāĻŋāĻĻā§āĻ¯āĻžāĻ˛ā§Ÿā§‡āĻ¤ā§‡ āĻ­ā§ āĻ˛ āĻ•āĻ°ā§‡ āĻĸā§ āĻ•ā§‡ āĻĒā§œā§‡āĻ›āĻŋ; āĻ†āĻŽāĻŋ āĻ†āĻ¸āĻ˛ā§‡ āĻāĻžā§œā§ āĻĻāĻžāĻ°ā§‡āĻ° āĻĒāĻĻāĻŸāĻž āĻ–āĻžāĻ˛āĻŋ āĻ†āĻ›ā§‡ āĻĻā§‡āĻ–ā§‡ āĻšāĻ˛ā§‡
āĻāĻ¸ā§‡āĻ›āĻŋāĻ˛āĻžāĻŽāĨ¤ āĻ¤īŋŊā§‹ āĻšāĻ˛ā§‡āĻ‡ āĻ¯āĻ–āĻ¨ āĻāĻ¸ā§‡āĻ›āĻŋ, āĻāĻ‡ Top to Bottom āĻĒāĻžāĻ—āĻ˛āĻ•ā§‡ āĻ¤āĻžāĻ° āĻ•ā§āĻˇā§āĻ¯āĻžāĻĒāĻžāĻŽāĻŋāĻ—ā§āĻ˛īŋŊā§‹ Practice āĻ•āĻ°āĻžāĻ°
āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨āĻ¤āĻž āĻŸā§ āĻ•ā§ āĻĻāĻŋā§Ÿā§‡ āĻŦāĻžāĻ§āĻŋāĻ¤ (āĻļāĻŋāĻ•ā§āĻˇāĻŋāĻ¤āĻ°āĻž oblige) āĻ•āĻ°āĻŦā§‡āĻ¨āĨ¤
āĻ§āĻ¨ā§āĻ¯āĻŦāĻžāĻĻāĨ¤
āĻ¨āĻŽāĻ¸ā§āĻ•āĻžāĻ°āĨ¤
Horn Ok please.
Goodnight.
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  • 3. iii āĻ‡āĻ•āĻŋāĻ° āĻŽāĻŋāĻ•āĻŋā§œ āĻĢāĻ¨ā§āĻĻāĻŋ āĻĢāĻŋāĻ•āĻŋāĻ°, āĻ•āĻ˛īŋŊā§‹ robbed āĻāĻ‡ āĻŦā§‡āĻ˛āĻž āĻ¤īŋŊā§‹ āĻĢāĻŋāĻ° āĻ—ā§āĻ°ā§, Let us āĻļā§āĻ°ā§ “āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨ - āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨â€ āĻ–ā§‡āĻ˛āĻž! āĻ•īŋŊā§‹āĻāĻ•āĻ° āĻ•īŋŊā§‹āĻāĻ•āĻ° sick cock -āĻāĻ°āĻž āĻĄāĻŋāĻŽ āĻĒāĻšāĻž āĻĒāĻš āĻ¤āĻž āĻĻāĻŋāĻ¨ āĻĢāĻŋāĻ°āĻŋāĻĄāĻŽāĻĄāĻŽā§ āĻŦā§œ āĻ•āĻŽ āĻ•āĻŽ, āĻ•ā§ āĻāĻ•ā§œā§‡ āĻŦāĻžāĻāĻšāĻžāĻ° āĻ¸ā§āĻŦāĻžāĻĻ in.
  • 5. 1 PREFACE The inception of a magazine like CONCH was not a product of some stellar idea by one of the team members. Neither was it a case of waking up one fine morning and deciding to publish a magazine over the morning cup of tea. So what exactly compelled a bunch of university students to come together and put in a collective effort and bring CONCH into existence? Passion. It is the age of the virtual media and somewhere down the line, this has subverted the significance of print media for the younger generations. There is no denying the fact that ours is the era of the smartphone, which has made it possible to carry the whole world in our pockets. E-newspapers, e-magazines and e-books are the new cool, as the youth lingo goes. But then again, this is not a tirade against this change. CONCH supports and encourages this change. After all, change is a positive sign of growth. The idea that brought CONCH into existence is based on change; change that can be heralded through the power of the pen. CONCH aims to become the voice of the masses. The people behind this enterprise were in search of a forum to give their opinions voices. The social media and the virtual zone did not suffice and in the journey of this search, CONCH was conceived in and born out of their minds. “Conch”, a word with a Sanskrit origin, is what a large sea-snail’s shell is called. The word was chosen to represent this magazine after copious amounts of deliberation amongst the team members. So, why was “conch” chosen? A little digging into the background of the word and what it means brought to the fore some metaphorical parallels to the idea with which the magazine was being conceptualized. The conch has spires in its internal structure. When blown upon, the air reverberates between them, gets amplified and the sound thus produced, is bold and demands to be heard. Literature gives instances where the conch is symptomatic of democracy and power for its possessor. These references underlined the primary purpose of CONCH- to make opinions heard loud and clear, and to give its participants a powerful platform of expression. CONCH focuses on streaming the creative forces of the individuals to make a mark. Therefore, the readers will find that CONCH is not a monolingual magazine, rendering it more powerful than any other magazine. CONCH also encourages people to express themselves through art forms other than creative writing as well. CONCH embraces diversity, coupling it with a versatility of expression. With these words, the entire family of CONCH welcomes its readers on board the journey of thoughts! ~ Nikita Sinha
  • 6. 2 Contents Are you free? Rit Chattopadhyay and Mayukh Biswas The obsolete I Debanjan Chatterjee The Long Paragraph on a Short Page by a Bricoleur, on the Notion of Freedom Dibyajit Mukherjee Blinded Vandalism Pritthwish Das Freedom needs Literature or Vice Versa Payel Halder āĻ†āĻŦāĻŋāĻ°ā§‡āĻ° āĻ°āĻ‚ āĻ¤ā§ƒāĻˇāĻŋāĻ¤āĻž āĻŦāĻ¸ā§ A Place Insane Navin Pandey Freedom of the soul from the body Paulomi Dasgupta Where do we draw the line? Medhasree Talapatra To My Love Arjun Prasad Singh āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨āĻ¤āĻž - āĻŽāĻžāĻ¨ā§‡ āĻ•āĻŋ? āĻ…āĻ°āĻŋāĻ¤āĻŋ āĻ¨āĻžāĻĨ Intestate Arjun Prasad Singh Dawn of 15th August, 1947 Ariti Nath The Whistleblower Jatin Mehta āĻ‰ā§œā§‡ āĻ¯āĻžāĻŦīŋŊā§‹ āĻ°īŋŊā§ŒāĻĻā§āĻ°āĻĻā§€āĻĒā§āĻ¤ āĻŦāĻŋāĻļā§āĻŦāĻžāĻ¸ āĻĸāĻŋāĻšā§â€ŒāĻ•ā§āĻ¯āĻžāĻāĻ“ āĻ†āĻ°ā§āĻ¯ā§āĻ¯āĻ‹āĻˇāĻŋ āĻĒāĻžāĻ˛ āĻŦāĻŋāĻ•āĻ˛ā§āĻĒ āĻ¯īŋŊā§ŒāĻ¨āĻ¤āĻž āĻ“ āĻ­āĻžāĻ°āĻ¤āĻŦāĻ°ā§āĻˇ āĻ¸īŋŊā§ŒāĻŽā§āĻ¯āĻļā§āĻ°ā§€ āĻ˜īŋŊā§‹āĻˇ āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨āĻ¤āĻž āĻ…āĻ¨āĻŋāĻ¨ā§āĻĻāĻŋāĻ¤āĻž āĻĻā§‡ āĻ†āĻŽāĻžāĻ° āĻĒāĻŋā§ŸāĻžāĻ¨īŋŊā§‹...... āĻŽāĻŖāĻŋāĻ•ā§ āĻ¨ā§āĻ¤āĻ˛āĻž āĻĻāĻžāĻļāĻ—ā§āĻĒā§āĻ¤ Pumpkin song Debanjan Chatterjee I Arpan Roy ā¤‰ā¤° ā¤œā¤žā¤¨āĨ‡ ā¤ĻāĨ‹, ā¤šā¤Ž ā¤šā¤žā¤°āĨ‡ ā¤¨ā¤šāĨ€ā¤ ā¤šāĨˆā¤ ā¤Ēā¤žā¤¯ā¤˛ ā¤šā¤žā¤˛āĨā¤Ļā¤žā¤° Freedom- an illusion or reality? Ritwika Das Freedom- A Choice? Suchandra Banerjee āĻ–īŋŊā§‹āĻāĻœ āĻĒāĻŋāĻ™ā§āĻ•āĻŋ āĻŦā§ˆāĻĻā§āĻ¯ The Writer Mayukh Biswas Freedom Paulomi Dasgupta Faces of freedom Rit Chattopadhyay Confinement Paulomi Dasgupta Until the battle’s won Soubhik Biswas āĻ§āĻ°ā§āĻŽ āĻŽā§āĻ•ā§āĻ¤ āĻ¨āĻžāĻ°ā§€āĻ° āĻĒāĻ•ā§āĻˇā§‡ āĻ¨āĻž āĻŦāĻŋāĻĒāĻ•ā§āĻˇā§‡? āĻ¸ā§āĻšāĻ¨ā§āĻĻā§āĻ°āĻž āĻŦā§āĻ¯āĻžāĻ¨āĻžāĻ°ā§āĻœā§€ NOUS SOMMES LA MATIN NOUVEAU Dibyajit Mukherjee 4 33 33 5 34 6 35 8 36 11 38 12 39 14 40 15 42 16 43 18 19 43 20 44 21 45 22 47 25 26 28 30 32
  • 7. 3 āĻ¸ā§‚āĻ°ā§āĻ¯ā§‡āĻ° āĻ°īŋŊā§ŒāĻĻā§āĻ°ā§‡ āĻ­āĻ°āĻž āĻ…āĻ¨ā§āĻ§āĻ•āĻžāĻ° āĻŸāĻžāĻ¨ā§‡āĻ˛ āĻĻāĻŋā§Ÿā§‡ āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨āĻ¤āĻžāĻ° āĻĻāĻŋāĻ•ā§‡ āĻšāĻžāĻāĻŸāĻ¤ā§‡ āĻļā§āĻ°ā§ āĻ•āĻ°āĻ˛ā§‡ āĻĒā§‡āĻ°īŋŊā§‹āĻ¤ā§‡ āĻšāĻŦā§‡ āĻ¸āĻ­ā§āĻ¯āĻ¤āĻžāĻ° āĻĒā§āĻ°āĻ¤āĻŋāĻŸāĻŋ āĻ¸āĻŋāĻā§œā§€āĨ¤ āĻāĻĨā§‡āĻ¨ā§āĻ¸ā§‡ āĻ°āĻžāĻˇā§āĻŸā§āĻ°ā§‡āĻ° āĻ¨āĻŋāĻĒā§€ā§œāĻ¨ā§‡āĻ° āĻŦāĻŋāĻ°ā§āĻĻā§āĻ§ā§‡ āĻ•āĻ°āĻž āĻ¸āĻ•ā§āĻ°ā§‡āĻ¤āĻŋāĻ¸ā§‡āĻ° āĻ¨āĻŋāĻƒāĻļāĻŦā§āĻĻ āĻ†āĻ°ā§āĻ¤āĻ¨āĻžāĻĻ āĻĨā§‡āĻ•ā§‡ āĻ‡āĻ‰āĻ°īŋŊā§‹āĻĒāĻŋā§ŸāĻžāĻ¨āĻĻā§‡āĻ° āĻŽāĻļāĻžāĻ˛ā§‡ āĻœāĻ˛āĻž āĻ¨ā§‡āĻŸāĻŋāĻ­ āĻ†āĻŽā§‡āĻ°āĻŋāĻ•āĻžāĻ¨āĻĻā§‡āĻ° āĻ­āĻŋāĻŸā§‡āĻ—ā§āĻ˛īŋŊā§‹ āĻ¯ā§‡āĻ¨ āĻœā§āĻŦāĻ˛ āĻœā§āĻŦāĻ˛ āĻ•āĻ°ā§‡ āĻ“āĻ ā§‡ āĻšīŋŊā§‹āĻ–ā§‡āĻ° āĻ¸āĻŽāĻ•ā§āĻˇā§‡āĨ¤ āĻ•āĻ˛āĻ•āĻžāĻ¤āĻžāĻ° āĻ°āĻžāĻ¸ā§āĻ¤āĻžāĻ° āĻ°ā§āĻĻā§āĻ§āĻļā§āĻŦāĻžāĻ¸ āĻ¸ā§āĻ˛ā§‹āĻ—āĻžāĻ¨ā§‡āĻ°, “āĻšāĻžāĻŽ āĻ•īŋŊā§‹ āĻ•ā§‡ā§ŸāĻž āĻšāĻžāĻšāĻŋā§Ÿā§‡ ? āĻ†āĻœāĻžāĻĻāĻŋ” āĻ° āĻĒāĻžāĻļā§‡ āĻĻā§‡āĻ–āĻ¤ā§‡ āĻĒāĻžāĻ‡, āĻ‡āĻ°āĻŽ āĻšāĻžāĻ¨ā§ āĻļāĻ°ā§āĻŽāĻŋāĻ˛āĻžāĻ° āĻ…āĻ¨āĻļāĻ¨-āĻ°āĻ¤ āĻ˛ā§œāĻžāĻ‡āĨ¤ āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨āĻ¤āĻžāĻ° āĻ¸āĻ‚āĻœā§āĻžāĻž, āĻšā§‡āĻšāĻžāĻ°āĻž, āĻ˛ā§œāĻžāĻ‡ āĻ¸āĻŦāĻ‡ āĻ¸ā§āĻĨāĻžāĻ¨ āĻ•āĻžāĻ˛ āĻĒāĻžāĻ¤ā§āĻ° āĻ…āĻ¨ā§āĻ¯āĻžā§Ÿā§€ āĻ¯ā§āĻ—ā§‡ āĻ¯ā§āĻ—ā§‡ āĻŦāĻĻāĻ˛ā§‡āĻ›ā§‡, āĻ•āĻžāĻ°īŋŊā§‹ āĻŦāĻž āĻāĻ°ā§‡āĻ›ā§‡ āĻ°āĻ•ā§āĻ¤ , āĻ•ā§‡āĻ‰ āĻŦāĻž āĻŦāĻ°āĻŖ āĻ•āĻ°ā§‡āĻ›ā§‡ āĻŽā§ƒāĻ¤ā§āĻ¯ā§āĻ•ā§‡ āĻ•āĻŋāĻ¨ā§āĻ¤ā§ āĻŽāĻžāĻ¨āĻŦ āĻ¸āĻ­ā§āĻ¯āĻ¤āĻžāĻ° āĻ†āĻ°āĻ“ āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨ āĻšāĻ“ā§ŸāĻžāĻ° āĻ˛ā§‡āĻ˛āĻŋāĻšāĻžāĻ¨ āĻ˛īŋŊā§‹āĻ­ā§‡ āĻ­āĻžāĻāĻŸāĻž āĻĒā§œā§‡āĻ¨āĻŋ āĻāĻ•āĻŸā§ āĻ“āĨ¤ āĻšā§ŸāĻ¤ āĻ¸āĻ­ā§āĻ¯āĻ¤āĻžāĻ° āĻ¸ā§āĻ¤āĻ° , āĻ¸āĻžāĻŽāĻžāĻœāĻŋāĻ• āĻ°ā§€āĻ¤āĻŋ āĻ¨ā§€āĻ¤āĻŋ āĻ āĻŋāĻ• āĻ•āĻ°ā§‡ āĻĻā§‡ā§Ÿ āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨āĻ¤āĻžāĻ° āĻ¸ā§€āĻŽāĻžāĻ°ā§‡āĻ–āĻžāĻ•ā§‡, āĻ†āĻ° āĻ¯ā§āĻ—ā§‡ āĻ¯ā§āĻ—ā§‡ āĻāĻ• āĻŦāĻŋāĻĒā§āĻ˛āĻŦā§‡āĻ° āĻā§œ āĻ¤āĻ›āĻ¨āĻ› āĻ•āĻ°ā§‡ āĻĻāĻŋā§Ÿā§‡ āĻ¯āĻžā§Ÿ āĻĒā§āĻ°āĻ¨īŋŊā§‹ āĻ¸āĻ‚āĻœā§āĻžāĻžāĻ•ā§‡, āĻ¤ā§ˆāĻ°āĻŋ āĻšā§Ÿ āĻ¨āĻ¤ā§āĻ¨ āĻ…āĻ°ā§āĻĨ, āĻŽāĻžāĻ¨āĻŦāĻœāĻžāĻ¤āĻŋ āĻšāĻ˛āĻ¤ā§‡ āĻļā§āĻ°ā§ āĻ•āĻ°ā§‡ āĻāĻ• āĻ¨āĻ¤ā§āĻ¨ āĻĻāĻŋāĻ—āĻ¨ā§āĻ¤ā§‡āĻ° āĻĻāĻŋāĻ•ā§‡āĨ¤ āĻ•āĻŋāĻ¨ā§āĻ¤ā§ āĻŽāĻžāĻ¨āĻŦ āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨āĻ¤āĻž āĻ¯ā§‡āĻ¨ āĻāĻ• āĻ…āĻ¨ā§āĻ¤āĻŦāĻŋāĻšā§€āĻ¨ “āĻĒāĻ°āĻžāĻ§ā§€āĻ¨ā§‡â€ āĻ†āĻŦāĻĻā§āĻ§ ,āĻĒā§āĻ°āĻ•ā§ƒ āĻ¤āĻŋāĻ° āĻ•āĻžāĻ›ā§‡ āĻšāĻžāĻ° āĻŽā§‡āĻ¨ā§‡āĻ›ā§‡ Homo Sapiens, āĻšāĻžāĻ° āĻŽā§‡āĻ¨ā§‡āĻ›ā§‡ āĻŽāĻšāĻžāĻŦāĻŋāĻļā§āĻŦā§‡āĻ° āĻ¸ā§‡āĻ‡ āĻ¸āĻŦ āĻ…āĻœāĻžāĻ¨āĻž āĻ—ā§āĻ˛īŋŊā§‹āĻ¤ā§‡ āĻ¯āĻž āĻŽāĻžāĻ¨āĻŦ āĻ¸āĻ­ā§āĻ¯āĻ¤āĻžāĻ° āĻ…āĻ¨ā§‡āĻ• āĻŠāĻ°ā§āĻ§ā§āĻŦā§‡, āĻšāĻžāĻ° āĻŽā§‡āĻ¨ā§‡āĻ›ā§‡ āĻāĻ‡ āĻ¸āĻšāĻ¸ā§āĻ° āĻŦā§āĻ°āĻšā§āĻŽāĻžāĻŖā§āĻĄā§‡ āĻ¨āĻŋāĻœā§‡āĻ° āĻŦā§āĻ¯āĻ•ā§āĻ¤āĻŋ āĻ•ā§‡āĻ¨ā§āĻĻā§āĻ°āĻŋāĻ• āĻāĻ•āĻžāĻ•ā§€āĻ¤ā§āĻŦā§‡āĻ° āĻ•āĻžāĻ›ā§‡āĨ¤ āĻšāĻžāĻ° āĻŽā§‡āĻ¨ā§‡āĻ›ā§‡ āĻāĻ•ā§‡ āĻ…āĻĒāĻ°ā§‡āĻ°ā§‡ āĻ§āĻ°ā§āĻŽ , āĻ…āĻ°ā§āĻĨ ,āĻŦāĻ°ā§āĻŖ, āĻœāĻžāĻ¤āĻŋ, āĻ˛āĻŋāĻ™ā§āĻ—, āĻ­āĻžāĻˇāĻžāĻ° āĻŦā§ˆāĻˇāĻŽā§āĻ¯ā§‡āĻ° āĻ•āĻžāĻ›ā§‡ ,āĻšāĻžāĻ° āĻŽā§‡āĻ¨ā§‡āĻ›ā§‡ āĻāĻ•ā§‡ āĻ…āĻĒāĻ°āĻ•ā§‡ āĻĒāĻ°āĻžāĻ§ā§€āĻ¨ āĻ•āĻ°āĻžāĻ° āĻŦāĻžāĻ¸āĻ¨āĻžāĻ° āĻ•āĻžāĻ›ā§‡āĨ¤ “āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨āĻ¤āĻž āĻ•ā§‡āĻ‰ āĻĻā§‡ā§Ÿ āĻ¨āĻž āĻ›āĻŋāĻ¨āĻŋā§Ÿā§‡ āĻ¨āĻŋāĻ¤ā§‡ āĻšā§Ÿ “ āĻšā§ŸāĻ¤īŋŊā§‹ “āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨āĻ¤āĻžâ€ āĻ›āĻŋāĻ¨āĻŋā§Ÿā§‡ āĻ¨ā§‡āĻŦā§‡ āĻ†āĻ—āĻžāĻŽā§€ āĻĻāĻŋāĻ¨ā§‡āĻ° āĻĒā§āĻ°āĻ¤āĻŋāĻŸāĻŋ āĻŽāĻžāĻ¨ā§āĻˇ āĻ•āĻŋāĻ¨ā§āĻ¤ā§ āĻŽāĻ¤āĻžāĻĻāĻ°ā§āĻļā§‡āĻ° āĻ°āĻžāĻ‡āĻĢā§‡āĻ˛ āĻ°ā§‡āĻ–ā§‡ āĻŦāĻ˛āĻŦīŋŊā§‹ ,āĻ¤āĻž āĻ¯ā§‡āĻ¨ āĻ•āĻžāĻ°īŋŊā§‹āĻ° āĻĒāĻ°āĻžāĻ§ā§€āĻ¨āĻ¤āĻžāĻ° āĻŦāĻĻāĻ˛ā§‡ āĻ¨āĻž āĻšā§ŸāĨ¤ āĻ˛ā§‡āĻ–āĻž: āĻĒā§ƒāĻĨā§āĻŦā§€āĻļ āĻĻāĻžāĻ¸ , āĻ›āĻŦāĻŋ: āĻĒā§‚āĻœāĻž āĻŦāĻŋāĻļā§āĻŦāĻžāĻ¸ “ āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨āĻ¤āĻž āĻ•ā§‡āĻ‰ āĻĻā§‡ā§Ÿ āĻ¨āĻž āĻ›āĻŋāĻ¨āĻŋā§Ÿā§‡ āĻ¨āĻŋāĻ¤ā§‡ āĻšā§Ÿ ”
  • 8. 4 â€ĸ Athens (399 B.C.) - Socrates was silenced to death for his ideas and preaching against the views of the State. â€ĸ Spain (1492-1502) - Spanish Emperor Ferdinand forced the entire Jewish and Muslim population to convert into Catholicism or else be expelled. â€ĸ Italy (1633-1642) - Galileo Galilei was kept under house arrest because of his scientific views were dissimilar to the views of the Church. â€ĸ Vancouver, Canada(1914) - A Japanese ship, Komagata Maru, was travelling to Vancouver, Canada, carrying 376 passengers from Punjab, British India. 352 of them were not allowed to land in Canada, and was forced to return to India, due to various exclusion laws in both Canada and the United States designed to keep out immigrants of only Asian origin. â€ĸ Germany (1930’s and 40’s) - In Nazi Germany Jews killed in gas chambers and were brutally burnt alive in large numbers. â€ĸ Iran(1989) - A Muslim religious leader  Ayatollah Khomeini  issued a  religious edict  condemning author  Salman Rushdie  to death for the publication of The Satanic Verses. Freedoom Are you free? Rit Chattopadhyay and Mayukh Biswas Do you think you are free? Or are you not? Oh, got you! You are partially free! In any case, no matter where on the freedom-scale you belong or the quality and extent of freedom you enjoy, have you ever thought why we use this seven-letter word to signify an ecstatic state of liberated and emancipated existence? My friend, when we use this word we are actually in debt to a series of linguistic inflections, some of that is even untraceable. The collective wisdom of all the dictionaries in this world, suggest something like this: the power or right to behave or act in a way or a number of ways that a person may desire. Then, can we say, that the right to do whatever we want, whenever we want and wherever we want, is freedom? The word “freedom” can be broken into “free” and “–dom” (very predictable!). The suffix “–dom” is derived from Old English “-dom” meaning “state, condition, authority and jurisdiction”; having origin in Proto-Germanic “-*domaz”, meaning “to place, to set”. The word “free” has a distinct Germanic origin, its literal modern day translation being “freiheit”. The word is actually more closely derived from the German word “friede” (originally “firth”, which means “peace”). My humble apologies for such boring sentences, but do not take off your eyes just yet! Here comes the interesting part- it is believed that the archaic term “firth” was applied to signify the time of peace between two Germanic clans when their blood feud was held at bay by the God “Freda” or “Frita”. Thus, even when we look at the word from etymological perspective, we conclude that freedom gives peace; or put it in a better way, freedom is peace; peace is freedom; or are they twins? The Constitution of India contains the right to freedom, given  in articles 19, 20, 21, 21A and 22, with the view of guaranteeing individual rights that were considered vital by the framers of the constitution. It is a cluster of four main laws. The right to freedom in Article 19 guarantees six freedoms one of them being the Freedom of Speech and Expression. However, at certain given conditions, the State can impose reasonable restrictions in the interests of the sovereignty and integrity of India, the security of the State, friendly relations with foreign States, public order, “decency, or morality” or in relation to contempt of court, defamation, or incitement to an offence. Now, the question that arises is, which and what are we to consider decent or moral and vice-versa? Is peeing in public decent? Is kissing in public moral?
  • 9. 5 Thus, even when we look at the word from etymological perspective, we conclude that freedom gives peace; or put it in a better way, freedom is peace; peace is freedom; or are they twins? Do we all have a common source of peace? Do we all find freedom in doing the same thing? If not, then? The obsolete I Debanjan Chatterjee What holds sway and what puts forth are complimentary constructs in an era of economic development that closely mark the terms pre-modern,modern and henceforth. Chronology of compartmentalisation will suffer,as each trend has its own inter-disciplinary nature. I know you won’t get me and neither do I. Just take for instance,certain wealthy countries who have created a distinct psychological and physical environment that has significantly affected the way the human mind perceives and builds reality. You are curious,so do I. Pop in at times. How exactly is the post-modern freedom? How exactly do you know of itsnature? Is it essentially economic? Yes. It is economic unbounded by the instituions of state,country and international structure. This freedom denies a body of law makers , my choice determines my post-modern condition.The paradox lies elsewhere,in the realisation that inequality in human society is the product of human will and this brooding trend license “independence”,not just “freedom” independent of the human will. If you ask me close,freedom in today world inspite of having its origin in the gross economic progress exists outside the usual socio- political constructs. More curious,ain’t so?I am here to sprout tension. The tension has begun sprouting outward from an obsolete ‘below’, preventing the human mind from performing its usual lazy habit of mediocrity and demands expansion of intellectual realms. Explode the past? Or shall we dismiss long narratives of history that had dominated Indian philosophical and spiritual thought? The condition is in a state of ceaseless becoming.And we?Inherently unstable. Now,as often perceived this instability is not however destructive. The post-modern instability is the condition’s greatest strength. The framework is inexplicably yes and it is this indefinability that lends suppport to the condition. So,where do we lead? Do we ever lead? We just perceive the senses,all of them;our physical becomes one with our psyche with a manufacturing ‘then.’ And you burst into laughter. like I did once. Freedom is a difference,uniquely material surrounded by materials.You aren’t disrespectful, nor was Sharapova. Its time. You better plug some mouths. â€ĸ Jammu & Kashmir, India(1985-95) - Kashmiri Pandits were threatened to death by the Jihadists. They were almost forced to leave their homeland in large numbers in the 90’s. â€ĸ Uttar Pradesh, India(1992) - On December 6, 1992, a large crowd of Hindu karsevaks(volunteers) entirely destroyed the 16th-century Babri mosque in Ayodhya, Uttar Pradesh, India . â€ĸ Bangladesh (1994) - Bangladeshi muslims  issued a religious decree calling for the death of poet and author  Taslima Nasrin  because she raised women’s rights issues in her novel Lajja. â€ĸ Jammu & Kashmir, India( 2013)- In February 2013, A fatwa was released by a mufti against a girl band, claiming that “music is not good for society”, and “All bad things happening in the Indian society are because of music.” â€ĸ Tamil Nadu, India (2015) - Perumal Murugan explores the tyranny of caste and pathologies ofa particular community in tearing the couple apart and destroying their marriage in his novel, Madhubhagan. The people of the particular community protested against Murugan and humiliated him. Strangled
  • 10. 6 The Long Paragraph on a Short Page by a Bricoleur, on the Notion of Freedom Dibyajit Mukherjee “I think where I am not, so I am where I think not” ~ Lacan The idea of freedom can be linked to this Lacanian deconstruction of the Descartean philosophy of “Cogito Ergo Sum” (I think therefore I am). Freedom is an idea. The expressions of it vary largely. One system’s freedom can be said to be an(other) system’s shackles. No, I am not referring to Charlie Chaplin’s famous quote from The Great Dictator where the barber disguised as Hinckle (Hitler) says “Dictators free themselves but enslave the people”. What I am trying to say, is that freedom as a concept is structured like an idea but its expressions are always already embedded in political ideology. The best example of this can be found in a forgotten Hollywood classic named They Live by director John Carpenter in 1988. It tells the story of John Nada (nada in Spanish means “nothing”, a pure subject devoid of all substantial content), a homeless worker in Los Angeles who while roaming around the city enters into an abandoned church and finds there a strange box full of sunglasses and when he puts one of them on walking along the L.A.streets, he discovers something weird. These glasses function like a “critique of ideology” glasses. They allow you to see the real message beneath all the posters and advertisements bombarding us all the time. For example he sees an advertisement board where an agency is asking him to “come and enjoy the Carribean” to carry the connotation “Marry and reproduce”. Now lets come to the point. Today’s fashion is to say that we live in a post-ideological society but I believe that it is today’s society that is more and more interpellated, that is addressed by social authority not as subjects who should do their duty but subjects of pleasures where we are told- “Be yourself”, “Live a satisfying and happy life”, “Enjoy”, “Chill”, “Do not think so much”. When we too put our glasses on we will be seeing this dictatorship in what we call democracy. Our apparent freedom is actually dictatorship which has been normalised systematically by coercive institutions of the state mainly branched into the ideological state apparatus (schools, Universities etc) and Repressive State Apparatus ( police, military etc). According to our common sense we think that ideology is something blurring and confusing our straight view (or simple view). Ideology is not simply imposed on ourselves but it is our spontaneous or free relationship to our social world, how we perceive its meaning. We enjoy our ideology. To step out of ideology it hurts and is a painful experience which is rendered brilliantly in another scene of the film where John Nada the protagonist forces his best friend to wear those glasses. It may appear irrational as to why they are fighting over these glasses and why does this “best friend” refuse to wear these glasses and does it very violently. This is because he is afraid to come out of the lie that he has chosen to accept and live with and that truth can be painful and shatter many of our illusions. This is the paradox that we have to accept. We must accept the extreme violence of liberation and we must be forced to be free. If we trust our spontaneity of well-being then we might never become free. Freedom hurts. Therefore what is freedom today? In order to be actually free, that is to do what one wants, one certainly would like to have the state and other forces taking care of things with one’s choice but even when one is unaware about them. On the other hand are we aware when we freely choose or choices are pre-determined? This is why the last revelations by Wiki-Leaks is so important. They are about TISA(Trade in Services Agreement), a mega important trade agreement about the free flow of finances and informations which is something that will pre-determine the contours of economy for decades to come and not only are the negotiations secret but we learn that even the agreement itself, if it will be accepted will remain secret for around five years. The most dangerous form of non- freedom is freedom which is not even perceived but then there is another form of freedom which has a disastrous impact and has a dangerous implication. For example we are bombarded by messages which are politically correct (Do not be a racist, smoking is injurious, do not rape a woman, be careful what you eat, discipline yourself etc etc). It is here that the people are more and more the dictated message’s other. Here racism prevails, smoking prevails, raping prevails and every other thing prevails which is not “supposed” to. Here freedom assumes it’s more terrifying structure. This is where to
  • 11. 7 use Conrad’s words in The Secret Sharer we become strangers to our own selves. We are living in a society which has been conditioned to accept this explosion of false-freedom. True freedom means looking into and questioning the pre-suppositions of everything that is given to us by our hegemonic ideology, including the freedom to question the nature of “freedom” itself. True freedom is the power to understand the economic conditions which is responsible for the misery the lives of the majority and then have the ability to go against it. I would like to end by choosing the lines of student-turned Revolutionary Ernesto Che Guevara to define the message of true freedom: Like everyone, I wanted to succeed. I dreamed of becoming a famous medical research scientist; I dreamed of working indefatigably to discover something which would be used to help humanity, but which signified a personal triumph for me. I was, as we all are, a child of my environment. After graduation, due to special circumstances and perhaps also to my character, I began to travel throughout America, and I became acquainted with all of it. Except for Haiti and Santo Domingo, I have visited, to some extent, all the other Latin American countries. Because of the circumstances in which I traveled, first as a student and later as a doctor, I came into close contact with poverty, hunger and disease; with the inability to treat a child because of lack of money; with the stupefaction provoked by the continual hunger and punishment, to the point that a father can accept the loss of a son as an unimportant accident, as occurs often in the downtrodden classes of our American homeland. And I began to realize at that time that there were things that were almost as important to me as becoming a famous or making a significant contribution to medical science: I wanted to help those people.
  • 12. 8 Blinded Vandalism Pritthwish Das Expression and Blinded Vandals The names, the profiles which disturb the day dreaming of every days civilized life and forces us towards the origin of “Logic” which develops into a “doubt” and “doubt” which evolves itself into an unanswerable question “why?” .Even after Knowledge has poured its riches into human mind and science bared sustenance of rationality, 21st century still observes the barbarous bloodshed and horrendous institutionalized oppression in a state of”order” and global village of “democracy”. As a microscopic organism of the entire creation I identify this as not only an unjust distribution of polished reasoning among God’s unfortunate images but as an incurable and costumed plague of intolerance which hypnotizes mankind in preposterous commotion. The last century has been predominantly commanded by havoc scientific inventions and its commoditized implementations in the market; the two massive world wars in the name of nationalized madness and painted heroism causing millions of unnatural human aspirations; experiments with bloody revolutions for a new dawn which never arrived and ascendancy of globalized economy to sum up the entire game of aspirations by a certain class. The prolific achievement of man in the last century seems to be its tedious quest for equality among” men and men” ,“men and women” and “men, women and other genders” with its counter journey of vice-versa and human progression in understanding all the civilizations which was in its way to become “one”. But unfortunately the present scenario makes us express our concerns and drags us back to the history of racial absoluteness in Fascist Italy or Nazi Germany. As the martyrs against spiritual blindness Dabholkar, Abhijit Roy, Humayun Azad are victimized in the open roads, as Hussains, Nasrins and Murugans are either forced to leave their respective nations for insecurity or “die” in their fields and as the most effective tool of civilization (expression) has been obstructed with “law”(Documentaries like “India’s Daughters”) or by hooliganism (Charlie Hebdo) . Are these the right paths?? question remains. From the Pages of History Civilization took its course and with time bounded human species more and more into boundaries of a set of laws. The Greeks were perhaps one of the first to attain a conscience which still influences the modern world. But interestingly the history of the hindrance of “freedom to express” began its course from this era itself when Socrates was murdered through poisoning by the city state of Athens as he was preaching a set of ideals which were different from the traditional form. Being part of ancient history it is controversial and disparate among views but it remains as the earliest example. Galileo Galilee was imprisoned and punished through state law as he questioned the canonized faith and presented a “truth” which later carves human history with new dimensions. Galilee expressed his own view about the earth revolving round the sun which was monstrous sin to the church hence imprisonment. We turn these pages as unnecessary portions of 4th standard history but surprisingly this question has travelled time to haunt us at present.
  • 13. 9 Art, Literature and intolerance in recent past Spiritualism was arguably born in India and philosophy of extremely progressive society as well as utterly regressive kind existed here side by side for thousands of years. And perhaps that is the reason why charvaka exists with Shankara’s Brahma in the country. But in last 20-30 years the things have been different with the rise of right wing hooliganism in almost all the countries of the subcontinent. The story begins with Dr M.F Hussain whose stature as a world class painter is unquestionable and whose heroics in the art form re-established Indian iconography throughout the world. Hussain was highly influenced by ancient Indian epics of Ramayana and Mahabharata and presented the characters through Indian style of scriptures from the early days of his career. In 1996 when the entire country is under the dark days of rising right wing fundamentalism , he was deliberately targeted by a particular political group because his work. They raised questions against Hussain’s presentation of Hindu goddesses which were mostly nude . Hussain was forced to leave India and he spent rest of his life in London and Doha till his death. Salman Rushdie, another great author of Indian origin was bashed with death threats from around the world and Iranian Islamic head Khomeni even declared the cost of his head. Rushdie’s fourth novel The Satanic Verses was highly controversial because of the perspective through which he countered Islamic scriptureso . Several of Rushdie’s visits are either postponed or cancelled because of alarming protests by several Islamic groups in India. Taslima Nasrin , a well known Bengali writer became one of such victims in Bangladesh. Nasrin questioned Sharia law and called for the revision of Quran as she found the Islamic scriptures unfit for women in the modern society. She openly wrote her mind in her works like “Lajja” and hence was threatened to death by a right wing group. Later few hundred demonstrators called her “an apostate” who was planted by other “imperial forces” to “vilify Islam” according to them. After 2 months of hiding in 1994 she was forced to leave Bangladesh. Perumal Murugan The beginning of 2015 in Social media awoke with a shocking statement from a Tamil author. “Perumal Murugan the writer is dead” Murugan a famous tamil writer and teacher came under the scanner of controversies when his novel “Madhurobhagan” was translated into English as “One Part Women”. Murugan explores the tyranny of caste and pathologies in a community in South India in the novel. He presented the oppression of women in that particular community through traditional norms and beliefs. Soon after its translation triggered immense protests by the community to which the author himself is a part of the author was forced to hang up his creative pen. In a civilized society every citizen has a right to express their view whether in favour or against the present notion of the society. It is meaningless to ban somebody or use violence against him/her to restrict the new ideas which augments the society. It is a question why these hooligans who threaten Hussain does not protest against the nude carvings of Ajanta Elora and other Hindu temples. Are they in favour of demolishing ancient Hindu scriptures in order to “purify” Indian culture? or lack of knowledge and intellect are the causes of such violent reactions. If Rushdie is even responsible for presenting his views against Islamic scriptures should he not be allowed to present his own perspective. Today the swords of the fundumentalists are mightier than Rushdie’s pen and yes it is unfortunate. Are the death threats on Nasrin justifiable in the answer to her opposition to the doctrines, question remains. And to speak of the incident of Murugan, who was clinical in pointing out the backwardness of his own community was forced into silence is an absolute example of conventional oppression. Martyrs of Humanity Over the last few years intolerance has been in its epitome both in India and around the world. The names like Narendra Dabholkar , Humayun Azad and very recently Abhijit Ray and Charlie Hebdo still torment us. All of these bright personalities pledged their war against superstitious beliefs and unscientific doctrines which are the foundations of oppression to a particular class , gender or individual freedom as a whole. Narendra Dabholkar became a social activist in 1980’s and involved himself in the movements like Baba Adhav’s “One Village-one well Agitation”. Later he focused on the obliteration
  • 14. 10 of superstition and rights of the Dalits. Dabholkar’s activism against superstition and black magic is evident in various parts of Maharashtra and he strongly pressed on anti superstition and black magic bill which was passed by Maharashtra Legislative Assembly, a day after his death. Dabholkar who neglected various death threats were ultimately assassinated in 2013 in public. Both Azad and Roy are almost Bangladeshi counterparts of Dabholkar. Roy who became popular through his active blogging against religious irrationality was recently murdered while he was returning from a Book fair in Dhaka. Roy’s independent voice against religious extremism in Bangladesh made a mark among Bangladeshi youth who got out of their homes in protest of such a barbaric homicide. Charlie Hebdo Another incident which shook the world off was the attack in the office of a French Satirical Magazine “Charle Hebdo”. About twelve of the staffs were shot dead in Paris by two terrorists who allegedly claimed themselves to be “the saviours of Islam”. Charlie Hebdo is one of the leading magazines in French which was famous for its satiric cartoons, jokes and ironic tone. Perhaps their light hearted jokes which entertained people in their breakfast tables made the hooligans too impulsive to heat up their guns. A huge rally of thousands of Frenchmen came out in the streets of Paris in support and the phrase “Je Suis Charlie”(I am Charlie) became highly popular in socal media. The matter of the fact is the religious extremism is on its rise and it should be taken care of by people who believe themselves to be civilized and not animal skinned. Death threats and murders have become so prominent in the cases of religious intolerance that the establishment should rebuild their ideas in countering them. In the name of Law We, Indians declare our pride as citizens of our nation(by supporting Indian Cricket Team) and satisfaction towards the constitution but raise our eye brows towards the system. We complain very often “the system is of rotten roots”. But I don’t agree as the system is still powerful enough to limit adults to watch something or to read something. As we are fools enough to decide on our choice , the establishment decides on it. The recent ban on AIB roast, a show which presented entertainment through nonsense jokes uplifted quite a few questions on the role of government in banning media stuff. Are we not educated or grown ups to decide for ourselves. More recently a documentary on the infamous Delhi rape case is also outlawed in the name of the nation’s pride. The discussion about the documentary in the parliament was quite interesting to watch as more people stood in favour of the prohibition of the video instead of analyzing the raw facts of the country’s situation which is in absolute favour of patriarchy and quite unfit for women to live. It is not comprehendible to me that in the world’s largest democracy where the citizens have the right to choose the entire government are unfortunately not literate enough to stick into their own choice of things and the establishment’s interference becomes “necessity”.
  • 15. 11 Freedom needs Literature or Vice Versa Payel Halder As a native of India being a student of literature(CU)”Freedom and Literature” seemed surreal to us in the recent past. However, literature itself always relates to freedom,either by creating or writing. Literature is a wonderful medium which conveys, maintains and appreciates freedom between writers and readers. Compared to other forms of art, it is the most modest, relying on words only. The way it connects people - writers and readers or readers and readers - is through freedom.whereas in a movie, viewers simply follow one scene after another. For example, while watching Gone With the Wind, viewers experience Clark Gable as Rhett Butler and Vivien Leigh as Scarlett O’Hara. But while reading the novel by Margaret Mitchell, readers can imagine anyone as Rhett Butler or Scarlett O’Hara. The simple sentence “The Sun rises” can be imagined differently by different readers, but a movie scene of a sunrise can only be the same for every viewer. That is why literature is a truly free art form for both writers and readers. However, publishing is not always related to freedom. In india we had the Press Scrutiny Board from many decades. This censorship board prohibited the publication of some literary works. In the early 1980s, it took from one to two years to get permission to publish a novel. Even with permission, there would be much editing. Sometimes writers decided not to publish because of immense and nonsensical editing by the censorship board. For periodicals at that time, we didn’t need to submit manuscripts before printing, but we did need to submit the print copy before distribution. In the early 1990s, the censorship board would ask for the removal of paragraphs or whole short stories or articles from printed periodicals before they were distributed. So we would put black or silver ink over the paragraphs, or glue facing pages together, or rip out some pages. In the early 2000s, the censorship board asked us to submit before printing any form of literature or books, including advertisement pages. Then there were no more ugly magazine pages: all forced editing was completed before printing. Just before the censorship board abolished its process in mid-2012, a weekly current affairs journal would be submitted three times before it was printed and one time before it was distributed. That is why it was impossible to have regional papers in places far from the office of the Press Scrutiny Board and where people from ethnic minorities live. For this reason, media or literature in ethnic languages was almost impossible to establish. This process prohibited not only the freedom of the press but also pluralism in the press. Investors and owners didn’t want editors who were willing to test tolerance or censorship, or take the costly and time-consuming risk of reprinting manuscripts. Some editors refrained from accepting any work which might be censored heavily. As no definitive rules were set out by the censorship board, it was sometimes hard to predict what might be censored or not. And since all publication houses need a licence to operate, there were risks in publishing some works: the termination of a licence, going to trial under restricted printing law, being put in prison. Eventually writers were forced to give up the freedom to think and write as they wished. Arnab Maity
  • 16. 12 āĻ†āĻŦāĻŋāĻ°ā§‡āĻ° āĻ°āĻ‚ āĻ¤ā§ƒāĻˇāĻŋāĻ¤āĻž āĻŦāĻ¸ā§ āĻ†āĻŽāĻžāĻĻā§‡āĻ° āĻ•āĻ˛āĻ•āĻžāĻ¤āĻž āĻāĻ•āĻŸāĻŋ āĻ—āĻ˛ā§āĻĒā§‡āĻ° āĻļāĻšāĻ°āĨ¤ āĻ¤āĻžāĻ° āĻ†āĻ¨āĻžāĻšā§‡ āĻ•āĻžāĻ¨āĻžāĻšā§‡ āĻ°īŋŊā§‹āĻœ āĻŦā§‡ā§œā§‡ āĻ‰āĻ āĻ›ā§‡ āĻāĻ•āĻŸāĻŋ āĻ•āĻ°ā§‡ āĻ¨āĻ¤ā§ āĻ¨ āĻ—āĻ˛ā§āĻĒāĨ¤ āĻĻāĻŋāĻ¨ āĻļā§‡āĻˇ āĻšāĻ“ā§ŸāĻžāĻ° āĻ†āĻ—ā§‡āĻ° āĻŽā§āĻšā§‚āĻ°ā§āĻ¤ā§‡āĻ° āĻĢā§ āĻ°āĻŋā§Ÿā§‡ āĻ†āĻ¸āĻž āĻšāĻžāĻ˛āĻ•āĻž āĻ—īŋŊā§‹āĻ˛āĻžāĻĒā§€ āĻ†āĻ˛īŋŊā§‹āĻ¤ā§‡ āĻ†āĻ˛īŋŊā§‹āĻ•āĻŋāĻ¤ āĻ—āĻ™ā§āĻ—āĻžāĻ° āĻ§āĻžāĻ°ā§‡āĻ° āĻ¸ā§‡āĻ‡ āĻ›īŋŊā§‹āĻŸā§āĻŸ āĻ­āĻžāĻ™ā§āĻ—āĻž āĻŦā§‡āĻžā§āĻšāĻŸāĻž, āĻļā§€āĻ¤ā§‡āĻ° āĻĻā§āĻĒā§āĻ°ā§‡ āĻ†ā§œāĻŽīŋŊā§‹ā§œāĻž āĻ­āĻžāĻ™ā§āĻ—āĻž āĻ•āĻ˛āĻ•āĻžāĻ¤āĻžāĻ° āĻāĻ•āĻ˛āĻž āĻ—āĻ˛āĻŋ, āĻĒāĻžā§œāĻžāĻ° āĻŽīŋŊā§‹ā§œā§‡āĻ° āĻĒā§āĻ°āĻ¨īŋŊā§‹ āĻŦāĻžā§œāĻŋāĻŸāĻžāĻ° āĻ¸ā§‡āĻ‡ āĻ›īŋŊā§‹āĻŸā§āĻŸ āĻŦāĻžāĻ°āĻžāĻ¨ā§āĻĻāĻž āĻ¸āĻžāĻ•ā§āĻˇā§€ āĻāĻŽāĻ¨āĻ‡ āĻ•āĻ¤ āĻŽā§āĻšā§‚āĻ°ā§āĻ¤ā§‡āĻ°, āĻ¯āĻž āĻ¨āĻŋāĻœā§‡āĻ° āĻŽāĻ¤ āĻ¨āĻŋāĻļā§āĻšā§āĻĒā§‡ āĻœāĻ¨ā§āĻŽ āĻĻāĻŋā§Ÿā§‡ āĻšāĻ˛ā§‡āĻ›ā§‡ āĻ•āĻ¤ āĻ…āĻœāĻžāĻ¨āĻž āĻ—āĻ˛ā§āĻĒā§‡āĻ°āĨ¤ āĻāĻŽāĻ¨āĻ‡ āĻāĻ• āĻ—āĻ˛ā§āĻĒā§‡āĻ° āĻ¸āĻžāĻ•ā§āĻˇā§€ āĻ†āĻŽāĻžāĻ° āĻŦāĻžā§œāĻŋāĻ° āĻāĻ‡ āĻ›īŋŊā§‹āĻŸā§āĻŸ āĻšāĻŋāĻ˛ā§‡āĻ•īŋŊā§‹āĻ āĻžāĻ° āĻ˜āĻ° āĻ¯ā§‡āĻ–āĻžāĻ¨ā§‡ āĻŦāĻ¨ā§āĻĻā§€ āĻ°ā§Ÿā§‡āĻ›ā§‡ āĻ†āĻŽāĻžāĻ° āĻ¸āĻ•āĻ˛ āĻ…āĻ¨ā§āĻ­ā§‚ āĻ¤āĻŋāĨ¤ āĻ†āĻŽāĻŋ āĻ§āĻžāĻ¨āĻ¸āĻŋāĻā§œāĻŋāĨ¤ āĻ•āĻ˛ā§‡āĻœ, āĻĒā§œāĻžāĻļā§āĻ¨āĻž, āĻŦāĻ¨ā§āĻ§ā§ āĻŦāĻžāĻ¨ā§āĻ§āĻŦ āĻ†āĻ° āĻŽāĻž āĻŦāĻžāĻŦāĻž āĻ•ā§‡ āĻ˜āĻŋāĻ°ā§‡ āĻ—ā§œā§‡ āĻ“āĻ āĻž āĻ†āĻŽāĻžāĻ° āĻĒā§ƒāĻĨāĻŋāĻŦā§€āĻ¤ā§‡ āĻ¯ā§‡āĻ¨ āĻšāĻ āĻžā§ŽāĻ‡ āĻ°āĻ‚ āĻ˛āĻžāĻ—ā§‡ āĻ†āĻŦāĻŋāĻ°ā§‡āĻ°āĨ¤ āĻ¸ā§‡āĻ‡ āĻ†āĻŦāĻŋāĻ° āĻ­āĻžāĻ˛īŋŊā§‹āĻŦāĻžāĻ¸āĻžāĻ° āĻ†āĻŦāĻŋāĻ°āĨ¤ āĻ†āĻŽāĻžāĻ° āĻ†āĻŦāĻŋāĻ°āĨ¤ āĻ†āĻšā§āĻ›āĻž āĻ­āĻžāĻ˛īŋŊā§‹āĻŦāĻžāĻ¸āĻžāĻ° āĻ•āĻŋ āĻ—āĻ¨ā§āĻ§ āĻĨāĻžāĻ•ā§‡? āĻ¨āĻž āĻ•āĻŋ āĻļā§āĻ§ā§āĻ‡ āĻ†āĻŽāĻžāĻ° āĻŽāĻ¨ā§‡āĻ° āĻ­ā§ āĻ˛? āĻ†āĻŦāĻŋāĻ° āĻāĻ¸ā§‡āĻ›āĻŋāĻ˛ āĻ†āĻŽāĻžāĻ° āĻœā§€āĻŦāĻ¨ā§‡ āĻīŋŊā§‹ā§œīŋŊā§‹ āĻšāĻžāĻ“ā§ŸāĻžāĻ° āĻŽāĻ¤ āĻ¯āĻžāĻ° āĻ¸āĻžāĻĨā§‡ āĻ¨āĻŋāĻœā§‡āĻ•ā§‡ āĻ­āĻžāĻ¸āĻŋā§Ÿā§‡ āĻĻāĻŋāĻ¤ā§‡ āĻāĻ• āĻŽā§āĻšā§‚āĻ°ā§āĻ¤ā§‡āĻ° āĻ¸āĻ™ā§āĻ•ā§‹āĻš āĻ“ āĻ†āĻŽāĻŋ āĻŦīŋŊā§‹āĻ§ āĻ•āĻ°āĻŋāĻ¨āĻŋāĨ¤ āĻ•āĻŋ āĻ›āĻŋāĻ˛ āĻ“āĻ° āĻ¸ā§‡āĻ‡ āĻ…āĻĒā§‚āĻ°ā§āĻŦ āĻ¸ā§āĻ¨ā§āĻĻāĻ° āĻĻā§â€™āĻŸīŋŊā§‹ āĻ­ā§‡āĻœāĻž āĻ•āĻžāĻ˛īŋŊā§‹ āĻšīŋŊā§‹āĻ–ā§‡āĻ° āĻšāĻžāĻšāĻ¨āĻŋāĻ¤ā§‡ āĻ¯āĻž āĻĻā§‡āĻ–ā§‡ āĻ†āĻŽāĻŋ āĻ¨āĻŋāĻœā§‡āĻ° āĻ¸āĻŦāĻŸā§ āĻ•ā§ āĻ­ā§ āĻ˛ā§‡ āĻ¯ā§‡āĻ¤ā§‡ āĻŦāĻžāĻ§ā§āĻ¯ āĻšāĻ˛āĻžāĻŽ āĻ†āĻ° āĻŽāĻ¨ā§‡ āĻŽāĻ¨ā§‡ āĻ¨āĻŋāĻœā§‡āĻ° āĻ…āĻ¸ā§āĻ¤āĻŋāĻ¤ā§āĻŦāĻ•ā§‡ āĻŽāĻŋāĻļāĻŋā§Ÿā§‡ āĻĻāĻŋāĻ˛āĻžāĻŽ āĻ“āĻ° āĻ­āĻžāĻ˛āĻŦāĻžāĻ¸āĻžāĻ° āĻ¸āĻžāĻĨā§‡? āĻĒā§āĻ°āĻĨāĻŽ āĻĻāĻŋāĻ¨ā§‡āĻ° āĻ¸ā§‡āĻ‡ āĻŦā§ƒāĻˇā§āĻŸāĻŋ āĻ­ā§‡āĻœāĻž āĻ¸āĻ¨ā§āĻ§ā§āĻ¯āĻžāĻŸā§ āĻ•ā§ āĻ° āĻ—āĻ¨ā§āĻ§ āĻ¯ā§‡āĻ¨ āĻ†āĻŽāĻžāĻ° āĻ­āĻžāĻ˛īŋŊā§‹āĻŦāĻžāĻ¸āĻžāĻ° āĻ˜ā§āĻ°āĻžāĻŖ āĻšā§Ÿā§‡ āĻ‰āĻ āĻ˛āĨ¤ āĻ…āĻ°ā§āĻ•ā§āĻŸāĻ•ā§‡ āĻ¸ā§‡āĻĻāĻŋāĻ¨ āĻŽāĻ¨ā§‡ āĻŽāĻ¨ā§‡ āĻ…āĻ¸āĻ‚āĻ–ā§āĻ¯ āĻ§āĻ¨ā§āĻ¯āĻŦāĻžāĻĻ āĻœāĻžāĻ¨āĻŋā§Ÿā§‡ āĻ¨āĻŋāĻœā§‡āĻ•ā§‡ āĻ­ā§ āĻ˛ā§‡ āĻšā§Ÿā§‡ āĻ‰āĻ āĻ˛āĻžāĻŽ āĻ†āĻŦāĻŋāĻ°ā§‡āĻ° āĻ­āĻžāĻ˛īŋŊā§‹āĻŦāĻžāĻ¸āĻžāĻ° āĻ°āĻ‚āĨ¤ āĻāĻ‡ āĻ•āĻ˛āĻ•āĻžāĻ¤āĻž āĻ¸ā§‡āĻĻāĻŋāĻ¨ āĻĨā§‡āĻ•ā§‡ āĻšā§Ÿā§‡ āĻ‰āĻ āĻ˛ āĻ­āĻžāĻ˛īŋŊā§‹āĻŦāĻžāĻ¸āĻžāĻ° āĻļāĻšāĻ°, āĻ•āĻžāĻ›ā§‡ āĻ†āĻ¸āĻžāĻ° āĻļāĻšāĻ°āĨ¤ āĻ¯ā§‡āĻ–āĻžāĻ¨ā§‡ āĻŦāĻ¸āĻ¨ā§āĻ¤ āĻāĻ•āĻŽāĻžāĻ¤ā§āĻ° āĻ‹āĻ¤ā§ āĨ¤ āĻ¯ā§‡āĻ–āĻžāĻ¨ā§‡ āĻ¸āĻ¨ā§āĻ§ā§āĻ¯āĻž āĻŽāĻžāĻ¨ā§‡ āĻ—āĻ™ā§āĻ—āĻžāĻ° āĻŦā§āĻ•ā§‡ āĻ¨āĻŋāĻ­ā§‡ āĻ†āĻ¸āĻž āĻ†āĻ˛īŋŊā§‹āĻ¤ā§‡ āĻāĻ•ā§‡ āĻ…āĻĒāĻ°āĻ•ā§‡ āĻ­āĻžāĻ˛āĻŦāĻžāĻ¸āĻž āĻœāĻžāĻ¨āĻžāĻ¨īŋŊā§‹ āĻļā§āĻ§ā§ āĻ…āĻĒāĻ˛āĻ• āĻĻā§ƒāĻˇā§āĻŸāĻŋāĻ¤ā§‡ āĻšā§‡ā§Ÿā§‡, āĻ¯ā§‡āĻ–āĻžāĻ¨ā§‡ āĻ°āĻžāĻ¤ā§āĻ°āĻŋ āĻŽāĻžāĻ¨ā§‡ āĻļā§āĻ§ā§āĻ‡ āĻ¨āĻŋāĻ­ā§ƒ āĻ¤ā§‡ āĻ—āĻ­ā§€āĻ° āĻšāĻ¤ā§‡ āĻĨāĻžāĻ•āĻž āĻĒā§āĻ°ā§‡āĻŽ, āĻ†āĻ° āĻ¸āĻ•āĻžāĻ˛ā§‡āĻ° āĻŽāĻžāĻ¨ā§‡ āĻšā§Ÿā§‡ āĻ‰āĻ āĻ˛ āĻ†āĻ°ā§‡āĻ•āĻŸāĻž āĻ¨āĻ¤ā§ āĻ¨ āĻĻāĻŋāĻ¨ā§‡ āĻĻā§āĻœāĻ¨ā§‡āĻ° āĻĻā§āĻœāĻ¨āĻ•ā§‡ āĻ¨āĻ¤ā§ āĻ¨ āĻ­āĻžāĻŦā§‡ āĻ–ā§āĻāĻœā§‡ āĻĒāĻžāĻ“ā§ŸāĻžāĻ° āĻ†āĻ¸āĻžāĨ¤ āĻ†āĻŦāĻŋāĻ° āĻ†āĻŽāĻžāĻ•ā§‡ āĻœā§œāĻŋā§Ÿā§‡ āĻ¨āĻŋāĻ˛īŋŊā§‹ āĻ¤āĻžāĻ° āĻĒā§āĻ°āĻ¤āĻŋ āĻĻāĻŽ āĻŦāĻ¨ā§āĻ§ āĻšā§Ÿā§‡ āĻ¯āĻžāĻ“ā§ŸāĻž āĻ­āĻžāĻ˛īŋŊā§‹āĻŦāĻžāĻ¸āĻžāĻ¤ā§‡, āĻ¯ā§‡ āĻ­āĻžāĻ˛īŋŊā§‹āĻŦāĻžāĻ¸āĻž āĻļā§āĻ§ā§āĻ‡ āĻŦā§‡āĻāĻšā§‡ āĻĨāĻžāĻ•āĻžāĻ° āĻœāĻ¨ā§āĻ¯ āĻœāĻ¨ā§āĻŽāĻžā§Ÿ, āĻ¯ā§‡ āĻ­āĻžāĻ˛īŋŊā§‹āĻŦāĻžāĻ¸āĻž āĻ¤ā§ˆāĻ°āĻŋ āĻ•āĻ°ā§‡ āĻ¨ā§‡ā§Ÿ āĻ¨āĻŋāĻœā§‡āĻ° āĻāĻ•āĻŸāĻž āĻĨāĻžāĻ•āĻžāĻ° āĻļāĻšāĻ°; āĻ¯ā§‡āĻ–āĻžāĻ¨ā§‡ āĻ¸āĻŦ āĻ°āĻ™ā§āĻ—āĻŋāĻ¨, āĻ¯ā§‡āĻŸāĻž āĻ¸āĻŦ āĻĒā§‡ā§Ÿā§‡āĻ›āĻŋāĻ° āĻļāĻšāĻ°āĨ¤ āĻ•āĻŋāĻ¨ā§āĻ¤ā§ āĻœā§€āĻŦāĻ¨ āĻ¯ā§‡ āĻāĻ¤ āĻ°āĻ™āĻŋāĻ¨ āĻ¨ā§Ÿ! āĻļā§āĻ§ā§ āĻ­āĻžāĻ˛īŋŊā§‹āĻŦāĻžāĻ¸āĻž āĻŽāĻžāĻ¨ā§āĻˇā§‡āĻ° āĻšīŋŊā§‹āĻ–ā§‡ āĻ¤ā§ āĻ˛ā§‡ āĻĻā§‡ā§Ÿ āĻāĻ• āĻ°āĻ™āĻŋāĻ¨ āĻšāĻļāĻŽāĻž āĻ¯āĻž āĻ–āĻ¸ā§‡ āĻĒā§œāĻ˛ā§‡ āĻ†āĻ° āĻāĻ‡ āĻĒā§ƒāĻĨāĻŋāĻŦā§€āĻ•ā§‡ āĻ°āĻ™āĻŋāĻ¨ āĻŽāĻ¨ā§‡ āĻšā§ŸāĻ¨āĻžāĨ¤ āĻ¤āĻ–āĻ¨ āĻ•āĻ˛āĻ•āĻžāĻ¤āĻž āĻšā§Ÿā§‡ āĻ“āĻ ā§‡ āĻ¸ā§‡āĻ‡ āĻšāĻŋāĻ°āĻžāĻšāĻ°āĻŋāĻ¤āĻ“ āĻļā§€āĻ¤ā§‡āĻ° āĻļāĻšāĻ° āĻ¯ā§‡āĻ–āĻžāĻ¨ā§‡ āĻŦāĻ¸āĻ¨ā§āĻ¤ āĻ†āĻ¸ā§‡āĻ¨āĻž, āĻ¯ā§‡āĻ–āĻžāĻ¨ā§‡ āĻ—āĻ™ā§āĻ—āĻžāĻ° āĻŦā§āĻ•ā§‡ āĻ­ā§‡āĻ¸ā§‡ āĻĨāĻžāĻ•āĻž āĻ¨īŋŊā§ŒāĻ•īŋŊā§‹āĻĻā§‡āĻ° āĻŽāĻ§ā§āĻ¯ā§‡ āĻ•īŋŊā§‹āĻ¨āĻ“ āĻ—āĻ˛ā§āĻĒ āĻœāĻ¨ā§āĻŽ āĻ¨ā§‡ā§Ÿ āĻ¨āĻž, āĻ¯ā§‡āĻ–āĻžāĻ¨ā§‡ āĻ¸āĻ•āĻžāĻ˛ āĻ†āĻ° āĻ°āĻžāĻ¤ āĻšā§Ÿā§‡ āĻ“āĻ ā§‡ āĻ…āĻĢā§ āĻ°āĻ¨ā§āĻ¤ āĻ“ āĻĻā§āĻ°ā§āĻŦāĻŋāĻˇāĻšāĨ¤ āĻ āĻŋāĻ• āĻ¸ā§‡āĻ‡āĻ­āĻžāĻŦā§‡āĻ‡ āĻāĻ• āĻŦāĻ›āĻ° āĻ§āĻ°ā§‡ āĻ—ā§œā§‡ āĻ¤īŋŊā§‹āĻ˛āĻž āĻ†āĻŽāĻžāĻĻā§‡āĻ° āĻ¸ā§‡āĻ‡ āĻ¸ā§āĻŦāĻĒā§āĻ¨ āĻ°āĻžāĻœā§āĻ¯ āĻ†āĻœ āĻ•ā§‡āĻŦāĻ˛ āĻŽāĻžāĻ¤ā§āĻ° āĻ†āĻŽāĻžāĻ° āĻ­āĻžāĻŦāĻ¨āĻžāĻ° āĻĻā§‡āĻļ; āĻ¯ā§‡āĻ–āĻžāĻ¨ āĻĨā§‡āĻ•ā§‡ āĻ†āĻ° āĻ•ā§‡āĻ‰ āĻ†āĻŽāĻžāĻ° āĻ¨āĻžāĻŽ āĻ§āĻ°ā§‡ āĻĄāĻžāĻ•ā§‡āĻ¨āĻž, āĻ¯ā§‡āĻ–āĻžāĻ¨ā§‡ āĻ†āĻ° āĻ•ā§‡āĻ‰ āĻ†āĻŽāĻžāĻ° āĻ…āĻĒā§‡āĻ•ā§āĻˇāĻž āĻ•āĻ°ā§‡ āĻĨāĻžāĻ•ā§‡āĻ¨āĻžāĨ¤ āĻ¸ā§‡āĻ‡ āĻ…āĻĒā§‚āĻ°ā§āĻŦ āĻ¸ā§āĻ¨ā§āĻĻāĻ° āĻĻā§â€™āĻŸīŋŊā§‹ āĻšīŋŊā§‹āĻ–ā§‡ āĻ˛ā§‡āĻ—ā§‡ āĻĨāĻžāĻ•āĻž āĻšāĻžāĻ¸āĻŋ āĻ†āĻœāĻ“ āĻŽāĻžāĻā§‡ āĻŽāĻžāĻā§‡ āĻ†āĻŽāĻžāĻ° āĻŽāĻ§ā§āĻ¯ā§‡ āĻļāĻŋāĻšāĻ°āĻŖ āĻœāĻžāĻ—āĻŋā§Ÿā§‡ āĻ¯āĻžā§Ÿ, āĻ•āĻŋāĻ¨ā§āĻ¤ā§ āĻ¸ā§‡āĻ‡ āĻ¸ā§āĻ¨ā§āĻĻāĻ° āĻšīŋŊā§‹āĻ–ā§‡āĻ° āĻ…āĻ§āĻŋāĻ•āĻžāĻ°ā§€āĻ•ā§‡ āĻ†āĻ° āĻĒāĻžāĻļā§‡ āĻ–ā§āĻāĻœā§‡ āĻĒāĻžāĻ‡ āĻ¨āĻž āĻ†āĻŽāĻžāĻ°āĨ¤ āĻ•ā§‡āĻ¨ āĻ¯ā§‡ āĻāĻ•āĻŸāĻž āĻŽāĻžāĻ¨ā§āĻˇ āĻ†āĻ°ā§‡āĻ•āĻŸāĻž āĻŽāĻžāĻ¨ā§āĻˇ āĻ•ā§‡ āĻ­ā§ āĻ˛ āĻŦā§āĻā§‡ āĻĻā§‚āĻ°ā§‡ āĻ¸āĻ°ā§‡ āĻ¯āĻžā§Ÿ! 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  • 17. 13 āĻ¸ā§āĻ¨ā§āĻĻāĻ° āĻĻā§â€™āĻŸīŋŊā§‹ āĻšīŋŊā§‹āĻ–ā§‡ āĻļā§āĻ§ā§ āĻ­āĻžāĻ˛īŋŊā§‹āĻŦāĻžāĻ¸āĻž āĻœā§œāĻžāĻ¨īŋŊā§‹ āĻ…āĻĒā§‡āĻ•ā§āĻˇāĻžāĨ¤ āĻ†āĻ° āĻ āĻŋāĻ• āĻ¤āĻžāĻ° āĻĒāĻ°ā§‡āĻ° āĻŽā§āĻšā§‚āĻ°ā§āĻ¤ā§‡āĻ‡ āĻĻā§āĻ°ā§‡ āĻĻā§‡āĻ–āĻž āĻ¯āĻžā§Ÿ āĻāĻ•āĻŸāĻŋ ā§§ā§Ŧ āĻŦāĻ›āĻ°ā§‡āĻ° āĻŽā§‡ā§Ÿā§‡ āĻĻīŋŊā§Œā§œā§‡ āĻĒā§‡āĻ°āĻŋā§Ÿā§‡ āĻ†āĻ¸āĻ›ā§‡ āĻ°āĻžāĻ¸ā§āĻ¤āĻž, āĻšīŋŊā§‹āĻ–ā§‡ āĻŽā§āĻ–ā§‡ āĻ¤āĻžāĻ°āĻ“ āĻāĻ•āĻ‡ āĻ­āĻžāĻ˛īŋŊā§‹āĻŦāĻžāĻ¸āĻž āĻœā§œāĻžāĻ¨īŋŊā§‹ āĻ…āĻĒā§‡āĻ•ā§āĻˇāĻž; āĻŽā§‡ā§Ÿā§‡āĻŸāĻŋ āĻ¸āĻžāĻŽāĻ¨ā§‡ āĻāĻ¸ā§‡ āĻĒā§ŒāĻāĻ›āĻ¤ā§‡āĻ‡ āĻ›ā§‡āĻ˛ā§‡āĻŸāĻŋ āĻ¤āĻžāĻ° āĻ­āĻžāĻ˛īŋŊā§‹āĻŦāĻžāĻ¸āĻž āĻœā§œāĻžāĻ¨īŋŊā§‹ āĻ—āĻ˛āĻžā§Ÿ āĻĄā§‡āĻ•ā§‡ āĻ“āĻ ā§‡, “...āĻ§āĻžāĻ¨..”āĨ¤ āĻšīŋŊā§‹āĻ– āĻ–ā§āĻ˛ā§‡ āĻĻā§‡āĻ–āĻŋ āĻ†āĻŽāĻŋ āĻ†āĻœ ā§¨ā§Ļā§§ā§ĒāĻ¤ā§‡ āĻĻāĻžāĻā§œāĻŋā§Ÿā§‡ āĻšāĻžāĻ° āĻŦāĻ›āĻ° āĻ†āĻ—ā§‡āĻ° āĻ†āĻŽāĻŋāĻ•ā§‡ āĻ–ā§āĻāĻœāĻ¤ā§‡ āĻ—āĻŋā§Ÿā§‡ āĻ†āĻŦāĻžāĻ° āĻāĻ‡ āĻŦāĻžāĻ¸ā§āĻ¤āĻŦāĻ•ā§‡ āĻ­ā§ āĻ˛āĻ¤ā§‡ āĻŦāĻ¸ā§‡āĻ›āĻŋāĻ˛āĻžāĻŽāĨ¤ āĻ­ā§ āĻ˛āĻ¤ā§‡ āĻŦāĻ¸ā§‡āĻ›āĻŋāĻ˛āĻžāĻŽ āĻ¯ā§‡ āĻ†āĻŦāĻŋāĻ° āĻ†āĻœ āĻ†āĻŽāĻžā§Ÿ āĻ›āĻžā§œāĻž āĻ­āĻžāĻ˛īŋŊā§‹ āĻ†āĻ›ā§‡āĨ¤ āĻ•ā§‡ āĻœāĻžāĻ¨ā§‡ āĻšā§ŸāĻ¤īŋŊā§‹ āĻ†āĻœ āĻ“āĻ° āĻ¸ā§āĻ¨ā§āĻĻāĻ° āĻĻā§āĻŸīŋŊā§‹ āĻšīŋŊā§‹āĻ–ā§‡ āĻœāĻžā§ŸāĻ—āĻž āĻ•āĻ°ā§‡ āĻ¨āĻŋā§Ÿā§‡āĻ›ā§‡ āĻ…āĻ¨ā§āĻ¯ āĻāĻ•āĻœāĻ¨ā§‡āĻ° āĻ¸ā§āĻŦāĻĒā§āĻ¨, āĻ¯ā§‡ āĻ¸ā§āĻŦāĻĒā§āĻ¨āĻ•ā§‡ āĻ“ āĻ†āĻ° āĻ­āĻžāĻ™ā§āĻ—āĻ¤ā§‡ āĻĻā§‡āĻŦā§‡ āĻ¨āĻžāĨ¤ āĻšā§ŸāĻ¤ āĻ†āĻœ āĻ“āĻ‡ āĻ¸ā§āĻ¨ā§āĻĻāĻ° āĻšāĻžāĻ¤āĻ—ā§āĻ˛īŋŊā§‹ āĻ†āĻ°ā§‡āĻ•āĻœāĻ¨ āĻ•āĻžāĻ°īŋŊā§‹āĻ° āĻšāĻžāĻ¤ā§‡ āĻ§āĻ°ā§‡ āĻ“āĻ•ā§‡ āĻ†āĻŦāĻžāĻ° āĻŦāĻžāĻāĻšāĻ¤ā§‡ āĻļā§‡āĻ–āĻžāĻšā§āĻ›ā§‡āĨ¤ āĻ•āĻŋāĻ¨ā§āĻ¤ā§ ... āĻ†āĻŽāĻŋ āĻ¯ā§‡ āĻāĻŸāĻž āĻšāĻžāĻ‡āĻ¨āĻž... āĻ†āĻŽāĻŋ āĻ¯ā§‡ āĻ†āĻœāĻ“ āĻ“āĻ•ā§‡ āĻ›āĻžā§œāĻž āĻ…āĻ¸āĻŽā§āĻĒā§‚āĻ°ā§āĻŖ āĻāĻ• āĻœā§€āĻŦāĻ¨ āĻ•āĻžāĻŸāĻžāĻšā§āĻ›āĻŋāĨ¤ āĻ“ āĻ•āĻŋ āĻŦā§āĻāĻŦā§‡āĻ¨āĻž? āĻ“ āĻ•āĻŋ āĻāĻ‡ āĻ­āĻžāĻ˛īŋŊā§‹āĻŦāĻžāĻ¸āĻžāĻ° āĻ—āĻ¨ā§āĻ§ āĻ•īŋŊā§‹āĻ¨āĻĻāĻŋāĻ¨ āĻĒāĻžāĻŦā§‡āĻ¨āĻž? āĻ¸āĻŽā§ŸāĻŸāĻž āĻāĻ–āĻ¨ āĻļā§āĻ°āĻžāĻŦāĻŖ āĻŽāĻžāĻ¸ā§‡āĻ° āĻŽāĻžāĻāĻžāĻŽāĻžāĻāĻŋ .... āĻŦāĻžāĻ‡āĻ°ā§‡ āĻ¤ā§ āĻŽā§āĻ˛ āĻŦā§ƒāĻˇā§āĻŸāĻŋāĻ¤ā§‡ āĻ°āĻžāĻ¸ā§āĻ¤āĻžāĻ° āĻ˛ā§āĻ¯āĻžāĻŽā§āĻĒāĻĒīŋŊā§‹āĻ¸ā§āĻŸā§‡āĻ° āĻ†āĻ˛īŋŊā§‹ āĻ˜īŋŊā§‹āĻ˛āĻžāĻŸā§‡ āĻĻā§‡āĻ–āĻžāĻšā§āĻ›ā§‡āĨ¤ āĻ¯ā§‡āĻ¨ āĻšāĻžāĻĒāĻž āĻāĻ• āĻŽāĻ¨ āĻ–āĻžāĻ°āĻžāĻĒā§‡āĻ° āĻ–ā§Ÿā§‡āĻ°āĻŋ āĻ°āĻ‚ āĻ†āĻœ āĻ•āĻ˛āĻ•āĻžāĻ¤āĻžāĻ° āĻ¸āĻ¨ā§āĻ§ā§āĻ¯ā§‡āĻ¤ā§‡āĻ“ āĻ˛ā§‡āĻ—ā§‡ āĻ°ā§Ÿā§‡āĻ›ā§‡āĨ¤ āĻ•āĻŋ āĻ¯ā§‡āĻ¨ āĻļīŋŊā§‹āĻ¨āĻž āĻ¯āĻžāĻšā§āĻ›ā§‡ āĻĻā§āĻ°ā§‡? āĻ“... āĻĢīŋŊā§‹āĻ¨āĻŸāĻž āĻāĻ• āĻ­āĻžāĻŦā§‡ āĻŦā§‡āĻœā§‡ āĻšāĻ˛ā§‡āĻ›ā§‡ āĻĒāĻžāĻļā§‡āĻ° āĻ˜āĻ°ā§‡āĨ¤ āĻāĻ‡ āĻ¸āĻŽā§Ÿ āĻ†āĻŦāĻžāĻ° āĻ•ā§‡? āĻĒā§āĻ°āĻŦāĻ˛ āĻ…āĻ¨āĻŋāĻšā§āĻ›āĻžāĻ° āĻ¸āĻžāĻĨā§‡ āĻ—āĻŋā§Ÿā§‡ āĻĢīŋŊā§‹āĻ¨āĻŸāĻž āĻšāĻžāĻ¤ā§‡ āĻ¨āĻŋā§Ÿā§‡ āĻĻā§‡āĻ–āĻŋ āĻ…āĻšā§‡āĻ¨āĻž āĻ¨āĻžāĻŽā§āĻŦāĻžāĻ° āĻĢīŋŊā§‹āĻ¨ā§‡āĻ° āĻ¸ā§āĻ•ā§āĻ°āĻŋāĻ¨ā§‡āĨ¤ āĻŦīŋŊā§‹āĻ¤āĻžāĻŽ āĻŸāĻŋāĻĒā§‡ “āĻšā§āĻ¯āĻžāĻ˛īŋŊā§‹â€ āĻŦāĻ˛āĻž āĻ¸āĻ¤ā§āĻ¤ā§āĻŦā§‡āĻ“ āĻ“āĻĒāĻžāĻļā§‡ āĻ¸āĻŦ āĻšā§āĻĒāĻšāĻžāĻĒ, āĻļā§āĻ§ā§ āĻšāĻžāĻĒāĻž āĻ¨āĻŋāĻļā§āĻŦāĻžāĻ¸ā§‡āĻ° āĻ“āĻ āĻž āĻĒā§œāĻžāĻ° āĻļāĻŦā§āĻĻāĨ¤ āĻ•ā§Ÿā§‡āĻ• āĻŽā§āĻšā§‚āĻ°ā§āĻ¤ā§‡āĻ° āĻ¨ā§€āĻ°āĻŦāĻ¤āĻžāĨ¤ āĻ¤āĻžāĻ°āĻĒāĻ°ā§‡āĻ‡ āĻ¸ā§‡āĻ‡ āĻšā§‡āĻ¨āĻž āĻ—āĻ˛āĻžāĻ° āĻ¸ā§āĻŦāĻ° “āĻ§āĻžāĻ¨...” āĻĻā§āĻ°ā§‡ āĻ•īŋŊā§‹āĻĨāĻžā§Ÿ āĻ¯ā§‡āĻ¨ āĻāĻ•āĻŦāĻžāĻ° āĻŽā§‡āĻ˜ āĻĄāĻžāĻ•āĻ˛īŋŊā§‹, āĻ†āĻ° āĻ¤āĻžāĻ° āĻ¸āĻžāĻĨā§‡ āĻāĻ• āĻāĻ˛āĻ• āĻ āĻžāĻŖā§āĻĄāĻž āĻŦā§ƒāĻˇā§āĻŸāĻŋ āĻ­ā§‡āĻœāĻž āĻšāĻžāĻ“ā§ŸāĻž āĻāĻ¸ā§‡ āĻāĻžāĻāĻĒāĻŋā§Ÿā§‡ āĻĒā§œāĻ˛ āĻ†āĻŽāĻžāĻ° āĻ‰āĻĒāĻ° āĻœāĻžāĻ¨āĻ˛āĻž āĻĻāĻŋā§Ÿā§‡āĨ¤ āĻĢīŋŊā§‹āĻ¨ āĻšāĻžāĻ¤ā§‡ āĻĻāĻžā§œāĻŋā§Ÿā§‡ āĻ†āĻŽāĻŋ āĻ¯ā§‡āĻ¨ āĻĻā§āĻ°ā§‡ āĻļā§āĻ§ā§ āĻĻā§‡āĻ–āĻ¤ā§‡ āĻĒā§‡āĻ˛āĻžāĻŽ āĻāĻ•āĻŸāĻŋ ā§§ā§Ŧ āĻŦāĻ›āĻ°ā§‡āĻ° āĻŽā§‡ā§Ÿā§‡ āĻ¨āĻŋāĻœā§‡āĻ•ā§‡ āĻšāĻžāĻ°āĻŋā§Ÿā§‡ āĻĢā§‡āĻ˛ā§‡āĻ›ā§‡ āĻ¸ā§‡āĻ‡ āĻ¸ā§āĻ¨ā§āĻĻāĻ° āĻĻā§‡āĻ–āĻ¤ā§‡ āĻ›ā§‡āĻ˛ā§‡āĻŸāĻžāĻ° āĻŽāĻžā§ŸāĻžā§Ÿ āĻœā§œāĻžāĻ¨īŋŊā§‹ āĻĻā§â€™āĻŸīŋŊā§‹ āĻ¸ā§āĻ¨ā§āĻĻāĻ° āĻšīŋŊā§‹āĻ–ā§‡āĨ¤ āĻ†āĻ° āĻāĻ‡ āĻŦā§ƒāĻˇā§āĻŸāĻŋ āĻ­ā§‡āĻœāĻž āĻ¸āĻ¨ā§āĻ§ā§āĻ¯ā§‡ āĻ¯ā§‡āĻ¨ āĻ¤āĻžāĻ° āĻšāĻžāĻ“ā§ŸāĻžā§Ÿ āĻ›ā§œāĻŋā§Ÿā§‡ āĻĻāĻŋā§Ÿā§‡āĻ›ā§‡ āĻāĻ• āĻŽāĻŋāĻˇā§āĻŸāĻŋ āĻ­āĻžāĻ˛īŋŊā§‹āĻŦāĻžāĻ¸āĻžāĻ° āĻ—āĻ¨ā§āĻ§āĨ¤ āĻŦā§ƒāĻˇā§āĻŸāĻŋ āĻĨā§‡āĻŽā§‡ āĻ†āĻŦāĻžāĻ° āĻ¯ā§‡āĻ¨ āĻŦāĻ¸āĻ¨ā§āĻ¤ āĻĢāĻŋāĻ°ā§‡āĻ›ā§‡ āĻ•āĻ˛āĻ•āĻžāĻ¤āĻžā§Ÿ āĻĻā§€āĻ°ā§āĻ˜ āĻšāĻžāĻ° āĻŦāĻ›āĻ° āĻĒāĻ°ā§‡āĨ¤ āĻ¯ā§‡āĻ¨ āĻ­āĻžāĻ˛īŋŊā§‹āĻŦāĻžāĻ¸āĻžāĻ° āĻ°āĻ™āĻŋāĻ¨ āĻ†āĻŦāĻŋāĻ° āĻ†āĻŦāĻžāĻ° āĻ›ā§œāĻŋā§Ÿā§‡ āĻĒā§œā§‡āĻ›ā§‡ āĻ•āĻ˛āĻ•āĻžāĻ¤āĻžāĻ° āĻšāĻžāĻ“ā§ŸāĻžā§ŸāĨ¤
  • 18. 14 A Place Insane Navin Pandey A stroll down the lane Took me to a place insane Silence, eerie, almost demonic Darkness, as dark as it gets There in the dark distance long A flickering light, the Darkness pets As I walk, a slight sound of a song And then some steps synchronic But all seem in a slumber Caught one, asked her name Laughed hysterical “no names, just number” Someone’s foul threw us outside the game” And out of that silence, a yelp A heart rending groan, a roar Perhaps a cry for help I ran in, and shouts more and more Saw one, and the next second In her hand. A feverish lump of flesh soft A part of her own self A part killed long, long ago When they stabbed her, with manliness Hides it, almost strangling the embrace “Won’t let it to light” she says “ ‘It’ might grow someday into a ‘he’ A raping sadist ‘he’ ” ~ NVN
  • 19. 15 Freedom of the soul from the body Paulomi Dasgupta When a baby is born into this world it greets life with its tears. Through its’ crying it expresses its disappointment of being born into the confinement of the body. And thus we are forever imprisoned in a body in which we struggle to express ourselves. All of us create boxes for ourselves based on our predetermined ideas and beliefs. We are all expanding beings and when we set restrictions and limitations on ourselves we suffocate and fade. Through every condition in life Man is consciously or unconsciously seeking for freedom. Each of us have a voice within ourselves that wants to speak up. This voice can be given many names such as the soul,the higher self, the inner being etc. Is it really possible to let our soul be free when we live a human life? We have to truly believe in ourselves ,in our inner strength to let it happen . Each and every one of us have our inner voice , and the ones who are courageous enough to express this inner voice can only meet the light that lies within us. We have to connect with our inner light and through the power of that connection live a purposeful and fulfilling life. The body holds on to the soul and the soul holds onto the body. The soul holds onto the body to in order to accomplish its purpose and the body holds onto the soul because when the soul leaves it will return into nothing. The soul will be liberated only when it disregards its materialistic confinements and unites with the will of the Universe becomes one with the will of God. Ultimate freedom of the soul is gained by concentration,meditation,by contemplation and realization. In the freedom of the soul lies the purpose of life. Koyel Sana
  • 20. 16 Where do we draw the line? Medhasree Talapatra William Blake famously wrote: “without contraries there is no progression”. The Indian television industry took it seriously. A bit too seriously! In 1955 when the Hindu Marriage Act was passed, it clearly annihilated all doubts regarding a burning question- we are an extremely tolerant society, we do of course believe in fraternizing , however we do not condone polygamy. A man must only have one wife (just one, but where’s the fun in that?). If he wished to marry a second time he must divorce the first one (Divorce?? That is just way way formal, legal and hence boring! We are Indians we don’t care about formality, unless of course you know it’s a rape case, then we’d sit and ponder over the pros and cons, the dos and don’ts, the right and wrong for months!) In 90% of the television shows or soap operas as they are called, that is broadcasted on the Indian television there is the prevalence of multiple marriages simultaneously. The story line too is a no-brainer. A man is forced to marry beneath his stature, while his heart pines for another. Then circumstantially he also ends up marrying the woman he originally loved! Time consumes them in umpteen tests and the good wife emerges victorious while the original love is cast in the role of the bad woman vandalising domestic bliss! How many of us did not grow up with our television sets projecting the plight of these “good women” who despite being insulted and verbally brutalized in every step of their life cling to their husband’s feet waiting to prove their worth by perpetually being patient even when the husband happily made love to the other woman in her bedroom? The cliche is of Indian television has assumed a leviathan stature so much so that no matter what the premise promises, we are almost always sure what to expect! Now the debate regarding the dichotomy of a woman’s role has been around ever since man learned to farm: she could be two things: an angel or a whore. “The angel in the house” or “the mad woman in the attic”. The good or the bad. But who decides the parameters of good and bad? Who decides what constitutes the angel or the whore? Do women decide? Or does patriarchy decide. So if patriarchy is happy playing God- the totalitarian, authoritarian dictator, then what role do women actually carve out for herself? The fashion world also predominated my men design the rules and regulations regarding the definition of “sexy”, “feminine” and “stylish”. From Salvatore Ferragamo’s wage heels to Christian Louboutin’s red soled shoes to our very own Sabyasachi Mukherjee’s bedecked maharani blouse, it is always men who decide what’s best for women! The lingerie to bring out perfectly the silhouette of each attire, to marsala being the pantone colour of the year- men decide it most of the time. Of course we live in a male centric society and those are the norms and should be followed. So now janus of hypocrisy raises its head: it is men who formulate these fool proof of formulae of fashion- promote short skirts, and very conveniently it is men again who portray the good wife to be always clad in a saree with the pallu on her head, while the modern girl daring to be clad in a pair of denims is happily typecast as a whore- the bad woman! So what if she is a virgin, has zero sexual experience – her clothes speak volumes. It’s easy to castigate her. Standing in 2015 of course this view raises eyebrows among the masses, but television the mightiest of the media happily showcases these distinctions without actually anticipating let alone comprehending its lethal effects. Simply typecasting women based on their attire and deliberately villainising the modern woman not only sets back the nation a few notches but blatanly depicts the diabolical duality of men who want their girlfriends to dress as they wish and to barricade their wives within the veil of tradition. Of course transgression is being made but that is merely the equivalent of a drop of water in a dreary desert and hope seems feeble regarding the changing mindset of the Indian Television Fraternity which often forgets its accountability to its audience. Now of course it is not only in the media that patriarchy tends to crucify women, it is in every facade of life. But that is a very definite truth. A significant absolute in a world replete with relatives; as can be satisfactorily judged by the ever-growing number of rapes in the country. After the barbaric 2012 Delhi gang rape, an insurmountable tumultuous wave of protest forced the world to sit up and take notice of a nation that faced the multifarious atrocities deployed by the authorities to pray rather demand justice for the brutalised girl. She died. Her rapists were condemned to death, the biggest proprietor of inhuman brutality being underage was sentenced to two years’ imprisonment (he’d be out by this year and then lord save us) and not only did the
  • 21. 17 scenario not change but it has become more frightening day by day. So now the question remains: where do we draw the line? The answer to the malevolent question: “why do men rape?” has been sought after forever. Some of the most obvious answers are of course: to assert their manhood, to teach the girl a lesson and show her her rightful place, to thwart a woman’s progression, to reduce her to nothing but a vagina. Post wars thousands of women of the defeated nation would be packed off to rape camps to experience unutterable barbarous torture for the simple reason that the easiest way to demolish the strength and break the backbone of a nation is to inflict pain and shame on its women. Even now when women equate man in all intellectual and social fields her sexuality poses a serious threat to her existence. Patriarchy fears a sexually liberated women and would probably traverse miles to subvert her! So are women, standing in 2015 still shackled in chains or has been liberated? Can any country in the world boast of having actually achieved gender equality which are actually just basic human rights? Simone de Beauvoir wrote: “for women there is no other way out than to work for her liberation”, further stating, “ a myth invented by men to confine women to their oppressed state. For women it is not a question of asserting themselves as women, but of becoming full length human beings.” “one is not born but rather becomes a woman.” However what is interesting to note is that in the fight to constantly equate themselves with men, neutralize gender power-games and being thwarted at every stage by the fragile ego of a dominant number of men, and being manipulated to scream and shout for her rights deviating from the path of peaceful protest the term ‘feminism’ has been pulled back quite a few notches even being delineated as something profusely negative, loathsome so much so that a substantial number of women tend not to associate themselves with the term. But unlike patriarchy which is perpetually instigating and propagating newer ways to thwart equality and liberation, thus being content with subverting or even stamping on women’s rights, while maintaining that “men will be men” with an uncanny pride while knowingly delimiting men as monolithic, unchanging and incapable- possessing animal instincts and heavily loaded with testosterone which prevents them from preventing themselves from indulging in harassment and assault. Feminism however holds that men are indeed capable- much much more capable than just being a primordial bag of ever-burning ‘id’ objectifying women as a vessel to satiate its incurable lust. Recently Vogue initiated a campaign against rape, violence and abuse entitled ‘start with the boys’ where in a two minute short film it graphically portrays a plethora of parents chiding their male child to not cry for the simple reason that they are boys thus unconsciously thrusting them towards a life of suppressed emotion, always scolding : “boys don’t cry”. The film poignantly ends with the slogan: “ since childhood we teach them boys don’t cry, perhaps it would be better to teach them boys don’t makes others cry”. Is it not high time that we take a step back to analyze where we stand and how far we actually possess the potential to go? Merely being vocal about issues does not solve any problem. The change needs to begin from the beginning. From the very root of the society that conditions and engineers men and women to blend seamlessly into the roles designed for them without actually questioning why is the tears of men considered signs of weakness and a woman who decides to travel alone can be questioned on her chastity. The problems are umpteen and the solutions seemed to be veiled in a mysterious cocoon that needs to be broken. Pandora’s box needs a key to be opened that maybe holds the solutions. But utopia is and will always be out of reach and in order to commence the change we need to be the change. As Emma Watson concluded in her speech for the U.N ‘He for She’ campaign : “if not me then who? If not now then when?”
  • 22. 18 To My Love Arjun Prasad Singh I give you the exuberance of seasons Fair, Dear love, which is all I could wish to give you I cannot be brilliantly luminous as Phoebus; Nor can I be as coquettish as Diana, I humbly present my fidelity to you through the cannon of my amorous passion Whilst I ponder over the ineptitude I possess to be someone great, To be a man who is not stained by imperfection, How irksome! But upon the comforting glance of your visage, I am ever happy to cast it away, as we are all perfectly imperfect! In the sea of our love, storms may arise and intimidate the intimacy of our passion, Despair may inundate the Hopeful; it may beckon to a hasty And imperfect inference on the gentility of our love, My love, the road of passion was never innocuous Such storms should intensify the paroxysm of our Love And hold it steadfast than ever, And as we grow in love with Time, Let us not stop keep falling in love with each other Over and over again, So that the opulence of our Love will be with us, Till our last sigh; our last whisper! Koyel Sana
  • 23. 19 āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨āĻ¤āĻž - āĻŽāĻžāĻ¨ā§‡ āĻ•āĻŋ? āĻ…āĻ°āĻŋāĻ¤āĻŋ āĻ¨āĻžāĻĨ āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨āĻ¤āĻž āĻļāĻŦā§āĻĻāĻŸāĻŋāĻ° āĻ¸āĻžāĻĨā§‡ āĻ­āĻžāĻ°āĻ¤āĻŦāĻžāĻ¸ā§€āĻ° āĻĒā§āĻ°āĻĨāĻŽ āĻĒāĻ°āĻŋāĻšā§Ÿ ā§§ā§¯ā§Ēā§­ āĻ¸āĻžāĻ˛ā§‡ āĻ¯ā§‡āĻĻāĻŋāĻ¨ āĻŦā§āĻ°āĻŋāĻŸāĻŋāĻļ āĻļāĻžāĻ¸āĻ¨ āĻĨā§‡āĻ•ā§‡ āĻŽā§āĻ•ā§āĻ¤ āĻšā§Ÿā§‡ āĻ¸ā§āĻŦ-āĻ…āĻ§ā§€āĻ¨ā§‡ āĻ†āĻ¸ā§‡ āĻ†āĻŽāĻžāĻĻā§‡āĻ° āĻĻā§‡āĻļ, āĻ•āĻŋāĻ¨ā§āĻ¤ā§ āĻ¸ā§‡āĻŸāĻž āĻ¤īŋŊā§‹ āĻ›āĻŋāĻ˛ ‘liberty’ , āĻ†āĻ•ā§āĻˇāĻ°āĻŋāĻ• āĻ…āĻ°ā§āĻĨā§‡ ‘freedom’ āĻ•ā§€ āĻ›āĻŋāĻ˛? āĻ¯āĻĻāĻŋ āĻ¤āĻžāĻ‡ āĻ‡ āĻšā§Ÿ, āĻ¤āĻŦā§‡ āĻ•ā§‡āĻ¨ ‘āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨â€™ āĻ­āĻžāĻ°āĻ¤ āĻ†āĻœ āĻ“ ‘Colononial Hangover’ āĻĨā§‡āĻ•ā§‡ āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨ āĻ¨ā§Ÿ? āĻ°āĻžāĻˇā§āĻŸā§āĻ°ā§€ā§Ÿ āĻĒāĻ°āĻŋāĻŽāĻ¨ā§āĻĄāĻ˛ āĻĨā§‡āĻ•ā§‡ āĻŦā§āĻ¯āĻ•ā§āĻ¤āĻŋāĻ—āĻ¤ āĻĒāĻ°āĻŋāĻŽāĻ¨ā§āĻĄāĻ˛ā§‡āĻ° āĻ•īŋŊā§‹āĻĨāĻžā§Ÿ āĻ—ā§‡āĻ˛ā§‡ āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨āĻ¤āĻž āĻĒāĻžāĻ“ā§ŸāĻž āĻ¯āĻžā§Ÿ? āĻ•āĻĨāĻžā§Ÿ āĻŦāĻ˛ā§‡ ‘āĻŦāĻžāĻ•-āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨āĻ¤āĻžâ€˜, āĻ…āĻĨāĻš āĻšāĻžāĻ°āĻĒāĻžāĻļā§‡ āĻ¤āĻžāĻ•āĻžāĻ˛ā§‡ āĻĻā§‡āĻ–āĻž āĻ¯āĻžā§Ÿ āĻ…āĻ¨ā§‡āĻ• āĻ¸āĻ¤ā§āĻ¯āĻŋ āĻ•āĻĨāĻž (āĻ¯āĻž āĻ…āĻ¨ā§āĻ¯ā§‡āĻ° āĻ•ā§āĻˇāĻ¤āĻŋ āĻ•āĻ°ā§‡ āĻ¨āĻž) āĻ¯āĻž āĻ—ā§āĻ°āĻšāĻŖ āĻ•āĻ°āĻžāĻ° āĻ¸āĻžāĻšāĻ¸ āĻāĻ–āĻ¨āĻ“ āĻ†āĻŽāĻžāĻĻā§‡āĻ° āĻ¸āĻŽāĻžāĻœ āĻ…āĻ°ā§āĻœāĻ¨ āĻ•āĻ°ā§‡ āĻ¨āĻŋāĨ¤ āĻ­ā§€āĻˇā§āĻŽā§‡āĻ° ‘āĻ‡āĻšā§āĻ›āĻžāĻŽā§ƒāĻ¤ā§āĻ¯ā§â€™ āĻ¸āĻŽāĻžāĻœāĻŦāĻ¨ā§āĻĻāĻŋāĻ¤, āĻ•āĻŋāĻ¨ā§āĻ¤ā§ āĻāĻ–āĻžāĻ¨āĻ•āĻžāĻ° āĻ¸āĻŽāĻžāĻœā§‡ āĻ†āĻ¤ā§āĻŽāĻšāĻ¤ā§āĻ¯āĻžâ€™āĻ° āĻ…āĻĒāĻ° āĻ¨āĻžāĻŽ āĻĒāĻžāĻ˛āĻŋā§Ÿā§‡ āĻ¯āĻžāĻ“ā§ŸāĻžāĨ¤ āĻŽā§ƒāĻ¤ā§āĻ¯ā§āĻ° āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨āĻ¤āĻž āĻ¤īŋŊā§‹ āĻ…āĻ¨ā§‡āĻ• āĻĻā§‚āĻ°ā§‡āĻ° āĻ•āĻĨāĻž, āĻ¨āĻŋāĻœā§‡āĻ° āĻ‡āĻšā§āĻ›ā§‡āĻŽāĻ¤ āĻŦā§‡āĻāĻšā§‡ āĻĨāĻžāĻ•āĻžāĻ° āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨āĻ¤āĻžāĻ“ āĻ•āĻŋ āĻ†āĻ›ā§‡? āĻĻā§āĻŸāĻŋ āĻ­āĻŋāĻ¨ā§āĻ¨āĻ§āĻ°ā§āĻŽā§€ , āĻ­āĻŋāĻ¨ā§āĻ¨-āĻ¸āĻŽā§āĻĒā§āĻ°āĻĻāĻžā§Ÿ-āĻāĻ° āĻ›ā§‡āĻ˛ā§‡āĻŽā§‡ā§Ÿā§‡ āĻŦāĻŋā§Ÿā§‡ āĻ•āĻ°ā§‡ āĻœā§€āĻŦāĻ¨āĻ¯āĻžāĻĒāĻ¨ āĻ•āĻ°āĻ¤ā§‡ āĻšāĻžāĻ‡āĻ˛ā§‡ āĻ¤āĻžāĻĻā§‡āĻ° āĻ“āĻĒāĻ° āĻ¨ā§‡āĻŽā§‡ āĻ†āĻ¸ā§‡ āĻŽā§ƒāĻ¤ā§āĻ¯ā§āĻ° āĻĒāĻ°īŋŊā§‹ā§ŸāĻžāĻ¨āĻžāĨ¤ āĻ•ā§‡ āĻšāĻŋāĻ¸ā§‡āĻŦ āĻ°āĻžāĻ–ā§‡ āĻĒā§āĻ°āĻ¤āĻŋ āĻ°āĻžāĻ¤ āĻ•āĻ¤ āĻ°āĻŋāĻœāĻ“ā§ŸāĻžāĻ¨ā§āĻ° āĻŦāĻ˛āĻŋ āĻšāĻšā§āĻ›ā§‡? ‘āĻ‰āĻ¨āĻŋāĻļā§‡ āĻāĻĒā§āĻ°āĻŋāĻ˛â€™ āĻŦāĻž ‘āĻšāĻŋāĻ¤ā§āĻ°āĻžāĻ™ā§āĻ—āĻĻāĻžâ€™ āĻ•āĻ¤ āĻ­āĻžāĻ˛ āĻ›āĻŦāĻŋ āĻšāĻ˛, āĻ¤āĻžāĻ° āĻĨā§‡āĻ•ā§‡āĻ“ āĻŦā§œ āĻ†āĻ˛īŋŊā§‹āĻšāĻ¨āĻžāĻ° āĻŦāĻŋāĻˇā§Ÿ āĻ‹āĻ¤ā§ āĻĒāĻ°ā§āĻŖ āĻ˜īŋŊā§‹āĻˇ āĻ•āĻŋ āĻĒīŋŊā§‹āĻļāĻžāĻ• āĻĒāĻ°āĻ˛ā§‡āĻ¨, āĻ‰āĻ¨āĻŋ āĻ˛āĻŋāĻ™ā§āĻ— āĻĒāĻ°āĻŋāĻŦāĻ°ā§āĻ¤āĻ¨ āĻ•āĻ°āĻ˛ā§‡āĻ¨ āĻ•āĻŋ āĻ¨āĻž - āĻ¸āĻžāĻŽāĻžāĻ¨ā§āĻ¯ āĻŦā§āĻ¯āĻ•ā§āĻ¤āĻŋ āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨āĻ¤āĻžāĻ“ āĻ•āĻŋ āĻ¸āĻŽāĻžāĻœ āĻĻā§‡ā§Ÿ āĻ†āĻŽāĻžāĻĻā§‡āĻ°? āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨āĻ¤āĻžâ€™āĻ° āĻĒā§āĻ°āĻ¸āĻ™ā§āĻ—ā§‡ āĻ¨āĻžāĻ°ā§€ āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨āĻ¤āĻžâ€™āĻ° āĻ•āĻĨāĻž āĻ¸āĻšāĻœā§‡āĻ‡ āĻ‰āĻ ā§‡ āĻ†āĻ¸ā§‡ āĻāĻŦāĻ‚ āĻ­āĻžāĻ°āĻ¤āĻŦāĻ°ā§āĻˇā§‡āĻ° āĻ…āĻ§āĻŋāĻ•āĻžāĻ‚āĻļ āĻŽā§‡ā§Ÿā§‡āĻ‡ āĻ†āĻœ āĻ“ āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨āĻ¤āĻžâ€™āĻ° āĻŽāĻžāĻ¨ā§‡ āĻœāĻžāĻ¨ā§‡ āĻ¨āĻžāĨ¤ āĻ†āĻœāĻ“ āĻ¨āĻžāĻ°ā§€āĻ°āĻž āĻļā§ˆāĻļāĻŦā§‡ āĻĒāĻŋāĻ¤āĻž, āĻ¯īŋŊā§ŒāĻŦāĻ¨ā§‡ āĻ¸ā§āĻŦāĻžāĻŽā§€, āĻŦāĻžāĻ°ā§āĻ§āĻ•ā§āĻ¯ā§‡ āĻĒā§āĻ¤ā§āĻ°ā§‡āĻ° āĻ…āĻ§ā§€āĻ¨ā§‡ āĻĨāĻžāĻ•ā§‡āĨ¤ āĻĒā§āĻ°ā§āĻˇāĻ°āĻžāĻ“ āĻ•āĻŋ āĻ¸āĻŽā§āĻĒā§‚āĻ°ā§āĻŖ āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨? āĻ†āĻŽāĻŋ āĻ¤īŋŊā§‹ āĻĻā§‡āĻ–āĻŋ āĻ¤āĻžāĻ°āĻžāĻ“ āĻ¸āĻŽāĻžāĻœā§‡āĻ° āĻ…āĻ¨ā§āĻ—ā§āĻ˛āĻŋāĻ˛ā§‡āĻšāĻ¨ā§‡ āĻĒāĻ°āĻžāĻ§ā§€āĻ¨āĨ¤ āĻāĻ•āĻŸāĻŋ āĻŽā§‡ā§Ÿā§‡ āĻšāĻžāĻ•āĻ°āĻŋ āĻ¨āĻž āĻĒā§‡āĻ˛ā§‡āĻ“ āĻŦāĻŋā§Ÿā§‡ āĻ•āĻ°ā§‡ āĻ¸ā§‡āĻŸā§‡āĻ˛ā§āĻĄā§â€ŒāĻšāĻ¤ā§‡ āĻĒāĻžāĻ°ā§‡, āĻ•āĻŋāĻ¨ā§āĻ¤ā§ āĻŦā§‡āĻ•āĻžāĻ° āĻ›ā§‡āĻ˛ā§‡āĻĻā§‡āĻ° āĻ¤īŋŊā§‹ āĻ¸āĻŽāĻžāĻœā§‡ āĻŽāĻžāĻĨāĻž āĻ‰āĻāĻšā§ āĻ•āĻ°ā§‡ āĻĻāĻžāĻā§œāĻžāĻ¨īŋŊā§‹āĻ° āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨āĻ¤āĻž āĻ¨ā§‡āĻ‡āĨ¤ āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨āĻ¤āĻž āĻŽāĻžāĻ¨ā§‡ āĻ•āĻŋ? āĻŽāĻžāĻĒ āĻ•āĻ°āĻŦā§‡āĻ¨, āĻ­āĻžāĻ°āĻ¤āĻŦāĻ°ā§āĻˇā§‡āĻ° āĻŽāĻ¤īŋŊā§‹ āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨ āĻ°āĻžāĻˇā§āĻŸā§āĻ°ā§‡āĻ° āĻ¨āĻžāĻ—āĻ°āĻŋāĻ• āĻšā§Ÿā§‡āĻ“ āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨āĻ¤āĻž āĻ†āĻŽāĻžāĻ° āĻ•āĻžāĻ›ā§‡ ā§§ā§ĢāĻ‡ āĻ…āĻ—āĻžāĻ¸ā§āĻŸā§‡āĻ° āĻĒāĻ¤āĻžāĻ•āĻž āĻ‰āĻ¤ā§āĻ¤ā§‹āĻ˛āĻ¨ āĻ›āĻžā§œāĻž āĻ†āĻ° āĻ•āĻŋāĻ›ā§āĻ‡ āĻ¨ā§ŸāĨ¤ Arnab Maity
  • 24. 20 Intestate Arjun Prasad Singh For me, where I think the road ends, it begins afresh Not like Prometheus’ energy of rising against the normative; I feebly lift up my unwilling flesh To the ever willing Soul The matinee show in life’s theatre, no more Attracts the juvenility of the Innocent youth It seldom evades the reconciliation with the past My past is passed, but not without rational contemplation Of the Future I doubt in the fact that I might not get what I seek, I seek for Happiness; I might not receive a Divine Interpolation In the novel of my life, For it is not a bestseller Beauty fades, gratitude erodes, and time has its own acerbic way of answering, The temperance of human incurrence; My doubts will have their answers, My actions would not be able to countermand those answers Nothing in this life is as sweet as acceptance; Time makes us wait; what can we do life other than to wait? I’ll have to wait as Time weighs my actions, Then I suppose we all have to begin our Lives’ journey afresh.
  • 25. 21 Dawn of 15th August, 1947 Ariti Nath Dooms with a scream- “Freedom! Freedom! Freedom!” The street beggar wakes up,sneering, “What is that?” The little girl, who was thrown for being a girl, exclaims “What is that?” The prostitute, walking alone on the empty pavements, wonders “What is that?” The father whose son is dead in cellular jail, thinks “What is that?” The joker after the night show was resting in the tent. Listens the scream, Comes out of his tent, Laughs out loudly and says, “SO you think you are free? Really?” He continues, “The Sun is not free- always burns to give light. The Moon is not free-always shines by the Sun.” Soumav Mondal
  • 26. 22 The Whistleblower Jatin Mehta Do you want to live in a world where everything you say, do, talk to, every expression of creativity or love or friendship is recorded? All our data, on YouTube, Facebook, Google, Twitter, Gmail, Skype is under the surveillance of the National Security Agency (NSA). In the disclosure of NSA’s illegal surveillance, Edward Snowden, former NSA techie, shook the world out of a sweet slumber, plunging it in ice-cold water of the realization that human thoughts are naked, open to be examined like rats in laboratories. However, why and how did the NSA manage to pull off such a stunt? How did Snowden single-handedly tear down the drape to expose the bare truth? WHY. The 9/11 tragedy served as a colossal blow to the USA’s intelligence agencies driving all - from the President down to the security heads at the CIA and NSA - into a frenzy. Within 72 hours of the attack, the agencies were pumped up with power outside the legal boundaries. This was done in the form of a new operation named ‘Mission Creep’. Earlier, every international call from the US to known terrorist phone numbers was to be reported by the NSA to the FBI. In Mission Creep, this extrapolated to a more aggressive approach where all calls from the US to Afghanistan were being traced. The NSA had also been experimenting with mapping of connections to monitor who contacts who within the United States thereby forming a ‘social graph’. This had to be abandoned due to the constraints posed by the Justice Department’s policy where such mapping was deemed appropriate only on non-American citizens. Thus, began the NSA’s rampant violation of laws and in due course, they became more and more power hungry. For this purpose, George Tenet-CIA director, Michael Hayden - the director of the NSA and George W Bush, could approach the Congress to loosen up the constitution’s grip around surveillance laws. Seething with the loss of the twin towers, the Congress would have been more than ready to bring about the required amendments to the Foreign Intelligence Surveillance Act (FISA) of 1978. However, any FISA amendment would attract a public debate that could compromise the secrecy of the intelligence methods. Thus, a back door was created in the form of a project called STELLAR WIND that involved surveillance of telephone and internet communications (emails). Signed and authorized by President Bush on 4th October, 2001, the program would stay unheard by the US legislators until January 2007. HOW. Unlike the Soviet Union or China, the US government does not have access to the information on the internet. Since the inception of the STELLAR WIND, major telecom companies and internet service providers had been supportive of the program and hence NSA was provided with humongous volumes of data by the tech giants like Verizon. They were paid in millions by Washington in return of the favor. The British secret agencies were also involved by the US. During the course of a decade, NSA became extremely powerful with the aid of intelligence alliance with Britain, Australia, Canada and
  • 27. 23 New Zealand (together known as the Five Eyes). They had access to fibre-optic cables, telephone metadata and servers of Google and Hotmail. According to Snowden, the spies maintained were so powerful that they could track and target practically anybody, including the President. Another leaked secret mission called PRISM, speaks of a program where Silicon Valley giants shared the data with the agencies. The slides show the dates when the companies apparently signed up for the program, first one being Microsoft (11 Sep 2007), six years after 9/11. This was followed by Yahoo(2008), Google(2009), Facebook(2009), YouTube(2010), Skype (2011) and lastly by Apple in 2012. The companies, however, denied any such ties and expressed their ‘outrage’ over the breach in their data centers by the government. THE SNOWDEN MAGIC. At 24, while working in the Geneva headquarters of the CIA, he realized that the way his government functioned was pulling apart the civil rights of his fellow citizens piece by piece. With Obama becoming the president, he waited for him to reverse the civil liberties abuses of the Bush era as per his election campaigns, but was disappointed to see further expansion of several abusive investigative programmes. When he was was recruited to a more powerful position in the NSA after his stint in CIA, it was then he came across thousands of documents of blatant spying on all the internet traffic that went throught the US along with the rest of the members of the Five Eyes. Being one of the 1000 NSA system administrators, he had the authority to open a file without leaving a trace. It’s also believed that he persuaded other users to entrust him with their login details. He used pen drives to download the confidential files. Pen drives are forbidden for most of the staff but he could sneak them in arguing he needed to use a backup while repairing corrupt profiles. He used to login from his Hawaii headquarters to the servers located six time zones away when most of the staff had gone to sleep. Also, he used his IT genius to ensure that no trace was left of him after crawling through the systems. He was what is called in the IT industry, a ghost user. After several weeks, he applies for a leave citing health issues and on 20th May 2013, he vanished. He securely delivered the data to his carefully chosen set of journalists from the Guardian, and what followed was the most spectacular security leaks in the history of mankind. IMPACT ON US. Spying by the government is acceptable as long as they stay within the constitutional limits written for the protection of our own rights. Imagine a world where one supreme authority has the power to monitor all opinions ever voiced upon and all the thoughts you ever let your mind escape through speech or writing. Anything you express now could be recorded and used against you after 10 years. Via this methodology, hundreds of people are being held captive in Guantanamo Bay, a US military dumping ground, years without a trial with no proven connection whatsoever with any terrorist organization. This is just the beginning. Enter a world where every move of yours is under strict surveillance by a supreme authority and thus is capable of crushing any and every seed of potential revolt that could be a threat to the supreme power. This is the Big Brother, watching you. As per William Binney, former intelligence official, your entire life can be put together via different domains and shown over time. The concentration of immense power to a single agency, when spanned about several other countries could lead to the rise of a modern day tyrant riding the most lethal beast in today’s era, information. Should we not be alarmed?
  • 28. 24 Even if a wall is impeding your way, your will is enough to crack it and assert your freedom. Spread your branches and flourish, carving your own way yourself. Ritwika Das
  • 29. 25 āĻ‰ā§œā§‡ āĻ¯āĻžāĻŦīŋŊā§‹ āĻ°īŋŊā§ŒāĻĻā§āĻ°āĻĻā§€āĻĒā§āĻ¤ āĻŦāĻŋāĻļā§āĻŦāĻžāĻ¸ āĻ‡āĻšā§āĻ›ā§‡ āĻ•āĻ°āĻ›ā§‡ āĻ‰ā§œā§‡ āĻ¯ā§‡āĻ¤ā§‡ āĻ“āĻ‡ āĻ†āĻ•āĻžāĻļā§‡ āĻ­ā§‡āĻ¸ā§‡ āĻ¯ā§‡āĻ¤ā§‡Â  āĻ‡āĻšā§āĻ›ā§‡ āĻ•āĻ°āĻ›ā§‡ āĻāĻ•āĻŸā§ āĻĒāĻžāĻ˛ā§āĻŸāĻžāĻ¤ā§‡ āĻšāĻžāĻ°āĻŋā§Ÿā§‡ āĻ¸āĻŦāĻ•āĻŋāĻ›ā§ , āĻ¨āĻ¤ā§āĻ¨ āĻ•āĻŋāĻ›ā§āĻ¤ā§‡, āĻ‡āĻšā§āĻ›ā§‡ āĻ•āĻ°āĻ›ā§‡ āĻ“āĻ‡ āĻĻāĻŋāĻ‡ āĻ­ā§‡āĻ™ā§‡ āĻ¯āĻžāĻŦīŋŊā§‹ āĻāĻ•āĻŸā§ āĻāĻ‡ āĻŦāĻĻā§āĻ§ āĻ˜āĻ° āĻ›ā§‡āĻĄāĻŧā§‡ āĻ¯āĻ¨ā§āĻ¤ā§āĻ°āĻŖāĻžāĻ° āĻŽāĻžāĻ¨āĻ¸āĻŋāĻ• āĻŦāĻžāĻ§āĻž āĻ•āĻžāĻŸāĻŋā§Ÿā§‡ āĻšāĻ˛āĻŦīŋŊā§‹ āĻ¨āĻŋāĻœā§‡ ,āĻ¨āĻŋāĻœā§‡āĻ•ā§‡ āĻ¸āĻ™ā§āĻ—ā§‡ āĻ¨āĻŋā§Ÿā§‡ āĻ†āĻŽāĻŋ āĻ‰ā§œāĻŦīŋŊā§‹, āĻ‰ā§œā§‡ āĻ¯āĻžāĻŦīŋŊā§‹... āĻ‡āĻšā§āĻ›ā§‡ āĻ•āĻ°āĻ›ā§‡ āĻāĻ‡ āĻŦāĻžā§œāĻŋ āĻ˜āĻ° āĻĻāĻŋāĻ‡ āĻ›ā§‡ā§œā§‡ āĻ­āĻžāĻ˛īŋŊā§‹āĻŦāĻžāĻ¸āĻž āĻ†āĻ° āĻŦāĻžāĻ§ā§āĻ¯āĻŦāĻžāĻ§āĻ•āĻ¤āĻž āĻ­ā§ āĻ˛ā§‡, āĻ‡āĻšā§āĻ›ā§‡ āĻ•āĻ°āĻ›ā§‡ - āĻŦā§‡āĻ°āĻŋā§Ÿā§‡ āĻĒā§œāĻ¤ā§‡ āĻŦāĻžāĻ‡āĻ°ā§‡āĻ° āĻœāĻ—āĻ¤ā§‡ āĻ•āĻŋāĻ›ā§ āĻ–ā§āĻāĻœāĻ¤ā§‡ āĻ‡āĻšā§āĻ›ā§‡ āĻ•āĻ°āĻ›ā§‡ āĻ†āĻ°īŋŊā§‹ āĻĻā§‡āĻ–āĻ¤ā§‡ āĻ¨āĻ¤ā§āĻ¨ āĻ•āĻŋāĻ›ā§ āĻĻā§‡āĻ–āĻ¤ā§‡ ,āĻœāĻžāĻ¨āĻ¤ā§‡, āĻŦā§āĻāĻ¤ā§‡ āĻ‡āĻšā§āĻ›ā§‡ āĻ•āĻ°āĻ›ā§‡ āĻ•āĻŋāĻ›ā§ āĻŦāĻ˛āĻ¤ā§‡ āĻ˜āĻŸā§‡ āĻ¯āĻžāĻ“ā§ŸāĻž āĻ¸āĻŦ āĻ¸āĻ¤ā§āĻ¯āĻŋ āĻ•āĻĨāĻž āĻŦāĻ˛āĻ¤ā§‡ āĻ‡āĻšā§āĻ›ā§‡ āĻ•āĻ°āĻ›ā§‡ āĻāĻ•āĻŸā§ āĻ˛āĻŋāĻ–āĻ¤ā§‡ āĻ“āĻ‡ āĻ•āĻĨāĻžāĻ—ā§āĻ˛īŋŊā§‹ āĻŦāĻ˛āĻ¤ā§‡,āĻœā§€āĻŦāĻ¨āĻŸāĻžāĻ•ā§‡ āĻ¤ā§āĻ˛ā§‡ āĻ§āĻ°āĻ¤ā§‡ āĻ¯āĻ¨ā§āĻ¤ā§āĻ°āĻŖāĻžāĻ° āĻŽāĻžāĻ¨āĻ¸āĻŋāĻ• āĻŦāĻžāĻ§āĻž āĻ•āĻžāĻŸāĻŋā§Ÿā§‡ āĻšāĻ˛āĻŦīŋŊā§‹ āĻ¨āĻŋāĻœā§‡ , āĻ¨āĻŋāĻœā§‡āĻ•ā§‡ āĻ¸āĻ™ā§āĻ—ā§‡ āĻ¨āĻŋā§Ÿā§‡ āĻ†āĻŽāĻŋ āĻ‰ā§œāĻŦīŋŊā§‹, āĻ‰ā§œā§‡ āĻ¯āĻžāĻŦīŋŊā§‹ āĻ“āĻ‡ āĻ¨ā§€āĻ˛ āĻ†āĻ•āĻžāĻļā§‡ āĻ­ā§‡āĻ¸ā§‡ āĻ¯āĻžāĻŦīŋŊā§‹        āĻ‰ā§œā§‡ āĻ¯āĻžāĻŦīŋŊā§‹ , āĻŽā§‡āĻ˜ā§‡āĻ° āĻ†ā§œāĻžāĻ˛ā§‡ āĻšāĻžāĻ°āĻŋā§Ÿā§‡ āĻ¯āĻžāĻŦīŋŊā§‹ āĻ¸āĻŽāĻ¸ā§āĻ¤ āĻ…āĻ¤ā§€āĻ¤ āĻ­ā§ āĻ˛ā§‡ āĻ¯āĻžāĻŦīŋŊā§‹, āĻ†āĻŽāĻŋ āĻ‰ā§œāĻŦīŋŊā§‹ āĻ‰ā§œā§‡ āĻ¯āĻžāĻŦīŋŊā§‹ āĨĨ āĻ†āĻŽāĻŋ āĻāĻ‡ āĻ¨ā§€āĻ˛ā§‡āĻ° āĻ¤āĻ˛āĻžā§Ÿ āĻ¸āĻŦā§āĻœā§‡ āĻšāĻžāĻ°āĻŋā§Ÿā§‡ āĻ¯āĻžāĻŦīŋŊā§‹ āĻĒāĻĨāĻ­īŋŊā§‹āĻ˛āĻž āĻĒāĻĨāĻŋāĻ•ā§‡āĻ° āĻŽāĻ¤īŋŊā§‹ āĻ˜ā§āĻ°ā§‡ āĻŦā§‡ā§œāĻžāĻŦīŋŊā§‹ āĻĒā§āĻ°āĻ•ā§ƒ āĻ¤āĻŋāĻ° āĻ°ā§‚āĻĒā§‡ āĻŽā§āĻ—ā§āĻ§ āĻšā§Ÿā§‡ āĻ¯āĻžāĻŦīŋŊā§‹ āĻ•āĻ–āĻ¨īŋŊā§‹ āĻ¸āĻžāĻĻāĻž āĻŽā§‡āĻ˜ā§‡āĻ° āĻ¸āĻžāĻĨā§‡ āĻ–ā§‡āĻ˛āĻŦīŋŊā§‹ āĻ•āĻ–āĻ¨īŋŊā§‹ āĻŦāĻž āĻ¸ā§āĻŦāĻšā§āĻ› āĻœāĻ˛ āĻ—āĻžā§Ÿā§‡ āĻŽāĻžāĻ–āĻŦīŋŊā§‹ āĻ•āĻ–āĻ¨īŋŊā§‹ āĻ†āĻŦāĻžāĻ° āĻ¸ā§‚āĻ°ā§āĻ¯ā§‡āĻ° āĻ¤ā§‡āĻœā§‡ āĻ¨āĻŋāĻœā§‡āĻ•ā§‡ āĻ‰āĻ¤ā§āĻ¤āĻĒā§āĻ¤ āĻ•āĻ°āĻŦīŋŊā§‹ āĻ†āĻŦāĻžāĻ° āĻļā§€āĻ¤āĻ˛ āĻŦāĻžāĻ¤āĻžāĻ¸ā§‡ āĻļāĻ°ā§€āĻ° āĻ‰ā§œāĻŋā§Ÿā§‡ āĻĻā§‡āĻŦīŋŊā§‹ āĻ†āĻŽāĻŋ āĻ‰ā§œāĻŦīŋŊā§‹ āĻ‰ā§œā§‡ āĻ¯āĻžāĻŦīŋŊā§‹ , āĻāĻ‡ āĻ¨ā§€āĻ˛ā§‡āĻ° āĻ¤āĻ˛āĻžāĻ¯āĻŧ āĻ¸āĻŦā§āĻœā§‡ āĻšāĻžāĻ°āĻŋā§Ÿā§‡ āĻ¯āĻžāĻŦīŋŊā§‹ āĻ†āĻŽāĻŋ āĻ‰ā§œāĻŦīŋŊā§‹ āĻ‰ā§œā§‡ āĻ¯āĻžāĻŦīŋŊā§‹ āĨĨ āĻ›āĻŦāĻŋ: āĻ…āĻ°ā§āĻ˜ā§āĻ¯ āĻ¤āĻ°āĻĢāĻĻāĻžāĻ°
  • 30. 26 āĻĸāĻŋāĻšā§â€ŒāĻ•ā§āĻ¯āĻžāĻāĻ“ āĻ†āĻ°ā§āĻ¯ā§āĻ¯āĻ‹āĻˇāĻŋ āĻĒāĻžāĻ˛ āĻŽāĻžāĻāĻ°āĻžāĻ¤, āĻŦāĻŋāĻˇāĻĻāĻžāĻāĻ¤ – āĻ†āĻŦā§‡āĻ—āĻŸāĻž pure-āĻ‡, āĻ¤ā§āĻŽāĻŋ āĻŦāĻ˛īŋŊā§‹ āĻĒā§āĻ°ā§‡āĻŽ, āĻ†āĻŽāĻŋ Big Bang Theory! āĻāĻšā§‡āĻ¨ āĻ†āĻ—āĻžāĻĒāĻžāĻļāĻ¤āĻ˛āĻžāĻšā§€āĻ¨ āĻ˛ā§‡āĻ–āĻž āĻ¯āĻžāĻ° āĻšāĻžāĻ¤ āĻĨā§‡āĻ•ā§‡ āĻŦā§‡āĻ°īŋŊā§‹ā§Ÿ, āĻ¤āĻžāĻ° āĻ¸ā§āĻ¸ā§āĻĨ āĻŽāĻ¸ā§āĻ¤āĻŋāĻ¸ā§āĻ•ā§‡āĻ° āĻšāĻ“ā§ŸāĻžāĻŸāĻž āĻ–ā§āĻŦ āĻāĻ•āĻŸāĻž āĻ¸āĻŽā§āĻ­āĻžāĻŦā§āĻ¯ āĻ¨ā§ŸāĨ¤ āĻāĻ•ā§āĻˇā§‡āĻ¤ā§āĻ°ā§‡āĻ“ āĻ¤āĻžāĻ° āĻŦā§āĻ¯āĻžāĻ¤āĻŋāĻ•ā§āĻ°āĻŽ āĻ˜āĻŸā§‡āĻ¨āĻŋāĨ¤ āĻ†āĻœā§āĻžā§‡ āĻšā§āĻ¯āĻžāĻ, āĻĒāĻžāĻ āĻ•/āĻĒāĻžāĻ āĻŋāĻ•āĻž āĻŽāĻšāĻžāĻļā§Ÿ/āĻŽāĻšāĻžāĻļā§ŸāĻž, āĻ†āĻĒāĻ¨āĻŋ āĻ āĻŋāĻ• āĻ§āĻ°ā§‡āĻ›ā§‡āĻ¨- āĻ†āĻŽāĻŋ āĻāĻ•āĻŸāĻŋ āĻĒāĻžāĻ—āĻ˛ (āĻ•āĻžāĻŽā§œāĻžāĻ‡āĻ¨āĻž āĻ¯āĻĻāĻŋāĻ“)- āĻāĻ•āĻŸāĻŋ āĻ–āĻžāĻāĻŸāĻŋ ISI āĻ›āĻžāĻĒ āĻ¯ā§āĻ•ā§āĻ¤ āĻ‰āĻ¨-madāĨ¤ āĻ•ā§‡āĻ¨ āĻœāĻžāĻ¨āĻ¤ā§‡ āĻšāĻžāĻ‡āĻ˛ā§‡, āĻ†āĻŽāĻžā§Ÿ āĻĒā§āĻ°āĻ˛āĻžāĻĒ āĻŦāĻ•āĻž continue āĻ•āĻ°āĻ¤ā§‡ āĻšāĻŦā§‡āĨ¤ āĻœā§āĻ¤īŋŊā§‹-āĻšāĻŸāĻŋ āĻ›ā§āĻā§œā§‡ āĻŽāĻžāĻ°āĻŦā§‡āĻ¨ āĻ¨āĻž āĻ§āĻ°ā§‡ āĻ¨āĻŋā§Ÿā§‡ āĻāĻ—īŋŊā§‹āĻ‡ āĻ¤āĻžāĻšāĻ˛ā§‡- āĻŦāĻžāĻŦāĻž āĻļāĻ– āĻ•āĻ°ā§‡ āĻ¨āĻžāĻŽ āĻ°ā§‡āĻ–ā§‡āĻ›āĻŋāĻ˛ āĻ†āĻ°ā§āĻ¯ā§āĻ¯ (‘āĻ¯â€™-āĻĢāĻ˛āĻžāĻŸāĻž Birth Certificate āĻāĻ° āĻ›āĻžāĻĒāĻžāĻ° āĻ­ā§ āĻ˛āĻ“ āĻšāĻ¤ā§‡ āĻĒāĻžāĻ°ā§‡)āĨ¤ āĻ†āĻŽāĻžāĻ° āĻ‰āĻšā§āĻšāĻ¤āĻž āĻĒāĻžāĻāĻš āĻĢā§ āĻŸ āĻ›â€™ āĻ‡āĻžā§āĻšāĻŋāĻ° āĻŦā§‡āĻļāĻŋ āĻ¨āĻž āĻŦāĻžā§œāĻžā§Ÿ āĻ†āĻŽāĻžāĻ° āĻ¨āĻžāĻŽāĻ•āĻ°āĻŖā§‡āĻ° (āĻŦā§āĻ¯āĻ°ā§āĻĨ) āĻ¯īŋŊā§ŒāĻ•ā§āĻ¤āĻŋāĻ•āĻ¤āĻž āĻŦā§‡āĻļ āĻĻāĻžāĻĒāĻŸā§‡āĻ° āĻ¸āĻ™ā§āĻ—ā§‡āĻ‡ āĻĒā§āĻ°āĻŽāĻžāĻŖ āĻ•āĻ°ā§‡ āĻĻāĻŋā§Ÿā§‡āĻ›āĻŋāĻ˛āĻžāĻŽāĨ¤ “Pen Fight āĻ–ā§‡āĻ˛ā§‡ āĻ†āĻŦāĻžāĻ° penāĻ—ā§āĻ˛īŋŊā§‹āĻ•ā§‡āĻ‡ āĻŽāĻžāĻŸāĻŋ āĻĨā§‡āĻ•ā§‡ āĻ•ā§ ā§œāĻŋā§Ÿā§‡ āĻ¨āĻŽīŋŊā§‹āĻƒ āĻ•āĻ°āĻžāĻ° āĻŽāĻžāĻ¨ā§‡āĻŸāĻž āĻ•āĻŋ āĻāĻ•āĻŸā§ āĻŦā§āĻāĻŋā§Ÿā§‡ āĻĻāĻŋāĻŦāĻŋ?” āĻ¤āĻ–āĻ¨ āĻ•ā§āĻ˛āĻžāĻ¸ V; āĻŦāĻ¨ā§āĻ§ā§āĻ°āĻž āĻŦāĻ˛ā§‡āĻ›āĻŋāĻ˛- “āĻĒāĻžāĻ—āĻ˛â€āĨ¤ Belt āĻāĻ° buckles āĻ†āĻŸāĻ•āĻžāĻ¤ā§‡ āĻ…āĻ¸ā§āĻŦāĻ¸ā§āĻ¤āĻŋ āĻšāĻ“ā§ŸāĻžāĻ¤ā§‡ āĻšāĻžāĻ¤ āĻ¤ā§āĻ˛ā§‡āĻ›āĻŋāĻ˛āĻžāĻŽāĨ¤ Mam ( “ ’ ” āĻ†āĻ° āĻĻā§āĻŦāĻŋāĻ¤ā§€ā§Ÿ ‘a’ āĻŸāĻžāĻ° āĻ•āĻĨāĻž āĻ¤āĻ–āĻ¨ āĻœāĻžāĻ¨āĻ¤āĻžāĻŽ āĻ¨āĻž) āĻœāĻŋāĻœā§āĻžā§‡āĻ¸ āĻ•āĻ°ā§‡āĻ›āĻŋāĻ˛ā§‡āĻ¨- “āĻ•āĻŋ āĻšā§Ÿā§‡āĻ›ā§‡ ? ” “āĻšāĻŋāĻ¸āĻŋ āĻĒā§‡ā§Ÿā§‡āĻ›ā§‡â€ āĻŦāĻ˛āĻžāĻ¤ā§‡ āĻ¸āĻŦāĻžāĻ‡ āĻšā§‡āĻ¸ā§‡āĻ›āĻŋāĻ˛āĨ¤ āĻ•āĻžāĻ¨ āĻ§āĻ°ā§‡ āĻĻāĻžāĻā§œ āĻ•āĻ°āĻžāĻ¤ā§‡ āĻ•āĻ°āĻžāĻ¤ā§‡ Mam āĻŦāĻ˛ā§‡āĻ›āĻŋāĻ˛ā§‡āĻ¨- “āĻ…āĻ¸āĻ­ā§āĻ¯ āĻ•īŋŊā§‹āĻĨāĻžāĻ•āĻžāĻ° āĨ¤ Toilet āĻĒā§‡ā§Ÿā§‡āĻ›ā§‡ āĻŦāĻ˛āĻ¤ā§‡ āĻšā§Ÿ- āĻāĻŸāĻžāĻ“ āĻœāĻžāĻ¨īŋŊā§‹ āĻ¨āĻž?” Mam āĻāĻ° āĻ•āĻĨāĻžāĻŸāĻž āĻ­āĻžāĻ°ā§€ āĻŽāĻ¨ā§‡ āĻ§āĻ°ā§‡āĻ›āĻŋāĻ˛āĨ¤ āĻŦāĻžā§œāĻŋāĻ¤ā§‡ āĻāĻ¸ā§‡ āĻ–ā§āĻŦ āĻ–āĻŋāĻĻā§‡ āĻĒāĻžāĻ“ā§ŸāĻžāĻ¤ā§‡ āĻŽāĻž āĻ•ā§‡ āĻŦāĻ˛ā§‡āĻ›āĻŋāĻ˛āĻžāĻŽ – “āĻŽāĻž, kitchen āĻĒā§‡ā§Ÿā§‡āĻ›ā§‡â€āĨ¤ āĻ–āĻžāĻ“ā§ŸāĻž āĻšā§Ÿā§‡ āĻ¯āĻžāĻ“ā§ŸāĻžāĻ° āĻĒāĻ° āĻšāĻžāĻ‡ āĻ¤ā§āĻ˛āĻ¤ā§‡ āĻ¤ā§āĻ˛āĻ¤ā§‡ āĻ¯āĻ–āĻ¨, “bedroom āĻĒāĻžāĻšā§āĻ›ā§‡â€ āĻŦāĻ˛āĻŋ, āĻŽāĻž āĻŦāĻžāĻŦāĻžāĻ° āĻĻāĻŋāĻ•ā§‡ āĻ¸āĻ¨ā§āĻĻā§‡āĻšāĻœāĻ¨āĻ• āĻ­ā§āĻ°ā§āĻ•ā§ āĻŸāĻŋ āĻ¨āĻŋāĻ•ā§āĻˇā§‡āĻĒ āĻ•āĻ°ā§‡ āĻœāĻŋāĻœā§āĻžā§‡āĻ¸ āĻ•āĻ°ā§‡āĻ›āĻŋāĻ˛- “āĻ“āĻ° āĻŽāĻžāĻĨāĻžā§Ÿ āĻ›āĻŋāĻŸ āĻ†āĻ›ā§‡, āĻ¤āĻžāĻ‡ āĻ¨āĻž ?” āĻāĻ•āĻŦāĻžāĻ°, class X-āĻ āĻĒā§œāĻ¤ā§‡, āĻŦāĻ‡āĻŽā§‡āĻ˛āĻž āĻšāĻ¤ā§āĻŦāĻ°ā§‡ āĻāĻ• āĻ­āĻĻā§āĻ°āĻŽāĻšāĻŋāĻ˛āĻžāĻ•ā§‡ āĻŽāĻžāĻāĻ°āĻžāĻ¸ā§āĻ¤āĻžā§Ÿ āĻĻāĻžāĻā§œāĻŋā§Ÿā§‡ pout āĻ•āĻ°ā§‡ selfie āĻ¤ā§āĻ˛āĻ¤ā§‡ āĻĻā§‡āĻ–ā§‡, āĻŦā§āĻāĻ¤ā§‡ āĻ¨āĻž āĻĒā§‡āĻ°ā§‡, āĻ¤āĻžāĻ•ā§‡ āĻœāĻŋāĻœā§āĻžā§‡āĻ¸ āĻ•āĻ°ā§‡āĻ›āĻŋāĻ˛āĻžāĻŽ, “āĻŦāĻžāĻĻāĻžāĻŽ āĻ­āĻžāĻœāĻž āĻ–ā§‡āĻ¤ā§‡ āĻ—āĻŋā§Ÿā§‡ āĻ īŋŊā§‹āĻāĻŸā§‡ āĻ•āĻžāĻŽā§œ āĻĒā§œāĻ˛ āĻŦā§āĻāĻŋ? āĻ†ā§ŸāĻ¨āĻž āĻ˛āĻžāĻ—āĻŦā§‡ ?” āĻ‰āĻ¨āĻŋ āĻŽāĻ˛āĻŽā§‡āĻ° āĻ–īŋŊā§‹āĻāĻœ āĻ•āĻ°āĻŦā§‡āĻ¨ āĻ­ā§‡āĻŦā§‡āĻ›āĻŋāĻ˛āĻžāĻŽ, āĻ•āĻŋāĻ¨ā§āĻ¤ā§ āĻ†āĻŽāĻžāĻ° āĻĒā§āĻ°āĻļā§āĻ¨ āĻļā§āĻ¨ā§‡ āĻ•ā§‡āĻ¨ āĻ¯ā§‡ āĻ‰āĻ¨āĻŋ āĻ‰āĻ¤ā§āĻ¤ā§‡āĻœāĻŋāĻ¤ āĻ•āĻŖā§āĻ ā§‡ “āĻĢāĻžāĻāĻ• āĻĢāĻžāĻāĻ• āĻĢāĻžāĻāĻ•â€ āĻŦāĻ˛ā§‡ āĻ‰āĻ āĻ˛ā§‡āĻ¨ āĻāĻŦāĻ‚ āĻ¤āĻžā§œāĻžāĻšā§ā§œīŋŊā§‹ āĻ¤ā§‡ āĻ¤āĻŋāĻ¨āĻŦāĻžāĻ°āĻ‡ āĻšāĻ¨ā§āĻĻā§āĻ°āĻŦāĻŋāĻ¨ā§āĻĻā§āĻŸāĻž miss āĻ•āĻ°ā§‡ āĻ—ā§‡āĻ˛ā§‡āĻ¨, āĻ¤āĻž āĻ āĻŋāĻ• āĻ āĻžāĻ“āĻ° āĻ•āĻ°āĻ¤ā§‡ āĻĒāĻžāĻ°āĻŋāĻ¨āĻŋāĨ¤ Class XI āĻšāĻ¤ā§‡ āĻ¨āĻž āĻšāĻ¤ā§‡ āĻ†āĻŽāĻžāĻ° āĻ¸ā§āĻ•ā§āĻ˛ā§‡āĻ° āĻĄāĻžāĻ•āĻ¨āĻžāĻŽāĻ‡ āĻšā§Ÿā§‡ āĻ—āĻŋā§Ÿā§‡āĻ›āĻŋāĻ˛ P.C.āĨ¤ ‘P’ āĻ…āĻ°ā§āĻĨāĻžā§Ž āĻĒāĻžāĻ—āĻ˛āĻž āĻ†āĻ° ‘C’ āĻŸāĻžâ€Ļ āĻ¨āĻžāĻš, āĻ“āĻŸāĻž āĻŦāĻ°āĻ‚ āĻ†āĻœ āĻĨāĻžāĻ•āĨ¤ āĻ¤īŋŊā§‹, āĻ†āĻŽāĻŋ-āĻ‡ āĻ¸ā§‡āĻ‡ āĻĒāĻžāĻ—āĻ˛; Last bench-āĻ āĻŦāĻ¸ā§‡ table āĻŦāĻžāĻœāĻŋā§Ÿā§‡ āĻĻāĻŋāĻ¨ āĻ•āĻžāĻŸāĻŋā§Ÿā§‡āĻ“ āĻĒāĻžāĻļ āĻ•āĻ°ā§‡āĻ›āĻŋ, āĻŦāĻŋā§Ÿā§‡āĻŦāĻžā§œāĻŋāĻ¤ā§‡ āĻ—āĻŋā§Ÿā§‡āĻ“ Rice āĻ¨āĻž āĻšā§‡ā§Ÿā§‡ āĻ­āĻžāĻ¤ āĻšā§‡ā§Ÿā§‡āĻ›āĻŋ (āĻāĻŦāĻ‚ āĻ¤āĻž āĻīŋŊā§‹āĻ˛ āĻĻāĻŋā§Ÿā§‡ āĻŽā§‡āĻ–ā§‡ āĻ–ā§‡ā§Ÿā§‡āĻ›āĻŋ), āĻŸā§āĻ¯āĻžāĻ•ā§āĻ¸āĻŋāĻ“ā§ŸāĻžāĻ˛āĻžāĻ•ā§‡ “āĻ•ā§ āĻ•ā§ āĻ°â€ āĻ¸āĻŽā§āĻŦā§‹āĻ§āĻ¨ āĻ•āĻ°ā§‡āĻ“ āĻĒāĻžā§œāĻžāĻ° āĻ¨ā§‡ā§œāĻŋāĻĻā§‡āĻ° āĻ˛ā§‡ā§œīŋŊā§‹ āĻŦāĻŋāĻ¸ā§āĻ•ā§āĻŸ āĻ–āĻžāĻ‡ā§Ÿā§‡āĻ›āĻŋ āĻāĻŦāĻ‚ āĻ¨āĻŋāĻœā§‡āĻ“ āĻ­ā§‡āĻ™ā§āĻ—ā§‡ āĻ–ā§‡ā§Ÿā§‡āĻ›āĻŋ , Rohit Shetty-āĻ° āĻ›āĻŦāĻŋ āĻ‰āĻĒāĻ­īŋŊā§‹āĻ— āĻ•āĻ°ā§‡āĻ“ āĻĒāĻĨā§‡āĻ° āĻĒāĻžāĻāĻšāĻžāĻ˛āĻŋ āĻĒā§œā§‡ āĻšīŋŊā§‹āĻ– āĻĨā§‡āĻ•ā§‡ āĻœāĻ˛ āĻ“ āĻ¨āĻžāĻ• āĻĨā§‡āĻ•ā§‡ semi āĻœāĻ˛ āĻĢā§‡āĻ˛ā§‡āĻ›āĻŋ , Quest āĻĨā§‡āĻ•ā§‡ āĻĒāĻ°āĻŋāĻ§āĻžāĻ¨ āĻ•āĻŋāĻ¨āĻ¤ā§‡ āĻ…āĻ•ā§āĻˇā§āĻ¯āĻŽ āĻšā§Ÿā§‡āĻ“ Freshers-āĻ āĻšāĻžāĻœāĻŋāĻ°āĻž āĻĻāĻŋā§Ÿā§‡ āĻ—ā§‡āĻ›āĻŋ,
  • 31. 27 FacebookāĻ āĻ¨āĻž āĻĨā§‡āĻ•ā§‡āĻ“ āĻ†āĻŽāĻžāĻ° āĻĒā§āĻ°āĻŋā§Ÿ āĻŦāĻ¨ā§āĻ§ā§āĻĻā§‡āĻ° āĻŽāĻ¨ āĻĨā§‡āĻ•ā§‡ āĻĒāĻ›āĻ¨ā§āĻĻ- āĻĨā§ā§œāĻŋ- like āĻ•āĻ°ā§‡āĻ›āĻŋ, āĻ—āĻžāĻāĻœāĻž āĻ¨āĻž āĻŸā§‡āĻ¨ā§‡āĻ“ āĻ•āĻŦāĻŋāĻ¤āĻž āĻ˛ā§‡āĻ–āĻžāĻ° āĻšā§‡āĻˇā§āĻŸāĻž āĻ•āĻ°ā§‡āĻ›āĻŋ, Metro āĻĨā§‡āĻ•ā§‡ āĻ¨ā§‡āĻŽā§‡ āĻ¨āĻŋāĻœā§‡āĻ•ā§‡ āĻ•ā§ ā§œāĻŋ āĻ¸ā§‡āĻ•ā§‡āĻ¨ā§āĻĄā§‡āĻ° āĻœāĻ¨ā§āĻ¯, Bhaag Milkha Bhaag modeāĻ āĻĒāĻ°āĻŋāĻŦāĻ°ā§āĻ¤āĻŋāĻ¤ āĻ¨āĻž āĻ•āĻ°ā§‡ āĻĢā§‡āĻ˛ā§‡āĻ“ āĻŽīŋŊā§‹āĻŸāĻžāĻŽā§āĻŸāĻŋ āĻ¸āĻŽā§Ÿ āĻŽāĻ¤ āĻŦāĻžā§œāĻŋ āĻĒā§ŒāĻāĻ›ā§‡ āĻ¯ā§‡āĻ¤ā§‡ āĻĒā§‡āĻ°ā§‡āĻ›āĻŋ, āĻĒāĻ°āĻŋāĻšāĻŋāĻ¤ āĻ¨āĻ° āĻŦāĻž āĻ¨āĻžāĻ°ā§€, āĻĒāĻžāĻļā§‡āĻ° seatāĻ āĻ¯ā§‡-āĻ‡ āĻĨāĻžāĻ•, āĻ¸āĻŋāĻ¨ā§‡āĻŽāĻž āĻšāĻ˛ āĻ āĻŦāĻ¸ā§‡ āĻ¸āĻŋāĻ¨ā§‡āĻŽāĻžāĻŸāĻž-āĻ‡ āĻĻā§‡āĻ–ā§‡āĻ›āĻŋ, āĻŦāĻŋāĻŦāĻžāĻšāĻŋāĻ¤ āĻĒā§āĻ°ā§āĻˇā§‡āĻ°āĻž āĻ¤āĻžāĻĻā§‡āĻ° āĻ…āĻ°ā§āĻ§āĻžāĻ™ā§āĻ—āĻŋāĻ¨ā§€āĻĻā§‡āĻ° āĻ†āĻ° I miss you āĻ¨āĻž āĻŦāĻ˛ā§‡ I Mrs. You āĻŦāĻ˛ā§‡ āĻĨāĻžāĻ•ā§‡āĻ¨ āĻ•āĻŋāĻ¨āĻž, āĻ­ā§‡āĻŦā§‡ āĻ°āĻžāĻ¤ āĻœā§‡āĻ—ā§‡ āĻ•āĻžāĻŸāĻŋā§Ÿā§‡āĻ›āĻŋ, āĻŦāĻžāĻ™āĻžāĻ˛āĻŋ “āĻŦāĻ‰āĻ­āĻžāĻ¤ āĻ–ā§‡āĻ¤ā§‡ āĻ¯āĻžāĻšā§āĻ›āĻŋ” āĻŦāĻ˛āĻ¤ā§‡ āĻ˛āĻœā§āĻœāĻž āĻĒāĻžā§ŸāĻ¨āĻž, āĻ•āĻŋāĻ¨ā§āĻ¤ā§ āĻ¸ā§‡āĻ‡ āĻŦāĻ‰āĻ­āĻžāĻ¤ā§‡āĻ‡ āĻ—āĻŋā§Ÿā§‡ āĻ¨āĻŋāĻœā§‡āĻ° āĻ—ā§ƒāĻšāĻŋāĻŖā§€āĻ•ā§‡ “āĻ†āĻŽāĻžāĻ° Mrs. .. āĻšā§‡āĻ āĻšā§‡āĻâ€ āĻŦāĻ˛ā§‡ āĻĒāĻ°āĻŋāĻšā§Ÿ āĻ•ā§‡āĻ¨ āĻĻā§‡āĻ¨, āĻ­ā§‡āĻŦā§‡ āĻŽāĻžāĻĨāĻž āĻšā§āĻ˛āĻ•ā§‡ āĻĒā§āĻ°āĻšā§āĻ° āĻ–ā§āĻ¸ā§āĻ•āĻŋ āĻ¸ā§āĻĨāĻžāĻ¨āĻšā§āĻ¯ā§āĻ¤ āĻ•āĻ°ā§‡āĻ›āĻŋ, (āĻ†āĻŽāĻžāĻ° āĻŦāĻŋāĻŦāĻžāĻšā§‡āĻ° āĻĒāĻ° āĻ†āĻ° āĻŦāĻ‰āĻ­āĻžāĻ¤ āĻ¨ā§Ÿ, āĻ­āĻžāĻŦāĻ›āĻŋ “Mrs āĻ­āĻžāĻ¤â€ āĻĒāĻžāĻ˛āĻ¨ āĻ•āĻ°āĻŦ!) LOLLYPOPāĻ°āĻž āĻ¯āĻĻāĻŋ āĻšāĻ āĻžā§Ž āĻšāĻžāĻ¸āĻ¤ā§‡ āĻļā§āĻ°ā§ āĻ•āĻ°ā§‡ āĻĻā§‡ā§Ÿā§‡, āĻ¤āĻžāĻšāĻ˛ā§‡ āĻ¤āĻžāĻ°āĻžāĻ“ āĻ¨āĻŋāĻœā§‡āĻĻā§‡āĻ° āĻ¨āĻžāĻŽā§‡āĻ° āĻĒā§āĻ°āĻĨāĻŽ āĻ¤āĻŋāĻ¨āĻŸā§‡ āĻ…āĻ•ā§āĻˇāĻ° āĻ¸āĻ°āĻŦā§‡ āĻ‰āĻšā§āĻšāĻžāĻ°āĻŖ āĻ•āĻ°ā§‡ āĻ¨āĻŋāĻœā§‡āĻĻā§‡āĻ° āĻ‰āĻ˛ā§āĻ˛āĻžāĻ¸ āĻĒā§āĻ°āĻ•āĻžāĻļ āĻ•āĻ°āĻŦā§‡ āĻ•āĻŋāĻ¨āĻž, āĻāĻ‡ āĻĻā§āĻļā§āĻšāĻŋāĻ¨ā§āĻ¤āĻžā§Ÿ āĻ­ā§ āĻ—ā§‡ āĻ°āĻ•ā§āĻ¤āĻšāĻžāĻĒ āĻŦāĻžā§œāĻŋā§Ÿā§‡āĻ›āĻŋ, āĻĻāĻžā§œāĻŋ āĻĨāĻžāĻ•āĻž āĻ“āĻ‡ āĻŦā§ŸāĻ¸ā§āĻ• āĻ­āĻĻā§āĻ°āĻ˛īŋŊā§‹āĻ•ā§‡āĻ° āĻ˛ā§‡āĻ–āĻž āĻ—āĻžāĻ¨āĻ—ā§āĻ˛īŋŊā§‹ Traffic jam āĻ āĻ†āĻŸāĻ•ā§‡ āĻ¨āĻž āĻĒā§œāĻž āĻ…āĻŦāĻ¸ā§āĻĨāĻžāĻ¤ā§‡āĻ“ āĻļā§āĻ¨ā§‡āĻ›āĻŋ āĻāĻŦāĻ‚ āĻ“āĻ¨āĻžāĻ° āĻ…āĻ¤ā§ƒāĻĒā§āĻ¤ āĻ†āĻ¤ā§āĻŽāĻžāĻ•ā§‡ āĻšā§āĻ°āĻŋ āĻ¯āĻžāĻ“ā§ŸāĻž āĻ¨īŋŊā§‹āĻŦā§‡āĻ˛āĻŸāĻžāĻ° āĻļīŋŊā§‹āĻ•ā§‡ āĻļāĻšāĻ°ā§‡āĻ° Signal-āĻ Signal-āĻ āĻ˜ā§āĻ°ā§‡ āĻŦā§‡ā§œāĻžāĻ¤ā§‡ āĻ¨āĻŋāĻˇā§‡āĻ§ āĻ•āĻ°ā§‡āĻ›āĻŋ, āĻŦā§‡āĻ˛āĻ¤āĻ˛āĻž girls school-āĻāĻ°, āĻ•īŋŊā§‹āĻ¨īŋŊā§‹ āĻ›āĻžāĻ¤ā§āĻ°ā§€āĻ° āĻ¸āĻĻā§āĻ¯ āĻĒāĻŋāĻ¤ā§ƒ āĻŦāĻž āĻŽāĻžāĻ¤ā§ƒāĻšāĻžāĻ°āĻž āĻĒā§āĻ°ā§‡āĻŽāĻŋāĻ• āĻ¯āĻĻāĻŋ āĻšāĻ āĻžā§Ž āĻ¤āĻ˛āĻĒā§‡āĻŸā§‡ āĻ¸ā§‡āĻ‡ āĻĒā§āĻ°ā§‡āĻŽāĻŋāĻ•āĻžāĻ°āĻ‡ āĻ›īŋŊā§‹āĻā§œāĻž bouncer āĻ–ā§‡ā§Ÿā§‡ Retired hurt āĻšā§Ÿā§‡ āĻ¯āĻžā§Ÿ, āĻ¤āĻžāĻšāĻ˛ā§‡ “āĻ¨ā§āĻ¯āĻžā§œāĻž āĻŦā§‡āĻ˛āĻ¤āĻ˛āĻžā§Ÿ āĻ•ā§‡āĻ¨ āĻ—ā§‡āĻ˛?”- āĻāĻ‡ āĻĒā§āĻ°āĻļā§āĻ¨ā§‡āĻ° āĻ‰āĻ¤ā§āĻ¤āĻ° āĻŽāĻŋāĻ˛āĻŦā§‡ āĻ•āĻŋ?- āĻāĻ‡ āĻ†āĻļāĻ™ā§āĻ•āĻžā§Ÿ āĻšīŋŊā§‹āĻ–ā§‡ (āĻļā§āĻ§ā§) āĻ¸āĻ°āĻˇā§‡ āĻĻā§‡āĻ–ā§‡āĻ›āĻŋāĨ¤ (-fool āĻ¤īŋŊā§‹ āĻ†ā§ŸāĻ¨āĻžā§Ÿ āĻ°īŋŊā§‹āĻœ āĻĻā§‡āĻ–āĻŋ) āĻšāĻžāĻ¤ā§‡āĻ° āĻ¨āĻžāĻ—āĻžāĻ˛ā§‡ āĻ…āĻ—āĻžāĻ§ space āĻĨāĻžāĻ•āĻžāĻ° āĻĢāĻ˛ā§‡ āĻ…āĻ¨ā§āĻ¤āĻ¤āĻƒ āĻĻā§āĻœāĻ¨ Astronaut āĻāĻ° āĻ­āĻžāĻ˛īŋŊā§‹āĻŦāĻžāĻ¸āĻžāĻ° āĻ¸āĻŽā§āĻĒāĻ°ā§āĻ• āĻšāĻŋāĻ°āĻ¸ā§āĻĨāĻžā§Ÿā§€ āĻšāĻŦā§‡ āĻ­ā§‡āĻŦā§‡ āĻĒā§āĻ˛āĻ•āĻŋāĻ¤ āĻŦīŋŊā§‹āĻ§ āĻ•āĻ°ā§‡āĻ›āĻŋ, āĻŦā§‡āĻļāĻŋ plan āĻ–ā§‡āĻ˛ā§‡ āĻ•ā§€ āĻŦā§‡āĻāĻŸā§‡ āĻšāĻ“ā§ŸāĻž āĻ¯āĻžā§Ÿ? (āĻ•āĻŽ plan āĻ–ā§‡āĻ˛ā§‡ āĻ˛āĻŽā§āĻŦāĻž āĻšā§Ÿ āĻœāĻžāĻ¨āĻŋ) – āĻāĻ‡ āĻĒā§āĻ°āĻļā§āĻ¨āĻŸāĻŋ NutritionistāĻĻā§‡āĻ° āĻ•āĻ°ā§‡ āĻ•āĻŋāĻ›ā§ āĻ¸ā§āĻŦāĻ°ā§āĻŖāĻžāĻ­ āĻ–āĻŋāĻ¸ā§āĻ¤āĻŋ- āĻ…āĻ˛āĻ™ā§āĻ•āĻžāĻ°ā§‡ āĻ¸ā§āĻ¸āĻœā§āĻœāĻŋāĻ¤ āĻšā§Ÿā§‡āĻ›āĻŋ, āĻ¸āĻŋāĻ¨ā§‡āĻŽāĻž āĻļā§āĻ°ā§āĻ° āĻ āĻŋāĻ• āĻ†āĻ—ā§‡, āĻ¤āĻžāĻŽāĻžāĻ•āĻ¸ā§‡āĻŦāĻ¨ā§‡āĻ° āĻ•āĻžāĻ°āĻŖā§‡ āĻŽā§āĻ•ā§‡āĻļ-āĻāĻ° āĻšāĻžāĻ¸ā§āĻ¯āĻ•āĻ° āĻŽā§ƒāĻ¤ā§āĻ¯ā§ āĻ¨āĻžāĻ•āĻŋ āĻ¸āĻŋāĻ¨ā§‡āĻŽāĻž āĻļā§‡āĻˇā§‡āĻ° āĻ āĻŋāĻ• āĻ†āĻ—ā§‡ āĻ¸āĻžāĻ¤āĻšāĻ˛ā§āĻ˛āĻŋāĻļāĻ¤āĻŽ attemptāĻāĻ° āĻ—ā§āĻ˛āĻŋāĻ¤ā§‡ āĻ˜āĻžā§Ÿā§‡āĻ˛ āĻšāĻ“ā§ŸāĻž āĻ¨āĻžā§ŸāĻ•ā§‡āĻ° āĻŽāĻ°ā§āĻŽāĻžāĻ¨ā§āĻ¤āĻŋāĻ• āĻŽā§ƒāĻ¤ā§āĻ¯ā§- āĻ•īŋŊā§‹āĻ¨āĻŸāĻžā§Ÿ hamartia-āĻ° āĻĒāĻ°āĻŋāĻŽāĻžāĻŖ āĻŦā§‡āĻļāĻŋ āĻ­ā§‡āĻŦā§‡ loadsheddingāĻāĻ° āĻĻā§āĻĒā§āĻ°ā§‡ āĻŦāĻšā§ āĻŽāĻļāĻž āĻŽā§‡āĻ°ā§‡āĻ›āĻŋ, āĻ¸āĻžāĻĻāĻž-āĻ•āĻžāĻ˛īŋŊā§‹-āĻŦāĻžāĻĻāĻžāĻŽāĻŋ-tan-āĻšā§āĻ¯āĻžāĻ¨-āĻ¤ā§āĻ¯āĻžāĻ¨ āĻ¨āĻŋāĻ°ā§āĻŦāĻŋāĻļā§‡āĻˇā§‡, āĻ•īŋŊā§‹āĻ¨āĻ“ āĻ¨ā§āĻ¯āĻžā§ŸāĻĒāĻ°āĻžā§ŸāĻŖāĻž āĻ“ āĻ¸ā§āĻ¨ā§‡āĻšāĻļā§€āĻ˛ āĻ¨āĻžāĻ°ā§€āĻ° āĻ¸āĻŽā§āĻŽā§āĻ–ā§€āĻ¨ āĻšāĻ˛ā§‡ āĻ¤āĻžāĻ•ā§‡āĻ‡ Fair & Lovely girl āĻŦāĻ˛ā§‡ āĻŽā§‡āĻ¨ā§‡ āĻ¨āĻŋāĻ¤ā§‡ āĻāĻ•āĻŸā§ āĻ“ āĻ•ā§ āĻŖā§āĻ āĻž āĻŦīŋŊā§‹āĻ§ āĻ•āĻ°āĻŦ āĻ¨āĻž āĻŦāĻ˛ā§‡ āĻ­ā§‡āĻŦā§‡ āĻ¨āĻŋā§Ÿā§‡āĻ›āĻŋ, āĻŦāĻžāĻ¨ā§āĻ§āĻŦā§€ āĻ•ā§‡ ‘āĻ¸āĻžāĻ¨ā§€â€™ āĻ¸ā§āĻ˛āĻ­ āĻ“ āĻ¨āĻŋāĻœā§‡āĻ•ā§‡ ‘āĻšāĻžāĻ¨āĻŋ’ āĻ¸ā§āĻ˛āĻ­ āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨āĻ¤āĻž āĻĻāĻŋāĻ¤ā§‡ āĻ…āĻĒāĻžāĻ°āĻ— āĻšā§Ÿā§‡āĻ“ fluoroscent orange āĻ˛ā§‡āĻĄāĻŋāĻ¸ āĻŦā§āĻ¯āĻžāĻ— āĻŸāĻž āĻ§āĻ°ā§‡, āĻ¸ā§‡āĻ‡ āĻ¸ā§āĻ˛āĻ­-āĻāĻ°āĻ‡ āĻŦāĻžāĻ‡āĻ°ā§‡ āĻ¨āĻŋāĻ°ā§āĻĻā§āĻŦāĻŋāĻ§āĻžā§Ÿ āĻĻāĻžāĻā§œāĻŋā§Ÿā§‡ āĻŽāĻžāĻ›āĻŋāĻ° āĻĄāĻžāĻ¨āĻžāĻ° āĻ°āĻ™ āĻŦīŋŊā§‹āĻāĻžāĻ° āĻšā§‡āĻˇā§āĻŸāĻž āĻ•āĻ°ā§‡āĻ›āĻŋ, February āĻšīŋŊā§‹āĻĻā§āĻĻā§‹ (āĻ¸āĻ¨ā§āĻ§āĻŋāĻŦāĻŋāĻšā§āĻ›ā§‡āĻĻ āĻ…āĻ¨āĻžāĻŦāĻļā§āĻ¯āĻ•) āĻāĻ˛ā§‡ “āĻ†āĻŦīŋŊā§‹āĻ˛-āĻ¤āĻžāĻŦīŋŊā§‹āĻ˛â€āĻŸāĻž 108 āĻ¤āĻŽ āĻŦāĻžāĻ° revise āĻŽā§‡āĻ°ā§‡ āĻ•āĻžāĻŸāĻŋā§Ÿā§‡āĻ›āĻŋ, āĻāĻŦāĻ‚ āĻ¸āĻžāĻ°āĻžāĻœā§€āĻŦāĻ¨ Cock āĻŽāĻžāĻ¨ā§‡ āĻŽīŋŊā§‹āĻ°āĻ— āĻāĻŦāĻ‚ Date āĻŽāĻžāĻ¨ā§‡ āĻ–ā§‡āĻœā§āĻ° āĻŦā§āĻā§‡ āĻāĻ¸ā§‡āĻ›āĻŋāĨ¤ āĻāĻ‡āĻ°ā§‚āĻĒ āĻĒā§āĻ°āĻšā§āĻ° āĻĒāĻžāĻ—āĻ˛āĻžāĻŽāĻŋ āĻ•āĻ°ā§‡āĻ“ āĻŦāĻŋāĻļā§āĻŦāĻžāĻ¸ āĻ•āĻ°ā§āĻ¨ āĻĻāĻžāĻĻāĻžāĻ­āĻžāĻ‡/āĻĻāĻŋāĻĻāĻŋāĻ­āĻžāĻ‡, āĻ•āĻžāĻ°īŋŊā§‹āĻ° āĻĒāĻļā§āĻšāĻžā§ŽāĻĻā§‡āĻļā§‡ āĻ¯āĻ¨ā§āĻ¤ā§āĻ°āĻŖāĻž āĻĻā§‡āĻ“ā§ŸāĻžāĻ° āĻ•īŋŊā§‹āĻ¨īŋŊā§‹ āĻĒā§āĻ°āĻ•āĻžāĻ° āĻ…āĻ­āĻŋāĻĒā§āĻ°āĻžā§Ÿ āĻ•ā§‡ āĻ•āĻ–āĻ¨āĻ“ āĻŦāĻžāĻ¸ā§āĻ¤āĻŦāĻžā§ŸāĻŋāĻ¤ āĻ•āĻ°āĻŋāĻ¨āĻŋāĨ¤ āĻ¸āĻŽāĻ¸ā§āĻ¤ Normal āĻ­āĻĻā§āĻ°āĻŽāĻšīŋŊā§‹āĻĻā§ŸāĻ—āĻŖā§‡āĻ° āĻ¨āĻŋāĻ•āĻŸ āĻ†āĻŽāĻžāĻ° āĻŦāĻŋāĻ¨ā§€āĻ¤ āĻ…āĻ¨ā§āĻ°īŋŊā§‹āĻ§, āĻĒāĻ°ā§‡āĻ° āĻŦāĻžāĻ° āĻ†āĻŽāĻžāĻ•ā§‡ āĻ¸āĻļāĻŦā§āĻĻā§‡ āĻšā§āĻŽā§āĻ• āĻĻāĻŋā§Ÿā§‡ āĻšāĻž āĻ–ā§‡āĻ¤ā§‡ āĻĻā§‡āĻ–āĻ˛ā§‡ āĻĻā§ŸāĻž āĻ•āĻ°ā§‡ āĻ…āĻŽāĻ¨ āĻ¨āĻŋāĻˇā§āĻ ā§ āĻ°āĻ­āĻžāĻŦā§‡ āĻ¤āĻžāĻ•āĻžāĻŦā§‡āĻ¨ āĻ¨āĻž; āĻŦāĻŋāĻˇāĻŽ āĻ˛ā§‡āĻ—ā§‡ āĻ¯ā§‡āĻ¤ā§‡ āĻĒāĻžāĻ°ā§‡āĨ¤ āĻ•āĻ˛āĻ•āĻžāĻ¤āĻž āĻŦāĻŋāĻļā§āĻŦāĻŦāĻŋāĻĻā§āĻ¯āĻžāĻ˛ā§Ÿā§‡āĻ¤ā§‡ āĻ­ā§ āĻ˛ āĻ•āĻ°ā§‡ āĻĸā§ āĻ•ā§‡ āĻĒā§œā§‡āĻ›āĻŋ; āĻ†āĻŽāĻŋ āĻ†āĻ¸āĻ˛ā§‡ āĻāĻžā§œā§ āĻĻāĻžāĻ°ā§‡āĻ° āĻĒāĻĻāĻŸāĻž āĻ–āĻžāĻ˛āĻŋ āĻ†āĻ›ā§‡ āĻĻā§‡āĻ–ā§‡ āĻšāĻ˛ā§‡ āĻāĻ¸ā§‡āĻ›āĻŋāĻ˛āĻžāĻŽāĨ¤ āĻ¤īŋŊā§‹ āĻšāĻ˛ā§‡āĻ‡ āĻ¯āĻ–āĻ¨ āĻāĻ¸ā§‡āĻ›āĻŋ, āĻāĻ‡ Top to Bottom āĻĒāĻžāĻ—āĻ˛āĻ•ā§‡ āĻ¤āĻžāĻ° āĻ•ā§āĻˇā§āĻ¯āĻžāĻĒāĻžāĻŽāĻŋāĻ—ā§āĻ˛īŋŊā§‹ Practice āĻ•āĻ°āĻžāĻ° āĻ¸ā§āĻŦāĻžāĻ§ā§€āĻ¨āĻ¤āĻž āĻŸā§ āĻ•ā§ āĻĻāĻŋā§Ÿā§‡ āĻŦāĻžāĻ§āĻŋāĻ¤ (āĻļāĻŋāĻ•ā§āĻˇāĻŋāĻ¤āĻ°āĻž oblige) āĻ•āĻ°āĻŦā§‡āĻ¨āĨ¤ āĻ§āĻ¨ā§āĻ¯āĻŦāĻžāĻĻāĨ¤ āĻ¨āĻŽāĻ¸ā§āĻ•āĻžāĻ°āĨ¤ Horn Ok please. Goodnight.